and give you note-name, octave and accidental
*and* feedback that the note you entered was the one you meant. All
going in as fast as you can play. You can even add a second pc-keyboard
mounted on your MIDI keyboard so that you can control rhythm and pitch
in one integrated interface.
Richard
On Wed, 2015-04-22 at 14:01 +0100, Richard Shann wrote:
On Wed, 2015-04-22 at 08:31 -0400, Kieren MacMillan wrote:
Hi Richard,
Interesting, I didn't realize that this was a reason to use a front-end
to generate the LilyPond. With the Denemo front end it is Del,M to
delete a measure
On Wed, 2015-04-22 at 08:31 -0400, Kieren MacMillan wrote:
Hi Richard,
Interesting, I didn't realize that this was a reason to use a front-end
to generate the LilyPond. With the Denemo front end it is Del,M to
delete a measure in all the staffs.
Does that work even when the code
Stack.
Interesting, I didn't realize that this was a reason to use a front-end
to generate the LilyPond. With the Denemo front end it is Del,M to
delete a measure in all the staffs.
Richard
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be expensive in the
current situation :(
Richard
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Richard
If not, isn't this something that should be available?
-David
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On Sat, 2015-04-18 at 17:21 +0200, Urs Liska wrote:
Am 18.04.2015 um 15:08 schrieb Richard Shann:
On Sat, 2015-04-18 at 13:11 +0200, Urs Liska wrote:
Am 18. April 2015 12:15:08 MESZ, schrieb Richard Shann
rich...@rshann.plus.com:
On Sat, 2015-04-18 at 11:51 +0200, Urs Liska wrote
On Sat, 2015-04-18 at 13:11 +0200, Urs Liska wrote:
Am 18. April 2015 12:15:08 MESZ, schrieb Richard Shann
rich...@rshann.plus.com:
On Sat, 2015-04-18 at 11:51 +0200, Urs Liska wrote:
Hi all,
I just stumbled over a terminology issue: are procedure and
function
synonyms in Scheme
recall the difference
to be that functions return a value and procedures don't.
that was a common terminological distinction for some programming
languages at one time apparently.
Richard
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are in the MusicXML-light category that Johan
just referred to in his email. There are many ways to describe the same
piece of music with MusicXML and I suspect there will never be a program
that could read and make sense of all of them.
Richard
I guess my question would be: what is the current
repeatedly throughout the
music that you would not wish to go over adding by hand).
Richard
but does not have all the technical details about
breaks and placements. The reason we (I, at least) want to be able to import
music data from (e.g.) Sibelius into LilyPond is to have LP do the superior
is not so
easy to play from (which no longer mattered in the 19th c as it was just
an academic thing by then).
Richard
I tried to include an empty markup above the 3, but it didn't work.
Another idea would be to blank the extender.
Has someone an idea, or another solution?
--
View
Sorry - I attached the wrong file :(
Also, I should mention that LilyPond does not always achieve such nice
alignment with this syntax and the commands to raise and lower
individual figures are sometimes needed anyway.
Richard
On Sat, 2015-04-11 at 08:26 +0100, Richard Shann wrote:
On Fri, 2015
On Fri, 2015-03-06 at 11:18 +0100, Urs Liska wrote:
Am 06.03.2015 10:57, schrieb Richard Shann:
On Fri, 2015-03-06 at 08:25 +0100, Urs Liska wrote:
I find
%% switch on debugging.
#(if (and #t (defined? 'set-debug-cell-accesses!))
(set-debug-cell-accesses! 5000))
(found
On Fri, 2015-03-06 at 09:57 +, Richard Shann wrote:
I then
found it tricky to find where in the manual this concept (true/false)
was explained, but came to understand it applies to the semantics of
if and while.
... and of and, or perhaps others too that are not leaping to
my mind
.
Or is this one more Scheme subtlety I don't get?
so, I don't think so - the commonest cause is where someone starts with
(if (and Debug (defined? 'xxx))
and then decides not to have a separate Debug flag and replaces it in
bulk with #t
Richard
context. You only
then have to make all the dynamics not print in the usual context, for
which I'm sure someone here can suggest the incantation.
That is it would look something like this:
UsualContext { \override dynamics invisible \MyMusic}
DynamicsContext { \MyMusic }
HTH
Richard
I
, but will not be
engraved.) The Dynamics context can usefully contain some other items
such as text scripts, text spanners, and piano pedal marks.
Richard
- Abraham
On Fri, Feb 13, 2015 at 11:13 AM, David Sumbler [via Lilypond]
[hidden email] wrote:
One of my pieces has a lot of crescendo
Mono
(/ (* staff-height pt) 2.5))
}
{ a^\markup { Test \typewriter code } }
Of course, the fonts must be installed.
replace Times New Roman with Luxi Mono or whatever typerwriter font
you have, the what would have been in Times will come out in Mono...
Richard
HTH,
Joram
On Sat, 2015-02-07 at 10:35 +0100, Jan-Peter Voigt wrote:
Hi Richard,
I installed Denemo on my ubuntu workstation and it did import the
xml-file - even with the wrong work-information. The exported lilypond
file seems to be fine for me, except the lyrics are missing?
yes, lyrics
via Denemo. I should warn, though, that this is unlikely to be
of real benefit to you directly as this import to Denemo is pretty
basic. (The plus side of this is that it may work where more
sophisticated imports gag on less common syntax/semantics).
