Re: Key signatures in MIDI output

> On 10 May 2024, at 22:21, msk...@ansuz.sooke.bc.ca wrote: > > On Fri, 10 May 2024, Hans Åberg wrote: > >>> signature. The MIDI file does not contain that information; it is up to >>> whatever software reads the MIDI file, to display it appropriately. >>

Re: Key signatures in MIDI output

> On 10 May 2024, at 21:50, msk...@ansuz.sooke.bc.ca wrote: > > On Fri, 10 May 2024, Hans Åberg wrote: > >> Programs like ABC work so that one writes the music without accidentals, >> and then apply a key signature to get them. It was my reading that the >> OP

Re: Key signatures in MIDI output

> On 10 May 2024, at 20:18, msk...@ansuz.sooke.bc.ca wrote: > > On Fri, 10 May 2024, Hans Åberg wrote: > >> To change the MIDI output, you will need to change the notes, say by >> transposing or something else. > > MIDI files can include events ("

Re: Key signatures in MIDI output

> On 10 May 2024, at 16:26, Giles Boardman wrote: > > I am reading that I can create MIDI output which is different from the > printed output. For example, I can unfold repeats in the midi output but use > alternative endings and double barlines in my score. Awesome! > > So, I tried it and I

Re: nested beaming

> On 11 Apr 2024, at 17:14, Carl Sorensen wrote: > >> On Thu, Apr 11, 2024 at 6:44 AM Hans Åberg wrote: >> >> > On 10 Apr 2024, at 16:54, Carl Sorensen wrote: >> > >> > On Tue, Apr 9, 2024 at 10:23 AM Hans Åberg wrote: >> > &g

Re: nested beaming

> On 10 Apr 2024, at 23:29, Carl Sorensen wrote: > >> On Wed, Apr 10, 2024 at 2:02 PM Hans Åberg wrote: >> >> There is actually one example of a naturally occurring meter, meaning it is >> used regularly, where such a sub-beaming might be useful, namely, a f

Re: nested beaming

> On 10 Apr 2024, at 16:54, Carl Sorensen wrote: > > On Tue, Apr 9, 2024 at 10:23 AM Hans Åberg wrote: > >> In the past, it was possible to give 9/16 the beat structure [[2 2] [2 3]], >> as a 2/4 with an extra 1/16 at the end, like in the Bulgarian Daichovo, but

Re: nested beaming

> On 10 Apr 2024, at 23:29, Carl Sorensen wrote: > >> On Wed, Apr 10, 2024 at 2:02 PM Hans Åberg wrote: >> >> >> There is actually one example of a naturally occurring meter, meaning it is >> used regularly, where such a sub-beaming might be useful, na

Re: nested beaming

> On 10 Apr 2024, at 20:15, Carl Sorensen wrote: > > Forwarding to keep on list. > > On Wed, Apr 10, 2024 at 11:35 AM Hans Åberg wrote: > > > On 10 Apr 2024, at 19:00, Carl Sorensen wrote: > > > > On Wed, Apr 10, 2024 at 10:22 AM Hans Åberg wrote:

Re: nested beaming

> On 10 Apr 2024, at 17:13, Carl Sorensen wrote: > >> On Tue, Apr 9, 2024 at 10:23 AM Hans Åberg wrote: >> >>> On 8 Apr 2024, at 18:46, Simon Albrecht wrote: >>> >>> On 08.04.24 18:22, Paul Scott wrote: >>>> Many years ago

Re: nested beaming

> On 10 Apr 2024, at 16:54, Carl Sorensen wrote: > > On Tue, Apr 9, 2024 at 10:23 AM Hans Åberg wrote: > > In the past, it was possible to give 9/16 the beat structure [[2 2] [2 3]], > as a 2/4 with an extra 1/16 at the end, like in the Bulgarian Daichovo, but >

Re: nested beaming

> On 8 Apr 2024, at 18:46, Simon Albrecht wrote: > > On 08.04.24 18:22, Paul Scott wrote: >> Many years ago I could nest square brackets in Lilypond. How can I write >> this now incorrect code: >> >> a16[[ 16 16] 16[ 16 16]] i.e. two groups of 3 beamed 16th notes joined by a >> single beam.

Re: Still failing to operate lilypond 2.20.0 64-bit version.

