{Spam} Re: {Spam} Re: [Finale] OT: historical use of C clefs for voice parts

2010-11-22 Thread David H. Bailey
On 11/21/2010 1:43 PM, John Howell wrote: At 7:24 AM -0500 11/21/10, David H. Bailey wrote: I understand the use of clefs to transpose from concert pitch music to the differently keyed transposing instruments, but is there a chart somewhere which does things in reverse? So that looking at a

Re: {Spam} Re: [Finale] OT: historical use of C clefs for voice parts

2010-11-22 Thread John Howell
At 6:46 AM -0500 11/22/10, David H. Bailey wrote: What I meant by in reverse is that if I'm looking at a written F in an F horn part, I can use the mezzo-soprano clef to get the concert pitch note (Bb). But what if I'm looking at a concert pitch score, how do I figure out what note the F

Re: {Spam} Re: [Finale] OT: historical use of C clefs for voice parts

2010-11-22 Thread christopher.smith
- Original Message - From: John Howell john.how...@vt.edu Date: Monday, November 22, 2010 1:17 pm Subject: Re: {Spam} Re: [Finale] OT: historical use of C clefs for voice parts To: David H. Bailey dhbai...@davidbaileymusicstudio.com, finale@shsu.edu At 6:46 AM -0500 11/22/10, David H. Bailey wrote

Re: {Spam} Re: [Finale] OT: historical use of C clefs for voice parts

2010-11-22 Thread Ryan
with the other clefs that it would slow me down immeasurably. I have nothing but respect for those among you who read them easily! christopher - Original Message - From: John Howell john.how...@vt.edu Date: Monday, November 22, 2010 1:17 pm Subject: Re: {Spam} Re: [Finale] OT: historical use

Re: {Spam} Re: [Finale] OT: historical use of C clefs for voice parts

2010-11-22 Thread christopher.smith
- Original Message - From: Ryan ry.squa...@gmail.com Date: Monday, November 22, 2010 2:56 pm Subject: Re: {Spam} Re: [Finale] OT: historical use of C clefs for voice parts To: finale@shsu.edu What method do you use if the horn part doesn't have a key signature? On Mon, Nov 22, 2010 at 11:01 AM

{Spam} Re: [Finale] OT: historical use of C clefs for voice parts

2010-11-21 Thread David H. Bailey
I understand the use of clefs to transpose from concert pitch music to the differently keyed transposing instruments, but is there a chart somewhere which does things in reverse? So that looking at a part for F horn, for example, which is printed in the treble clef, what clef would one use to

Re: {Spam} Re: [Finale] OT: historical use of C clefs for voice parts

2010-11-21 Thread Klaus Smedegaard Bjerre
...@davidbaileymusicstudio.com Subject: {Spam} Re: [Finale] OT: historical use of C clefs for voice parts To: finale@shsu.edu Date: Sunday, November 21, 2010, 1:24 PM I understand the use of clefs to transpose from concert pitch music to the differently keyed transposing instruments

Re: {Spam} Re: [Finale] OT: historical use of C clefs for voice parts

2010-11-21 Thread David H. Bailey
or something the like). Or it equals horn in Bb basso (ad 2 flats). Klaus, who will rather transpose than read C clefs --- On Sun, 11/21/10, David H. Baileydhbai...@davidbaileymusicstudio.com wrote: From: David H. Baileydhbai...@davidbaileymusicstudio.com Subject: {Spam} Re: [Finale] OT: historical

Re: {Spam} Re: [Finale] OT: historical use of C clefs for voice parts

2010-11-21 Thread John Howell
At 7:24 AM -0500 11/21/10, David H. Bailey wrote: I understand the use of clefs to transpose from concert pitch music to the differently keyed transposing instruments, but is there a chart somewhere which does things in reverse? So that looking at a part for F horn, for example, which is

{Spam} Re: [Finale] OT: historical use of C clefs for voice parts

2010-11-06 Thread Noel Stoutenburg
Florence + Michael wrote: I recently received the conductor's score of Gounod's Faust (Henschelverlag Berlin, 1972). I was surprised to find C-clefs used for the voice parts in a score this recent I'm not surprised to see them in a conductors score, as I've run across others, while