MM:
Give us a link, please!
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Sep 4, 2019, at 12:01 PM, Filmmakers Cooperative
> wrote:
>
> Dearest Frameworkers,
>
> The New York Film-Makers Coop has decided to extend our IndieGoGo campaign
>
How you use a light meter can also be a significant factor — poor metering
technique can give readings that are several stops off. My personal preference
is an incident meter.
With reversal stock always err towards slight underexposure.
Good luck. Shoot short tests.
Jeff Kreines
Kinetta
j
prism.
Compare to the camera’s light reading. Are they in the ballpark?
If you can, shoot a test in 1/2 stop increments from 2.5 stops under to 2.5
stops over. That will help you figure out if your meter is accurate and if you
are using it properly.
Good luck!
Jeff Kreines
Kinetta
j
Bill Seery at Mercer Sound is very good.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Nov 2, 2019, at 6:28 PM, Dennis Doros wrote:
>
> I've been using Digital Media Services in New York. Trevor Boelter
> EVP, Sales 818.846.4000 818.6
Claire:
Where do we find the photo? If it’s the photo I think it is, I answered that
for someone working on the catalog a couple of years ago.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Dec 11, 2019, at 3:00 PM, Claire Henry, Curatorial
> wrote:
&
Warhol, and IIRC also mentions it in
the October, 1965 article in “Tape Recording” magazine.
Blake Gopnik and Greg Pierce asked me about it last year, but apparently for a
different book.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On Dec 11, 2019, at 3:03 PM, Claire Henry, Curator
The Nalcom FTL 1000 was apparently made between 1973 and 1976.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On Dec 11, 2019, at 6:34 PM, deluge000 wrote:
>
> It may be a modified Nalcom FTL by the shape. The faceplate is different on
> Warhol's camera seems larger as well.
Great post, old-timer!
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Nov 20, 2019, at 9:53 AM, Scott Dorsey wrote:
>
> Okay, old guy tells stories.
>
>
> Back in the twenties and thirties, doctors would employ open fluoroscopes,
> with a
Try DuAll in NYC. Good luck. The cool thing about the NPR and ACL is that you
can use C-Mount lenses.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Feb 18, 2020, at 7:48 PM, mariah garnett wrote:
>
>
> Hello all,
> My eclair motor seems to ha
Not my choice of repair people...
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Feb 19, 2020, at 7:39 AM, Ethan Berry wrote:
>
>
> You might see if Bernie O'Dougherty still works on NPR's. He has done work on
> my NPR and ACL.
> ber...@supe
to repair than others, but the boards are probably pretty easy
to work on compared to modern electronics.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Feb 19, 2020, at 1:10 PM, 16mm Directory wrote:
>
>
>
>
>> On Wed, Feb 19, 2020 at 7
Good advice. Occam’s Razor.
Try it with the motor off the camera, in case the camera is seized up.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Feb 19, 2020, at 1:55 PM, George, Sherman wrote:
>
> I am late to this discussion but have you checked
Any reason for the Perfectone? The flat base is nice but it’s bigger for
handheld shooting. Alcan 54 is the desirable one.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Feb 19, 2020, at 4:30 PM, mariah garnett wrote:
>
>
> Any advice on
Any reason for the Perfectone? The flat base is nice but it’s bigger for
handheld shooting. Alcan 54 is the desirable one.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Feb 19, 2020, at 4:30 PM, mariah garnett wrote:
>
>
> Any advice on
the editing and audio sections are now
very good.
It doesn’t cost anything to try, and no monthly tithing.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://m
to focus with. But it isn’t trying
to be something it isn’t. Famed TV news cameraman Laurens Pierce used that
camera for MOS.
Best of luck to you.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Apr 13, 2020, at 9:55 AM, Dave Tetzlaff wr
I think you mean DuAll. DuArt was a film lab famous for losing films in their
vaults.
DuAll is recommended and in NYC.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Apr 12, 2020, at 7:29 PM, Scott Dorsey wrote:
>
> You tried DuArt and B's used
and you’re good to go.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Apr 12, 2020, at 7:02 PM, George Monteleone
> wrote:
>
>
> Hi, everyone. I hope you're staying safe.