> On Oct 19, 2023, at 12:47, Ian West wrote: > > From the attached photo you will see that I created in 'home' a folder > called 'LilyPondArea', and in that a folder called 'lilypond-2.24.2'. In the > former I placed the downloaded tar, and in the latter the unpacked files of > lilypond-2.2

Re: How to define a turn with two accidentals

> On Oct 12, 2023, at 23:10, Volodymyr Prokopyuk > wrote: > > Is it possible to define a turn with two accidentals as shown below? I think you must design them, say adding another column item to what I use: mordentsharp = ^\markup \left-align \center-column { \musicglyph #"scripts.mordent"

Re: Still failing to operate lilypond 2.20.0 64-bit version.

> On Oct 7, 2023, at 18:46, Ian West wrote: > > I can see that it is a complex business constructing a new software package. > > I was under the impression that, on 12 Aug 2022, I downloaded lilypong02.20.0 > build 20200311175017-darwin-64.tar, unpacked it and ran the package on my > 64-bit

Re: Still failing to operate lilypond 2.20.0 64-bit version.

> On Oct 7, 2023, at 07:43, Werner LEMBERG wrote: > >> libpaper is listed on >> https://ports.macports.org/port/ghostscript/details/ >> >> Well, that's too bad since there is no actual license >> incompatibility due to the use as subprocess, as already noted by >> several others. Not sure if M

Re: Multi-trills

He is changing the auxiliary ad lib, just as your notation implies; the notation is a transcript. Here is another example, though it may be hard to hear: https://www.youtube.com/watch?v=AxgLm96eYx8 But anyway, you want to reproduce the notation in the link you gave. > On 10 Jul 2023, at 15:49,

Re: Multi-trills

> On 9 Jul 2023, at 14:16, Gregory Evans wrote: > > I was wondering if anyone has a technique for trills with more than one trill > pitch. What musical effect do you want to describe? A trill where the auxiliary changes, as in this example? https://www.youtube.com/watch?v=h85k-rdiREk

Re: accidental query

> On 14 Feb 2023, at 19:49, Karim Haddad wrote: > > I found amazingly that Lily plays the 1/8th tones correctly as it does for > 1/4th tones. > If i need to use other weird scales, can someone point me to the lily code > responsible for the midi pitch tuning (bend) in lilypond, so I can mess

Re: accidental query

> On 14 Feb 2023, at 15:27, Karim Haddad wrote: > > Maybe this was already submitted. I am looking for this particular symbol to > use as alteration for 1/8th tones. (cf. screenshot attached) > However it seems missing in the Emmentaler font. It is appears on the SMuFL page Extended Stein-Zim

Re: irrational meters

> On 18 Jan 2023, at 01:46, H. S. Teoh via LilyPond user discussion > wrote: > > … it would be interesting if somebody composed a > piece with an actually irrational meter, like π/4 or 3/π. I gave an example [1] where the numerator is an irrational number, 8+2√5. If one wants to typeset th

Re: irrational meters

) ­­— but I still think it would be better to use the terme «non > dyadic», also mentioned in the article, so as to harmonize teminology between > music and maths.... > Silvain > > Le 17.01.23 à 15:52, Hans Åberg a écrit : >> >>> On 17 Jan 2023, at 15:20, S

Re: irrational meters

> On 17 Jan 2023, at 15:20, Silvain Dupertuis > wrote: > > I wonder about the term “irrational” meter. Should not we say “irregular” ?? > as in mathematics, an irrational number is a number which cannot be > represented as a fraction... The denominator is not a power of two. See: https://en

Re: ghostscript 9.56.1 in lilypond 2.23.14 no longer finds font Helvetica-Bold, but gs in 2.22.1 did

> On 13 Nov 2022, at 10:54, Jean Abou Samra wrote: > > Le 12/11/2022 à 05:27, Jeff Olson a écrit : >> On 11/7/2022 6:58 AM, Hans Åberg wrote: >>>> In 2.22 you successfully get "Hello, World!" at top of page. >>> This example works

Re: ghostscript 9.56.1 in lilypond 2.23.14 no longer finds font Helvetica-Bold, but gs in 2.22.1 did

> On 12 Nov 2022, at 05:27, Jeff Olson wrote: > > On 11/7/2022 6:58 AM, Hans Åberg wrote: >>> In 2.22 you successfully get "Hello, World!" at top of page. >>> >> This example works in LilyPond 2.23.80 (MacPorts), on MacOS 13.0. > Interesting. T

Re: ghostscript 9.56.1 in lilypond 2.23.14 no longer finds font Helvetica-Bold, but gs in 2.22.1 did

