\override LyricText.font-name = "Comic Sans MS"
}
}
\ly
}
%%% END %%%
I've been doing this for years, but usually only for one or two pieces of
markup at a time (rather than globally for an entire context, as shown
above).
But I notice that font-name appears
\alternative {
\volta 1 {
e2.
\once \override Slur.dash-definition = #'((0 0.5 1 1) (0.5 1 0.001
3))
g,4 (
}
\volta 2 { c1 ) }
}
}
}
%%% END %%%
[image: half-slurs.png]
Note that my values for the second example, with Slur.dash-definition,
leaves a bit of a graphic imperfection. Seems like it should be possible to
dash-definition in a way that truly prints no line of any sort (ie, white),
but I can't seem to figure it out.
HTH,
Trevor.
--
Trevor Bača
www.trevorbaca.com
soundcloud.com/trevorbaca
Parentheses.font-size = #5
\once \override Parentheses.extra-offset = #'(-1 . 0)
\openBracket
d' e' f'
\closeBracket
\parenthesize
g'
}
%%% END %%%
[image: square-brackets.png]
HTH,
Trevor.
--
Trevor Bača
www.trevorbaca.com
soundcloud.com/trevorbaca
27;4
\stopGroup
c'4
\stopGroup
c'4
\stopGroup
c'4
\stopGroup
}
%%% END %%%
[image: nested-analysis-brackets.png]
Is this the desired output for 2.25.19? I ask only because the
(non-monotonic) vertical stacking of the brackets seems surprising.
Thanks again,
Trevor.
--
Trevor Bača
www.trevorbaca.com
soundcloud.com/trevorbaca
8 -1-3 ( 16 -2-4 -1-5 -2-4 -3-5 )
}
%%% END %%%
[image: Fingering-avoid-slur-ignore.png]
Trevor.
On Thu, May 9, 2024 at 10:25 AM Paul McKay wrote:
> Hi
> I want to show fingerings in front of slurs in a manner very like that
> demonstrated in the "Using the whiteout property&q
\!\> \after 2 \!% <== old
\after 2 \< \after 8*7 \> \after 1 * 5/4 \! % <== new
% s2 d8 ( c b2 ) % <== old
{ s2 d8 ( c b2 ) } % <== new
}
>>
}
{ \example }
%%% END %%%
[image: after-positioning.png]
HTH,
Trevor.
On Tue, May 7, 202
Hi Orm,
More examples here:
https://github.com/trevorbaca/baca/blob/main/baca/scm/baca-circle-bow-markups.ily
HTH,
Trevor.
On Wed, Feb 14, 2024 at 4:59 AM Orm Finnendahl <
orm.finnend...@selma.hfmdk-frankfurt.de> wrote:
> Hi,
>
> I'd like to make a sign for circula
This preserves the normal beaming of quavers as Gould recommends except
for this situation.
Trevor
-- Original Message --
From "Jakob Pedersen"
To lilypond-user@gnu.org
Date 23/09/2023 20:17:15
Subject Re: Beam issue
Hi Raj
I don't know why Lilypond does what it does, but
... even though ...
\relative { c' \tweak thickness #5 ( d e f) } % no hyphen
... works under 2.25.6.
Thanks so much for this!
Trevor.
--
Trevor Bača
www.trevorbaca.com
soundcloud.com/trevorbaca
c'2
}
}
\markup "Conditionally colors only the inner tuplet bracket:" \markup
\vspace #1
{
\times 2/3 {
\tweak color #(lambda (grob)
(if (equal? DOWN (ly:grob-property grob 'direction)) red blue))
\times 2/3 { c'4 c' c' }
c'2
c&#
p
\vspace #1
{
\times 2/3 {
\tweak color #(if (equal? DOWN (ly:grob-property grob 'direction)) red
blue)
\times 2/3 { c'4 c' c' }
c'2
c'2
}
}
%%% END %%%
Is there a way to tweak grobs with callback output?
Trevor.
