At 1:54 PM -0800 2/19/06, Chuck Israels wrote:
*The most readable staff size is 8.5mm, measured from the bottom to
the top of the staff.
I think that's 100%, and looks too large to my eye.
On a music stand, with a stand partner, with a reading distance of
30-36 to the far side of the
At 3:07 PM -0800 2/19/06, Dean M. Estabrook wrote:
Mein Gott ... I'm just remembering my MA Thesis, which composed in
1965 or so, and consists of 87 pages of score for 22 wind
instruments. I, of course, hand copied the thing using india ink
on vellum from Cameo Music in Hollywood, working 8
Mine was Alpheus but about a year ago I donated it to someone who would use
it.
Richard Smith
www.rgsmithmusic.com
- Original Message -
From: John Howell [EMAIL PROTECTED]
To: finale@shsu.edu
Sent: Monday, February 20, 2006 7:53 AM
Subject: Re: [Finale] Re: reduction size (was Pesky
On 20.02.2006 John Howell wrote:
I think that's 100%, and looks too large to my eye.
On a music stand, with a stand partner, with a reading distance of 30-36 to
the far side of the page, and eyes that need trifocals? The guideline specifies
strings, and strings have stand partners (give or
I think everybody agrees that rehearsal numbers or letters every ten
bars is a bad idea.
Stravinsky used them in late scores. IM(very)HO it was his way of
seeming as detached and unemotional as possible about his music and
telling the performers you figure it out. But he was Stravinsky.
I think that's 100%, and looks too large to my eye.
On a music stand, with a stand partner, with a reading distance of
30-36 to the far side of the page, and eyes that need trifocals? The
guideline specifies strings, and strings have stand partners (give or
take the bass section).
One of
Imported a MIDI and something weird happened. What should be high hat is
cowbell. (I do not need more cowbell!)
Is there a way to tell Finale to change all instances of cowbell in a staff
to high hat? Or do I have to plow through manually?
Thanks,
Neal Schermerhorn
This is a bug and has been around for several versions. The method
listed below works for me, but the message bar will often reappear
when quitting and re-starting Finale, even with Save Preferences on
Quitting selected in the Program Options menu.
As far as I can see, the only use for
John Howell wrote:
At 3:07 PM -0800 2/19/06, Dean M. Estabrook wrote:
Mein Gott ... I'm just remembering my MA Thesis, which composed in
1965 or so, and consists of 87 pages of score for 22 wind
instruments. I, of course, hand copied the thing using india ink on
vellum from Cameo Music in
I will be out of the office starting 02/20/2006 and will not return until
02/21/2006.
I will respond to your message when I return.
If this in regard to IST Equifax, please copy to Dave J Brown.
Notice of Confidentiality:
The information transmitted is intended only for the person or entity
At 12:42 PM 2/20/2006, Neal Schermerhorn wrote:
Imported a MIDI and something weird happened. What should be high hat is
cowbell. (I do not need more cowbell!)
Hey, man, you *always* need more cowbell. g
Is there a way to tell Finale to change all instances of cowbell in a staff
to high hat? Or
I often wondered what happened to Cameo too man, that was a long
time ago. I still have my electric eraser sitting hard by me, like an
old soldier longing for the sounds of the battlefield. Might hang on to
the vellums, who knows, perhaps a museum might place some value on the
antiquities
Aaron Sherber wrote:
At 12:42 PM 2/20/2006, Neal Schermerhorn wrote:
Imported a MIDI and something weird happened. What should be high hat is
cowbell. (I do not need more cowbell!)
Hey, man, you *always* need more cowbell. g
Can we somehow tie this to the thread about percussion in Baroque
I'm sure Haydn must have written a "Cowbell Symphony" at some point in his
life, we just have to find it.
I have abandoned all attempts to use the percussion department in GPO (with
the exception of timps which are provided) - it all seems terribly difficult to
do. I probably need to print
on 2/20/06 12:05 PM, Raymond Horton at [EMAIL PROTECTED] wrote:
Later, one of the Cameo main employee's started her own company - what
was that name?
Unless that scenario played out more than once I believe you're thinking of
Judy Green, and I thought she came from Alpheus. My wife
I think Cameo became Judy Green Music, which is the only one left.
Joel Sears
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
Of Dean M. Estabrook
Sent: Monday, February 20, 2006 12:22 PM
To: finale@shsu.edu
Subject: Re: [Finale] Re: reduction size (was
Actually, Don is correct. Alpheus came out of Cameo, and then Judy left
to start her own shop. Now she's the last one standing. That was a long
time ago!
Joel Sears
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
Of Don Hart
Sent: Monday, February 20,
I often wondered what happened to Cameo too man, that was a
long time ago. I still have my electric eraser sitting hard by me,
like an old soldier longing for the sounds of the battlefield. Might
hang on to the vellums, who knows, perhaps a museum might place some
value on the antiquities
Hi Bob,
As I remember, you got to Cameo from the alley, on the second floor,
just south of Hollywood, on Vine. I don't know street numbers in L.A.
Joel Sears
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
Of Bob Florence
Sent: Monday, February 20, 2006
If memory serves, was there not a great pizza place on Hollywood and
Vine, wherein the waiters all sang operatic arias?
Dean
On Feb 20, 2006, at 1:21 PM, Joel Sears wrote:
Hi Bob,
As I remember, you got to Cameo from the alley, on the second floor,
just south of Hollywood, on Vine. I don't
In the past I used to use 100% page scale of Finale's default 85% system
scaling for parts, but recently I've been using 90% page scale, which even
to this aging string player's eyes is quite easy to read. I use a music
spacing scaling factor of 1.4 for parts (1.6179 for scores). My parts are
This makes me remember a place called Miceli's, but it's at Cahuenga and Lankershim. All the waiters and waitresses sang opera, and did it very well. The food was excellent as well. ***J D ThomasThomaStudiosWest Linn OR 97068[EMAIL
Now my memory is jogged! We are talking about the same original
company. Cameo's name was changed to Alpheus about 1973-4, and a couple
of years later Judy Green left Alpheus to form Judy Green Music.
Alpheus does not appear to exist any longer, but Judy Green does indeed
still exist at:
Hi all,
What have you found to use as system separators when more than one
score system appears on a page?
I have used the two-slash tremolo articulation shape at size 72 as a
score expression, but that seems dumb to me now. I can see using
that as a measure or page attached text block.
At 10:21 PM 2/20/2006, Chuck Israels wrote:
What have you found to use as system separators when more than one
score system appears on a page?
Jari Williamson has a Score System Divider plugin that uses character
187 in EngraverFontSet, inserting it as a text block.
The plugin is available
On Feb 18, 2006, at 4:08 AM, Johannes Gebauer wrote:
On 18.02.2006 Michael Cook wrote:
Rossini had written an overture for Barbiere composed of Spanish
themes, but at the last minute decided that it wasn't good enough.
Really? Now this gets really interesting. Does this original
Barbiere
Thank you Aaron,
I thought I had remembered something about this, but I am on a Mac
running OS X, so I'll continue to seek a good solution.
Chuck
On Feb 20, 2006, at 7:32 PM, Aaron Sherber wrote:
At 10:21 PM 2/20/2006, Chuck Israels wrote:
What have you found to use as system separators
On 21.02.2006 Chuck Israels wrote:
I thought I had remembered something about this, but I am on a Mac running OS
X, so I'll continue to seek a good solution.
You are in luck: Tobias ported this plugin to Mac, for Fin2k4 and 2k5. I
assume it will also work in 2k6. Look here:
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