On 11/18/2010 9:49 PM, Patrick McCarty wrote:
On Thu, Nov 18, 2010 at 6:18 PM, Marc Mouries wrote:
I am testing lilypond-book with html (after having tested latex, lyx).
The doc here :
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-program/HTML.html#HTML
says:
To include separate
On 11/13/2010 8:47 PM, Carl Sorensen wrote:
On 11/13/10 6:35 PM, "Marc Mouries" wrote:
Is there a way to print the name of the notes inside the notes like in the
example attached?
Yes. They are called easy note heads. See Notation Reference section
1.1.4.
Thanks,
Carl
tha
I am testing lilypond-book with html (after having tested latex, lyx).
The doc here :
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-program/HTML.html#HTML
says:
To include separate files, say
filename
but i could not find what are the possible options.
_
I have a related questions.
is it possible with lilypond-book to set the resolution of the images
generated?
The default one is pretty low.
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Am 15.11.2010 09:49, schrieb Xavier Scheuer:
[...]
OK, let's try to answer in order.
[...]
Xavier, I am impressed by the amount of time you invest in
giving such detailed answers on the list, not only to this specific
mail, but in general.
You do a great job, kudos!
Marc
Cheers,
X
Nick Payne wrote:
> Then use \set beamExceptions = #'((end . (((1 . 8) . (2 2 2 2)
>
> %=
> \version "2.13.38"
>
> \relative c'' {
>\time 2/2
>\set beamExceptions = #'((end . (((1 . 8) . (2 2 2 2)
>c8 c16 c c8
I worked on the 1st with 2.13 which introduced changes in the auto beam
--Original Message--
From: Jonathan Kulp
To: Marc Mouries
Cc: James
Cc: lilypond-user@gnu.org
Subject: Re: Brandenburg #3 - convert-ly fails
Sent: Nov 12, 2010 7:58 PM
On Fri, Nov 12, 2010 at 11:14 AM, Marc Mouries
ment 1 16)
\set Timing.beatStructure = #'(2 4)
which is my trial of making the moment a 1/16 and then defining the beaming as
2 groups of 4 1/16.
-Marc
On Nov 12, 2010, at 12:55 PM, Francisco Vila wrote:
> 2010/11/12 Marc Mouries :
>> Excellent. I am trying to convert it to the latest versi
Excellent. I am trying to convert it to the latest version but convert-ly stops at version 2.5.18 and afterwards lilypond says "error: file too old: 2.5.18 (oldest supported: 2.7.38)"violin1pt.ly:6:2: error: GUILE signaled an error for the _expression_ beginning here # (override-auto-beam-setting
if a ~ b was treated as
a ( b ) .
IMHO, this should be done by the sibelius converter and not handled by
lilypond, because it would be way too confusing.
I didn't try, but replacing \1 ~ \2 by \1 ( \2 ) when \1 and \2 are not
equal
should be doable.
Just my 2ct,
Regards,
Marc
It&
On 11/9/2010 3:47 PM, Robert Margo wrote:
Dear All,
I am looking for .ly files for the parts for Brandenburg #3. I know that they
existed on www.mutopia.org at some point but they are not there at present.
If anyone has these, it would be a great help on a project.
Thanks!
__
Dear Lilyponders,
As i go about learning violin with my kids, I create practice music sheet and
scores of classical and folk songs.
Now I would like to set up a wiki or blog to document what we learn as we go.
Would you know a blog or wiki that supports lilypond syntax?
thanks,
Marc
Am 04.11.2010 11:29, schrieb Phil Holmes:
- Original Message - From: "Marc Hohl"
To:
Cc:
Sent: Thursday, November 04, 2010 8:54 AM
Subject: Re: Resizing accidental in a chord
Am 03.11.2010 17:25, schrieb Toine Schreurs:
I looked into the internals and tried
\key b \major
and:
\override Voice.AccidentalCautionary #'font-size = #-5
\override Voice.AccidentalCautionary #'parenthesized = ##f
Ok, yes, but why has the AccidentalSuggestion override
no effect?
Is this a bug?
Marc
Toine
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manual states quite
clearly that accidentals can not be modified with \tweak)
Any ideas?
I looked into the internals and tried
\key b \major
\override Voice.AccidentalSuggestion #'font-size = #-5
4
but this didn't work as expect
thanks, i am trying to download it but the transfer speed is very low.
<>
On Oct 31, 2010, at 6:21 AM, Valentin Villenave wrote:
> On Sun, Oct 31, 2010 at 5:19 AM, Marc Mouries wrote:
>> When i add text markup to indicate fingering this makes the bar number move.