--
Trevor Bača
www.trevorbaca.com
soundcloud.com/trevorbaca
On Wed, Jul 19, 2023 at 2:24 AM David Kastrup wrote:
> Trevor Bača writes:
>
> > Hi,
> >
> > I'd like the left text of red text spanners to be set to "foo", and to
> set
> > the left text of all other text spanners to "bar".
> >
a (grob) (if (equal? red (ly:grob-property grob 'color))
(markup "foo")
(markup "bar")))
c'1
- \tweak color #red
\startTextSpan
c'1
\stopTextSpan
}
%%% END %%%
What's the right way to return markup from a Scheme function?
Trevor.
--
Trevor Bača
www.trevorbaca.com
soundcloud.com/trevorbaca
On Tue, Jul 18, 2023 at 6:30 PM Jean Abou Samra wrote:
> Le mardi 18 juillet 2023 à 18:07 -0400, Trevor Bača a écrit :
>
> Is this intentional? And, if it is, is there a way to re-supply the
> missing bar line?
>
>
>
> Yes, and yes. This is a frequent question, so I&#x
this intentional? And, if it is, is there a way to re-supply the missing
bar line?
Thanks,
Trevor.
--
Trevor Bača
www.trevorbaca.com
soundcloud.com/trevorbaca
On Tue, Jul 18, 2023 at 3:58 PM Jean Abou Samra wrote:
> Hi Trevor,
>
> In Scheme, the = function is for comparing numbers, and nothing else. For
> colors, you want equal? .
>
>
> ~ $ guile2.2
> GNU Guile 2.2.7
> Copyright (C) 1995-2019 Free Software Foundation
s with Wrong type argument in position 1: red:
{
\once \override TupletBracket.thickness = #(lambda (grob)
(if (= red (ly:grob-property grob 'color)) 3))
\tweak color #red
\times 2/3 { c'2 c'2 c'2 }
}
%%% END %%%
Thanks for any ideas,
Trevor.
--
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www.trevorbaca.com
soundcloud.com/trevorbaca
Hi,
All of my scores compile under 2.13.80, and with no errors.
Congratulations, and thanks for the chance to test the 2.24 release
candidates.
Trevor.
On Sun, Oct 23, 2022 at 10:22 PM Jonas Hahnfeld via LilyPond user
discussion wrote:
> We are happy to announce the release of LilyP
ple.ly'
Parsing...
Interpreting music...
Preprocessing graphical objects...
Finding the ideal number of pages...
Fitting music on 1 page...
Drawing systems...;;; note: source file
/Users/trevor/lilypond-2.23.7/share/lilypond/2.23.7/scm/lily/output-svg.scm
;;; newer than compiled
/Users/trevor
Hi Colin, you wrote 08/03/2022 00:39:10:
I've just discovered Trevor Daniels' satb.ly system, and huge kudos to him!
I've tweaked a bit by adding \consists Merge_rests_engraver to a Layout
variable, but I'm wrestling the lyrics a bit. By default, they come out aligned
\compressMMRests
was intended to be used:
{
\compressMMRests {
\m \m }
}
Trevor
vocal music. I used them all the
time to prepare music when I was leading a small choir.
Worth a look.
Trevor
-- Original Message --
From: "Stephane Krims"
To: "lilypond-user@gnu.org"
Sent: 21/04/2021 18:49:42
Subject: 2nd stanza lyrics cont.
Thank you Remy a
On Fri, Jan 8, 2021 at 6:02 PM David Wright
wrote:
> On Thu 07 Jan 2021 at 19:57:12 (-0500), Trevor Bača wrote:
> > On Wed, Jan 6, 2021 at 2:29 PM David Wright wrote:
> > > On Wed 06 Jan 2021 at 11:34:24 (-0500), Trevor Bača wrote:
> > > > On Tue, Jan 5, 2021
On Wed, Jan 6, 2021 at 2:29 PM David Wright
wrote:
> On Wed 06 Jan 2021 at 11:34:24 (-0500), Trevor Bača wrote:
> > On Tue, Jan 5, 2021 at 11:31 PM David Wright wrote:
> > > On Tue 05 Jan 2021 at 19:05:30 (-0500), Trevor Bača wrote:
> > > > I love the functionality
On Tue, Jan 5, 2021 at 11:31 PM David Wright
wrote:
> On Tue 05 Jan 2021 at 19:05:30 (-0500), Trevor Bača wrote:
> > I love the functionality for cropped SVGs! (Added back in 2019, or around
> > then?)
