Hello Jean,
On Mon, May 20, 2024 at 11:54 AM Jean Abou Samra wrote:
(Lots of helpful stuff)
> HTH
> Jean
>
Yes, that was exactly what was wrong, thanks!
Christ van Willegen
On Tue, May 21, 2024 at 11:28 AM Xavier Scheuer wrote:
> On Tue, 21 May 2024 at 19:42, Knute Snortum wrote:
> >
> > It's probably easier to see in the MWE and screen shot I've attached.
> So is there a way to get rid of the bass change clef indicator in the first
> ending?
>
> Hello,
>
> \once \
Hi Werner, everyone else...
Oops, sorry...i didn't click "reply all"!
I also apologize for not searching the archive more thoroughly. Googgle
searches arent always the best thing...
Here are two examples from the score i'm working on now. The first one is
confusing because of the "sim" which
On 2024-05-21 18:45, Werner LEMBERG
wrote:
Here, I want to make 7 lines spread out to fill the entire last
page, but leave the other pages alone.
Ah, I missed 'last page'. Perhaps all you need is
```
\
>> This information should probably be added to the NR, together with
>> an example. Can you prepare a patch (or even an MR) or formulate
>> something that I can then massage accordingly?
>
> Actually this is already in NR 1.1.3 Clef (not specific to volta,
> but actually Lily's default kind of
On Tue, 21 May 2024 at 20:38, Werner LEMBERG wrote:
>
> This information should probably be added to the NR, together with an
> example. Can you prepare a patch (or even an MR) or formulate
> something that I can then massage accordingly?
Hi Werner,
Actually this is already in NR 1.1.3 Clef
(no
> > is there a way to get rid of the bass change clef indicator in the
> > first ending?
>
> \once \set Staff.explicitClefVisibility = #end-of-line-invisible
> before your \break at the end of volta 1.
This information should probably be added to the NR, together with an
example. Can you prepa
[Please always use 'reply to all'; I've now CCed the mailing list again.]
> >>> Here, I want to make 7 lines spread out to fill the entire last
> >>> page, but leave the other pages alone.
> >
> > Ah, I missed 'last page'. Perhaps all you need is
> >
> > ```
> > \paper {
> > ragged-last-botto
On Tue, 21 May 2024 at 19:42, Knute Snortum wrote:
>
> It's probably easier to see in the MWE and screen shot I've attached. So
is there a way to get rid of the bass change clef indicator in the first
ending?
Hello,
\once \set Staff.explicitClefVisibility = #end-of-line-invisible
before your \b
On Tue, 21 May 2024 at 16:04, Aaron Hill wrote:
>
> It is interesting how we interpreted the clef and key signature
> differently when trying to recreate the image. You did manage to the
> squeeze in the forte, which I did not.
Yes, I thought exactly the same thing when I saw your answer. In fac
>> I am typesetting a piece and the stem in the first e quarter note
>> disappears when I add \slurUp upper notes. Is this a bug?
>
> This is the default behaviour of LilyPond: unify stems. What you need
> to do is to tell LilyPond not to use `\voiceOne` (up) and `\voiceTwo`
> (down) but rather
Hi Raphael,
Your voice number commands are missplaced. You'd rather write:
\version "2.24.2"
\new PianoStaff <<
\new Staff <<
\time 4/4
\key a \major
voice one
\new Voice \relative c' {
\voiceOne
%\slurUp % <= not needed
e4-1\mf ( a8.-3 b16 gis
> I am typesetting a piece and the stem in the first e quarter note
> disappears when I add \slurUp upper notes. Is this a bug?
This is the default behaviour of LilyPond: unify stems. What you need
to do is to tell LilyPond not to use `\voiceOne` (up) and `\voiceTwo`
(down) but rather `\voiceTw
I am typesetting a piece and the stem in the first e quarter note
disappears when I add \slurUp upper notes. Is this a bug? Thank you. Rafael.
%%%
with the slur down , see attachment.