>
> My trusty Rex-4 was stolen last Fall and I'm ready to invest in a
> r
The Chloe Aaron Era at the NEA was a magical time. Great panels and great
grants. I miss those days.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Apr 8, 2020, at 1:17 PM, Green, Ron Green wrote:
>
>
> The NYTimes reported on April 3 that Chlo
the window. The assistant would load a
cigarette into the far end of the tube and light it. Pleasure ensued. Obviously
not too safe for nitrate, but I guess things were not as strict back then.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Apr 24, 2020, at 5:48
The B “foot splicer” is still the industry standard for negative cutters
today. Amazing device.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Apr 23, 2020, at 3:03 PM, Buck Bito - Movette wrote:
>
>
> Bell and Howell's advanced foot-actuated spli
The B “foot splicer” is still the industry standard for negative cutters
today. Amazing device.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Apr 23, 2020, at 3:03 PM, Buck Bito - Movette wrote:
>
>
> Bell and Howell's advanced foot-actuated spli
a 16S to S16 is difficult. I’d be wary of most repair people who
claim they can do it.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On May 27, 2020, at 10:53 PM, Isaac Brooks wrote:
>
>
> Jeff & Co,
>
> I’m sorry for the aside, but do yo
That’s a nice clean one with the optional synchronous motor.
It would be a shame to junk it. I hope someone takes it.
But if you do, save the lower Tube amplifier section — they are in demand on
eBay and go for $2-300. Search eBay for “klangfilm” and you will find some.
Jeff Kreines
Kinetta
I agree with Scott. The book is from around 1968, so it’s very purely
film-oriented.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Jun 1, 2020, at 4:51 PM, Scott Dorsey wrote:
>
>
>>
>> Would someone point me to a comprehensive resource
Beautifully put, Adam. Amazing how much Terry accomplished with no
institutional support.
Condolences to Mary and of course the birds. He’ll be missed.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Aug 2, 2020, at 8:09 AM, Scott MacDonald wrote:
>
>
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Aug 13, 2020, at 1:08 PM, Stephanie Hutin
> wrote:
>
>
> I'm very sad to learn of this loss. We worked together when he taught in
> Media Studies. He was a kind person with many talents that he ge
hand-holds a lot better without a zoom — a 10mm Switar
makes it almost usable, if a bit front-heavy.
But I digress. As always.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Jun 29, 2020, at 3:49 PM, Julian Antos
> wrote:
>
>
> Looking for a used
On May 22, 2013, at 3:35 PM, Buck Bito - Movette b...@movettefilm.com wrote:
Even on the most serious Super-8 scanner
I know of in the U.S. at Cinelicious I
An old Spirit that only does interlace? Not so much.
Ever hear of Kinetta? :-)
___
luck!
Jeff Kreines
Kinetta
kinetta.com
j...@kinetta.com
On May 25, 2013, at 4:45 PM, Marco Poloni mar.pol...@gmail.com wrote:
Dear frameworkers,
I have another question. This one is specific to de-dusting scanned
film footage (e.g. S-8mm) in a digital workflow (e.g. final cut pro
Beware that the Steenbeck may scratch your negative. Also Steenbecks (which I
love, we have 3) are very hard on shrunken film given the long wrap around the
picture sprocket.
Use it to edit (newer) film. It's a terrible telecine!
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
On Aug 13
Check out the reviews at projectorcentral.com.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
On Sep 2, 2013, at 3:18 PM, Ekrem Serdar ekremser...@gmail.com wrote:
Hey folk,
We found out about a local equipment-only grant that we were thinking of
using on a digital projector
Just be sure to scan that Super- 8 at 4K. Makes a big difference.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
On Oct 26, 2013, at 9:11 PM, owen o...@thenowcorporation.com wrote:
OOPS! haha! I sent to the werong list.
disregard.
AG film people will say, you can cut 4K now
visible
- but that could be just a dumb rumor.
That would work with reversal film, but a black frame cut into negative printed
onto positive stock will print as white, or clear. Not what you want.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
The reviews at projectorcentral.com
are very useful.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
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It was Xtol. Great for pushing.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
On Apr 25, 2014, at 7:55 AM, Scott Dorsey klu...@panix.com wrote:
Even Kodak made an interesting developer using ascorbic acid, called XTOL.
Are you sure you aren't thinking of technidol?
It wasn't being
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