> >
> > Question: it appears that cropped multisystem SVGs remove
explanation is here:
https://lilypond.org/doc/v2.21/Documentation/learning/moving-objects
Scroll down to find it.
Trevor
Freeman, you wrote 17/11/2020 17:35:47
I would like to understand better how names are used LilyPond?
For example, when Capital letters are used, "-", ".", "_", &c. in
variables and functions, &c.
I read this sum place, but i can not find it. If someone knows a
referans, please tell me?
e
A1 Built-in templates in the LM).
It greatly simplifies what needs to be written. It's worth a look if
you've not used it.
Trevor
On Wed, May 6, 2020 at 7:06 PM David Kastrup wrote:
> Valentin Villenave writes:
>
> > On 5/6/20, Trevor Bača wrote:
> >> The following MWE works under 2.20.0 but crashes LilyPond under 2.21.1.
> >
> > Wow, that’s a nice one. I’m marking this as Critical be
\new GlobalRests { R1 }
}
\new Staff { \time 4/4 R1 }
>>
### END ###
GNU LilyPond 2.21.1
Processing `illustration.ly'
Parsing...
Interpreting music...
Preprocessing graphical objects...
< halt >
The workaround appears to be to use 2.20.0 until the 2.21.1 bug can b
/msg00212.html
so it did apparently affect some users adversely.
Trevor
#x27;ve not investigated how to remove the unwanted natural.
Trevor
-- Original Message --
From: "Knute Snortum"
To: "Mark Stephen Mrotek"
Cc: lilypond-user@gnu.org
Sent: 19/02/2020 22:32:42
Subject: Re: Merging note heads with different pitches. Bug?
Well, it works
s way of communicating your problem-solving approach.
Thank you for taking the time to write it up; I learned details of grob
spacing that I didn't know I'd been missing for several years.
Trevor.
--
Trevor Bača
www.trevorbaca.com
soundcloud.com/trevorbaca
features in this release; highlights follow below.
Here's to happy composing and to time with friends and family over the
holiday season.
We hope you enjoy,
Trevor Bača
* mail: trevor.b...@gmail.com
* home: http://www.trevorbaca.com/
Josiah Wolf Oberholtzer
* mail: josiah.oberholt...@gmai
ob))
(set! (ly:grob-property grob 'color) red))
(if
(eq? RIGHT (ly:item-break-dir grob))
(set! (ly:grob-property grob 'color) blue)))
\break
c'4 c'4 c'4 c'4
}
\layout {
indent = #0
ragged-right = ##t
}
%
nd, I listen to the Midi and
finally I print it and play it through carefully on a piano.
HTH, Trevor
rride Slur.details.arrow-left = ##t
\override Slur.details.arrow-right = ##t
\override Slur.details.arrow-left = ##f
\override Slur.details.arrow-right = ##f
?
Trevor
-- Original Message --
From: "Thomas Morley"
To: "Aaron Hill" ; "Lukas-Fabian Moser"
On Thu, Mar 7, 2019 at 2:14 AM David Kastrup wrote:
> Trevor Bača writes:
>
> > Restarting the staff during the lifespan of a multisystem
> > DynamicLineSpanner destroys the value of DynamicLineSpanner properties
> > (like staff-padding) that were set when the DynamicLin
ent = 0
ragged-right = ##t
system-system-spacing.minimum-distance = 30
}
%%% END %%%
[image: restart-staff-dynamic-line-spanner-bug.png]
Thanks,
Trevor.
--
Trevor Bača
www.trevorbaca.com
soundcloud.com/trevorbaca
___
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On Thu, Feb 28, 2019 at 4:10 PM David Kastrup wrote:
> Trevor Bača writes:
>
> > On Fri, Feb 22, 2019 at 2:58 AM Andrew Bernard >
> > wrote:
> >
> >> Solved. It's right-broken-padding set to false that does the trick.
