On 23.10.2005 Chuck Israels wrote:
I find no disadvantage to having Automatic Update Layout and
Automatic Spacing turned on all the time. Perhaps some others may
be able to describe circumstances in which it is better to have them
off, but I have yet to run into any.
I always have
Dean M. Estabrook wrote:
Ok ..well, for some reason, when I try to utilize either printer via
the hub, they do not function. When I plug either in directly, they
function fine. It is a Belkin powered bus. I think I don't understand.
Dean
Are there drivers that need to be installed?
Raymond Horton wrote:
Lon Price wrote:
As a woodwind player, the only practical reason that I can see for
writing the bass clef for bass clar. is the avoidance of a lot of
ledger lines. As a clarinet player, I'm used to seeing 3 ledger
lines below the staff, and 4 above. With the
Christopher Smith wrote:
On Oct 22, 2005, at 1:33 PM, Raymond Horton wrote:
it really reeks havoc with the score spacing.
Since I know from your recent posts that you are the kind of guy who
hates to use the wrong homophone, I'm sure you won't take it badly when
I point out that you
keith helgesen wrote:
I saw a newspaper(Ausie!)headline recently- *New Orleans batons down the
hatches*
Gawd- I hate that!!
That's because down there, the pronunciation of the city Baton Rouge
makes the first word rhyme with batten. People often resort to
spelling less familiar words the
Robert Patterson wrote:
While the spacing may really have reeked, and havoc may actually have
been wrought, the saying in this case is usually, wreck havoc, for
which I sfaik the correct past tense is wrecked havoc.
No, wreck is often the result from havoc having been wrought.
Something
Noel Stoutenburg wrote:
Christopher Smith wrote:
While I easily found dictionary entries for wreak havoc, play
havoc and cry havoc, I didn't find one for wreck havoc. In fact,
given the definition of havoc (mayhem, destruction, etc.) the
expression wreck havoc doesn't make a lot of sense to
Bill,
I agree and I would buy a Sher-quality chord font from you in a
picosecond. And a set of templates for Sher-style charts would be
fabulous, too.
I *love* the stuff of yours I use now.
**Leigh
On Sat, Oct 22, 2005, Darcy James Argue [EMAIL PROTECTED] wrote:
Given your expertise, I'm sure
The iMac G5 has 3 USB ports, run the two printers directly and put the hub
in the one left. Then plug your other USB devices to the hub (like the
keyboard.
A MIDI interface can be connected to the USB connector in the keyboard.
Hope it helps...
Ok ..well, for some reason, when I try to utilize
At 7:32 AM -0400 10/23/05, dhbailey wrote:
I think the problems of bass clarinets and the use of clefs is
exacerbated by the fact that many (most?) professional bass
clarinetists use instruments with extended range down to low C,
making it possible to run into that extra ledger line below
At 7:39 AM -0400 10/23/05, dhbailey wrote:
But at least it keeps the conversation going, when your fellow
guests complain about the language-nazis and how language is
evolving and shouldn't be rigidly locked into any one state of
existence like Latin is.
Actually it was the church, which
Can anyone summarize (or point me to a summary) of the changes in the
2nd edition? In particular, I am interested if there are extensive
updates on usage and availability of percussion, since the 1st edition I
have (1985) is probably quite dated in such a rapidly changing area.
Thanks.
--
On 22 Oct 2005 at 20:58, Darcy James Argue wrote:
If you need to manually remove system locks, you can do that in the
Mass Edit tool, by pressing cmd-A (or on Windows, ctrl-A) for Select
All, and then cmd-U (or, I think, ctrl-U on Windows) to unlock all
systems. Then you can manually lock
Noel Stoutenburg wrote:
Christopher Smith wrote:
While I easily found dictionary entries for wreak havoc, play
havoc and cry havoc, I didn't find one for wreck havoc. In fact,
given the definition of havoc (mayhem, destruction, etc.) the
expression wreck havoc doesn't make a lot of sense
Hi Bill et al,
Perhaps Chris, Darcy, Greg Hamilton, and some others can help to come
up with a set of a few jazz articulations that most of us need. I
use few of them; a fall-off, a scoop up to pitch, and one that
indicates a drop and rise in pitch. Something for a brass shake
would
On 23 Oct 2005 at 7:43, dhbailey wrote:
keith helgesen wrote:
I saw a newspaper(Ausie!)headline recently- *New Orleans batons down
the hatches* Gawd- I hate that!!
