Helge Kruse wrote:
I gave the switch --key at midi2ly, but this changed the output of
midi2ly in any way. Also –output has no effect to midi2ly.
Another annoying thing is that all rests are silent rests. This makes it
difficult to read play the music.
If you send a minimally small example
Can someone please help this guy?
---BeginMessage---
Hello,
I've only recently found-out about LilyPond...and I'm enjoying it
immensely!
There are many pieces of music that I've composed over the years, and
NOW finally, a way to help make it easier for others to read!
To the stumped
David
I had a look at the bar in the Beethoven Sonata Op 31 No 3
which you mention. The way to render it correctly in LP
with a '5' over the 5 notes of the second beat and a 12 over
the 12 notes of the third beats is as follows (I've added
the \include, a couple of braces and corrected a few
\new Voice {
\set countPercentRepeats = ##t
\repeat percent etc.(inserting the # of repeats here) {the notation}
}
So you want to add
\set countPercentRepeats = ##t
to your music, and then use a repeat:
\repeat percent etc.(inserting the # of repeats here) {the notation}
and stick the
On Saturday 23 December 2006 03:10, Frédéric Chiasson wrote:
Might it be possible to use
\tuplet 3:2 {x x x}
for the usual operation, and if we want to have many tuplets of the same
kind, to use
\tuplet 3:2 { {x x x} {y y y} {z z z} }
Might resolve the clarity problems.
Doesn't look
On Monday 25 December 2006 07:05, Joe Neeman wrote:
On 12/21/06, Han-Wen Nienhuys [EMAIL PROTECTED] wrote:
Erik Sandberg escreveu:
BTW, in this case it may be good to register the fraction as its own
argument
type, so \tuplets and \tuplet are generic music functions, both with
On Monday 25 December 2006 06:32, David Fedoruk wrote:
Hello:
I've been watching this discussion or debate. There are two ways to
look at this problem. The first is from a programmer's point of view
where the programmer is experienced with some computer languages,
these days its upper level
In message [EMAIL PROTECTED], Bonnie Rogers
[EMAIL PROTECTED] writes
For consistency, you probably should decide which version of English
you will use, American or British, and whether you will give both
versions every time or just the first time you use a term that is
different in British and
In message [EMAIL PROTECTED], Pierre Abbat
[EMAIL PROTECTED] writes
On Sunday 24 December 2006 14:34, Manuel wrote:
I'm sure you are right. My English needs you. fourth, not
quarter, it should be.
The duration of a note, however, is a quarter.
Not in English it isn't! :-)
In American, yes
In message [EMAIL PROTECTED], Manuel
[EMAIL PROTECTED] writes
I suppose that the cleanest solution would be to post this chapter for
Mac, then copy and modify it twice, to suit the needs and wants of
Linuxers and Windowers respectively. Afterwards if can be decided
whether to amalgamate them
In message [EMAIL PROTECTED], Manuel
[EMAIL PROTECTED] writes
Am 24/12/2006 um 20:30 schrieb Christopher A. LaFond:
stop may not seem obvious to all. In America, we use the word
period; I don't know what is used in other English speaking
countries. My recommendation is Add full stops
In message [EMAIL PROTECTED], Cameron Horsburgh
[EMAIL PROTECTED] writes
Incidentally, Manuel, one more spelling problem! The English term for
'quarter note' is 'crotchet', not 'crochet'. As your spell checker
would suggest 'crochet' is an English word --- it's a form of
knitting which (AFAIU)
Mischa Falkenburg wrote:
Thanks Graham, that did the trick!
So, am I correct in assuming that my first mistake was to have the line
...\new Voice?
Yes. You already have the Voices (implicitly created inside your new
Staffs).
Also, in order to try and avoid any future problems, should I
Anthony W. Youngman wrote:
Arghhh There is NO SUCH THING as British English. It's actually
two COMPLETELY SEPARATE languages that the Americans lump together!
The Saxons in England speak English. The Angles in Scotland speak
Scots (a very *similar* language). The Scots (in Ireland :-)
Joe, I tried this but it didn't quite work:
\version 2.10.0
\new ChoirStaff
\relative
\new Staff
{
\clef treble
\key g \major
\time 2/4
\override Score.RehearsalMark #'self-alignment-X = #RIGHT
\partial 16*4
g'16 a b c d8 d16 b e8 e16 c d4 c8 c16 a b8 b16 g a8 a16 fis g4
\mark Fine
\bar
Hello LilyPond users,
We are pleased to announce a new release of JMSL, the Java Music
Specification Language
This release of JMSL includes the new LilyPond exporter.
