Kurt Gnos [EMAIL PROTECTED] wrote:
I am very interested in microtonal music. I have not tried this in
finale, even as a user who works with Finale almost twenty years.
If you are sucessfull in Finale, please tell me. I tried quarter
tone music in Cubase, using two Grand vst instruments and
Eric Dannewitz [EMAIL PROTECTED] wrote:
Forests...Oh, those things I've seen in books...
Even in cosy Berkshire, England, Mariposa County has a high reputation.
Haven't you ever felt inclined to visit Yosemite?!?!
--
Ken Moore
___
Finale
It is much easier to use a non-standard key signature. While working in
Finale, the output can be sent to a synthesizer external to Finale with
a full-keyboard retuning, either set up on the synth directly or via a
midi relay tuning program (I use InTun, freeware, in WinXP). When the
Finale
On Dec 21, 2006, at 9:42 PM, shirling neueweise wrote:
I'm curious is there a way to change the pitch of A in the playback
features for Finale, e.g. to adjust down to 410 ?
assuming you are using a tuning of 440Hz, adjust all your tempos to
93% of the original (410/440)
First off,
I think this works only *without* Human Playback.
What you can do is using the Midi Tool:
- Tools / Advanced Tools / Midi
- Midi Tool / Edit Continuous Data
- Select Pitch Wheel
- Click on the left of all the staves you want to affect (I suggest
not the percussion staves) to select
May I rectify? (I think it's time for holiday, I seem rather tired...)
Enter -682 to lower the pitch to about A=415...
Bernard
2006/12/22, Bernard Nussbaumer [EMAIL PROTECTED]:
I think this works only *without* Human Playback.
What you can do is using the Midi Tool:
- Tools / Advanced
On 22 Dec 2006 at 9:47, Christopher Smith wrote:
On Dec 21, 2006, at 9:42 PM, shirling neueweise wrote:
I'm curious is there a way to change the pitch of A in the
playback features for Finale, e.g. to adjust down to 410 ?
assuming you are using a tuning of 440Hz, adjust all your
On 12/22/06, David W. Fenton [EMAIL PROTECTED] wrote:
I thought Kim's request for A410 was strange, as that's not a
recognized historical pitch with which I'm familiar. I know that A415
is not really historical, either (just convenient in an A440-based
I just picked that number at random--
OK, I just upgraded from FinMac2K4 to 2K7a, and what I want to know is:
where's the default file, and what's it called?
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
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Andrew Stiller wrote:
OK, I just upgraded from FinMac2K4 to 2K7a, and what I want to know
is: where's the default file, and what's it called?
On Dec 22, 2006, at 1:45 PM, Eric Dannewitz wrote:
Applications-Finale 2007-Component Files-Maestro Default File (I
think).
Nope. Any other
Andrew Stiller / 2006/12/22 / 02:05 PM wrote:
Nope. Any other ideas?
What/Why are you looking for?
--
- Hiro
Hiroaki Honshuku, A-NO-NE Music, Boston, MA
http://a-no-ne.com http://anonemusic.com
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Um, yeah. That is where it is. Applications, Finale 2007 (or whatever
your Finale Folder is), Component Files, Maestro Font Default. That is
the Default file that Finale will uses. Unless you changed it
somehow
Andrew Stiller wrote:
just upgraded from FinMac2K4 to 2K7a, and what I
That is the Default file that Finale will uses. Erg. That is the
default file that Finale will use!
The other one, Jazz Font Default, is also located in that folder. You
might maybe check your Finale Preferences to see where the Component
Files. Perhaps they are set to somewhere other than
dc / 2006/12/22 / 02:17 PM wrote:
What/Why are you looking for?
Andrew wrote:
where's the default file, and what's it called?
That answers your first question.
No. I asked because what Finale takes default isn't what he is looking for.
--
- Hiro
Hiroaki Honshuku, A-NO-NE Music, Boston,
along with
the Maestro Default file and others. No asking or anything.
We fixed this part.
The entire application bundle needs to be updated, when we do an update.
There was often much user confusion when they'd double-click a file and
the vanilla release opened instead of the maintenance
On 22-Dec-06, at 12:51 PM, David W. Fenton wrote:
Audacity can change pitch and tempo independently (as should be the
case for any audio application that can do digital manipulation of a
waveform).
Yes, but there will always be artifacts, sometimes objectionable
ones. My method preserves
On Dec 22, 2006, at 2:22 PM, Eric Dannewitz wrote:
Ah, well, there's the answer. It's not called Maestro Default File
anymore (wh. is what you called it in your first reply, see
below)--it's called Maestro Font Default, even though it is not a
font file... Do I gather correctly that I can
On Dec 22, 2006, at 2:11 PM, A-NO-NE Music wrote:
Andrew Stiller / 2006/12/22 / 02:05 PM wrote:
Nope. Any other ideas?
What/Why are you looking for?
