Linda Sherman wrote:
Speaking strictly as an audience member, the most reliable factor that
always seems to separate the good conductors from the not-so-good is how
they use tempo. The good ones just seem to have the right feel for the
tempo and the general flow of the music, while the not-so-g
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[mailto:[EMAIL PROTECTED] On Behalf Of
Linda Sherman
Sent: Tuesday, October 10, 2006 8:04 AM
To: The Horn List
Subject: Re: [Hornlist] Conductors etc
hans wrote:
>What makes a good conductor
>
>
Speaking strictly as an audience member, the most reliable factor th
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[mailto:[EMAIL PROTECTED] On
Behalf Of Linda Sherman
Sent: Tuesday, October 10, 2006 2:04 PM
To: The Horn List
Subject: Re: [Hornlist] Conductors etc
hans wrote:
>What makes a good conductor
>
>
Speaking strictly as an audience member, the most reliable
factor
hans wrote:
What makes a good conductor
Speaking strictly as an audience member, the most reliable factor that
always seems to separate the good conductors from the not-so-good is how
they use tempo. The good ones just seem to have the right feel for the
tempo and the general flow of
message: 5
date: Sun, 8 Oct 2006 13:01:52 +0200
from: "hans" <[EMAIL PROTECTED]>
subject: [Hornlist] Conductors etc
I try it again to incend a fire(works) about conductors &
their means of interpretation, as the first attempt resulted
in zero effect but one single reply. Ar
Company politics are so important, I just can't justify wasting time on
the job I was hired to do.
-Original Message-
From: [EMAIL PROTECTED]
To: horn@music.memphis.edu
Sent: Mon, 9 Oct 2006 7:00 AM
Subject: RE: [Hornlist] Conductors etc
Two observations on what Steve said, as t
EMAIL PROTECTED] On Behalf Of
Steve Freides
Sent: Sunday, October 08, 2006 9:28 AM
To: 'The Horn List'
Subject: RE: [Hornlist] Conductors etc
Hans Pizka wrote:
> I try it again to incend a fire(works) about conductors &
> their means of interpretation, as the first attempt resu
Steve wrote:
Unfortunately, in conducting more than in most other areas of musical
endeavor, talent, hard work, and good results do not always lead to success.
At least it seems this way to me - in a blind audition behind a curtain, the
best player should prevail, but conductors are hired by much l
Hans, We agree they were not verbose
I said "Leinsdorf, Solti and Guilini none of which in my experience in
rehearsal were colorful or verbose." I used the word NONE.
I used them as an example and purposefully excluded Bernstein because I took
your initial remarks
Which were;
Vocables as
"lo
, October 08, 2006 6:56 PM
To: 'The Horn List'
Subject: RE: [Hornlist] Conductors etc
Hans Pizka wrote:
-snip-
> ... The
> greatest advantage of these great conductors is their
ability to
> LISTEN, to listen what´s coming from the various players
in the pit or
> on stage and
t; From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED] On
> Behalf Of [EMAIL PROTECTED]
> Sent: Sunday, October 08, 2006 5:05 PM
> To: horn@music.memphis.edu
> Subject: Re: [Hornlist] Conductors etc
>
> Hans, I agree conceptually, but let's talk about an older
> gen
08, 2006 5:05 PM
To: horn@music.memphis.edu
Subject: Re: [Hornlist] Conductors etc
Hans, I agree conceptually, but let's talk about an older
generation of conductors so as not to offend, Leinsdorf,
Solti and Guilini none of which in my experience in
rehearsal were colorful or verbose. All we
appear after a
while.
==
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Steve Freides
Sent: Sunday, October 08, 2006 3:28 PM
To: 'The Horn List'
Subject: RE: [Hornlist] Conductors etc
Hans, I did not respond
Hans, I agree conceptually, but let's talk about an older generation of
conductors so as not to offend, Leinsdorf, Solti and Guilini none of which in
my
experience in rehearsal were colorful or verbose. All were passionate all could
move you and the audience. So I would suggest that there is an
Hans Pizka wrote:
> I try it again to incend a fire(works) about conductors &
> their means of interpretation, as the first attempt resulted
> in zero effect but one single reply. Are you to cautious to
> talk about conductors ? Because a few lure around in several
> lists ? What to fear ? Is
I try it again to incend a fire(works) about conductors &
their means of interpretation, as the first attempt resulted
in zero effect but one single reply. Are you to cautious to
talk about conductors ? Because a few lure around in several
lists ? What to fear ? Is it impossible to talk the truth ?
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