That's because down there, the pronunciation of the city Baton Rouge
makes the first word rhyme with batten. People often
Or as in my opera lyric for chorus:
Mayhem wreaks order! Mayhem wreaks order! Mayhem wreaks order
wrecks...?
Jerry
On 23-Oct-05, at 3:48 PM, Ken Moore wrote:
Noel Stoutenburg wrote:
Christopher Smith wrote:
While I easily found dictionary entries for wreak havoc, play
havoc and
Yeah, I too bought the Ash Font, but have rarely used it. I do use the
jazz font, but basically only to use the articulations in it, as it does
have scoops and what not. I also bought the swing font
(www.jazzfont.com), from the author of the Jazz Font. Though, I have
found that I don't care
shudder
I wish you had not shown me this website, except that now according to
(I believe it was) Mark Lew, I can be the life of any party.
David W. Fenton wrote:
On 23 Oct 2005 at 7:43, dhbailey wrote:
keith helgesen wrote:
I saw a newspaper(Ausie!)headline recently- *New Orleans
On Oct 23, 2005, at 1:13 PM, Eric Dannewitz wrote:
Yeah, I too bought the Ash Font, but have rarely used it. I do use
the jazz font, but basically only to use the articulations in it,
as it does have scoops and what not. I also bought the swing font
(www.jazzfont.com), from the author of
On Oct 22, 2005, at 6:32 PM, Darcy James Argue wrote:
Nothing needs to bounces around with Automatic Update Layout on, so
long as you choose the appropriate Update Layout settings for your
work (like, for instance, Reflow only within systems). The
advantage to leaving Update Layout on is
On Oct 23, 2005, at 1:25 PM, Robert Patterson wrote:
I wish you had not shown me this website, except that now according to
(I believe it was) Mark Lew, I can be the life of any party.
Not me. I think it was David Bailey.
mdl
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On Oct 23, 2005, at 4:00 PM, David W. Fenton wrote:
Well, baton down the hatches seems to be an Australianism, as if
you Google it, a very large proportion of the results are Australian
in origin, and none have anything to do with articles about Baton
Rouge.
This is what's called by linguists
I be damned ... I have been laboring under the assumption that d
concert was the lowest note a b.c. could play without extension. I
checked the fingering chart, and you are correct. It's amazing how
much I learn from this site.
Thanks,
Dean
On Oct 23, 2005, at 8:01 AM, Robert Patterson
Where did you get such cartridge?
Dean
On Oct 23, 2005, at 12:16 AM, dc wrote:
Noel Stoutenburg écrit:
I would, if I may, offer a word of caution in purchasing a laser
printer to use with Finale, based upon the research I did some
time ago. Factor into your purchase decision
Hard to believe that this is the first time I've encountered a
situation in which trill notation is ambiguous, but
Anyway, I'm in F minor, and there's a flute trill from G flat, and I
want it to trill to A flat. Do I indicate tr natural? or tr flat?
Just what do those accidentals on
There are drivers installed, but they may not have been installed
while the hub was in use, I can't remember. I'll look into that. I
did connect my new laser to the USB port in the keyboard, which I
had forgotten about, and it seems happy there, so maybe I'm ok ...
but I would still like
Yeah, that might do the trick ...
Thanks,
Dean
On Oct 23, 2005, at 6:06 AM, Javier Ruiz wrote:
The iMac G5 has 3 USB ports, run the two printers directly and put
the hub
in the one left. Then plug your other USB devices to the hub (like the
keyboard.
A MIDI interface can be connected to
Chuck Israels wrote:
Hard to believe that this is the first time I've encountered a
situation in which trill notation is ambiguous, but
Anyway, I'm in F minor, and there's a flute trill from G flat, and I
want it to trill to A flat. Do I indicate tr natural? or tr flat?
Just what
What is the easiest way to create, in a band score, a notational
diagram for the Timp part, to let the player know what pitches will
be used? I'll check the ossia proceedure, but if I want just note
heads, what's the process?
Dean
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Finale
On Oct 23, 2005, at 2:58 PM, Christopher Smith wrote:
On Oct 23, 2005, at 5:41 PM, Chuck Israels wrote:
Hard to believe that this is the first time I've encountered a
situation in which trill notation is ambiguous, but
Anyway, I'm in F minor, and there's a flute trill from G flat,
Dean,
As I recall the USB ports in your keyboard are both first generation
usb 1.1 ports.
USB 2 ports are lots and lots faster...
So I guess that plugging your laserjet into the keyboard will
slowdown the entire printing process
as soon as you have complex or bigger print tasks...