> >>
> >> \ov
s "stop text span on bar line", which seems to
be what Andrew is actually engraving in this excerpt.
Trevor.
--
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soundcloud.com/trevorbaca
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7;4
c'4
c'4
\newSpacingSection
c'4
c'4
c'4
c'4
c'4
}
%%% END %%%
Visual:
[image: correct-output.png]
Note, again, that *all* measures spaced incorrectly must carry a \noBreak
command; removing *any one* of the three \noBreak co
On Wed, Feb 13, 2019 at 8:33 AM Carl Sorensen wrote:
>
>
>
>
> *From: *Trevor Bača
> *Date: *Wednesday, February 13, 2019 at 6:43 AM
> *To: *Carl Sorensen
> *Cc: *Andrew Bernard , lilypond-user
> Mailinglist
> *Subject: *Re: Text spanner shorten-pair
>
>
&
On Wed, Feb 13, 2019 at 8:35 AM David Kastrup wrote:
> David Nalesnik writes:
>
> > On Wed, Feb 13, 2019 at 7:49 AM Trevor Bača
> wrote:
> >>
> >> Could somebody else possibly provide James a patch of David N.'s
> >> alternateTextSpannerEngraver?
On Wed, Feb 13, 2019 at 4:58 AM James Lowe wrote:
> Hello Trevor,
>
> On Tue, 12 Feb 2019 16:45:35 -0600, Trevor Bača
> wrote:
>
>
> >
> > Question: is it now possible to replace Text_spanner_engraver with David
> > N.'s extended implementatio
On Tue, Feb 12, 2019 at 6:12 PM Carl Sorensen wrote:
>
>
>
>
> *From: *Trevor Bača
> *Date: *Tuesday, February 12, 2019 at 3:09 PM
> *To: *Carl Sorensen
> *Cc: *Andrew Bernard , lilypond-user
> Mailinglist
> *Subject: *Re: Text spanner shorten-pair
>
>
-id.ly"
{
b1
- \tweak bound-details.left.text \markup { \upright "rit." }
\startTextSpanOne
- \tweak bound-details.left.text \markup { \upright "other span" }
\startTextSpanTwo
c
e,
\stopTextSpanOne
c
\stopTextSpanTwo
}
%%% END %%%
[image: la
er supplies a piece
of functionality that's been missing in LilyPond since inception, which is
fantastic.
Question: is it now possible to replace Text_spanner_engraver with David
N.'s extended implementation, in a coming public release of LilyPond?
Tre
of each method.
>
Hi Carl, hi Andrew,
Also agreed that this is very much a bug; I've watched beginners get hit by
it many times.
Question: why are there two ways to move around the ends of spanners
(padding vs. shortening)? I can't think of a reason that's motivated by
music nota
s shown). If you
use Staff.Clef.X-extent = #'(0 . 0) then Lily will mysteriously draw a
little extra fringe of stafflines into the white cutaway part of your score.
2. The magic value of -2.8 in the extra-offset is eyeballed; tweak manually
to control the whitespace between the clef and following barl
cussion (and *documentation*) of the entire
collection of spacing concerns would be truly useful. Hope this small
breadcrumb might be useful for you in the nearterm.
Trevor.
On Sun, Jan 20, 2019 at 7:32 AM Andrew Bernard
wrote:
> Hi Valentin,
>
> I was led to muse just today that
your score.
Andrew, if you're engraving a lot of complexist music, I suggest removing
the Forbid_line_break_engraver as a matter of course.
Trevor.
On Sat, Jan 19, 2019 at 7:13 PM Aaron Hill wrote:
> On 2019-01-19 4:56 pm, Andrew Bernard wrote:
> > Problem solved after much deco
a solution. Kieren?
Trevor
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Looking good! Many thanks to David, Knut, Urs and all those involved in
generating this release!
Trevor
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Hi list
Some time ago someone on the list posted some postscript (I think) which
drew a pair of spectacles as an indication to a choir to watch the
conductor. I've tried to find it again, but can't. Does anyone have a
pointer to it
Valentin, you wrote 20/01/2019 18:12:07
On 1/20/19, Trevor wrote:
"Text markup introduction" in Section 1.8.2 looks like the obvious
place.