> On 6 Nov 2022, at 06:12, Jeff Olson wrote: > > This MWE works in 2.22.1 but fails in 2.23.14 (running via Frescobaldi 3.1.1 > on up-to-date Windows 10): > \version "2.22.1" > \markup { > \postscript #" > /Helvetica-Bold findfont > 4 scalefont setfont > (Hello, World!) show >

Re: Font path/finding issue on Mac OS Big Sur

> On 5 Oct 2022, at 19:59, Alex Harker wrote: > > The code was al put together on an earlier version of Mac OS and I did not > need to do anything further to make it work. > > After some more investigation it looks like Frescobaldi is likely actually > using a MacPorts install of lilypond T

Re: Font path/finding issue on Mac OS Big Sur

> On 5 Oct 2022, at 14:21, Alex Harker wrote: > > I was wondering if anyone could help me debug a missing fonts issue on Mac. > I’m having an issue with a score that was working on a previous Lilypond.app > based install on a previous OS. > > * My install * > - I installed lilpond via Homebr

Re: Font path/finding issue on Mac OS Big Sur

> On 5 Oct 2022, at 14:21, Alex Harker wrote: > > I was wondering if anyone could help me debug a missing fonts issue on Mac. > I’m having an issue with a score that was working on a previous Lilypond.app > based install on a previous OS. > > * My install * > - I installed lilpond via Homebr

Re: Accent on single note of chord?

> On 24 Sep 2022, at 22:35, Werner LEMBERG wrote: > >>> Has anyone come across notation where only a single note in the chord >>> has an accent? >> >> I am pretty sure this is not a standard thing. > > Actually, it is a standard thing, at least in piano music. Attached > is an example from S

Re: Create 16th-century microtonal accidental

you are > interested, but maybe we better do that off the lilypond-list. > > > Hans Åberg writes: > >>> On 2 Sep 2022, at 10:24, Johannes Keller wrote: >>> >>> I would like to use Lilypond for a critical edition of Nicola >>> Vicentino's treat

Re: Create 16th-century microtonal accidental

> On 2 Sep 2022, at 10:24, Johannes Keller wrote: > > I would like to use Lilypond for a critical edition of Nicola > Vicentino's treatise "L'antica musica" (Rome 1555). The original > notation uses an unconventional accidental to indicate a pitch > modification of a "Diesis" (ca. 1/5 of a whol

Re: Resource for sharing PDFs and ly file?

> On 21 Aug 2022, at 02:29, wmil...@aol.com wrote: > > As I prepare to retire I would like to know if there is anyone interested in > piano, ukulele and or guitar teaching files I have developed over the last 20 > years? I am happy to share them for free. Make sure to choose a suitable copyri

Re: 64-bit MacBook Air M2 problems

[List changed to LilyPond-User, from LilyPond-Devel.] > On 16 Aug 2022, at 22:16, Ian West wrote: > > I reset my laptop to abolish 'smart quotes' . Successful. But there must be > other subtleties that are frustrating me. Perhaps if I type the text with > textedit, then copy and paste to feed

Re: Amharic

> On 15 Aug 2022, at 23:22, Werner LEMBERG wrote: > >>> On my system (Ubuntu), your amharic characters are encoded in the >>> Ethiopan pane (U+1200-U+137C) and they are displayed with the >>> FreeSerif Font >> >> This works. > > Maybe your Mac OS Amharic font is using Apple-specific SFNT tabl

Re: Amharic

> On 15 Aug 2022, at 19:02, Silvain Dupertuis > wrote: > > On my system (Ubuntu), your amharic characters are encoded in the Ethiopan > pane > (U+1200-U+137C) > and they are displayed with the FreeSerif Font This works. I tried copy-pasting the Kefa font into the same location this font end

Re: Amharic

3 0 > VLWNVH+FreeSerif TrueType WinAnsi yes > yes yes 9 0 > > So I would suggest you try and install FreeSerif on your system > Look for example and fonts here > > Le 15.08.22 à 17:55, Hans Åberg a écrit : >> composer = &quo

Re: Amharic

> On 15 Aug 2022, at 18:19, Werner LEMBERG wrote: > >> Amharic does not display when using: >> \header{ >> composer = "Mulatu Astatke (ሙላቱ አስታጥቄ)" >> } >> Instead, showing a series of PRIVATE USE AREA-10FC18 U+10FC18. >> >> On MacOS, there is a system font Kefa for Amharic. >> >> So what is

Amharic

Amharic does not display when using: \header{ composer = "Mulatu Astatke (ሙላቱ አስታጥቄ)" } Instead, showing a series of PRIVATE USE AREA-10FC18 U+10FC18. On MacOS, there is a system font Kefa for Amharic. So what is missing here?