\version "2.24.2"
\new PianoStaff
<<
\new Staff <<
\time 4/4
\key a \major
%%%
On Tue, May 21, 2024 at 7:10 AM Werner LEMBERG wrote:
>
> You want to position the 'f' sign into the staff lines of the upper
> staff? If yes, then it doesn't fit with the concept of a a `Dynamics`
> context *between* the staves IMHO. Instead, I would attach the 'f'
> sign to the upper staff, s
I have been engraving more pieces that have volta repeats and it's proving
to be challenging. I have a problem where I want to remove the change clef
in the first ending but not the subsequent staff clef in the second. The
staff starts in treble clef then moves to bass clef. In the first ending
t
>> Here, I want to make 7 lines spread out to fill the entire last
>> page, but leave the other pages alone.
Ah, I missed 'last page'. Perhaps all you need is
```
\paper {
ragged-last-bottom = ##f
}
```
Werner
> I would like to increase the vertical distance between systems for a
> specific area in a score.
>
> I know how to change vertical distance by using the \paper
> {system-system etc... route, but that governs the entire score. Here,
> I want to make 7 lines spread out to fill the entire last p
dear Lilypond
I would like to increase the vertical distance between systems for a specific
area in a score.
I know how to change vertical distance by using the \paper {system-system
etc... route, but that governs the entire score. Here, I want to make 7 lines
spread out to fill the entire l
Thank you all for your really quick response.
> It is interesting how we interpreted the clef and key signature differently
Sorry for the confusion. The example was actually from:
https://imslp.org/wiki/Special:ImagefromIndex/16500/wc13
Thanks again!
Jun
> 2024/05/21 23:24、David Kastrup のメール:
Aaron Hill writes:
> On 2024-05-21 6:40 am, Jun Tamura wrote:
>> Hello,
>> Could someone give me a pointer for this?
>> This is a quite popular notation for bowed string instruments. I’m
>> almost certain that I saw a way to achieve this before but could not
>> find it this time.
>
>
> What you t
> Interestingly, the following does *not* work, [...]
It's not clear to me how the end result should look like.
> The dynamics context doesn't know that there's a staff above it
> and/ot the piano staff forbids the dynamics from encroaching on the
> staff above.
You want to position the 'f' si
On 2024-05-21 6:55 am, Xavier Scheuer wrote:
\relative c' {
\key bes \major
\stemDown
<\tweak duration-log 2 bes bes' f'>2\f
<\tweak duration-log 2 bes' f' d'>2 |
<\tweak duration-log 2 c, a' c>2\fermata
}
It is interesting how we interpreted the clef and key signature
differently when tryin
On Mon, May 20, 2024 at 8:58 PM Werner LEMBERG wrote:
> Since version 2.25.13 the NR contains the attached warning box.
>
Thank you, Werner. Interestingly, the following does *not* work, but I can
kind of understand why. The dynamics context doesn't know that there's a
staff above it and/ot th
On Tue, 21 May 2024 at 15:42, Jun Tamura wrote:
>
> Hello,
>
> Could someone give me a pointer for this?
>
> This is a quite popular notation for bowed string instruments. I’m almost
certain that I saw a way to achieve this before but could not find it this
time.
Hello,
\relative c' {
\key bes \
On 2024-05-21 6:40 am, Jun Tamura wrote:
Hello,
Could someone give me a pointer for this?
This is a quite popular notation for bowed string instruments. I’m
almost certain that I saw a way to achieve this before but could not
find it this time.
What you typically do is \tweak the duration-
> Could someone give me a pointer for this?
>
> This is a quite popular notation for bowed string instruments. I’m almost
> certain that I saw a way to achieve this before but could not find it this
> time.
\version "2.24.2"
{
2
}
HTH
Jean
signature.asc
Description: This is a digitally s
Hello,
Could someone give me a pointer for this?
This is a quite popular notation for bowed string instruments. I’m almost
certain that I saw a way to achieve this before but could not find it this time.
Thanks in advance for your help.
Jun
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