Well, not exactly. As the introduction to "Formatting text", it
describes what markup mode is, but not _where_ or _why_ markup
.8.2 looks like the obvious
place.
Trevor
ps Nice to see you active on LilyPond again!
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st. It must be set like
this:
\override Tie.details.min-length = ...
However, it doesn't do what you expect - it merely feeds into the length
penalty.
To specify a minimum length for the tie you should use minimum-length,
as you discovered.
This is defined in the spanner-interface,
this would
eventually be fixed (and so the need for documentation obviated) it has
never
been documented properly.
Trevor
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understanding of the internals and the LM was the result.
Trevor
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Apologies, I rattled the previous reply off too quickly.
This is what I'd mis-remembered:
ppecresc = \tweak DynamicText.self-alignment-X #LEFT
\tweak DynamicText.extra-spacing-width #'(0 . -10)
#(make-dynamic-script ppecrescText)
Trevor
-- Original Message --
From: "
-- Original Message --
From: "Andrew Bernard"
To: "lilypond-user Mailinglist"
Sent: 10/01/2019 12:12:19
Subject: Make dynamic script with long text
Using make-dynamic-script generally works well for me. But now I need
to have "pp e cresc...". This is all well and good, except I would
ressive-marks#expressive-marks-breathing-signs
Trevor
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"Reggie" wrote 21/12/2018 19:10:12
\relative c'
{
\override Beam.grow-direction = #LEFT
\featherDurations #(ly:make-moment 2/1)
c32[ d e f g f e f d f g f d e d f] c4~c | c1 |
}
My CODE has no errors. And yet the 2/1 does NOT space out any notes at ALL
it's just normal beamed notes wit
Beautiful, Kieren.
Trevor.
On Fri, Dec 7, 2018 at 2:23 PM Henning Hraban Ramm
wrote:
> Am 2018-12-07 um 20:57 schrieb Kieren MacMillan <
> kieren_macmil...@sympatico.ca>:
>
> > As a further example of what Lilypond is capable of, and how I’m pushing
> it — in this
Hi Kieren,
Wow, what astoundingly professional output; it's a joy to look at and the
voice-leading relationships are all *immediately* clear ... the whitespace
is, actually, perfect.
Thanks so much sending across; bit of a triumph.
Trevor.
On Mon, Dec 3, 2018 at 11:44 AM Kieren MacM
n for a bit).
Trevor.
On Mon, Nov 19, 2018 at 4:54 PM nagymusic wrote:
> I'm working on a flute and marimba duet that features a polymetric passage.
> Would someone be able to suggest how to fix the typeset music to respect
> automatic line breaks? Currently, it just runs of
Hi Gail,
I've been running LilyPond 2.19.82 very intensively under Mojave for
several weeks; everything works perfectly.
Trevor.
On Sun, Nov 11, 2018 at 12:26 PM Jean-Julien Fleck <
jeanjulien.fl...@gmail.com> wrote:
> Hello Gail,
> Le dim. 11 nov. 2018 à 18:41, Gail Rein a
(possibly enchained) text spanners, play with the dash fraction / dash
period of the text spanner to make the dashes disappear, leaving only your
markup visible.
Trevor.
On Sun, Oct 14, 2018 at 2:17 PM Davide Liessi
wrote:
> Dear Kieren,
>
> Il giorno ven 5 ott 2018 alle ore 15:11 Kieren
'4
\estr
e'4
f'4
}
... gives ...
[image: wide-articulation.png]
... as output.
Note that if you use "bald" markup (without a font override) Lily finds no
stencil and produces no output for the articulation.
Trevor.
On Sat, Oct 13, 2018 at 3:07 AM Ur
ff
spacing, and it can potentially take hours to notice the fact and then
correct it.
Go with duration multipliers (like in Brett's response) or the
\scaleDurations function.
Trevor.
