Andrew Stiller wrote:
On Jul 5, 2007, at 6:07 PM, [EMAIL PROTECTED] wrote:
In a message dated 7/5/07 4:28:15 PM, [EMAIL PROTECTED] writes:
FinMac2K7. I just updated a 3.7 file and added a blank page at the
beginning so it could be printed as a booklet. With the blank page,
there are 11
John Howell wrote:
[snip]
I think that may depend heavily on who, exactly, you're talking about in
the '80s. Symphony trombonists, and those training them, may indeed
have thought in those terms, but it's a cinch that people in early music
were not, since most of us are looking at baroque and
You'd think...but
Yeah, I don't get it either. They use Sibelius for notation, but
SmartMusic in class. I mean, they spend a LOT of time using that program
in class. It is insane. I just wonder what evil exercises they'd put
together if they realized that Finale can make
On Jul 6, 2007, at 6:19 AM, dhbailey wrote:
Andrew Stiller wrote:
On Jul 5, 2007, at 6:07 PM, [EMAIL PROTECTED] wrote:
In a message dated 7/5/07 4:28:15 PM, [EMAIL PROTECTED] writes:
FinMac2K7. I just updated a 3.7 file and added a blank page at the
beginning so it could be printed as a
Andrew Stiller wrote:
On Jul 6, 2007, at 6:19 AM, dhbailey wrote:
Andrew Stiller wrote:
On Jul 5, 2007, at 6:07 PM, [EMAIL PROTECTED] wrote:
In a message dated 7/5/07 4:28:15 PM, [EMAIL PROTECTED] writes:
FinMac2K7. I just updated a 3.7 file and added a blank page at the
beginning so it
At 12:57 PM 7/6/2007, Christopher Smith wrote:
were still present. Please, no more new features until you can get
the meat-and-potatoes of the program working properly!
Well said. I think many of us feel that way, and I'm surprised that
Makemusic hasn't taken more notice.
What gets
Here are the relevant bits of the letter that I sent to Quality
Assurance at MakeMusic with some of their previous reply
interspersed.
MakeMusic:
We are aware of the Explode issue, which is limited in exposure to notes
that have been manually flipped to an enharmonic. Running Respell Notes
On 6 Jul 2007 at 12:28, dhbailey wrote:
Andrew Stiller wrote:
On Jul 6, 2007, at 6:19 AM, dhbailey wrote:
Andrew Stiller wrote:
[]
As I said--or at least implied--in my initial posting, the pages are
printing with each pair reversed, so that 1,1,2,11,10,3,4,9,8,5,6,7
prints as
On 6 Jul 2007 at 12:57, Christopher Smith wrote:
16. When new systems get created (say, you add measures to a piece),
they don't have the same staff height as the previous systems. On
linked parts, there is only one way to alter this, which is Page
LayoutResize Staff System... (the zoom
I haven't read the articles which Ray gave us links to, so perhaps this
covered in there, but is there any sort of authentic instrument
movement for the playing of Moravian trombone choir music?
David H. Bailey
David,
You should investigate the activities within the Historic Brass Society,
On Jul 6, 2007, at 3:40 PM, David W. Fenton wrote:
On 6 Jul 2007 at 12:57, Christopher Smith wrote:
16. When new systems get created (say, you add measures to a piece),
they don't have the same staff height as the previous systems. On
linked parts, there is only one way to alter this, which
On 6 Jul 2007 at 19:38, Christopher Smith wrote:
On Jul 6, 2007, at 3:40 PM, David W. Fenton wrote:
On 6 Jul 2007 at 12:57, Christopher Smith wrote:
16. When new systems get created (say, you add measures to a
piece), they don't have the same staff height as the previous
systems. On
Hi all,
I got answers back from Joe in tech support abut the bugs, some of
which were very encouraging.
#2 I didn't understand his explanation, as it seems to me that Bb
transposition up a tone means just that for notes AND chord symbols.
I told him that.
He didn't reply to #7, 2-up
On Jul 6, 2007, at 7:46 PM, David W. Fenton wrote:
On 6 Jul 2007 at 19:38, Christopher Smith wrote:
On Jul 6, 2007, at 3:40 PM, David W. Fenton wrote:
On 6 Jul 2007 at 12:57, Christopher Smith wrote:
16. When new systems get created (say, you add measures to a
piece), they don't have the
On 6 Jul 2007 at 20:13, Christopher Smith wrote:
I got answers back from Joe in tech support abut the bugs, some of
which were very encouraging.
I think his answers were quite good, actually.
Now, I think that it would be good to keep hitting them on the ones
that he says are scheduled to
On Jul 6, 2007, at 8:25 PM, David W. Fenton wrote:
Now, I think that it would be good to keep hitting them on the ones
that he says are scheduled to be fixed, maybe three months from now,
and ask if they are making progress on that. If multiple people did
that, it would encourage them to get
On 6 Jul 2007 at 20:21, Christopher Smith wrote:
On Jul 6, 2007, at 7:46 PM, David W. Fenton wrote:
On 6 Jul 2007 at 19:38, Christopher Smith wrote:
On Jul 6, 2007, at 3:40 PM, David W. Fenton wrote:
On 6 Jul 2007 at 12:57, Christopher Smith wrote:
16. When new systems get
On 6 Jul 2007 at 20:27, Christopher Smith wrote:
On Jul 6, 2007, at 8:25 PM, David W. Fenton wrote:
Now, I think that it would be good to keep hitting them on the ones
that he says are scheduled to be fixed, maybe three months from now,
and ask if they are making progress on that. If
On Jul 6, 2007, at 8:29 PM, David W. Fenton wrote:
On 6 Jul 2007 at 20:21, Christopher Smith wrote:
I had a choral piece with 2 systems per page. The first page had the
systems set at 67% to make extra room for the title, while succeeding
pages were set at 75%. When I altered the layout to
On 6 Jul 2007 at 21:03, Christopher Smith wrote:
On Jul 6, 2007, at 8:29 PM, David W. Fenton wrote:
On 6 Jul 2007 at 20:21, Christopher Smith wrote:
I had a choral piece with 2 systems per page. The first page had
the systems set at 67% to make extra room for the title, while
Joe from MM Customer Support wrote:
2. (Chord transposition) While this is the normal functionality of the program
(as Finale does not make assumptions for how chords are to be redefined/spelled
when transposed in a staff with no tonal center), feel free to submit a
seperate case requesting
We just learned about a potential bug in using Finale's Reference
Manual (or whatever it's called) for 2k8, from Daniel Spreadbury on
one of the Sibelius Lists. I'll let David Bailey explain it, since
he seems to understand it and I'm not sure I do, but it seems that
MakeMusic may have turned
Shifrin, through all his European research, has reached conclusions
about the use of alto vs tenor trombone in much of the standard
symphonic rep. (described in that dissertation to which I linked you).
Indeed, alto trombone use dropped off in the latter half of the 19th
century, but it is
dhbailey wrote:
John Howell wrote:
[snip]
I think that may depend heavily on who, exactly, you're talking about
in the '80s. Symphony trombonists, and those training them, may
indeed have thought in those terms, but it's a cinch that people in
early music were not, since most of us are
Christopher Smith wrote:
On Jul 6, 2007, at 11:39 PM, Raymond Horton wrote:
The other interesting standard rep composer is Dvorak - quick -
without looking: What kind of trombones did Dvorak write for?
Didn't he write quite a bit for valve trombone? Or some kind of weird
hybrid
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