Re: very simple off-topic question regarding command line viewing of postscript files on macOS

> On 3 Aug 2022, at 06:43, Kenneth Wolcott wrote: > > I'll look into that, but I already installed xquartx, via homebrew, > which provides an X11 environment. I have MacPorts xorg-server installed, and when launching X11 programs from the Terminal app, it automatically launches XQuartz. On

Re: \time 9/8 (3/4)

> On 29 Jul 2022, at 15:21, Kieren MacMillan > wrote: > > Hi Hans, Hello, >> Hindemith, "Training…", indicates that 6/8 is always bipartite, so the 3/4 >> is a metric shift in this music piece. > > Correct. > >> By contrast, 9/8 is tripartite, just as 3/4, so I do not see any obvious >>

Re: \time 9/8 (3/4)

> On 29 Jul 2022, at 15:14, Paul Hodges wrote: > > From: Hans Åberg > > There is also the practise to write the triplet markers just a few bars, and > then skipping them. Perhaps for simplifying handwriting and helping then > engraver in the days this was done by

Re: \time 9/8 (3/4)

> On 29 Jul 2022, at 14:27, Eef Weenink wrote: > > The question started with a piece of Liszt. It has to be played adante. Time > is set: > first part: 9/8 (3/4) > second part: 6/8 (2/4) istesso tempo (means that a 1/4 stays 1/4. So the > duration of the measure changes). > > Writing it th

Re: \time 9/8 (3/4)

> On 29 Jul 2022, at 13:30, Kieren MacMillan > wrote: > > Hi Carl, > >> Just curious, because I know precious little about polymetry. >> Does 9/8 (3/4) mean anything different from (3 + 3 + 3)/8 ? > > Yes: the parenthetical notation is usually an instruction to alternate time > signatures,

Re: \time 9/8 (3/4)

> On 29 Jul 2022, at 09:44, David Kastrup wrote: > > Hans Åberg writes: > >>> On 28 Jul 2022, at 22:43, Jean Abou Samra wrote: >>> >>> Also here: >>> >>> https://myrealbook.vintherine.org/mesures-composees.html >> >>

Re: \time 9/8 (3/4)

> On 28 Jul 2022, at 22:43, Jean Abou Samra wrote: > > Also here: > > https://myrealbook.vintherine.org/mesures-composees.html One also write I think: \time #'(4 4 3) 11/8 For a kopanitsa 11=4+3+4, I use: \time #'(4 3 4) 11/16

Re: LilyPond on macOS (was: \repeat unfold has problems inside \repeat volta)

> On 2 Jul 2022, at 18:35, Carl Sorensen wrote: > > On Sat, Jul 2, 2022 at 10:23 AM Jean Abou Samra wrote: > >> Le 02/07/2022 à 18:14, Carl Sorensen a écrit : >> >>> I can't currently run 2.23.10 on my Mac, so I can't try it, >> >> >> What is the problem you are encountering? I think that

Re: What is the meaning of a mordent on top of a sharp sign?

> On 28 Jun 2022, at 06:23, Kenneth Wolcott wrote: > > What remains (that I did not specify) is how to engrave this? I have: above = { \once \override Script #'script-priority = #-100 } below = { \once \override TextScript #'script-priority = #-100 } And then, for a trill with a natural abo

Re: Consecutive trills

> On 29 Apr 2022, at 23:53, Lukas-Fabian Moser wrote: > > Hi Hans, > > Am 29.04.22 um 20:33 schrieb Hans Åberg: > >> In BWV 1067, first movement, there is for the flute a long note with several >> ties with a trill span ending somewhere in the middle, indicati

Re: Consecutive trills

ack of system." > The Interpretation of the Music of the 17th and 18th Centuries, p. 169. > > Mark > > -Original Message- > From: lilypond-user > [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Hans > Åberg > Sent: Friday, April

Re: Consecutive trills

> On 29 Apr 2022, at 19:06, Kieren MacMillan > wrote: > >>> As far as I know that's not a notation rule, but I agree that it makes more >>> sense to use the trill + wavy line for tied notes. >> I haven't seen "tr" plus chevron on a single untied note > > When it’s a chain of trills — some ti