On Sun, Aug 26, 2018 at 9:03 PM Brett Duncan wrote:
> One option would be to scale the durations instea
D ###
[image: craig-tuplets.png]
Changing "\tuplet 2/3 2" to "\tuplet 2/3 4" (David's solution) is the right
one; but knowing about the (explicit) time scaling available with \times is
helpful to have as a backup (and allows you to think and notate each sixth
note as a sixth no
baca/baca/blob/master/lilypond/baca-dynamics.ily
Have at them if you go the make-dynamic-script way.
Trevor.
On Sun, Aug 19, 2018 at 9:00 PM Ben wrote:
> On 8/19/2018 9:17 PM, Andrew Bernard wrote:
>
> Hi Mark,
>
> This may be what you are thinking of. This way makes a
locked-in?
-- Original Message --
From: "Urs Liska"
To: "lilypond-user"
Sent: 18/08/2018 10:53:32
Subject: Proprietary Software term
Hi,
I'm pulling my hair because I don't manage to find a certain term to
use in an abstract.
We've talked about the issue over and over again, but
Urs, you wrote 30/07/2018 11:07:44
Hm, I thought I finally had the solution, based on ideas from an
earlier post by you and the one by Trevor:
\new Staff \relative {
<<
{
\override Staff.NoteColumn.X-offset = 10
c''2 c
d input.)
Torsten, how are you achieving the text centered above the pair of half
notes in the original example (ie, in the measure top-headed with
"Minima")? Try as I might, I can't get it!
Trevor.
On Wed, Jul 25, 2018 at 3:48 PM, Torsten Hämmerle
wrote:
> Urs Liska-3 w
7;m able easily to communicate with text
spanners in my own scores.
Trevor.
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From: lyuser.theg...@spamgourmet.com
To: lilypond-user@gnu.org
Sent: 15/07/2018 15:19:54
Subject: Re: How do I use \tag? (lyuser: message 5 of 20)
Hello Trevor
bla = -\markup { Bla }
melody = \relative c'' {
c4 d e f ^\bla
c4 d e f ^\tag #'a \bla % (1)
}
\keepWith
'a \melody
Hopefully this works in 2.18 too.
Trevor
-- Original Message --
From: "Pierre Perol-Schneider"
To: lyuser.theg...@spamgourmet.com
Cc: "Lilypond-User Mailing List"
Sent: 15/07/2018 13:39:55
Subject: Re: How do I use \tag?
Hi, Does this help ?
\version
which
the trill's endpoint can attach **even without knowing what that upcoming
note / rest / chord is going to be**.
I hope somebody else finds this (admitted corner case of a use) as special
as I do. And, hopefully, I'm not misusing the purpose of the <> construct
in setting up externalized variables in this way.
Trevor.
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terest or became discouraged by the battles required to
force changes through the system.
Trevor
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Hi Pierre (and Karim, and David),
Thanks very much: these are great.
Exactly what I was looking for!
Trevor.
On Wed, Apr 25, 2018 at 12:56 PM, Karim Haddad
wrote:
> This is great !
> Thanx again Pierre for your tips and valuable help !
>
> best
> K
>
> On Wed, Apr 2
Hi,
Is there a "damp string(s)" symbol somewhere in Feta (or elsewhere), as
used in harp writing:
(Image from
http://sites.siba.fi/web/harpnotation/manual/damping-techniques/damp-all-strings
.)
Trevor.
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www.trevorbaca.com
soundcloud.com/
d
> 4~4~4~4 a4~4~4~4 instead of g1 d1 a1? Any idea?
>
To reinforce the connection between interval width and spread of fingers in
the left hand; each measure isn't so much a scalar figure (with pedal) but
rather a slurred sequence of double stops of increasing width.
--
A B C
<<
{
D e -- f g
}
\new Lyrics \with { alignBelowContext = "LyricsA" }
{
\lyricsto "upper" { E -- F G }
}
>>
C G
}
\score {
<<
\new Staff \new Voice = "upper" \notesA
\new Lyrics = "Lyri
efits far outweigh the dangers - just make sure you
make frequent backups of anything critical, just as you would with any
other type of drive.
