On Sun, Oct 28, 2012 at 2:57 AM, James Harkins jamshar...@gmail.com wrote:
Actually not a complaint! But inspired by the thread on upgrading vs not
upgrading, where it was suggested that LP has become inherently more complex
and harder to use, even for simple typesetting.
[...]
I just
Peter O'Doherty-2 wrote
On 10/30/2012 11:43 PM, Thomas Morley wrote:
or
if you want to affect only a single line of the score, use
\overrideProperty #Score.NonMusicalPaperColumn
#'line-break-system-details #'((alignment-distances . (30)))
after rethinking I wonder why one has to use
Hi Keith,
you wrote:-
The first one I ran across is getting alignment correct for a flexa on a
single syllable.
\version 2.16.0
\score {
\new VaticanaStaff
\new VaticanaVoice = Hymn40 {
e' e' \[\melisma
Hi,
sorry for delay, i was very busy...
On Sun, Oct 28, 2012 at 11:21 AM, Wim van Dommelen m...@wimvd.nl wrote:
But the top part of the example shown uses an include-file.
That is not tiny, anything can happen there. So I would add
to the rules for a tiny example no use of include files.
You
Janek Warchoł janek.lilyp...@gmail.com writes:
Hi,
sorry for delay, i was very busy...
On Sun, Oct 28, 2012 at 11:21 AM, Wim van Dommelen m...@wimvd.nl wrote:
But the top part of the example shown uses an include-file.
That is not tiny, anything can happen there. So I would add
to the
Message: 6
Date: Wed, 31 Oct 2012 21:30:59 -0400
From: Keith N. McKenna keith.mcke...@comcast.net
To: lilypond-user@gnu.org
Subject: Well there be improvements to Gregorian Chant?
Message-ID: k6sjcp$cb0$1...@ger.gmane.org
Content-Type: text/plain; charset=UTF-8; format=flowed
Good-day
On Thu, Nov 1, 2012 at 10:03 AM, David Kastrup d...@gnu.org wrote:
Janek Warchoł janek.lilyp...@gmail.com writes:
You mean
\include english.ly
in the page about tiny examples? Actually, english.ly is a file
bundled with Lilypond, which allows to spell note names with english
names
Hi Wim,
Please reply to the whole list, so that others might benefit from our
discussion.
On Thu, Nov 1, 2012 at 11:48 AM, Wim van Dommelen m...@wimvd.nl wrote:
The other discussion would be: Are you going to use the Tiny Examples as a
way of showing small pieces of code doing some specific
On 1 nov. 2012, at 00:11, Paul Morris p...@paulwmorris.com wrote:
On Oct 31, 2012, at 4:52 PM, Thomas Morley thomasmorle...@googlemail.com
wrote:
Hi Paul,
postscript is scaled with global-staff-size only.
To work around you could use:
TwinNoteNoteHeads =
#(lambda (grob)
(let*
On 1 nov. 2012, at 12:44, m...@mikesolomon.org wrote:
On 1 nov. 2012, at 00:11, Paul Morris p...@paulwmorris.com wrote:
On Oct 31, 2012, at 4:52 PM, Thomas Morley thomasmorle...@googlemail.com
wrote:
Hi Paul,
postscript is scaled with global-staff-size only.
To work around you
On Sun, Oct 28, 2012 at 10:15 PM, Thomas Morley
thomasmorle...@googlemail.com wrote:
2012/10/28 Thomas Morley thomasmorle...@googlemail.com:
2012/10/28 Olivier Biot olivier.b...@gmail.com:
On Sun, Oct 28, 2012 at 8:29 PM, Thomas Morley
thomasmorle...@googlemail.com wrote:
2012/10/28 Olivier
Thomas Morley wrote
I've never seen this before, but it _is_ possible.