JMSL provides the user with a rich set of tools for making computer music.
Among these is a common music notation package
Just for the most curious ones, this is how rhythms are taught to
french children :
quarter-note is called : noire (black) since it's balck
half-note is called : blanche (white) since it's white
full-note is called : ronde (round) since... there is no stem
eight-note is called : croche (crotchet
Yota, could you post the original French? Thank you!
Manuel
Am 27/12/2006 um 15:43 schrieb yota moteuchi:
Just for the most curious ones, this is how rhythms are taught to
french children :
quarter-note is called : noire (black) since it's balck
half-note is called : blanche (white) since
Am 27/12/2006 um 14:12 schrieb Anthony W. Youngman:
It gets worse :-) What the Americans call a full note, the English
call a semi-breve (literally, a half-note) :-)
Ah, but you may be wrong there: breve means short-timed, thus half-of-
short, maybe even doubly-short. It is somehow
On 12/27/06, Till Rettig [EMAIL PROTECTED] wrote:
Ok, I see, I was quite unclear. First about this mentioned passive forms:
Direkt imperative as in English sounds in German somehow unpolite, maybe
indeed the active style that Han-Wen mentioned. Actually it is some kind
of passive form (so you
This is to invite criticism for the anacrusis part of the chapter,
which I added towards the end.
Manuel
( ... )
As a last thing in our little first beginners' chapter, we'll give
you the tool for beginning your melodies with an anacrusis or
upbeat. This is the
\partial
command. If
On 11/18/06, Trevor Bača [EMAIL PROTECTED] wrote:
Hi,
Unlike certain other programs, I've found that the warnings that Lily
issues during parsing, interpretation and preprocessing usually matter
a great deal; warnings are usually a sign either that there's a bug
that needs to be reported or
Joe, I get these error messages:
44:37: Fehler: GUILE signalisierte einen Fehler fur den hier
beginnenden Ausdruck
\once \override Score.RehearsalMark #
break-visibility = #begin-of-
line-invisible
44:38: Fehler: syntax error, unexpected STRING, expecting
...as well as:
Unbound variable: break-visibility
at the end.
Manuel
Am 27/12/2006 um 17:48 schrieb Joe Neeman:
On 12/27/06, Manuel [EMAIL PROTECTED] wrote:
Joe, I tried this but it didn't quite work:
You're nearly there -- I've just put in some more overrides to get
(I hope) what
Manuel wrote:
This is to invite criticism for the anacrusis part of the chapter,
which I added towards the end.
Manuel
( ... )
As a last thing in our little first beginners' chapter, we'll give you
the tool for beginning your melodies with an anacrusis or upbeat.
or pickup (common
Hi there,
I'm working on a tool-like widget to use for tweaking scores. For a given
staff size, how many pixels is 1 staff-space?
Cheers,
Stewart
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Paul, are
anacrusis
upbeat
pickup
all commonly understood terms in english speaking countries?
This is the
\partial
command. If you need, say, a quarter-note anacrusis, you type
quarter note - asterisk - one after the commad, in this way:
\partial 4*1
No need for the *1. We don't
Manuel wrote:
Paul, are
anacrusis
upbeat
pickup
all commonly understood terms in english speaking countries?
Yes. There are probably some musicians who are not familiar with anacrusis.
Paul
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On 12/27/06, Manuel [EMAIL PROTECTED] wrote:
Joe, I get these error messages:
44:37: Fehler: GUILE signalisierte einen Fehler fur den hier beginnenden
Ausdruck
\once \override Score.RehearsalMark #
break-visibility =
#begin-of-line-invisible
44:38: Fehler:
Thank you, it is *much* better now. But I still get an error message:
Warnung: Eigenschafts-Typprufung fur outside-staff-padding
(backend-type?) kann nicht gefunden werden. vielleicht ein Tippfehler?
