sign.
If you're looking for quarter-tone trills, that's something I can't answer;
hopefully this helps!
Michael
Sent from Outlook<http://aka.ms/weboutlook>
From: Haroldo Mauro
Sent: Saturday, October 14, 2017 9:28 AM
To: finale@shsu
t;
>>> If you're looking for quarter-tone trills, that's something I
>>> can't answer; hopefully this helps!
>>>
>>> Michael
>>>
>>> Sent from Outlook
>>>
>>>
>>> From: Haroldo Mauro
>>>
I even forced a
>> trill-to-unison by attacking a B-natural with a trill-flat sign.
>>
>> If you're looking for quarter-tone trills, that's something I can't answer;
>> hopefully this helps!
>>
>> Michael
>>
>> Sent from Outlook
>
lat sign.
>
> If you're looking for quarter-tone trills, that's something I can't answer;
> hopefully this helps!
>
> Michael
>
> Sent from Outlook
>
>
> From: Haroldo Mauro
> Sent: Saturday, October 14, 2017 9:28 AM
> To: finale@shsu.edu
>
How do I force a trill to use a semitone during playback?
Harold
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On 9/30/2009 8:43 AM, Christopher Smith wrote:
Hmm, I use Bill Duncan's Finale Productivity fonts, which contain
parenthesised noteheads with and without sharps, flats and naturals,
The Engraver font contains the same characters. I guess you could define
your own artculations with them.
As f
Hmm, I use Bill Duncan's Finale Productivity fonts, which contain
parenthesised noteheads with and without sharps, flats and naturals,
positioned automatically as articulations. Since I check the box in
Music Spacing to take articulations into account, I get good spacing
this way.
Grace n
Hi folks,
I wonder if there is some more elegant way of achieving "trill to" notes
in Finale 2010? I have used the method described in older entries: place a
grace note, move it to the right of the principal note, shorten the stem
of the grace note (btw isn't there a way of removing the stem rathe
On May 6, 2008, at 3:45 PM, Horace Brock wrote:
I'm sure that's not the proper name for what I'm talking about. I'm in
the key of B minor, and I'm trilling on a C#. The next note is an F# a
fourth higher. At the end of the trill are two grace notes, a B# and a
C#. These are between the trilled
I'm not sure what you mean by "attached to the F#"
I only have WinFin2006c and this is how it works there:
I would do this by entering the trill as normal, then selecting the simple
entry tool, clicking on the "grace note" symbol, clicking on the semi-quaver
tool (or whatever note length yo
I'm sure that's not the proper name for what I'm talking about. I'm in
the key of B minor, and I'm trilling on a C#. The next note is an F# a
fourth higher. At the end of the trill are two grace notes, a B# and a
C#. These are between the trilled note and the next note.
I don't know the correct na
On Oct 23, 2005, at 5:41 PM, Chuck Israels wrote:
Hard to believe that this is the first time I've encountered a
situation in which trill notation is ambiguous, but
Anyway, I'm in F minor, and there's a flute trill from G flat, and I
want it to trill to A flat. Do I indicate tr natural?
Owain Sutton wrote:
I'd not rely on this assumption. If the trill was on G natural, then
yes, I'd accept the 'diatonic default'. But G flat is far enough away
from the tonic key to potentially introduce all sorts of chromatic
ambiguity.
Not for any musicians I've ever worked with nor for
Chuck Israels wrote:
Hard to believe that this is the first time I've encountered a
situation in which trill notation is ambiguous, but
Anyway, I'm in F minor, and there's a flute trill from G flat, and I
want it to trill to A flat. Do I indicate tr natural? or tr flat?
Just what do
e time (one more thing to
forget to do when you're under the gun). Just a comment...
Bill Duncan
> From: Mark D Lew <[EMAIL PROTECTED]>
> Reply-To: finale@shsu.edu
> Date: Sun, 23 Oct 2005 22:27:05 -0700
> To: finale@shsu.edu
> Subject: Re: [Finale] trill notation qu
On Oct 23, 2005, at 2:58 PM, Christopher Smith wrote:
But if you really want the belt-and-suspenders approach (so your pants
REALLY won't fall down!) then "tr b" would certainly be correct.
[...]
While I agree that nothing is technically wrong with the "tr b"
notation, I wouldn't call it t
I definitely like the cue note approach when in doubt. There is
another convention that we use in film music when notes are changing
rapidly and are all trilled. Especially where there isn't a given
key and it would be extremely time consuming to put cue notes on each
note. Tr 1/2 and Tr
On Oct 23, 2005, at 3:50 PM, Darcy James Argue wrote:Chuck,Use TGTools to create a parenthesized trill note. Check the documentation for the how-to -- once you get used to it, it's great. They even play back correctly with Human Playback.The only drawback is that you will need to remember to alway
Chuck,
Use TGTools to create a parenthesized trill note. Check the
documentation for the how-to -- once you get used to it, it's great.
They even play back correctly with Human Playback.
The only drawback is that you will need to remember to always repair
trill notes after music spacing.
David W. Fenton wrote:
Well, it certainly depends on the tonal context of the trill, but I'm
having a hard time understanding where G flat trilling to G natural
(A double flat) would be the default interpretation, or even one of
the plausible interpretations.
I don't consider a Gb to be
On 23 Oct 2005 at 23:15, Owain Sutton wrote:
> Chuck Israels wrote:
> >
> > On Oct 23, 2005, at 2:58 PM, Christopher Smith wrote:
> >
> >> On Oct 23, 2005, at 5:41 PM, Chuck Israels wrote:
> >>
> >>> Hard to believe that this is the first time I've encountered a
> >>> situation in which trill n
Chuck Israels wrote:
On Oct 23, 2005, at 2:58 PM, Christopher Smith wrote:
On Oct 23, 2005, at 5:41 PM, Chuck Israels wrote:
Hard to believe that this is the first time I've encountered a
situation in which trill notation is ambiguous, but
Anyway, I'm in F minor, and there's a flu
On Oct 23, 2005, at 2:58 PM, Christopher Smith wrote:
On Oct 23, 2005, at 5:41 PM, Chuck Israels wrote:
Hard to believe that this is the first time I've encountered a
situation in which trill notation is ambiguous, but
Anyway, I'm in F minor, and there's a flute trill from G flat, an
On Oct 23, 2005, at 5:41 PM, Chuck Israels wrote:
Hard to believe that this is the first time I've encountered a
situation in which trill notation is ambiguous, but
Anyway, I'm in F minor, and there's a flute trill from G flat, and I
want it to trill to A flat. Do I indicate tr natural?
On Oct 23, 2005, at 2:46 PM, Owain Sutton wrote:
Chuck Israels wrote:
Hard to believe that this is the first time I've encountered a
situation in which trill notation is ambiguous, but
Anyway, I'm in F minor, and there's a flute trill from G flat, and
I want it to trill to A flat.
Chuck Israels wrote:
Hard to believe that this is the first time I've encountered a
situation in which trill notation is ambiguous, but
Anyway, I'm in F minor, and there's a flute trill from G flat, and I
want it to trill to A flat. Do I indicate tr natural? or tr flat?
Just what d
Hard to believe that this is the first time I've encountered a
situation in which trill notation is ambiguous, but
Anyway, I'm in F minor, and there's a flute trill from G flat, and I
want it to trill to A flat. Do I indicate tr natural? or tr flat?
Just what do those accidentals on t
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