To Benno Heinemann:
A horn teacher, persuading a student to adopt the Bb-horn after
conquering a C-major scale on the F-Horn, is not a responsible teacher
for horn. As you said, the F-Horn is a great help to develop a good tone
quality & to develop a fine brass player technique (like in sports:
tr
An Benno Heinemann:
Also, ein Hornlehrer, der seinen Schüler schon nach Beherrschen der
C-Dur Tonleiter auf auf dem F-Horn zum B-Horn verführt, ist kein
verantwortungsvoller Lehrer. Wie Sie gut sagen, ist jetzt das F-Horn
eine große Hilfe zu guter Tonqualität und zur Entwicklung der
Bläsertechnik
And in Ben Hur the Romans spoke English, while the Jews spoke American
English, quite a clever distinction. They did similar in a English
language Ring production in Saddler Wells Opera in London some thirty or
fourty years ago using singers of Welsh (Walis) decent for the gods,
American singers f
Reminds me of the BBC announcement: .Adagio & Allegro op.70 for
value horn & piano by Robert Schumann ... Off course, if you dont use
a valve horn for this piece, you should have a value horn at least, but
it would not help much.
I think the first step should be to spend a little internet-time to
research what a palate expander is supposed to 'fix', and what is the
risk if it is not done. It might that this procedure is much more effective
if done when the patient is young, rather that waiting for a problem to
occur later
Actually if any one watched the new Mel Gibson flick, one may notice the Romans
spoke using Italianized/church Latin. Surprising considering his emphasis on
historical accuracy.
Chris
--- Chris Tedesco <[EMAIL PROTECTED]> wrote:
> I don't beleive that it's necessarily taught that because it was
I don't beleive that it's necessarily taught that because it was an English way
of doing it, I think it was more of the difference between classical and
ecclesiastical pronunciations.
Chris
--- James Symington <[EMAIL PROTECTED]> wrote:
> There's no debate about how a Roman would have pronou
And: "keh-teh-room kane-sae-oh Khahr-tuh-gee-name ehs-seh dae-lane-dum
! Kae-sahr ! Cut-tea-lee-nah" - "Koh-daxe khee-fee-lees" -
"kane-too-ree-oh"
There is still the division between the "C" as "kh" or as "c" schools of
Latin. Sorry, we have no audible records, except perhaps "catalan" or
"cast
Hello Ron, that´s the difference with e.g. Germany, Austria & other
European countries. This kind of frustration cannot happen here, as the
teachers here are not just so-so trained, quasi "en-passant". And for
our school orchestras or even bands, playing music comes before marching
activities.
Perfect answer, perfect.
==
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of [EMAIL PROTECTED]
Sent: Wednesday, March 31, 2004 8:01 PM
To: [EMAIL PROTECTED]
Subject: [Hornlist] Phonetics
Jim T wondered
We're singing Haydn's
German Latin is different: "Dona nobis pacem" would be "doh-nah noh-bis
pah-tsame", in Italianisated Latin: " doh-nah noh-bis pah-tshame", with
the last syllable quite short.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of Herbert Foster
Sent: Wednesday, M
PDQ Bach would be proud!
[EMAIL PROTECTED] wrote:
On Friday I will be playing the Mozart Wind Serenades in Preston.
The programme has been printed by someone from the venue and lists the
instruments:
2 oboes; 2 clarinets; 2 bassoons and 2 hors.
Should be an interesting gig!
All the best,
La
Regarding the palate expander issue, I do orthodontics in addition to being
a hornist, and put palatal expanders in my patients regularly. Unless the
palatal expander is removable, I can definitely say that it is going to
affect the ability to tongue and make attacks, although I have had
instrum
On Friday I will be playing the Mozart Wind Serenades in Preston.
The programme has been printed by someone from the venue and lists the
instruments:
2 oboes; 2 clarinets; 2 bassoons and 2 hors.
Should be an interesting gig!
All the best,
Lawrence
"þaes ofereode - þisses swa maeg"
http://la
Joe Duke wrote:
I do not concur with the views of the seller that a single Bb
instrument wo=
uld be more difficult for a beginner to use, and learn on, than would
be an=
F single.
Certainly it would be easier to learn on a B-horn than on an F-Horn,
but I am certain that the F-Horn is
far bette
Laurent wrote
The only earth double salt that I take cerously is with tequila.
Isn't CMN a liberal mouthpiece?
sorry..I was thinking about CNN.
*
CMN, CNN, it doesn't matter, Larry, I won't use any
mouthpiece, no matter how liberal, if it doesn't fit
my horn's lead
as we were a few weeks ago -
I recently stumbled upon Russian Orthodox Choral music. If you know the
genre, you know that a lot of it is constructed of very lush, slowly
morphing thick chords sung by large choirs that can produce a euphoric
feeling not unlike floating in molasses or getting attac
Jim T wondered
We're singing Haydn's 3rd Mass and since there are no horn parts I get to
sing. But a question has come up regarding the pronounciation of a word
often repeated in the piece. If it's the same as Italian which in this case
I thought it was, the Latin word 'pacem' is pronounced usin
> from: "Joe Duke" <[EMAIL PROTECTED]>
>
>
> The 'comments' made in a description of an instrument which is offered for
> sale is surely subjective.
>
> I do not concur with the views of the seller that a single Bb instrument
> would be more difficult for a beginner to use, and learn on, than wou
There's no debate about how a Roman would have pronounced it:
pah-chem
althought that is not the way I was taught it at school. If there was an
excruciatingly English way of doing it, that was the road that was taken -
pah kem in this instance.
Ciao
James
___
The correct answer is: whatever the choral director says. This is so the choral
sound is unified. Otherwise you get mushy vowels. Remember, there are several
ways to pronounce Latin. Your Latin teacher may use classical Latin: pahkem.
Church Latin is Italianate: PAH-chame. German Latin (Haydn DID s
'pah-chem' is correct. "a" and "e" are always a short vowels in Latin.
Carl Bangs
Jim Thompson wrote:
We're singing Haydn's 3rd Mass and since there are no horn parts I get to
sing. But a question has come up regarding the pronounciation of a word
often repeated in the piece. If it's the same as
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