Warnung: Zuweisung wird trotzdem durchgefuhrt
[8][11]
And the words do appear too close
Pierre Abbat wrote:
On Monday 25 December 2006 10:36, Geoff Horton wrote:
It would be better to call them brackets or braces consistently,
rather than switching.
The curly ones {} are braces. The square ones [] are brackets. Greater-than
and less-than signs, when used to enclose
Hello,
Using : LilyPond 2.11.4, Mac OS X 10.4.8
I think I have found a bug. When using changed fonts with the function
make-pango-font-tree, the functions \italic and \bold don't work anymore.
What do you think?
Frédéric
The input code :
\version 2.11.4
\paper{
#(define fonts
Greetings to all:
I get a warning when compiling a piece of music:
Ignoring grob for slur. avoid-slur not set? What does this mean?
I shortened the example and also found out that there are a bunch of
collisions that appear when using fingerings and string numbers.
Just for the purpose of
On 12/27/06, Manuel [EMAIL PROTECTED] wrote:
Thank you, it is *much* better now. But I still get an error message:
Warnung: Eigenschafts-Typprufung fur outside-staff-padding
(backend-type?) kann nicht gefunden werden. vielleicht ein Tippfehler?
Warnung: Zuweisung wird trotzdem durchgefuhrt
In the next version of LilyPondTool (to be released until Sunday) there will be
a visual tweaking tool. There I use the following (magnification is 100 for
100% IIRC):
public static final double STAFFSIZEFACTOR = 3.5;
public static final double STAFFSIZEBIAS = 3;
public static double
Eduardo Vieira-3 wrote:
Citando Rick Hansen (aka RickH) [EMAIL PROTECTED]:
If you have done this can you share it or sell it to me? (please dont
suggest m4, I gave up on that monster)
Thanks
Hi, Rick! Yes, this preprocessor looks scary, as well as some advanced
programming with
Karl Hammar karl at aspodata.se writes:
After installing lilypond 2.10.5 freebsd-x86
I get this,
/usr/libexec/ld-elf.so.1 :shared object lidm.so.2 not found required by
lilypond.
Are you sure it said lidm and not libm?
What can I do next to get it working?
I would try ldd,
Joe Neeman wrote:
On 12/27/06, *Manuel* [EMAIL PROTECTED] mailto:[EMAIL PROTECTED] wrote:
Thank you, it is *much* better now. But I still get an error message:
Warnung: Eigenschafts-Typprufung fur outside-staff-padding
(backend-type?) kann nicht gefunden werden. vielleicht ein
I wrote:
I was hoping to combine lilypond with this on the command
line like this:
cat mysong.ly | lilypond - | velchanger | mysong.midi
Anybody have any ideas how I can accomplish that in a single
command? My cycle is
edit,convert-to-midi,listen-in-garage-band, and I'm trying
to get it down
Daniel Tonda Castillo is volunteering to translate the Beginners'
guide into Spanish. I'm writing this with his permission.
So, Spanish speakers: rejoice!
¡Ándale y métele y dale nomás!
Manuel
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Ezequiel
Slurs operate only within a single Voice context, whereas
one of your slurs would need to operate across two different
Voices - Voice 1 before the \\ and Voice 2 after the
\\ - in the way you have written it.
You can achieve the double slur which I think you want by
moving the 'c' from
On 12/27/06, Paul Scott [EMAIL PROTECTED] wrote:
Joe Neeman wrote:
Ah, sorry. outside-staff-padding is a new feature in 2.11. In 2.10,
change it to padding (and maybe boost the value up to 3 or so).
Could that anything to do with why my Scheme definitions containing:
#{ \once \override
Thank you very much.
Did as you wrote and it works perfectley.
regards Marcel.
2006/12/27, Kim Shrier [EMAIL PROTECTED]:
On Dec 27, 2006, at 8:51 AM, Marcel Campenhout wrote:
After installing lilypond 2.10.5 freebsd-x86
I get this,
/usr/libexec/ld-elf.so.1 :shared object lidm.so.2 not
Greetings!
¡I've been following up on the absolute beginnner thread and am thrilled
about it!
Several items: the guide is set from MacOS, which opens the door for an
adaptation for other OS'es and then there's the language thing.
