I'm curious to know what your criteria is for judging a leadpipe? What
would you consider that makes a certain pipe better, not just different? I
make
pipes that have a better scale and respond quicker, especially on the Bb
horn, on a Conn 8D, any Conn 8D. Would folks consider that bet
My apologies to the Hornlist. I replied to the wrong message.
Gretchen
Sent via BlackBerry from T-Mobile
-Original Message-
From: [EMAIL PROTECTED]
Date: Wed, 28 Nov 2007 17:39:51
To:horn@music.memphis.edu
Subject: [Hornlist] Chamber Music in Andalucia
I am planning a chamber music
Gregg,
I just got your message and will try to call you later this evening my time
from my Blackberry. I am not certain of the time but will e-mail you first to
be certain that you are available.
I am glad that you arrived safely.
Gretchen
Sent via BlackBerry from T-Mobile
-Original Messa
I am planning a chamber music ´house party´in Andalucia, southern Spain,
beginning about the 27 December and going over the New Year. If anyone would
like to join us for a bit of partying and a bit of celebrating, please get in
touch with me at [EMAIL PROTECTED] privately, and I will send mor
Orlando makes a good point. After using Alexander horns for ten years,
it made a BIG difference to use a German mouthpiece. All of the Klier
and Tilz mouthpieces I tried worked better than anything else I had
used. The Paxman mouthpieces (including Halsead Chidell) were designed
for a more v
I sincerely appreciate all the discussion offered by Wendell & others on the
C-series mpc. I played on the old style Giardinelli C10 for a little over a
week. I loved how it offered a quick response, clean attacks & nice full tone.
I noticed, however, during that week that I developed a firm
I can't comment on which lead pipe is best for a Conn 8D. But I can comment on
how important a leadpipe in good condition is compared to a damaged leadpipe.
I recently had the opportunity to play on a Holton 104, the Tuckwell horn, that
has two interchangeable leadpipes. One of the lead pipe
American mouthpiece shanks have a different taper than the Alexander ones.
An American mouthpiece will tend to make an Alex feel tight and strangely out
of tune. It won't go into the receiver far enough. I had the same experience
when I finally tried an Alex mouthpiece on a 103. Ahhh! S
RE: Minneapolis Symphony in 1940
Peter Hirsch asked about who was leading the horn section in 1940
(specifically, November 4) for the Dimitri Mitropoulos Mahler 1st recording.
==
Peter,
Sorry it took so long to get to your question.
The Minneapolis Symphony horn section listed
I think Doug is right on with his last statement. As one who has
experimented too many times with equipment, partially out of
intellectual curiosity and partially out of stupidity, I have at least
settled on one certain type of rim (very thin with a wide inner
diameter) but have found that the cup
Can anyone recommend a repair shop in the Philadelphia area, or anywhere in
Eastern PA? Specifically, someone who can do valve work would be great.
Mark Syslo
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I grew up in the NYC Metro playing a large-bell silver horn starting on a
C-12 and moving to a C-1 later on and emulating the Chambers/Bloom
aesthetic with some success:) At CCM years later, working on a DMA for
which I had to prepare 4 recitals, it occurred to me that I needed
different equipment
I am not much of a groupie, but I thought I would post this...
he was up at Univ. of Wis.
nice mix and great tune.
He scored a gig at University of Michigan and left the Philly orchestra...
he can't be more than 35 years old.
you tube
http://youtube.com/watch?v=h-4ZGfj23zs
Matthew
__
Stuart de Haro's 9019x pipe made a world of difference
on my 10D.
Gary
Get Firefox!!http://www.mozilla.org/products/firefox/central.html
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