also didn’t make it onto the list… I almost forgot to share here…
if anyone wants to see my completed film Spectres of Shortwave / Ombres des
ondes courtes
2 hour film about RCI shortwave radio towers….
shot on 35mm, sound track built from contact mics on radio towers…
It’s streaming online
while Begone Dull Care is often credited to just Normal McLaren…. it was
actually a collaborative work with Evelyn Lambart…
let’s not forget the ladies who worked on the films.
> On Dec 1, 2017, at 5:36 PM, Gene Youngblood wrote:
>
> It wasn’t expressionist, but
interesting perspective pip…
sadly, sexual harassment and assault do not only result from the hierarchical
power structures of industrial or commercial productions…
nor are they limited to territoriality and competition….
sometimes, these things can happen precisely because we are working
thank you warren…
on both counts…
of
A) steering things away from the DWG
..&..
B) pointing out how uselessly broad the initial question was.
please narrow it down kelsey… what are you really after?
adc
> On Nov 20, 2017, at 8:53 PM, Warren Cockerham
> wrote:
>
Hello all,
I’m looking for two 16mm Elmo 16-CL slot load projectors in Toronto this week.
I’m presenting an expanded cinema performance as a part of the TransX
Transmission Arts symposium organized by NAISA (New Adventures in Sound Art)…
on Friday night…
Rather than bring my projectors on
Hey Pip!
Onions as a fixer? What's this?
(perked ears here)
On 2016-08-28, at 8:37 PM, Pip Chodorov wrote:
> Hi Amanda,
> How about onions?
> Pip
>
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I often enjoy running film that is too dense through a reducer which is a
chemical that actually pulls out some of the excess silver.
Farmer's reducer was wonderful (two part powder packet) but they don't make
it anymore... I used to have a lot of expired packets... I'm sure there is a
I've done a lot of googling. Came up with a lot of conflicting information, and
that's why I threw it out to frameworks.
If your best response is "google it"... why bother responding?
Most of the recommended fonts are ones that I don't have in the Avid SubCaps
editor.
For projection, most
Quick question.
So I'm starting on the subtitles for Spectres of Shortwave
(using SubCap in Avid on an effects layer)
Outputting to DCP cinemascope (not anamorphic) 2k
2048x858
I'm looking to find the ideal or standard (and I can deviate from that)... for
subtitle font, size, and number of
Hey there fellow Frameworks friends!
as many of you know, I've been working on a long form (2 hour long)
experimental documentary film about the Radio Canada International shortwave
site... been working on it for the past 7 years.
7 years!
Shot on 35mm. Much of the sound in the sound track
> The WD TV Live also reads HFS+, though I'm not sure the display icons can be
> turned off.
As stated earlier... they cannot be turned off without installing a firmware
hack.
>
> MPEG Streamclip is long dead, and won't run on recent versions of the Mac OS.
I'm still running MPEG stream
e as a solution.
>
> How did you play your 10 hour video? On a mac? We’re going to need three
> players, and I’m not sure I’ve got 3 macs (minis or laptops) that I could use
> during the duration of the show.
>
> Paul
>
>
>> On Feb 27, 2016, at 1:27 PM, Amanda Chri
I went through a pretty big search for something similar last year, and it's
harder than you would think. most of them to have at least a black screen if
not a reloading symbol between each loop.
here are the results from my search:
1) the Lacie LaCinema media player can do it, but it has
your radio collage actually makes me think of an unfinished shower film that i
have.
back in 2006, when i shot 3part harmony: composition in RGB #1... we had film
stock left over, and sync sound gear (Arri SR2 and a DAT), and a lot of
powerful lights and we were in a warehouse with a
also from 2014:
the Galerie Louise-et-Reuben Cohen published a bilingual catalogue about my
work with full colour photos as well as essays by Scott Birdwise, Mireille
Bourgeois, and Pip Chodorov.
the catalogue accompanied an exhibition that surveyed 10 years of my work and
it was curated by
Hi Chris,
are these for 16mm or 35mm cameras?
I have an Arri BL 4 that takes PL mount lenses... and I have none... I'm in
Brooklyn right now... and in the market for lenses...
Amanda Dawn Christie
506-871-2062
www.amandadawnchristie.ca
Hi Chris,
sorry about that, I realized after I sent the email... I replied to quickly
while multi-tasking... I also meant to send that to you off list and not to the
whole group... ah well!
On 2015-11-03, at 7:07 PM, Chris G wrote:
> Hi Amanda,
>
> It's for 16mm, so it'd most likely
Hello fellow Frameworkers!
so, as many of you probably saw, there were a few heated threads about the
state of MFW flying around.
I sat back and read those threads quietly without commenting, and I will admit,
they kind of scared the shit out of me and made me quite nervous, knowing that
I
or you could always just process it yourself.
:-)
Amanda Dawn Christie
506-871-2062
www.amandadawnchristie.ca
ama...@amandadawnchristie.ca
___
On 2015-10-19, at 3:01 PM, cbifi...@gmail.com wrote:
> Film rescue international
Hey folks!
quick note about some studio space available in Williamsburg... if you're
interested, you'd be sharing with me in November, then with Brendan Fernandez
from December - June.
