No, but since I heard Ettiene Cutajar playing one last weekend, I've been
waiting for them to come back to the college library so I can have a go! It
sounded fantastic!
From: [EMAIL PROTECTED] To: horn@music.memphis.edu Subject: RE: [Hornlist]
Dead horn list? Date: Sun, 22 Oct 2006 19:18:05
Why would you be on the horn listserv at 3AM?
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Christine Ranson
Sent: Monday, October 23, 2006 3:17 AM
To: The Horn List
Subject: RE: [Hornlist] Dead horn list?
No, but since I heard Ettiene Cutajar playing
Bill Gross wrote:
Why would you be on the horn listserv at 3AM?
It's 9am here in the UK.
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It's 9.24 GMT. I have a lecture which begins at 9.30. I have already practised,
and I'm bored.
From: [EMAIL PROTECTED] To: horn@music.memphis.edu Subject: RE: [Hornlist]
Dead horn list? Date: Mon, 23 Oct 2006 03:22:04 -0500 Why would you be on
the horn listserv at 3AM? -Original
Hans , I know that playing concetrated and controled sound is the thing to
do in Bach and Haydn - thats what I said at the first place ...
The thing is that I want to perform the Concertstuck sometime . I did
perform as a soloist for quite a few times , but this piece is really
something . I do
Christine Ranson wrote:
It's 9.24 GMT. I have a lecture which begins at 9.30. I have already practised,
and I'm bored.
I agree. I've only been at work for an hour, and I'm already bored...
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That explains it, my e-mail software stamped it with local time.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Tim
Costen
Sent: Monday, October 23, 2006 3:24 AM
To: The Horn List
Subject: Re: [Hornlist] Dead horn list?
Bill Gross wrote:
Why would you
I am curious...
Does anyone heard of cryo, or cryogenics?
Or has any experience with this?
Here is an article I found,
For the Musical Alchemist, a New Tack: Cryogenics
by Terry H. Schwadron,
originally on The New York Times, November 2, 1999
(
I performed the prelude to the 5th suite at a recital last year. It was
great fun and one of the most musically challenging things I've worked on in
years! I also did it in the original key though, not a P4 higher like some
arrangements.
Steve
On 10/23/06, Angela Gonzales [EMAIL PROTECTED]
My Alex 309 triple was frozen several years ago by its previous owner. I
never had a chance to play it before the treatment, but it plays fantastically
well now. Am using a Pizka mouthpiece which gives me a broad, dark, and very
large sound. The notes slot well, yet slurs are easy. The
Dear list,
I am writing to ask advice for an upcoming performance. I will be playing
Britten's Serenade next month on my graduate recital (with piano). It occurred
to us during rehearsal that the audience (which, unlike an IHS symposium) may
not realize there is a final movement, since I
Announce before the piece starts - say what you said below. Then expect
that someone will mess up and clap, anyway, but at least it won't be the
entire room.
-S-
-Original Message-
From:
[EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
du] On Behalf Of Anna Henry
Sent: Monday,
When I did the Britten many years ago, the tenor gave a brief history of
the piece. He explained that the opening was played on the natural
horn, and that the last short movement was a repeat of the opening and
was played off stage by the horn player.
That explained the un-in-tune notes and
Sorry, Alon, what kind of mouthpiece do you use ? And for
the real concert stueck player there is no need for a
descant as he or she has the power to go up to high e3 in
any dynamic. If the mouthjpiece has a thin bore, no way for
concert stueck. If you practise it most on the high F side,
no way
If you both get bored after a short time of working or
practising, why do you work or practise at all. May-be,
something wrong with your working- or practise-method ???
=
-Original Message-
From:
Cryogenic is a special physical therapy a good financial
therapy for those doing the cryogenics, as it eventually
promises to improve the playing quality of a horn
dramatically (I dont know, how it works for tuba or trumpet,
while for trombones, altohorns mellophonse it would be
useless anyway.
Dear Hans,
Please explain further what you mean by hairy sound, ³ ... the sound would
become too hairy ... Bb-side (the hairy side)².
Thank you, kindly,
Avrum H. Golub, M.D., J.D.
From: hans [EMAIL PROTECTED]
Reply-To: The Horn List horn@music.memphis.edu
Date: Sun, 22 Oct 2006 22:40:29
I get bored at work because I'd rather be practicing. If I could only afford
to retire
Regards,
Joe
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of hans
Sent: Monday, October 23, 2006 12:01 PM
To: 'The Horn List'
Subject: RE: [Hornlist] Dead horn
Steve Freides wrote:
Has anyone performed Bach cello suites on the horn?