Re: Consecutive trills

> On 29 Apr 2022, at 16:31, Martín Rincón Botero > wrote: > > Thanks Hans! > > As far as I know that's not a notation rule, but I agree that it makes more > sense to use the trill + wavy line for tied notes. I haven't seen "tr" plus chevron on a single untied note, though the Harvard Conci

Re: Consecutive trills

> On 29 Apr 2022, at 12:07, Martín Rincón Botero > wrote: > > consider: > > \version "2.22.1" > > { > d'2 > \startTrillSpan > b2 > \startTrillSpan > b1\stopTrillSpan > } You might use \trill in these cases, as the trill symbol "tr" by itself applies to the whole note it i

Re: Musical questions

> On 11 Apr 2022, at 16:16, Jacques Menu wrote: > > Hello folks, > > In Mendelssohn Bartholdy’s Ave maris stella, the soprano has this: > > > > With LilyPond, I can obtain the ad lib cue notes with smaller note heads in a > cadenza. Is that my best bet? > > Also, what is the musicial sign

Re: Mac Monterey 12.3 and Lilypond 2.2.2

> On 18 Mar 2022, at 20:28, Miguel Abrams wrote: > > Hi Hans: > > I wondered if you could suggest the next steps I should take. I have > completed the following successfully. > > MacPorts was installed successfully, after Xcode install completed > > Both appear operational > > I followed

Re: Mac Monterey 12.3 and Lilypond 2.2.2

> On 18 Mar 2022, at 20:28, Miguel Abrams wrote: > > Hi Hans: > > I wondered if you could suggest the next steps I should take. I have > completed the following successfully. > > MacPorts was installed successfully, after Xcode install completed > > Both appear operational > > I followed

Re: Mac Monterey 12.3 and Lilypond 2.2.2

> On 18 Mar 2022, at 17:23, David Wright wrote: > > On Fri 18 Mar 2022 at 10:34:08 (+0100), Hans Åberg wrote: >> On 17 Mar 2022, at 23:39, Hans Aikema wrote: > >>> You cannot have both active indeed, but you can install them both (one >>> active, one

Re: Mac Monterey 12.3 and Lilypond 2.2.2

> On 17 Mar 2022, at 23:39, Hans Aikema wrote: > > >> On 17 Mar 2022, at 23:18, Hans Åberg wrote: >> >>  >>> On 17 Mar 2022, at 23:06, Hans Aikema wrote: >>> >>> I also prefer to run development releases alongside stable, but any

Re: Mac Monterey 12.3 and Lilypond 2.2.2

> On 17 Mar 2022, at 23:06, Hans Aikema wrote: > > Hans Aikema, direct vanuit de iCloud > >> Op 17 mrt. 2022 om 22:31 heeft Hans Åberg het volgende >> geschreven: >> >>  >>> On 17 Mar 2022, at 22:26, Jean Abou Samra wrote: >>> >

Re: Mac Monterey 12.3 and Lilypond 2.2.2

> On 17 Mar 2022, at 22:26, Jean Abou Samra wrote: > >> The latest development version works, and I gather it does not differ much >> from the "stable" version fairly recent updates (the old development version >> become new stable). > > Not sure what you're referring to here? The latest sta

Re: Mac Monterey 12.3 and Lilypond 2.2.2

> On 17 Mar 2022, at 21:49, Hans Aikema wrote: > >> On 17 Mar 2022, at 21:04, Jonas Hahnfeld via LilyPond user discussion >> wrote: >> >> Am Donnerstag, dem 17.03.2022 um 19:48 + schrieb Michael T Abrams: >>> Hi, >> >> Hi, >> >>> Seems confusing to me that the gitlab 64 bit version of

Re: Windows laptop

> On 12 Feb 2022, at 10:50, Lukas-Fabian Moser wrote: > >> I neglected to consider the development releases. I feel so incompetent. > No need to! > > The term "development" (as opposed to "stable") tends to scare users away. > And while it is basically true that > > - the development release

Re: Windows laptop

> On 12 Feb 2022, at 10:21, Jeremiah Reilly wrote: > > Thank you. I understand your response. MacPorts (sadly) is outside my field > of competence. I am component with Terminal, but not with MacPorts. I looked > at several user descriptions of installing Lilypond with MacPorts et al. and > f

