As a long time user of Finale (since 1.0) I have to register my EXTREME
disappointment and displeasure that EPS export for the new Mac 2004 is
delayed again. Many of us long-time and professional users (and
teachers
who introduce our students to Finale) rely on EPS export. For me (as
all of
the
Title: Re: [Finale] layout bug?
On 9.6.2003 01:35, "Daniel Dorff" <[EMAIL PROTECTED]> wrote:
Has anyone had a strange problem with systems repeating from the bottom of one page to the top of the next page?
In Finale 2003a for Windows, this is a saxophone & piano piece using 4 systems of 3-sta
On 20.9.2002 15:05, "Linda Worsley" <[EMAIL PROTECTED]> wrote:
>
> I've been following this thread for quite a while now, with amazement:
>
> A lot of what I put into Finale, uses lyrics (lots of songs, choral
> works-- multiple verses, multiple endings, various arcane
> configurations) and ...
On 14.7.2002 20:05, "Johannes Gebauer" <[EMAIL PROTECTED]> wrote:
> I am wondering if there are any music fonts out there that I haven't heard
> of. Here is the list of fonts I know of (not mentioning any handwritten
> fonts):
>
> Petrucci
> Engraver
> Maestro
> Maestro Wide
>
> Opus (Sibelius?
On 14.7.2002 03:12, "David W. Fenton" <[EMAIL PROTECTED]> wrote:
> On 13 Jul 2002, at 10:58, Andrew Stiller wrote:
>
>> Meanwhile, here are my requests:
>>
>> --Eliminate unnecessary prompts to save.
>
> This is the kind of request that makes computer programmers scream.
>
> How the hell coul
snip:
>
> The 360 is a high quality printer within the 600*600 category. Sad that it
> is limited to the serial input.
>
> And yes, I have one myself.
>
> Klaus
>
What do you mean by
> it is limited to the serial input.
>From the manual:
...
Features standard parallel, LocalTalk, and se
On 3.7.2002 20:31, "Andrew Stiller" <[EMAIL PROTECTED]> wrote:
>>
>> Andrew,
>>
>> Check to see that the AppleTalk control panel is set to connect via
>> the printer port (you can use either serial port), and that
>> AppleTalk is active.
> ...
>
>> Tim Thompson
>
> That did the trick; thanks!
On 3.7.2002 20:11, "Andrew Stiller" <[EMAIL PROTECTED]> wrote:
>> On 3.7.2002 14:15, "Andrew Stiller" <[EMAIL PROTECTED]> wrote:
>>
>>> I picked up an Apple LaserWriter Select 360 for $25 at a thrift
>>> store, to use w. my old PowerMac running system 8.0. I have the right
>>> driver and PDF
On 3.7.2002 14:15, "Andrew Stiller" <[EMAIL PROTECTED]> wrote:
> I picked up an Apple LaserWriter Select 360 for $25 at a thrift
> store, to use w. my old PowerMac running system 8.0. I have the right
> driver and PDF for it, but I can't get the Chooser to see the printer.
>
> Whoever previously
On 3.7.2002 14:15, "Andrew Stiller" <[EMAIL PROTECTED]> wrote:
> I picked up an Apple LaserWriter Select 360 for $25 at a thrift
> store, to use w. my old PowerMac running system 8.0. I have the right
> driver and PDF for it, but I can't get the Chooser to see the printer.
>
> Whoever previously
On 30.6.2002 02:10, "Éric Dussault" <[EMAIL PROTECTED]> wrote:
> I was just reading this new book and some ideas expressed by mr. Powell urge
> me to get the opinion of you people on this list.
> I first have to say that there are a lot of interesting things in this book.
> The staff sizes chart
On 27.6.2002 19:52, "John Howell" <[EMAIL PROTECTED]> wrote:
>> Guido d'Arezzo introduced the syllables *ut re mi fa sol la* as names
>> for the tones *c-a*. Later *ut* was replaced with *do* and *si*
>> (now *ti*) added to complete the octave. Now we have a kind of
>> notation, which we migth s
On 27.6.2002 20:42, "Andrew Stiller" <[EMAIL PROTECTED]> wrote:
>>
>> Guido d'Arezzo introduced the syllables *ut re mi fa sol la* as names
>> for the tones *c-a*. Later *ut* was replaced with *do* and *si*
>> (now *ti*) added to complete the octave. Now we have a kind of
>> notation, which we
On 27.6.2002 15:04, "Andrew Stiller" <[EMAIL PROTECTED]> wrote:
Randy, I'm always surprised when you write about no governmental
support of the arts when, I'm guessing, most of Coda's clientele
receives, or has received, benefits from the government in various
forms.
>>>
On 20.5.2002 03:43, "Linda Worsley" <[EMAIL PROTECTED]> wrote:
> You'd think after a hundred years of writing music and copying
> manuscripts I'd know this, but when I was asked today, and gave "my"
> answer, it made me think: Is this right??? Help me, o list gurus.
>
> I generally do not call
On 26.4.2002 22:34, "Johannes Gebauer" <[EMAIL PROTECTED]> wrote:
> Due to the discussion about Igor I got reminded again of something that I'd
> like to initiate, though I cannot do it on my own.
>
> Recently there was a kind of competition between different computer
> engravers using different
On 20.4.2002 17:22, "Jari Williamsson" <[EMAIL PROTECTED]>
wrote:
> Jón Kristinn Cortez writes:
>
>> No, you are not alone!
>> I have been busy just using my delete button as I am sure many of us have
>> been doing instead of shouting or unsubscribing o
On 20.4.2002 16:06, "Javier Ruiz" <[EMAIL PROTECTED]> wrote:
> This is too quiet...
>
> What´s up? Everybody have unsubscribed?
> Following Johannes' suggestion I simply set Finale to no-mail while the
> problem with the bouncing messages.
>
> Now it seems to be ok, but I am alone here... :(
>
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