I'm subletting his half from him while he's out of town in November... then he
comes back November 29 and I
I for one appreciated the poetic touch...
I believe in the flowers that germinate and bloom from dark places.
There is never just one.
Dark soil is fertile ground.
The crocus never blooms unless it has been frozen in the winter and kept in the
dark underground and hidden from light...
Apologies for cross posting if this already made it to the listings
but tomorrow night (Saturday, October 3), my films are screening at VSW at 8pm
in Rochester.
Yes... I made it across the border today with all my gear! So game on!
Tomorrow night's screening is: Dividing Roadmaps by
Yes but for every asshole, there are probably 5 people who will allow you to
use the image for free. Just ask.
Here are some solid reasons why you should approach the owners of the image:
1. If this is an academic publication, you absolutely need to get the artists'
permission to use the
t people in my experience do let you use it for free.
>
> Best regards,
>
> Adam
> (I also have extensive experience doing rights & clearance work for a living)
>
>
> On 10/1/15 4:50 AM, "Amanda Christie" <ama...@amandadawnchristie.ca> wrote:
>
Hey folks!
I'm going to be spending November in Brooklyn editing a film, and I am
bringing my own gear, and I have a studio lined up to work in... but... I don't
have room in my car for my monitor ( it was all shot on 35mm, but I'm
editing digitally)
Does anyone know if it would be
There's also a two volume set of Maya Deren's writings and notes... it
contains personal letters, notes, film treatments, etc.
It's called the Legend of Maya Deren
adc
On 2015-09-16, at 2:33 AM, Noé Rodríguez wrote:
> Thanks Patrick, that is exactly the kind of book I need!
> Essential
Hello again all,
I had found a place in Brooklyn, but it just fell through, so I figured I'd
toss this out to the list again in case anyone has any other leads.
I'm coming to Brooklyn for the month of November, and am looking for either a
room to rent or an apartment to sublet.
In addition to
Hello all!
I'm coming to Brooklyn for the month of November, and am looking for either a
room to rent or an apartment to sublet.
In addition to paying rent, I'm also happy to take care of cats, dogs, or
plants should you, or anyone you know be out of town and looking for someone to
love their
Begin forwarded message:
> From: Struts & Faucet
> Date: August 31, 2015 10:59:12 AM ADT
> To: Amanda Dawn
> Subject: Employment Opportunity: Production Coordinator
> Reply-To: Struts & Faucet
>
> Employment
Hello hive mind,
I'm looking for examples of films about or related to solfège.
thanks,
amanda
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One of mine as well
(the first one I shot on 16mm):
Turning
http://www.amandadawnchristie.ca/turning/
password = previewonly
adc
On 2015-07-22, at 3:00 PM, mary billyou wrote:
https://vimeo.com/15333125
One of my movies...
Cheers,
Mary
On Sun, Jul 19, 2015 at 3:43 PM, Jason
I recently finished a VHS project... performative work looping between two
modified decks and working with a handmade video switcher built in a peppermint
tin...
however, i finished the project to digital because the work we did with VHS was
performative and quite physical, so the tape took
Hi Mariah,
you should touch base with the Echo Park Film Centre in L.A. They might be
able to help you out.
Heather Harkins is working there at Echo Park right now, she's from Eastern
Canada, but studied film preservation in Rochester, and she is also a filmmaker
and does lots of work with
what languages?
I'm available for translation work - subtitling and film related texts a
speciality!
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at 3:30 PM, Amanda Christie
ama...@amandadawnchristie.ca wrote:
Thanks for sharing Walter!
I also have a question on a similar subject for the group.
I'm going to be doing a radio-art residency in upstate new york next fall
(late October), and I was thinking of driving down with a few
Thanks for sharing Walter!
I also have a question on a similar subject for the group.
I'm going to be doing a radio-art residency in upstate new york next fall (late
October), and I was thinking of driving down with a few 16mm projectors and a
bunch of my prints... I thought it might be nice
Kerry Laitala
On 2015-03-21, at 1:48 PM, Kenneth Linehan wrote:
I'd recommend adding Brittany Gravely Tara Nelson to your list. Both
working of film in expanded cinema context.
On Mar 20, 2015, at 1:04 PM, Alex Balkam blueswingingd...@gmail.com wrote:
Hello Frameworks,
At
.
Nicholas
On Wed, Mar 18, 2015 at 9:45 AM, Jean-Louis Seguin bolext...@gmail.com
wrote:
Our glorious tax dollars at work!
Jean-Louis
Sent from my iPhone
On Mar 18, 2015, at 8:25 AM, Amanda Christie ama...@amandadawnchristie.ca
wrote:
I was just at the National Archives
I was just at the National Archives of Canada Preservation Centre this week,
and they have AMAZING optical blow up facilities.
they have all the gates (not just regular 8, super8, 16mm, super 16mm, and
35mm, but also 9mm, 9.5 mm, and 28 mm). As well as a contact printer and their
own lab.
