[EMAIL PROTECTED] / 04.11.23 / 6:27PM wrote:
>Your layout should stay if you are using the regular cut and paste.
>But if for some reason it doesn't, lock the format before you clear
>out the part. (Mass Edit Tool, type cmd-A then cmd-L . Then to
>unlock cmd-U.) I make a habit of locking the
[EMAIL PROTECTED] / 04.11.23 / 1:28PM wrote:
Cmd+Option+V is Paste.
Yes, I understand that. I was trying to follow this instruction:
For example, if I have just done Flute 1, I then save
that part as Flute 2, clear out the notes etc (using the clear key)
leaving the template blank with the layout
[EMAIL PROTECTED] / 04.11.23 / 1:28PM wrote:
>Cmd+Option+V is Paste.
Yes, I understand that. I was trying to follow this instruction:
>For example, if I have just done Flute 1, I then save
>that part as Flute 2, clear out the notes etc (using the clear key)
>leaving the template blank with th
Hi Hiro,
Cmd+Option+V is Paste. You want insert from clip file. Here:
1. In the Mass Edit tool, highlight the measures in your source file
that you want to copy to your target file.
2. Hold down the option key and go to Edit>Copy to Clip File
3. Choose a location for your file and name it...I
Daniel Wolf wrote:
24-tone equal temperament (quartertone tuning) is used only by a segment
of the microtonal community. The "nonstandard key signature" feature has
the great virtue of being adaptable to a wide variety of tuning systems,
with as many accidentals and nominals as you need, and al
[EMAIL PROTECTED] / 04.11.22 / 7:05PM wrote:
>I use the clip file feature to bring the score's form into the first
>part which will become my score/cue/composition template for that
>particular song.
Thanks everyone responding to my question.
I was interested in this clip file feature. For a
Owain Sutton wrote:
One hassle I have is that much of what I deal with is microtonal,
which makes converting from a concert-pitch microtonal score to
transposed instrument parts a real pain (when oh when oh when will the
'nonstandard key signature' business be replaced by something
(anything) b
At 05:43 PM 11/22/04, you wrote:
Personally, I create extracted parts files, and then I go through each
part to neaten things up, make sure page turns are in the right place,
etc. When I need to correct a mistake, I change it both in the source
score and in the part. If I have to make large-scal
The only way I ever work is to get my score 100% correct in all ways,
from basic layout to nitty-gritty proofreading to final tweaking. Only
when it's in a state I'd be happy to make it public do I extract parts.
Each one individually needs a lot of subsequent tweaking, but in the
whole schem
I agree that linked parts and score files would be desirable. However,
since we don't have this feature (and I doubt that we will see this
before Finale2k8), here is what I do:
Part Extraction is the very last thing I do. Before I do this, I
duplicate my score file, and prepare the duplicate fo
Hello Hiro,
I have a one measure blank template that I use for each new
score/cue/composition that I do parts for.
I use the clip file feature to bring the score's form into the first
part which will become my score/cue/composition template for that
particular song. I can then add anything ex
At 05:26 PM 11/22/2004, A-NO-NE Music wrote:
>as dead MOTU Mosaic was. Finale encourages to create separate extracted
>part files for best results, but it does not offer dynamic file link for
>future editing. My first question is that if there is a feature I am
>missing here.
No, you are not miss
I have been trying to search MailMan2 dB but I am getting too many hits
on this subject. Please forgive me if this subject was covered before.
My long time gripe:
Finale offers 3 ways of creating parts, but none of which is convenient
as dead MOTU Mosaic was. Finale encourages to create separat
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