Try this workaround:
\version 2.16.0
\paper {
ragged-right = ##f
}
strangeLyricHyphens =
\override LyricHyphen #'after-line-breaking =
#(lambda (grob)
(let* ((l-bd (ly:grob-property
Hi all,
Is there a way to display and increment bar numbers only after a double bar?
Example:
\score {
a16-.-\upbow b (c) d(c) b ( | % DO NOT count the following bar,
and DO NOT print the bar number here
a) b (c) d(c) b-\laissezVibrer \bar ||
a16 (b) c(d) c(b)
Hi,
On Wed, Oct 31, 2012 at 11:51 PM, soundsfromsound
soundsfromso...@gmail.com wrote:
I just wanted to say hello and introduce myself. My name is Ben and I am a
composer based out of Boston, MA (USA) and I am an active LilyPond user. In
my opinion, LilyPond is the best music engraving
On Thu, Nov 1, 2012 at 9:51 AM, Eluze elu...@gmail.com wrote:
On 10/30/2012 11:43 PM, Thomas Morley wrote:
if you want to affect only a single line of the score, use
\overrideProperty #Score.NonMusicalPaperColumn
#'line-break-system-details #'((alignment-distances . (30)))
after
Fellow Users:
Using the Frescobaldi wizard (Tools/Setup New Score), I created a Piano
Staff for three polyphonic voices. (I am coding WTC 1 Fugue 3.)
\score {
\new PianoStaff \with {
instrumentName = Piano
}
\new Staff = right \with {
midiInstrument = acoustic
On Thu, Nov 1, 2012 at 7:49 PM, Mark Stephen Mrotek
carsonm...@ca.rr.com wrote:
how to have the notation for the middle voice move from the
treble staff to the bass staff and back (This to avoid ledger lines.) The
online documentation (Notation Reference 2.2.1) provides instruction for all
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Hash: SHA1
Le jeu. 01 nov. 2012 20:54:03 CET, Noeck a écrit :
Imho, something like http://stackoverflow.com would be perfect for
Lilypond. I know it from python programming and it's so convenient to
see if there is a question matching the own problems and
Hi,
is there a bar line that spans only the upper half of the staff?
I'd like to use it (according to common notation in hymn books) to
indicate that the original notation did not have bar lines.
What I am looking for is not: \divisioMaxima/Minima/Maior and not \bar
'. (At least not untweaked
is there a bar line that spans only the upper half of the staff?
I'd like to use it (according to common notation in hymn books) to
indicate that the original notation did not have bar lines.
What I am looking for is not: \divisioMaxima/Minima/Maior and not \bar
'. (At least not untweaked
01.11.2012 21:53, Toine Schreurs:
\override Staff.BarLine #'bar-extent = #'(0 . 2)
Thank you, that's what I was looking for!
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Janek Warchoł-2 wrote
after rethinking I wonder why one has to use such special functions -
doesn't LilyPond already do a good job on vertically spreading the
systems
on one ore more pages.
do you have an example where this doesn't work?
Yes, and it's very painful when LilyPond fails to
wjm wrote:
Hi Keith,
you wrote:-
The first one I ran across is getting alignment correct for a flexa on a
single syllable.
\version 2.16.0
\score {
\new VaticanaStaff
new VaticanaVoice = Hymn40 {
e' e'
HI keith,
You wrote:-
+
Now I just have to conquer where to but the \relative c' statement so
that it applies to the entire voice.
+
This is how I would set it out.
Note the use of 'variables' to store the music and words and how they
On 2012-11-01 22:54, Eluze wrote:
Janek Warchoł-2 wrote
This may sound surprising, but there are many cases when LilyPond's
vertical spacing could be noticeably improved (i admit that most of
these cases would matter only to a demanding professional engraver).
+999
Except that some very easy
wjm wrote:
HI keith,
You wrote:-
+
Now I just have to conquer where to but the \relative c' statement so
that it applies to the entire voice.
+
This is how I would set it out.
Note the use of 'variables' to store the music and words and
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