At 11:05 PM 10/14/02, shirling & neueweise wrote:
<< a look at the two piano reduction - by igor himself - would likely clear
up the confusion regarding 'proper' register in at least some of the cases.
>>
I don't think there's any confusion about the intended register. It's quite
clear what he w
I checked with a colleague who has conducted the piece. He confirmed that
our interpretation of the flute part is correct. (Rereading your note,
Colin, I believe you were describing the same thing I was, but in different
words).
As for the bass clarinet part, he tells me that Stravinsky went bac
Not so much an anomaly, but another controversy (at least in the horn world) is
the question of which octave the "Tenor Tuba" parts sound in. (These parts are
actually played on Wagner Tube by the 7th and 8th horn players.) Some people say
the Tenor Tubas should be in unison with the Bass Tubas. O
At 06:58 AM 10/13/02, Mark D. Lew wrote:
>At 11:47 PM 10/12/02, Colin Broom wrote:
>
>>Ok, I'll come clean. For reasons that are too uninteresting to explain,
>>I've been putting the Introduction of Part 1 of of Stravinsky's 'The Rite of
>>Spring' into Finale. Suffice to say it's related to
On 2002/10/12 10:04 PM or thereabouts, Andrew Stiller
<[EMAIL PROTECTED]> intoned:
> I've explained this to the list, it feels like, over and over and
> over. Whay doesn't it stick? Make a sampler, people! Put it on your
> wall:
>
> X X X GERMAN BASS CLARINETS USE THE BASS CLEF X X X
Oh, well,
> [John Blane:]
(although I am unclear as
to why you would show a bass clef for this instrument).
"The Technique of Orchestration" by Kent Wheeler Kennan, if I remember
correctly (it's not handy to check now) states that either the
treble clef or
bass clef can be used for notating music
A bass clef for bass clarinet is also used in those scores in concert pitch.
I am asked to do that all the time. After I have to prepare the part in
transposed G-clef, and of course I have to correct all the overlapping
problems.
Also I have seen that in the pieces for soprano, guitar, and clarine
At 06:34 PM 10/12/02 -0400, Darcy James Argue wrote:
>the bass clef is no longer a viable option for bass clarinet
>parts.
However, for a chamber group two years ago, I was asked to make sure the
b.c. part was in bass clef at sounding pitch, not treble clef. But it was a
b.c.-only player, not a cl
- Original Message -
From: "Mark D. Lew
> It's possible that there is some good reason to be using the bass clef
that
> you're unaware of.
Ok, I'll come clean. For reasons that are too uninteresting to explain,
I've been putting the Introduction of Part 1 of of Stravinsky's 'The Rite of
Traditionally bass clarinetists read music in treble clef, sounding a
major 9th lower, so that soprano clarinetists can simply pick up a bass
clarinet and start playing. It gets back to the whole transposing
instrument thing, where the music has to be transposed so the player can
simply switch
In a message dated 10/12/02 5:13:07 PM, [EMAIL PROTECTED] writes:
<< if it is in bass clef, it is played a major 2nd lower. Considering the
pitch range
of the instrument, I would have thought the bass clef to be the better choice,
and the one I would prefer.>>
Don't you mean "sounds" a major
On 2002/10/12 06:05 PM or thereabouts, Michael Edwards <[EMAIL PROTECTED]>
intoned:
> [John Blane:]
>
>> (although I am unclear as
>> to why you would show a bass clef for this instrument).
>
> "The Technique of Orchestration" by Kent Wheeler Kennan, if I remember
> correctly (it's not handy to
[John Blane:]
>(although I am unclear as
>to why you would show a bass clef for this instrument).
"The Technique of Orchestration" by Kent Wheeler Kennan, if I remember
correctly (it's not handy to check now) states that either the treble clef or
bass clef can be used for notating music for
At 10:20 PM 10/12/02, Colin Broom wrote:
>Aha! That did it. Thanks. As to your thoughts regarding using bass clef
>for bass clarinet, I thought the same thing, but I'm just following the
>score - it's not my music.
Just a thought to share with people here, no ax to grind: Isn't it a shame
tha
- Original Message -
> This transposition includes a "Set to clef" setting (in the tranposition
> section of the staff attributes) which has locked this staff to treble
clef.
> Uncheck this option and your bass clef will appear (although I am unclear
as
> to why you would show a bass clef
Colin,
have a look into db staff attributes/staff transposition.
Surely there is 'Set to clef' + treble clef enabled.
If you want to have clef changes - disable 'Set to clef'.
Best wishes
Raimund Lintzen
Colin Broom schrieb:
> Ok, this is a new one on me. I'm putting in a bass clarinet part
In a message dated 10/12/02 3:53:53 PM, [EMAIL PROTECTED] writes:
<< Ok, this is a new one on me. I'm putting in a bass clarinet part at the
moment (in transposed pitch), and I can't seem to insert a bass clef in one
particular bar. It just seems to refuse to display, no matter what settings
Ok, this is a new one on me. I'm putting in a bass clarinet part at the
moment (in transposed pitch), and I can't seem to insert a bass clef in one
particular bar. It just seems to refuse to display, no matter what settings
I choose, even if I have"Always show Clef", or place the clef before or
a
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