>> Is ther
Hi Lilyponders,
When i add text markup to indicate fingering this makes the bar number move.
Is there any way to keep the bar number closer to the staff and always at the
same place?
<>
%% fingering markup makes bar number move
\version "2.12.2"
\include "english.ly"
melody = \relative g' {
g
Can you please provide the smallest possible snippet that reproduces the
issue?
Thanks,
Marc
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you have to set countPercentRepeats to true.
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Short-repeats#Short-repeats
\relative c'' {
\set countPercentRepeats = ##t
\repeat percent 4 { c1 }
}
On 10/10/2010
pond-user-bounces+marc=mouries@gnu.org
Date: Fri, 8 Oct 2010 13:44:11
To: lilypond-user@gnu.org
Subject: Re: chord with notes of different duration
On 6 October 2010 23:47, Marc Mouries wrote:
> On 10/6/2010 6:24 PM, Kieren MacMillan wrote:
>>
>> Hi Marc,
>>
>>&g
On 10/6/2010 6:24 PM, Kieren MacMillan wrote:
Hi Marc,
3) why a skip is needed whereas the top note is a half note (otherwise the
measure is not complete)?
If you make the note a half note, but tweak the other notes' durations (to
become quarters), you won't have this problem.
ermata or
is it a bug? (i'd think the later)
-Marc
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duration parameter must be #1 while the duration is a half note?
3) why a skip is needed whereas the top note is a half note (otherwise
the measure is not complete)?
-Marc
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hment.
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Single-voice#Chorded-notes
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-learning/Combining-notes-into-chords#Combining-notes-into-chords
-Marc
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thanks for pointing this out. I only look at the log if the compiler fails.
> it seems uncritical, and so Lily continues compiling. Should it abort?
I find it more handy to have the header located at the beginning of the
score rather than at the end. Furthermore, If lilypond can compile
corre
I'd like to have bar numbers printed on every bar with the first bar
number of each line bigger.
I'd like to find if there is any way to set different bar number format
with a function rather than inline with the music.
I'd like to avoid to reset the bar number format for each staff like:
\sco
the file, I'd assume the documentation needs to be
updated???
Would you mind clarifying?
-Marc
\version "2.12.3"
\score {
\header { piece = "lilypond compiles a score where header is placed before the music expression"}
\new Staff { c'4 a b c' }
\layout { }
}
and the PDF is already ready
> on Dropbox for viewing on the phone.
>
There are similar apps on the iPad, too, complete with Dropbox integration
from plain text editing. I'm actually starting to use that on my iPad to jot
down ideas.
Marc
>
> _
I'd like to have bar numbers printed on every bar with the first bar number of
each line bigger.
I'd like to find if there is any way to set different bar number format with a
function rather than inline with the music.
-Marc
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David Kastrup schrieb:
Marc Hohl writes:
Hello list,
after having written mails way too early to this list recently
while overlooking the obvious, I think I stumbled upon a *real*
problem now :-/
Please have a look at the attached file. This is not the real world problem,
but I boiled it
Neil Puttock schrieb:
On 27 September 2010 20:02, Marc Hohl wrote:
harmonicTestOne = #(define-music-function (parser location music)
(ly:music?)
(let* ((test 2)
(result (/ test 2)))
#{
\override TabNoteHead #'transparent = ##t
#}
(make-harmonic music)
(display &qu
3 is giving the desired output in standard notation,
but ignoring the \override.
What am I doing wrong here?
Thanks in advance!
Marc
\version "2.13.32"
% thanks to Neil for this function
#(define (make-harmonic mus)
(let ((elts (ly:music-property mus 'elements))
Marc Hohl schrieb:
Hello list,
thanks to Reinhold Kainhofer and Wilbert Berendsen I managed to get a
callback with an
additional argument.
Now I want to write a music function like this:
myFunction = #(define-music-function parser location fret music)
(string? ly:music?)
(let (( ... some
nt to the music function or
calculated within the let-block.
Thanks in advance
Marc
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Reinhold Kainhofer schrieb:
Am Sonntag, 26. September 2010, um 20:19:28 schrieb Marc Hohl:
is it possible to create a callback with an additional argument?
Yes, that's possible. I'm using it for example for the glyph-flag flag style.
I tried
#(define-public (my-callb
Wilbert Berendsen schrieb:
Op zondag 26 september 2010 schreef Marc:
is it possible to create a callback with an additional argument?
I tried
#(define-public (my-callback string grob)
...
..
)
and wanted to call it by
\override Notehead #'stencil = #my-callback #'foo'
to use another mechanism?
Marc
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Neil Puttock schrieb:
On 24 September 2010 08:16, Marc Hohl wrote:
How can I place the 'articulations entry in the appropriate hierarchy level?
