Quoting [EMAIL PROTECTED]:
young with old truths about to happen. new forms without borders.
bypasing old audiences, national highways, oceans of information, acid
clouds parked on the museums, freezzen bullets ten hands of my brain, inner
censorships stoping myself for years ,
I hit my
[EMAIL PROTECTED]
However, it seems to me that a finished virtual object is always a process
of
regeneration on the screen. So I guess this makes net.art the Living Dead Art.
art is always a process started/made by men/by sense
net-art is not a matter of machines: man is always involved
Quoting [EMAIL PROTECTED]:
art is always a process started/made by men/by sense
net-art is not a matter of machines: man is always involved behind
machines have no sense
electric hands not move alone
there are always a living hand extended upon the screen
controling the process
[EMAIL PROTECTED]
An expression, a process of conversation, a long talk with another, time and
place, displaced. Why the impetus to create such, a non-mutable volume control
of non-sound? Or sound that can be seen. Is it a ego, living, breathing, fire
walking thing? I cannot decipher my
Quoting [EMAIL PROTECTED]:
the longings of net-artist comes out from the urge for elemental
expression.
via interactiva/net-art plunged into depth of human experience:
images explorations, words, icons music, graffitti cartoons
concentrated, heightened, justapoxed (methamorfosis take
Joseph Franklyn McElroy Cor[porat]e [Per]form[ance] Art[ist]
The depth of human experience is human, not machine led. We get only
facsimile,
yet, like art before, it will have to do, to communicate the experience of one
to the other. Or the other to the one. Indeed, a most elemental need.
Quoting [EMAIL PROTECTED]:
Joseph Franklyn McElroy Cor[porat]e [Per]form[ance] Art[ist]
In Allan Kaprow's book of essays The Blurring of Art and Life, he is
interested in an intersection between art and life...mainly, does a line
have
to exist at all ... maybe it is possible to bend
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