Performed I don't know, but I think there is some recording. As for
the sheet music, there is a version for horn in F (by W. Hoss I
think) which is transposed up one fourth in term of concert pitch.
This is how I play
Daniel Canarutto wrote:
Steve Freides wrote:
Has anyone performed Bach cello suites on the horn?
Performed I don't know, but I think there is some
recording. As for the sheet music, there is a version for
horn in F (by W. Hoss I
think) which is transposed up one fourth in term of
First, Orrin Olson, my undergrad teacher, did the Britten with piano a
year or two before I went to college. I didn't hear it. I'm very
familiar with the pianist he used, and her work was always above any
kind of reproach. He told me this occasion was no exception.
Nonetheless, he said
I too have performed the prelude to the 5th (a lot). I do the chords as
multiphonics in the opening part. Lots of fun a nice challenge.
The original key is debatable. The original key @ A=440 is what I do too.
The original key at A=415 would make me transpose up a tritone. I would have
to
I've actually performed the entire 5th suite. Took some chops and some
cajones but I thought it went alright :) I mean you're on stage by yourself for
30
minutes and you have to hold the audience's attention somehow.
-William
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post:
Jim,
Where's Matt Weisman these days? I was looking for his latest score on
tob-info.net, and couldn't find West Perry anywhere. Then I checked the WP
website, and couldn't find him.
MJS
PS Yes, if you go to Group III on the website, Parkland is 23rd. Stinks,
but there's still two weeks
In a message dated 10/23/2006 12:49:51 PM Eastern Standard Time,
[EMAIL PROTECTED] writes:
Performed I don't know, but I think there is some recording.
--
For general information, Larry Williams, Director of Brass and Winds at
Peabody Preparatory and horn in the Lyric Brass Quintet is
In a message dated 10/23/2006 12:07:37 PM Eastern Standard Time,
[EMAIL PROTECTED] writes:
Cryogenic is a special physical therapy a good financial
therapy for those doing the cryogenics, as it eventually
promises to improve the playing quality of a horn
dramatically (I dont know, how it
Since you're constructing your own degree program, is it within the realm of
possibilities to take such courses at somewhat nearby universities, such as
Marquette (OK, 2 hours away) that may offer them? Another possibility could
be attending such a university for a semester or so to pick up
I studied this piece whilst doing a project on Britten in college last year.
(Apparently being the key word here)
Apparently it doesn't actually say 'to be played on natural horn' in the score,
and Britten was very detailed with his notations and instructions. Therefore,
it should not be
'Already practised' and awaiting a lecture with a few moments to spare. I
commute to college at the moment until I find a house in the same city, and
after 2 hours of travelling on public transport (the bane of my life) after
having gotten up at 5 daily (my secondary bane), I practise for half
Horn GA Positions Available at the University of Oklahoma
Duties:
Position 1:
Graduate Brass Quintet, Assist with Major and non-major lessons,
Co-direct the OU Hornsemble. Perform in Wind Symphony or University
Orchestra
Position 2:
Graduate Woodwind Quintet, Assist with major and
Adam Watts wrote:
Seeing as the board lacks traffic at the moment, I thought it may
be
more prudent to ask this slightly odd question now. I am a freshman
physics student at UIUC, and I am working with an adviser to create an
option for my major (Engineering Physics) in Acoustics. My
Hey, list.
I have performed portions of the first suite in recital, I play from the
original Cello parts as opposed to the transposed version. Aside from being
true to Bach's intentions (pitch not instrument) Great on a personal level
ala low register breath control and such. I enjoyed it and it
Tzschrrsch in the sound = hairy sound ! All the other
noice within the sound. A bit more phantasy , please !
=
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Avrum H. Golub, M.D., J.D.
Sent: Monday,
Yes, Howard, flaming begins:
Doing the Serenade with piano accompaniment instead of the
strings is a perfect sacrileg as it ruins the music
perfectly. Britten and Hindemith as well are known for their
perfect taste for instrument colours.
Yes, it is not written by Britten that the soloist has to
Francis Orval - the whole thing.
Worth listening to? Depends on your feelings about his playing.
There are a few other recordings of bits from the suites, but this is
the only full treatment to date.
Peter Hirsch
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