Look for a NoteEvent instead of an EventChord, then you can be sure
you're adding the HarmonicEvent to 'articulations f
Marc Hohl schrieb:
[...]
Meanwhile, it tried to expand your function by adapting some lsr
snippets,
http://lsr.dsi.unimi.it/LSR/Item?id=82
http://lsr.dsi.unimi.it/LSR/Item?id=696
Playing (or struggling?) with the latter, I came up with the following:
---8<---
\version "2.13.32&qu
On Thu, Sep 23, 2010 at 9:12 PM, Mark Polesky wrote:
> keith Luke wrote:
> > I'm trying to add an arpeggio glyph to the left of the
> > c whole note, but keep getting errors.
>
> You need at least two simultaneous notes for an arpeggio.
>
> - Mark
>
>
Mark is correct. The following snipped compli
\remove Note_performer }
}
}
which has the advantage of not needing another \score-block,
but I haven't tested this.
HTH
Marc
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id=696
but all I can achieve so far is either an unchanged note head or a
segfault :-(
Thanks in advance!
Marc
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only for a single note as argument, something like
\makeHarmonic < c g >4 applies the HarmonicEvent only to the first note.
And \makeHarmonic { c4 d e f g } doesn't change anything at all.
Do you have an idea how to generalize this function?
Marc
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David Kastrup schrieb:
Marc Hohl writes:
Hello all,
I try to write a function that changes its argument to harmonics,
so
\makeHarmonic c4
should have the same effect as
4
I read Notation Reference 6.3.4, but the 'HarmonicEvent is
deep inside the 'elements list, so I think th
ow I can rebuild the argument to \makeHarmonic so that in
includes
the desired 'HarmonicEvent entry?
Thanks in advance
Marc
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On Sep 8, 2010, at 8:03 PM, Nathan Bibb wrote:
> I use Lilypond on my Mac Book Pro, but I typically use the command line to
> get things done. What specific questions do you have regarding using Lilypond
> on a Mac?
>
> Nathan Bibb
>
> - Original message -
> > Is there anybody on t
On Sep 6, 2010, at 9:57 PM, Peter Chubb wrote:
>>>>>> "Marc" == Marc Schonbrun writes:
>
> Marc> Hello, I was wondering about why the decision was made in the
> Marc> input syntax parser to view beaming groups as follows:
>
>
> Marc>
I do, I'm unsure
> of anyone else.
>
> Regards,
>
> Michael Morales,
> thenewmikemo...@aol.com
Michael,
It's a small tweak, but it does help. Thanks.
Marc
>
> On 9/6/2010 9:47 PM, Marc Schonbrun wrote:
>> Hello,
>>
>> I was wondering ab
, and those notes
would end up beamed together, but, alas, this is not the case.
This is one of those things that I can happily learn, but it takes a pause to
get it right. Can someone comment on the history of this? I am simply curious.
Thanks,
Marc
he easiest way to do this in Lilypond? I know that I
can just do a blank measure between the two measures I'd like to use, but I was
wondering if Lilypond has an equivalent property for creating a user-defined
space between measures. I've looked in the documentation, but didn't
On Sep 5, 2010, at 11:22 AM, Brett McCoy wrote:
> On Sun, Sep 5, 2010 at 1:55 PM, Marc Schonbrun wrote:
>>
>> On Sep 5, 2010, at 10:52 AM, PMA wrote:
>>
>>> Hi List.
>>>
>>> Would it be feasible to prepend "[Lilypond]" to the forum
On Sep 5, 2010, at 10:52 AM, PMA wrote:
> Hi List.
>
> Would it be feasible to prepend "[Lilypond]" to the forum's email Subject
> line?
> Much of my other mail arrives this way -- like that from "[Csnd]" and "[LAU]".
> Does wonders for auto-filing.
>
> Pete
>
Why not just file based on the
manually is explicitly not an option, as I'm not a
> guitarist, and lilypond's transcription to tablature is the starting point
> for the proper fingering for the guitarist I work together with.
>
>
Marten,
When I typset your example with 2.13-30, I get the foll
On Fri, Aug 20, 2010 at 6:29 AM, Carl Sorensen wrote:
>
>
>
> On 8/19/10 10:16 PM, "Marc Schonbrun" wrote:
>
>> Hi all,
>>
>> This is my first post to this list, so apologies in advance if I break every
>> single rule :)
>>
>> I'v
On 8/3/2010 3:25 PM, Neil Puttock wrote:
c4-\shift -3
Thanks Neil. I just tried it and as you can see the number is too far
on the right. I inserted a call to "make-general-align-markup X LEFT"
but it did not help. Is there a way to move the "-" and the number
further on the left so tha
n.
http://old.nabble.com/How-to-unsubscribe---td20808239.html
Marc Weber
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M Watts schrieb:
On 07/02/2010 06:20 PM, Marc Hohl wrote:
> Why don't you just combine the double slash?