If we translate the guide to spanish (for example), then there
Hello,
I'm a pianist, and in piano music, itš quite usual that polyphony is
occasional - in many times, I need say that one note is hanging over
several other notes in the same hand. What's the difference between my
proposed chordal polyphony and the way polyphony is now implemented in
Hello,
a little typo occured in my snippet - correct is:
\relative cˇˇ {
\time 3/4
c8 a~
a4 \\
f8 f~
f4
}
Tomas Valusek
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Paul, I have now changed this part. What do you think?
( ... )
And last but not least in our little first beginners' chapter, we'll
give you the tool for beginning your melodies with an anacrusis, also
known as upbeat or pickup. This is the
\partial
command. If you need, say, an
Hello,
I'm typesetting instrumental music, and am trying to produce one file for each
instrument, and one file for the conductor's score (for which the input file
includes all the other input files). I put the music for each instrument into a
separate file, and intend to run lilypond on each
Greetings to all:
I get a warning when compiling a piece of music:
Ignoring grob for slur. avoid-slur not set? What does this mean?
I shortened the example and also found out that there are a bunch of
collisions that appear when using fingerings and string numbers.
Just for the purpose of
Anthony,
Daniel Tonda has just began translating the first chapter into
Spanish, but he needs some help with Linux, which I can't provide. He
says things about OpenOffice and ooLilyPond that I don't understand.
Coud you perhaps give him some hints?
Manuel
Pierre, I just wrote to Anthony about this, now I remember that you
are a Linuxer.
There is now a Spanish translation of the beginner's guide's first
chapter. Daniel is doing that, but I can't help him with his Linux
needs. So I thought perhaps you might drop him some hints to get him
Joe,
Yes! Now it worked just fine - thanks.
Manuel
Am 27/12/2006 um 21:06 schrieb Joe Neeman:
On 12/27/06, Manuel [EMAIL PROTECTED] wrote:
Thank you, it is *much* better now. But I still get an error message:
Warnung: Eigenschafts-Typprufung fur outside-staff-padding
(backend-type?)
Le mercredi 27 décembre 2006 à 17:13 +0100, Manuel a écrit :
Graham, I think the present tutorial is an excellent piece of work as
it is, only unclear in certain parts for beginners like me. It looks
like it was made by people with deep and systematic knowledge of the
matter but less
Hello,
I have a manuscript from my organ teacher I'm attempting to transcribe. So
far, so good, but the beginning of one composition has me stumped, despite
looking for hints in the archive, snipits, and documentation.
The piece begins with a somewhat unmeasured section; the bass is a slightly
In over 40 years with computers I have never seen or heard that term. I
use the term I learned angle brackets. I don't recommend using
brokets without defining it.
Paul Scott
I've never seen the term broket either, though physicists and
mathematicians use the term bra-ket in connection with
Manuel wrote:
Paul, I have now changed this part. What do you think?
That all seems great! You might consider adding to the following the
explanation about the reversal of the numbers from the way we normally
think, e.g. 16*5 instead of 5*16 (or 5/16).
(insert graphic here)
There is no
Dear LilyPonders,
here is the whole first chapter one more time, with all latest
corrections and suggestions incorporated. Further criticism is
nevertheless encouraged.
Manuel
LilyPond's
Beginners Guide
for the
Absolute Beginner
(Mac OS X version)
Chapter One.
Open a new
Manuel wrote:
Paul, are
anacrusis
upbeat
pickup
all commonly understood terms in english speaking countries?
FWIW, as an American musician, I've never come across anacrusis, but I'm
not a professional musician or a composer.
Tim Reeves
Daniel Tonda Castillo wrote:
Ignoring grob for slur. avoid-slur not set? What does this mean?
You may safely ignore it for now. If you're interested in fixing it
(can be done with no programming skills, just a text editor, diff, and a
bit of time) let me know. It's on my list of odd jobs
Erik wrote:
I've looked at staff measure length and the arguments of \time, but can't seem
to find a way to affect one staff without messing up the other.
Have you looking in the index for polymetric scores? Have you looked
at the advanced notation chapter of the manual and read 8.4.1
gnomino wrote:
\score block, but is there any easier way to do what I'm trying to do? Surely
it's not uncommon to want to produce multiple files for instrumental scores? Or
am I just not doing it the right way?
Don't stick a \score in the individual instrument parts. See D.3.2
String quartet
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