Chuck Israels wrote:
On Oct 23, 2005, at 2:58 PM, Christopher Smith wrote:
On Oct 23, 2005, at 5:41 PM, Chuck Israels wrote:
Hard to believe that this is the first time I've encountered a
situation in which trill notation is ambiguous, but
Anyway, I'm in F minor, and there's a
H more food for thought. Many thanks.
Dean
On Oct 23, 2005, at 3:11 PM, Jan Melaerts wrote:
Dean,
As I recall the USB ports in your keyboard are both first
generation usb 1.1 ports.
USB 2 ports are lots and lots faster...
So I guess that plugging your laserjet into the keyboard
On 23 Oct 2005 at 23:15, Owain Sutton wrote:
Chuck Israels wrote:
On Oct 23, 2005, at 2:58 PM, Christopher Smith wrote:
On Oct 23, 2005, at 5:41 PM, Chuck Israels wrote:
Hard to believe that this is the first time I've encountered a
situation in which trill notation is
Thanks. I'll chew on this for a bit.
Dean
On Oct 23, 2005, at 3:04 PM, Owain Sutton wrote:
Christopher Smith wrote:
On Oct 23, 2005, at 5:47 PM, Dean M. Estabrook wrote:
What is the easiest way to create, in a band score, a notational
diagram for the Timp part, to let the player know
David W. Fenton wrote:
Well, it certainly depends on the tonal context of the trill, but I'm
having a hard time understanding where G flat trilling to G natural
(A double flat) would be the default interpretation, or even one of
the plausible interpretations.
I don't consider a Gb to be
Chuck,
Use TGTools to create a parenthesized trill note. Check the
documentation for the how-to -- once you get used to it, it's great.
They even play back correctly with Human Playback.
The only drawback is that you will need to remember to always repair
trill notes after music
On Oct 23, 2005, at 3:50 PM, Darcy James Argue wrote:Chuck,Use TGTools to create a parenthesized trill note. Check the documentation for the how-to -- once you get used to it, it's great. They even play back correctly with Human Playback.The only drawback is that you will need to remember to
John Howell wrote:
There's also another factor that no one has mentioned. Bass clarinet
is one thing, but EEb contra-alto is another. Most educational
arrangements do not have separate parts for the EEb contra.
Therefore, EEb players are stuck reading a concert pitch bass clef
part as a
I definitely like the cue note approach when in doubt. There is
another convention that we use in film music when notes are changing
rapidly and are all trilled. Especially where there isn't a given
key and it would be extremely time consuming to put cue notes on each
note. Tr 1/2 and
Two options for this:
1) Ossia tool as mentioned
2) A new (additional) first bar in the timpani part. Set the next bar
(the first real bar of music) to the correct measure number, and start
a new staff system, then reduce the right hand margin of the first
line accordingly.
I prefer to use the
On Oct 23, 2005, at 4:00 PM, David W. Fenton wrote:
http://eggcorns.lascribe.net/about/
Off the above link, here's the baited breath one that someone here
(Robert?) paraphrased:
The Cruel Clever Cat, by Ogden Nash (I think!)
Sally, having eaten cheese,
Directs down holes the scented
Dean M. Estabrook wrote:
What is the easiest way to create, in a band score, a notational
diagram for the Timp part, to let the player know what pitches will
be used? I'll check the ossia proceedure, but if I want just note
heads, what's the process?
This is not too different from the
I watched enough cartoons as a kid to really appreciate this poem. Would an
appropriate score for the animation of this poem be The Old Castle from
Pictures at an Exhibition?
I looked the poem up online at
http://www.worldwidewords.org/qa/qa-bai1.htm
and they credited Geoffrey Taylor.
Don
On Oct 23, 2005, at 5:31 PM, Christopher Smith wrote:
Off the above link, here's the baited breath one that someone here
(Robert?) paraphrased:
Ah, my net attribution balance is now restored. That one was me.
mdl
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On Oct 23, 2005, at 2:58 PM, Christopher Smith wrote:
But if you really want the belt-and-suspenders approach (so your pants
REALLY won't fall down!) then tr b would certainly be correct.
[...]
While I agree that nothing is technically wrong with the tr b
notation, I wouldn't call it the
Hi guys,
Chuck, would you like to be my sales rep??? hehehe You are so kind to talk
about my stuff the way you do.
I had a thought about about a new articulations font:
From what I am hearing, there are not a lot of jazz articulations needed, so
I am thinking about an all-inclusive
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