Since Finale does not (tho it should) carry over default document
settings when updating, it is necessary/customary for the user to
Thanks very much, Ken - for your obviously sophisticated worldview and for
your kind words about Mariposa! And may I reciprocate humbly by telling
you I (about two decades ago) lived in Surrey and would on occasion tromp
out to beautiful pastoral neighboring Berkshire; my wife is descended
At 03:56 PM 12/22/2006, Andrew Stiller wrote:
below)--it's called Maestro Font Default, even though it is not a
font file... Do I gather correctly that I can change this name provided
I then select the new name in Finale 2007/Preferences/Program
Options--New?
Yes and no. The file named by that
On Dec 22, 2006, at 4:08 PM, Aaron Sherber wrote:
The file named by that preference is indeed used when you do File |
New. But when you use the Setup Wizard, Finale always looks
specifically for a file called Maestro Font Default.
Or JazzFont Default, depending on which option you select
I had trouble with the cntl+f key but, was finally able to use the triplet
button to create a new bracket on top and delete the original triplet
bracket.
Thanks again Christopher; for helping me out. You seem to always save
me.
George
- Original Message -
From: Christopher Smith
Man, those CGI things are amazing...;-)
Mariposa Symphony Orchestra wrote:
Thanks very much, Ken - for your obviously sophisticated worldview and
for your kind words about Mariposa! And may I reciprocate humbly by
telling you I (about two decades ago) lived in Surrey and would on
and didja see the CGI of ME waving at you from atop Half Dome, Eric!??
Best,
Yosemite Sham Marsden
Les Marsden
Founding Music Director and Conductor,
The Mariposa Symphony Orchestra
Music and Mariposa? Ah, Paradise!!!
http://arts-mariposa.org/symphony.html
Yeah, that was damn impressive...;-)
Mariposa Symphony Orchestra wrote:
and didja see the CGI of ME waving at you from atop Half Dome, Eric!??
Best,
Yosemite Sham Marsden
Les Marsden
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In converting one 2006c file to 2007a, all ties are shifted away from
the note heads (far away). Seems that this would be a FAN problem,
but it hasn't come up in other similarly converted files, and there
doesn't seem anything obviously unusual about this one (simple lead
sheet). Maestro
On 22 Dec 2006 at 16:02, Andrew Stiller wrote:
Since Finale does not (tho it should) carry over default document
settings when updating, it is necessary/customary for the user to
alter the new default file so as to include the settings so
painstakingly worked out for prior versions.
Doesn't
Yeah, I know what you mean ... the fact that I have a small amount
of Wallace blood pumping through my system makes me so bold on
occasion as to wear the clan's plaid, as if I were that same
percentage of a Scot hero, or something. Quite pathetic indeed. That
and the other fact that I
Does anyone understand the parameters provided by the GVerb filter in
Audacity? I've Googled on it and found little of use -- a few people
offer settings that they think are great, but nobody seems to explain
how the different parameters interact.
Anyone?
--
David W. Fenton
On 22 Dec 2006 at 19:54, Dennis Bathory-Kitsz wrote:
At 07:14 PM 12/22/2006 -0500, David W. Fenton wrote:
Does anyone understand the parameters provided by the GVerb filter in
Audacity? I've Googled on it and found little of use -- a few people
offer settings that they think are great, but
At 08:41 PM 12/22/2006 -0500, David W. Fenton wrote:
On 22 Dec 2006 at 19:54, Dennis Bathory-Kitsz wrote:
Roomsize is the presence;
What do you mean by presence? How does that translate into actual
reverb sound? I found that I actually got better results with smaller
rooms and wetter
On 22 Dec 2006 at 20:51, Dennis Bathory-Kitsz wrote:
At 08:41 PM 12/22/2006 -0500, David W. Fenton wrote:
On 22 Dec 2006 at 19:54, Dennis Bathory-Kitsz wrote:
Roomsize is the presence;
What do you mean by presence? How does that translate into actual
reverb sound? I found that I actually
Quick advice, but the reality is to experiment. You might also try
some of the convolution plugins. They 'extract' the ambience from an
actual recording and then create a resulting reverb you can
apply to a
recording. Google audio convolution; you'll find hundreds of concert
halls
Try SIR, a free convolution reverb, at http://www.knufinke.de/sir/index_en.html
. If your computer can handle it, it is a good choice. There are many impulses
available for it as well.
Doing impulses is fun...the short story is: you fire a starter pistol or play a
sweep tone in a space and
Chuck Israels wrote:
In converting one 2006c file to 2007a, all ties are shifted away from
the note heads (far away). Seems that this would be a FAN problem,
but it hasn't come up in other similarly converted files, and there
doesn't seem anything obviously unusual about this one (simple lead
At 09:49 PM 12/22/2006 -0500, Williams, Jim wrote:
What about chorus, though? Any suggestions on that? I'll experiment,
of course, but I'm wondering if you have a principle on that?
I've never liked it and don't use it. Some people use it effectively, but I
just don't. My attempts come out
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