>
Um, mental block; or just blockhead :)
you can use \raise:
\markup { \raise #0.25 { \italic : } \hspace #-1.25 "/" \hspace #-1.25
"/" \hspac
Matthew Vernon schrieb:
Marc Hohl writes:
> Matthew Vernon schrieb:
> > M Watts writes:
> > > On 07/02/2010 09:58 AM, M Watts wrote:
> \markup { { \italic: } \hspace #-1.25 "/" \hspace #-1.25 "/" \hspace
> #-1.25 { \italic : }}
That'
a system issue?
Doesn't work on 2.13.7 either.
Why don't you just combine the double slash?
\markup { { \italic: } \hspace #-1.25 "/" \hspace #-1.25 "/" \hspace
#-1.25 { \italic : }}
Marc
Many thanks,
Matthew
Germanic :-) I am not very fond of
this organisation stuff at all in general, but I am sure there are people
which cannot work as developers but have the ability to manage stuff ...
Just my 2ct.
Marc
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must not be coded within your music variables, but
only in the \score-block.
HTH
Marc
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line break, the fret number is parenthesized, and the
parentheses are drawn over the angle brackets, so an optimal solution
would take care of these combinations - I'll have a closer look.
Marc
What do you think about i
h FF 3.6.3 on some version of Vista, and IE 6 has
the png bug that I gave up on. Also Google Chrome doesn't properly
handle the turning off of the cursor it seems, at least on my system.
From a technical point of view, everything seems to work
2 {
c4 d e f | g f e d
}
}
\score {
\new Staff {
\new Voice {
\test
}
}
}
If you have multiple voices, make sure that the invisible grace note is
in every
voice, otherwise the output will be cluttered.
HTH,
Marc
-Steve Tarr
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ot;Hello, world!" #}
)
\relative c' {
\myfunc c1
}
Hi Nathan,
have you read
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Adding-articulation-to-notes-_0028example_0029#Adding-articulation-to-notes-_0028example_0029
?
I think you can use the information here a
Bernardo Barros schrieb:
Hi Carl, marc and others,
Did you manage to use \chordGlissando with dynamics?
I didn't use dynamics yet.
It creates a lot of dynamics, and if I try to create a hiden voice the
score becomes a mess. I'm not putting dynamics in those chords until I
know what
Carl and Neil, you both did a great job!
Works perfectly now in my example ...
Marc
Thanks,
Carl
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Carl Sorensen schrieb:
On 4/23/10 1:48 AM, "Marc Hohl" wrote:
Carl Sorensen schrieb:
On 4/16/10 8:30 AM, "Bernardo Barros" wrote:
[...]
Check out the attached files for one possibility. Note that I've moved the
chordGlissando fun
atically, i.e. to get the current context, and if it is a
Staff, then use Voice, if it is TabStaff, use TabVoice?
Thank you!
Marc
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Kieren MacMillan schrieb:
Hi Marc,
Thank you for the tip, it does the trick. There is a small space between key
signature and
the following repeat bar, but I think I can live with that.
You can also fix it... ;)
Yes, that's the better option ;-)
Here's one p
el }
Just watch out that you include a similar grace note in all staves if
your score has several staves.
Thank you for the tip, it does the trick. There is a small space between
key signature and
the following repeat bar, but I think I can live with that.
Marc
/Mats
Marc Hohl wrote:
I
space the signature needs?
Thanks in advance,
Marc
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Seng Hin Yew schrieb:
Hi Mark,
I knew this command. But it won't show the alphabet "I" (i)
It does; I think you confused format-mark-box-letters with -alphabet -
the latter shows the I.
Marc
On Tue, Mar 16, 2010 at 2:39 AM, Marc Hohl <mailto:m...@hohlart.de>> w
uld do the trick.
Marc
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Erden Oguz schrieb:
Am 12.03.2010 um 20:36 schrieb Marc Hohl:
Erden Oguz schrieb:
Hello,
due to the real rhythmic expression of tuplets as played in Strathspeys in
bagpipe music, I am trying to write down tuplets with different note lengths:
\times 2/3 { f16 [e16 c4
beam either.