Re: Windows laptop

> On 12 Feb 2022, at 09:31, Jeremiah Reilly wrote: > > Problem: Lilypond does not run on current MacOS 12.x Monterrey. LilyPond runs on MacOS, I use the MacPorts version called lilypond-devel, which is currently LilyPond 2.23.6, the latest. They are very quick at updating, so I recommend th

Re: Installing Alternate Music Fonts with Frescobaldi and Homebrew Installation on M1 Mac

> On 9 Feb 2022, at 22:25, Jesse Wiener wrote: > > Ok in 2.23.6, it works! I have to put the font into the > share/lilypond/2.23.6/fonts/otf folder but the font does change and I don't > get the seg fault. I think I used something like that at first with the 32-bit app, but then one has to

Re: Installing Alternate Music Fonts with Frescobaldi and Homebrew Installation on M1 Mac

> On 9 Feb 2022, at 21:51, Jesse Wiener wrote: > > I'll update LilyPond via MacPorts and see what I find. Also, I acknowledge > that I need to get better about quoting previous emails. It's been a long > long time since I was an active participant in a mailing list. Indeed, if it prevails wi

Re: Installing Alternate Music Fonts with Frescobaldi and Homebrew Installation on M1 Mac

> On 9 Feb 2022, at 21:28, Jean Abou Samra wrote: > > Le 09/02/2022 à 21:23, Hans Åberg a écrit : >> I get the warning below repeated a number of times; It would be good if >> somebody could explain. >> % lilypond test-e53smufl.ly >> GNU LilyPond 2.23.6 (runni

Re: Installing Alternate Music Fonts with Frescobaldi and Homebrew Installation on M1 Mac

> On 9 Feb 2022, at 20:12, Jesse Wiener wrote: > > Yeah - I tried installing them using FontBook before I did anything else. No > dice. I use LilyPond 2.23.6, MacPorts version on Intel, MacOS 12.2, and it worked right now with SMuFl and the font Bravura.otf. I can send you the sample. I ge

Re: Installing Alternate Music Fonts with Frescobaldi and Homebrew Installation on M1 Mac

> On 9 Feb 2022, at 00:03, Jesse Wiener wrote: > > I have an M1 mac running Monterey. I use Frescobaldi and my LilyPond install > was done with Homebrew. It all works wonderfully well. > > My question is: > > Is there some way to install alternate music fonts with this setup? I think just

Re: Engraving chords with the same note twice, but different accidentals

> On 3 Feb 2022, at 19:04, Knute Snortum wrote: > > On Thu, Feb 3, 2022 at 9:32 AM Leo Correia de Verdier > wrote: >> >> On Thu, Feb 3, 2022, 11:51 AM Kieren MacMillan >> wrote: >>> >>> Hi all, >>> Speaking as a keyboard player (and lilypond novice) I would recommend re-spellin

Re: trillSpan question:

> On 28 Jan 2022, at 01:03, Kenneth Wolcott wrote: > > I have trouble understanding how to implement the \startTrillSpan > and \stopTrillSpan. … > Another related question: what is the difference in the actual > performance of the two types? The trill symbol only applies to the note it is wr

Re: Persian accidentals (koron and sori)

> On 6 Dec 2021, at 15:49, Werner LEMBERG wrote: > https://w3c.github.io/smufl/latest/tables/persian-accidentals.html >>> >>> Yes, and it is soo ugly. >> >> It is best consulting some with traditional Persian sheet music. >> But the few ones I have seen tend to be hand drawn, not of very

Re: Persian accidentals (koron and sori)

> On 6 Dec 2021, at 15:34, Werner LEMBERG wrote: > >>> In case there are experts on Persian music notation: please have a >>> look here >>> >>> https://gitlab.com/lilypond/lilypond/-/merge_requests/1047 >>> >>> and comment on the design. >> >> Here is how they look at SMuFL. Rather thin and

Re: Persian accidentals (koron and sori)

> On 6 Dec 2021, at 12:10, Werner LEMBERG wrote: > > In case there are experts on Persian music notation: please have a > look here > > https://gitlab.com/lilypond/lilypond/-/merge_requests/1047 > > and comment on the design. Here is how they look at SMuFL. Rather thin and of equal thicknes

Re: CPU stress tests for LilyPond

> On 2 Dec 2021, at 02:41, Paolo Prete wrote: > > Hello Hans, > > I don't think this test can give reliable results for what we need to compare. > With my processor (Intel Celeron N3350) it took 96 seconds to compile MSDN.ly > > But my CPU is listed with score 287: > https://browser.geekbenc