Norman McLaren made several films by animating directly onto the optical track.
There is even a short documentary of him doing this in the film called Pen
Point Percussion where they film him working on a film called Dots
You can view his work online on the National Film Board website:
Yes, mixing filters can be great. There is a real science to it, but you can
also play around. As for testing on the cheap...
What I did when doing more precise colour projects... I bought a really good
little light table... Geppe makes a portable 4x5 inch light table (more of a
tablet) that
Check out
Assembled by Becka Barker
she manually cut super 8 frame holes into 35mm film, and spliced in the super 8
frames into the 35mm film, frame by frame, and then scratched animation around
on the remaining 35mm film frames.
She recently completed a more digital project involving 3-D
You could also try the RE:FLUX festival of experimental music and sound art in
Moncton.
It's run by the Galerie Sans Nom, and I used to be the director until I stepped
down in August... I'd suggest that any of you who do sound installations,
experimental music, or documentaries about
same here. I've always ordered from Rochester... and whether I was on the West
Coast in Vancouver or on the East coast in Halifax, it always arrived the next
day, even in Sackville which was a small town of only 3000 (certainly not a
major urban centre), still arrived next day.
The only time I
Reinsalu wrote:
I would wrap the film before it touches the ground. The pain is finding that
you need more slack to get the loop to fit. :( Do you have permutatable
arms? (aka: you can change the distance in order to take-up slack?)
K.
On Fri, Oct 10, 2014 at 2:10 PM, Amanda Christie
prints available and if the looper is big enough.
-Pip
At 13:49 -0300 12/10/14, Amanda Christie wrote:
I wrapped the film another time, and adjusted the rollers and arms a bit so
that there was no slack... within 40 minutes... 4 cycles of the film, it was
back to dragging on the floor
-0300 12/10/14, Amanda Christie wrote:
for those of you who have used these, or other styles of loopers does it
usually take a few days to find the right balance? or is it possible to get
it working at the initial time of install?
xoadc
my film Off Route 2 begins with myself hanging upside down in a car, but then
the camera pulls back and reveals the film crew as i get out of the car and
switch from the roll of victim to the roll of the director. I explain the next
shot to the assistant director, then call cut, but the next
hello all,
i have a bit of a looper question.
i've worked with them in the past, but not extensively... and this is the first
time i've run into this issue.
we loaded the 35mm looper on monday, and ran it for a bit on monday, tuesday,
and wednesday just to get the right balance and
feed (if
you can) to tweak the tension right when it stops slacking.
Best of luck!
Karl.
LIFT TECH - www.lift.ca
On Fri, Oct 10, 2014 at 1:57 PM, Amanda Christie
ama...@amandadawnchristie.ca wrote:
hello all,
i have a bit of a looper question.
i've worked with them in the past
permutatable
arms? (aka: you can change the distance in order to take-up slack?)
K.
On Fri, Oct 10, 2014 at 2:10 PM, Amanda Christie
ama...@amandadawnchristie.ca wrote:
Thanks Karl!
to clarify... am i on the right track... to keep waiting... or to keep
adjusting?
the spaghetti dance
I'm a bit late on this thread, but quite a few of my films were done primarily
on optical printers.
Fallen Flags - various techniques ... edited in camera on the oxberry optical
printer using Brian Eno's oblique strategies at every transition to determine
effect, technique, and next shot in
My experience with Dektol and 3378 (formerly 7378) still a high-con
orthochromatic stock, but slightly different, was always around 90 seconds.
I worked with both lomo spiral tanks, as well as spaghetti style in buckets,
and strips wrapped around plexi glass in photo paper trays for the 90
What is the cut off length for feature length?
Barbara Stratman's o'er the land is 52 minutes
2009
I projected a 16mm print of it in 2010 and it is gorgeous!
http://www.pythagorasfilm.com/oertheland.html
Amanda Dawn Christie
506-871-2062
-18, at 2:45 PM, Adam Hyman wrote:
Some say an hour; some say 40 minutes.
Deborah Stratman, not Barbara.
Best,
Adam
On 7/18/14 11:07 AM, Amanda Christie ama...@amandadawnchristie.ca wrote:
What is the cut off length for feature length?
Barbara Stratman's o'er the land is 52
Hello all,
does anyone have current contact for Chris Welsby?
I know that he's no longer at SFU anymore, and I was just looking for
some way to get in touch with him.
please message me off-list.
thanks so much!
Amanda Dawn Christie
506-871-2062
Hey there fellow film folks,
I've been laying low in the cyber discussions lately, but still making
film work out here... Just thought I'd post a link to some info and
clips from my latest film project... taking a new direction once
again... my first feature length project... shot on
The Jihlva International Documentary Film Festival show some
experimental work. They have programmed some of my more abstract work
in the past (that I certainly never considered documentary in
nature)... so I think that their definition of documentary is very
open. I have never been, but
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