Marc
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Carl Sorensen schrieb:
On 3/5/10 5:05 AM, "Marc Hohl" wrote:
This works fine, but I wanted to evaluate the position of the current note
within the current bar. I found the measurePosition property, but to use
ly:context-property context 'measurePosition
in my funct
t a hint. the lsr provides a solution with
\applyOutput, but this doesn't work here).
Thanks,
Marc
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or clarification?
Thanks,
Marc
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Hello David,
David Stocker schrieb:
[...]
To the list, is LilyPond's not respecting dots and accidentals in the
\glissando command a bug?
Yes, it is already in the tracker (#40) - I was working on it for some
time, but a proper solution
requires more C++ knowledge than I have today.
Gerry Prosser schrieb:
(cc'ing to list)
Thanks, Marc, that's one way; but sometimes there are alternative
lines of chords 8-( Another way would be to put it as markup in the
notes, raised until it lines up with the printed cholds. But
encapsulation principles indicate that Cap
Gerry Prosser schrieb:
How can I enter text such as 'Capo 1' to the beginning of a line of
chord names , please ?
I often misuse the header for this purpose:
\header {
piece = "Capo I"
}
HTH,
Marc
Gerry Prosser
_
ist they are discussing the idea of adding
such a command:
hideTabNoteHead = {
\once \override TabNoteHead #'transparent = ##t
\once \override TabNoteHead #'whiteout = ##f
}
http://n2.nabble.com/Re-tie-bug-in-2-13-10-td4291079.html#a4291079
Marc (or Carl), can you make a summary of
e the functionality into \hideNotes,
but it seems that this would not be straightforward, as, for example,
\revert Stem #'transparent would make the tablature stems visible, too.
Marc
Setting the transparent property will work fine, but
you may find the underlying staff lines are whited out
i
nd example in
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Common-notation-for-percussion#Percussion-staves
HTH
Marc
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roblem seems to have been
discussed earlier, see:
http://lists.gnu.org/archive/html/lilypond-user/2009-08/msg00646.html
and the follwing messages with some possible solutions...
Marc
Helge
I think you've misunderstood me. I don't know how to get the results
you want.
you can replace .pdf
file in place on windows as many applications do lock files (Foxit
reader does)
Marc Weber
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o make the second score a different size from the
first.
I am not sure what you want to achieve - do you have a visual example
(some scans perhaps)?
Marc
I've tried the layout-set-staff-size trick, but the lines don't get
any smaller. I've used \with to make the fontSize and
adapted to your needs.
HTH
Marc
--hsm
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http:
goes well, there will be some kind of tablature input mode
for lilypond, so this would make things a lot easier.
Marc
--hsm
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Howard schrieb:
I have downloaded the Installer to my Limux Suse 10.2 Desktop.
Where did you download it from? If you got it from lilypond.org,
there is a line proposing to run
sh lilypond-.sh
on a console. That's all.
Marc
I see is is a
Shell Script.
Where do I go from here p
ut at least it seems to work.
Marc
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Hugh Myers schrieb:
Here is the shortest template I use:
\version "2.13.7"
upper = {
b c d
}
Use
upper = {
\repeat unfold 100 {
b c d
}
}
lower = {
< gis, d e, >2.
}
and
lower = {
\repeat unfold 100 {
< gis, d e, >.
}
}
respectively.
Marc
{
"development versions", you can't take anything for granted here...
Marc
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e c, {
c2 g2 % polyphonic
s1 % a spacer "disables" this voice tamporarily
g2 c2 % and here we are again.
}
Marc
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comments on anything else I'm
missing are certainly in order and welcome...
p.s.s. how do I get the first bar of the first measure numbered 1?
Here, the LSR is your friend. Have a look at
http://lsr.dsi.unimi.it/LSR/Item?id=592
Marc
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Carl Sorensen schrieb:
On 11/20/09 12:15 AM, "Marc Hohl" wrote:
Valentin Villenave schrieb:
On Tue, Nov 10, 2009 at 8:18 PM, Carl Sorensen wrote:
Could someone volunteer to create a patch to the documentation by adding
this to the Known issues and warnings
Graham Percival schrieb:
On Sat, Nov 14, 2009 at 05:49:19PM +0100, Marc Hohl wrote:
Graham Percival schrieb:
All we need is somebody to write 3 (or maybe 4) lines of text.
Into a text file. And then send us a patch.
Is the attached one ok?
Thanks! It had a few minor
ly so I can keep track of it).
I sent a patch some time ago to lilypond-devel. Is that patch lost?
Marc
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Jesús Guillermo Andrade schrieb:
Marc: Yes... in fact, if you read section number 1 of my first email
you'll surely notice that I expressely mention the "flamenco example",
regarding the snippet found in the repository. But those arrows are no
good... at least to me.
Ah, yes
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