Re: CPU stress tests for LilyPond

> On 30 Nov 2021, at 19:11, Jean Abou Samra wrote: > > Le 30/11/2021 à 15:22, Hans Åberg a écrit : >> It gives errors with LilyPond 2.23.4. > > You should upgrade automatically using convert-ly. > While leaving a few warnings, it does a pretty good > job on the fil

Re: CPU stress tests for LilyPond

cquesmenu staff 963019 Nov 30 16:32 MSDM.pdf > > The machine is a Mac Mini M1, 8GB RAM, 256 GB disk. > > JM > >> Le 30 nov. 2021 à 15:28, Hans Åberg a écrit : >> >> >>> On 30 Nov 2021, at 14:26, Paolo Prete wrote: >>> >>> I

Re: CPU stress tests for LilyPond

> On 30 Nov 2021, at 14:26, Paolo Prete wrote: > > I need to buy a new PC, more powerful than the one I own. The CPU and RAM > must be chosen on the time required to produce LilyPond output. Are there any > test sheets with different CPUs and the time they take to output a score that > takes

Re: CPU stress tests for LilyPond

> On 30 Nov 2021, at 14:47, Karlin High wrote: > > On 11/30/2021 7:26 AM, Paolo Prete wrote: >> Are there any test sheets with different CPUs and the time they take to >> output a score that takes a long time to compile? > > Search the archives for Carver MDSM. > >

Re: LilyPond 2.23.3 installer on MacOS 11

> On 2 Nov 2021, at 08:52, Thomas Scharkowski wrote: > > >>> >>> Am 31.10.2021 um 18:36 schrieb Hans Åberg : >>>> >>>> >>>>> On 31 Oct 2021, at 11:43, Thomas Scharkowski >>>>> wrote: >>>>>

Re: LilyPond 2.23.3 installer on MacOS 11

> On 1 Nov 2021, at 11:33, Thomas Scharkowski wrote: > > Am 31.10.2021 um 18:36 schrieb Hans Åberg : >> >> >>> On 31 Oct 2021, at 11:43, Thomas Scharkowski >>> wrote: >>> >>> Hi, I have installed this version on a fresh MacOS 1

Re: LilyPond 2.23.3 installer on MacOS 11

> On 1 Nov 2021, at 11:33, Thomas Scharkowski wrote: > > Am 31.10.2021 um 18:36 schrieb Hans Åberg : >> >> >>> On 31 Oct 2021, at 11:43, Thomas Scharkowski >>> wrote: >>> >>> Hi, I have installed this version on a fresh MacOS 1

Re: LilyPond 2.23.3 installer on MacOS 11

> On 31 Oct 2021, at 11:43, Thomas Scharkowski > wrote: > > Hi, I have installed this version on a fresh MacOS 12 and get this error > message: I have made an installer using MacPorts directly on MacOS 12; see separate post.

LilyPond 2.23.3 installer on MacOS 12

This is a LilyPond 2.23.3 installer, latest unstable release, for use on MacOS 12, made from MacPorts lilypond-devel, available on the link below [1]. Does not work on earlier MacOS versions. It installs in /opt/lilypond/, with the program in /opt/lilypond/bin/lilypond, and /opt/lilypond/bin/ c

Re: LilyPond 2.23.3 installer on MacOS 11

It is available on MacPorts MacOS 12, but I made this installer version for MacOS 11 to make sure there is at least one available. To install on MacPorts, I use for latest unstable release: sudo port install lilypond-devel The stable release is also available by sudo port install lilypond The

LilyPond 2.23.3 installer on MacOS 11

This is a LilyPond 2.23.3 installer, latest unstable release, for use on MacOS 11, made from MacPorts lilypond-devel, available on the link below [1]. Does not work on earlier MacOS versions. Might possibly work on MacOS 12 if installed on MacOS 11 before updating. It installs in /opt/lilypond/

Re: Ornamentation in Bach's piece

> On 19 Sep 2021, at 14:44, 田村淳 wrote: > > Hello Lukas, > >> 2021/09/19 21:14、Lukas-Fabian Moser のメール: >> >> Hi Jun, >> >> Am 19.09.21 um 09:07 schrieb 田村淳: >>> Is there a snipett to realize this? >>> This is from the 3rd movement of the Sonata for Viola da Gamba and >>> Harpsichord in G-mi