Trevor
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Hey Kieren,
Great idea, actually: I was looking for an override I could stick in an
externalized stylesheet (the markup in question are in a dedicated
AnnotationContext) but I can just as easily iterate the (Abjad-initialized)
markup and null-out the dimensions.
Thanks (as per usual)!
Trevor
to yield no overprinting, no
matter what the configuration of settings.
Thanks,
Trevor.
--
Trevor Bača
www.trevorbaca.com
soundcloud.com/trevorbaca
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it in the 2.18 manuals here:
http://lilypond.org/doc/v2.18/Documentation/notation/new-spacing-area
Trevor
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e note stick up over the volta?
Yes; this override prevents the spanner from taking part in the
outside staff ordering:
\version "2.19.80"
{
\override Score.VoltaBracketSpanner.outside-staff-priority=##f
\repeat volta 2 {R1}
\alternative {
{a4 a
any ideas what I might be doing wrong?
Trevor
-- Original Message --
From: "Jan-Peter Voigt"
To: lilypond-user@gnu.org; "Mason Hock"
Sent: 24/12/2017 10:19:48
Subject: Re: edition-editor usage
Hello Mason,
it is possible to use \shapeII with the edition-engra
Bernhard Kleine wrote Monday, October 23, 2017 10:57 AM
> But why has it to go to \score to correct in an included file?
Does this help?
http://lilypond.org/doc/v2.19/Documentation/notation/creating-titles-headers-and-footers
Trevor
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h
On Sat, Oct 7, 2017 at 12:07 PM, David Nalesnik
wrote:
> On Wed, Oct 4, 2017 at 6:54 PM, Trevor Bača wrote:
> > Hi,
> >
> > I’m interested in making the right endpoints of ottava brackets and trill
> > spanners coincide.
> >
> > QUESTION: in ottava-
On Thu, Oct 5, 2017 at 7:22 AM, Ben wrote:
>
> On 10/4/2017 7:54 PM, Trevor Bača wrote:
>
> Hi,
>
> I’m interested in making the right endpoints of ottava brackets and trill
> spanners coincide.
>
> Any solutions?
>
> (Definitely not looking for a numeric
\override Staff.OttavaBracket.connect-to-neighbor = #'(#t . #t)
\ottava #1
c''4 \startTrillSpan
d''
e''
f''
\ottava #0
\break
c'4 \stopTrillSpan
d'
e'
f'
}
Any solutions?
(Definitely not looking for a numeric hack to shorten-pair.)
Trevor.
--
Trevor Bača
www.trevorbaca.com
soundcloud.com/trevorbaca
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; syllable, like this:
\score {
<<
\new Staff
\new Voice {
c''~
\once \set melismaBusyProperties = #'()
4~ 2 }
\addlyrics { \lyricmode { roo -- m __ } }
>>
}
> As a singer, I'd know immediately w
()
4~ 2 }
\addlyrics { \lyricmode { roo -- (m) __ } }
>>
}
As a singer, I'd know immediately what was intended.
Trevor
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Hi David,
On Thu, Jul 27, 2017 at 8:11 PM, David Nalesnik
wrote:
> Hi Trevor,
>
> On Thu, Jul 27, 2017 at 8:38 AM, Trevor Bača wrote:
> > Hi David (Nalesnik),
> >
> > On Tue, Oct 20, 2015 at 11:49 AM, David Nalesnik <
> david.nales...@gmail.com>
> > wr
Hi David (Nalesnik),
On Tue, Oct 20, 2015 at 11:49 AM, David Nalesnik
wrote:
> Hi Trevor,
>
> On Tue, Oct 20, 2015 at 11:31 AM, Trevor Bača
> wrote:
>
>> Hi,
>>
>> I'm coming late to this discussion, but potentially *very* excited about
>> what th
r64 |
}
Rather it is to do with mixing very long and very short notes in the same
spacing section.
This behaves correctly:
P_POne_Staff_One_Voice_One = \relative {
R1*2
\newSpacingSection
r2 r4 r8 r16 r32 r64 r64 |
}
See http://lilypond.org/doc/v2.19/Documentation/notation/new-spacing-section
Tr
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