is possible
with the Hair Pins, but can it be added all by itself?
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is possible
with the Hair Pins, but can it be added all by itself?
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are
indicated with a 1. But when sliding, the normal indication is a dashed
line between the two 1s. Can this be done?
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how to get lyrics above the staff below the volta
brackets?
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On Tue, 10 Apr 2007 11:35:32 -0400, Paul Scott [EMAIL PROTECTED] wrote:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Christopher A. LaFond wrote:
I have a score with the soprano lyrics above the top staff, and the
ending has a one-measure alternative. But the volta lines are pushing
this come up as an issue before? I searched the archives, but couldn't
find this specific problem.
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= mainlyrics \lyricsto melody \lyricmode {
do mi sol mi do
la si do }
\context Lyrics = mainlyrics \lyricsto verse \lyricmode {
do re mi fa sol }
\new Lyrics = repeatlyrics \lyricsto verse \lyricmode {
dodo rere mimi fafa solsol }
}
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to install the newer version. What
operating system do you have? If you are on Windows,
always make sure to first uninstall the older version
before installing a new version.
/Mats
Christopher A. LaFond wrote:
Hi,
I installed a newer version of LP (2.11.10), and used 'convert-ly' to
convert my
Hi,
I installed a newer version of LP (2.11.10), and used 'convert-ly' to
convert my files. But when I run lilypond (in jEdit with lilypondtool),
it tells me that the version is too old (cites the previous version -
2.11.6). It correctly compiles the file, but the footer still says
version
Hi,
I am trying to set a Midi tempo of 90 dotted quarter notes per minute.
According to the Lilypond docs, the correct syntax is:
\midi { \tempo 4 . = 90 }
However, I keep getting a syntax error (unexpected tempo). Since it's a
dotted note, there is supposed to be a space after the 4.
, the following does not:
tempoWholesPerMinute = #(ly:make-moment 90 4.)
Is this something that needs fixing, or is there something that I'm missing?
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You guys got something against
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After things go from bad to worse, the cycle will repeat itself.
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Languages), it cannot be taken as an absolute. There
are all sorts of things that happen linguistically to nouns (and all
other types of words) as they pass into / become individuated languages.
We can skip the details, since it's off topic.
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usage (even though it's not a direct question).
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Christopher A. LaFond [EMAIL PROTECTED] http://www.celticharper.net
So tell me, just how long have you had this feeling that no one is
watching you? (Christopher Locke: Entropy Gradient Reversals
Manuel wrote:
la nota sostenida más larga
I would use the masculine here. It could be the longest tenuto note.
Possibly, an enquiry at RAE's services will shed light upon this.
Manuel
That was an example culled from an internet site in Spanish. My point
was that there are easy ways to
Manuel wrote:
I'm not sure I understand you. The original question was whether the
word nota, wherever it appears followed by # , should give its
gender to sostenida, or else the abstract gender of un sostenido would
be correct, una nota sostenido. I think the last is right.
What I'm saying
by the inhabitants of the Lowlands of Scotland. Also
/absol./ as /n./, the Scottish dialect.
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After things go from bad to worse, the cycle will repeat itself
Manuel wrote:
Add full stops (called periods in american English) for dotted or
double dotted notes
What do you think?
Manuel
That is fine, but you need to capitalize American as well as English.
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Christopher A. LaFond [EMAIL PROTECTED] http
in
American English and let people who don't understand the terminology
spend 30 seconds on google.
Why not just add a short glossary of equivalents at the end and refer
the reader to it?
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:
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Christopher A. LaFond [EMAIL PROTECTED] http://www.celticharper.net
To communicate with Mars, converse with spirits, To report the
behaviour of the sea monster, Describe the horoscope, haruspicate or
scry, Observe disease in signatures. (T.S.Eliot
.
In a related issue - I haven't had any success with the \parenthesize
command, unless the note in question is stacked in a chord.
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Christopher A. LaFond [EMAIL PROTECTED] http://www.lafond.us
This seems like a case where we need to shoot the messenger
of the verse,
but I haven't figured out a way to do that.
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Evolution is a harsh mistress.
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of the tool because of it. Any
ideas?
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Some people have one of those days. I have one of those lives.
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Is there a way to initiate a slur on one staff and have it end on
another? For example, in a piano or harp arpeggio that starts in the
bass cleff and moves into the treble clef?
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