Re: Rendering athenian Sagittal using microlily

> On 13 Aug 2021, at 22:16, Garek Dyszel wrote: > >> I made files for E53 and E72 using Helmholtz-Ellis notation with SMuFL >> names and the Bravura font. It would seem to suffice to change the >> names and the tuning. I'll send you them separately. > > This nearly does the job. Great! > Bot

Re: Rendering athenian Sagittal using microlily

> On 13 Aug 2021, at 09:22, Graham Breed wrote: > >> I'm having trouble getting Graham Breed's microlily to engrave >> athenian Sagittal accidentals properly in *.pdf files, using the >> Bravura font. >> The accidentals are replaced with random Unicode symbols (such as \rho >> and \xi). An exam

Re: Persian music package

but I've been actively performing Persian music for decades > and I know how we tune. If you want to learn check out my website > https://persianney.com. > > Kees > > > > On Fri, Aug 6, 2021 at 11:47 AM Hans Åberg wrote: > >> On 6 Aug 2021, at 18:46, Kee

Re: Persian music package

> On 6 Aug 2021, at 18:46, Kees van den Doel wrote: > > Well I know Persian music very well, and the tuning as-is is perfect, so I'm > not sure what we are talking about here. > Persian music doesn't "raise by commas". There are no "different tunings", > there is the current MIDI tuning which

Re: Persian music package

> On 6 Aug 2021, at 16:45, Kees van den Doel wrote: > > Please include the list in reply. As you posted an email intended to be private, a correction: I did not misremember, you really do use E60. :-) > I have no Idea what E72 and E60 etc. is, to me it sounds like European > freeway names.

Re: Persian music package

> On 31 Jul 2021, at 21:03, Kees van den Doel wrote: > > Hi Hans, > Thanks but I don't see how this helps. > I don't see the Koron or Sori anywhere in those files you sent. Change the names for the double arrowed accidentals to the ones you want to use. They are in smufldata.ily. > Tuning is

Re: Persian music package

> On 31 Jul 2021, at 19:41, Kees van den Doel wrote: > > A decade ago I wrote the attached header persian.ly which supports Persian > music notation + microtuning. > A hack with a downloaded font is necessary as the Persian microtonal symbols, > the koron and sori are not available in Lilypon

Re: Problem

> On 30 Jul 2021, at 11:43, ole wrote: > > Hi, I'am a longtime time-to-time Lilypond user and now all of a sudden I get > the following error warning: > > dyld: Library not loaded: @executable_path/../lib/libintl.8.dylib > Referenced from: > /var/folders/41/ytq6d2yj2fxf1cqm4kb39j0hgn/T/

Re: Assistance to Create a Recipe for 41-EDO and "Kite Guitar" Tablature

> On 29 Jul 2021, at 13:29, devin@ulibarri.website wrote: > > On 2021-07-26 04:09, Hans Åberg wrote: >> I'll send you code for E53 > > Thank you for the tip and the files. > > Kite Guitar Fretting (skipping every other EDO step, and tuning adjacent >

Re: Assistance to Create a Recipe for 41-EDO and "Kite Guitar" Tablature

> On 26 Jul 2021, at 00:15, devin@ulibarri.website wrote: > > I need help from users who have some experience with microtonality (or > overrides in general) in Lilypond to create a recipe for lilypond notation > for the Kite Guitar (kiteguitar.com). The Kite Guitar uses 41 equal divisions > o

Re: Can I put the F key sign # down one octave? *KeySignature*

> On 30 Jun 2021, at 20:47, Lukas-Fabian Moser wrote: > > So, "three sharps" (but not in modern arrangement) for the two violins, "four > sharps" (which are actually three) for soprano and bass. That's interesting > insofar as today we're basically used to only counting the total number of >

Re: What is happening on the email thing? CONTENTS DELETED

> On 24 Jun 2021, at 21:52, Jean Abou Samra wrote: > > Le 24/06/2021 à 21:44, Hans Åberg a écrit : >>> On 24 Jun 2021, at 21:21, Karlin High wrote: >>> >>> On 6/24/2021 1:46 PM, darki...@jesusgod-pope666.info wrote: >>>> Why are so man

Re: What is happening on the email thing? CONTENTS DELETED

> On 24 Jun 2021, at 21:21, Karlin High wrote: > > On 6/24/2021 1:46 PM, darki...@jesusgod-pope666.info wrote: >> Why are so many contents being deleted on the email list > > I understand the Nabble website is an effort to have a forum-like interface > for the email list. If Nabble is having

  1   2   3   4   5   >