Richard
TIA
Jan-Peter
On Thu, 2015-01-29 at 08:44 -0600, James Worlton wrote:
On Thu, Jan 29, 2015 at 8:29 AM, Richard Shann
rich...@rshann.plus.com wrote:
In the following I have inserted \shiftOn and \shiftOff
commands in a
vain attempt to get the e g chord in the second voice
On Thu, 2015-01-29 at 14:52 +, Trevor Daniels wrote:
Hi Richard
I quote from the Notation Reference:
The \shiftOn command allows (but does not force) the notes in a voice to be
shifted. When \shiftOn is applied to a voice, a note or chord in that voice
is shifted only if its stem
working with Lilypond: why is it necessary to do so much
deliberate annotation to deal with clashes that one would think could be
dealt with automatically? Is this by design, or simply an indication that
there is more work to do?
The latter I think...
Richard
88
Am I doing something wrong?
Richard Shann
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On Thu, 2015-01-29 at 15:28 +, Trevor Daniels wrote:
Richard Shann wrote Thursday, January 29, 2015 2:58 PM
On Thu, 2015-01-29 at 14:52 +, Trevor Daniels wrote:
You'll find a clue for doing what you want if you examine the example here:
http://www.lilypond.org/doc/v2.19
://code.google.com/p/lilypond/issues/detail?id=4154
this would enable LilyPond to compete with proprietary programs in this
area.
Richard
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On Mon, 2015-01-26 at 11:40 +, Richard Shann wrote:
On Mon, 2015-01-26 at 09:21 +, Richard Shann wrote:
On Sun, 2015-01-25 at 20:54 +0100, Pierre Perol-Schneider wrote:
Try:
{
b'-\tweak style #'zigzag \startTextSpan
b' b'
\stopTextSpan
- at least
I can't find any trace of it.
Thanks for all these suggestions, I guess an enhancement request would
be for a wavy line zigzag ...
Richard
Pierre
2015-01-25 20:14 GMT+01:00 Richard Shann rich...@rshann.plus.com:
On Sun, 2015-01-25 at 12:03 +0100, Pierre Perol-Schneider
On Mon, 2015-01-26 at 09:21 +, Richard Shann wrote:
On Sun, 2015-01-25 at 20:54 +0100, Pierre Perol-Schneider wrote:
Try:
{
b'-\tweak style #'zigzag \startTextSpan
b' b'
\stopTextSpan
}
That is a step forward - the zigzag distinguishes the sign from the
prall
I'm trying to typeset a fairly common 18th sign that looks a bit like an
extended prall but less jagged (see attached).
The \startTrillSpan would do at a pinch if I could get rid of the tr
at the start of it.
I don't see this in the docs - any help?
Richard
. But this sort of solution, (not involving spanning) is not so
attractive as overriding the drawing of the \startTrillSpan for this
situation, where there could be line breaks etc.
Richard
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on the actual spanning zig-zag too...
Richard
On Sun, 2015-01-25 at 12:31 +0100, pls wrote:
Or:
\version 2.19.11
{
\once\override TextSpanner.style = #'trill
\time 3/4
b'
\startTextSpan
b' b'
\stopTextSpan
}
hth
patrick
On 25.01.2015, at 12:03, Pierre Perol
generate a more wavy line?
Richard
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to be arranged to take up less
horizontal space. The patch currently waiting to make it into LilyPond
does that. You as a user still need to decide whether you want -7 or 7-
or whatever for the attributes by writing chord-exceptions.
Richard
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to LilyPond is the guile-1.8 interpreter. In
Denemo we have moved on to guile-2.0 but I haven't come across other
interpreters for Scheme, though I've noticed them mentioned in the Guile
documentation.
HTH
Richard
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On Wed, 2015-01-14 at 12:34 +0100, Urs Liska wrote:
Am 14.01.2015 um 12:28 schrieb Richard Shann:
On Wed, 2015-01-14 at 11:29 +0100, Urs Liska wrote:
Am 14.01.2015 um 11:18 schrieb Mattes:
Am Mittwoch, 14. Januar 2015 09:42 CET, Urs Liska u...@openlilylib.org
schrieb:
Yes
)
(assoc-ref obj type)
(assoc-ref obj location)))
???
Richard
HTH Ralf Mattes
Thanks, this is of course better.
sorting out nested conditionals has never been my strongest point ;-)
Urs
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generate the parts into
separate files which is another approach used for more elaborate
LilyPond scores.
Richard
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On Tue, 2014-12-16 at 21:56 +, Trevor Daniels wrote:
Richard, you wrote Tuesday, December 16, 2014 5:50 PM
Well, I am getting an unexpected order in this case:
\version 2.18.0
{
a'4
-\tweak script-priority 0 ^\markup\tiny\sharp
-\tweak script-priority -5 ^\turn
-\tweak
On Sat, 2014-12-13 at 11:17 +, Richard Shann wrote:
On Sat, 2014-12-13 at 11:19 +0100, Pierre Perol-Schneider wrote:
Hi Richard, Hi Trevor,
See LSR addition : http://lsr.di.unimi.it/LSR/Item?id=965
Thank you both - I think I can make progress now.
Well, I am getting an unexpected
of controlling the
position of ^Text ^\turn ^\prall in the above example. Anyone able to
help?
Richard Shann
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On Sat, 2014-12-13 at 11:19 +0100, Pierre Perol-Schneider wrote:
Hi Richard, Hi Trevor,
See LSR addition : http://lsr.di.unimi.it/LSR/Item?id=965
Thank you both - I think I can make progress now.
Richard
Cheers,
Pierre
2014-12-13 10:20 GMT+01:00 Trevor Daniels t.dani
.
Richard
Some of the symbols are created using markup drawing commands, others use
symbols from the music font like for the sharp and flat.
-Abraham
Sent from my iPhone
On Nov 7, 2014, at 7:10 AM, Bric b...@flight.us wrote:
how does one change the fonts for the chord symbols
}}
c' c' c'
d' d' d' d'
e' e' e' e'
}
\score {
\mymusic
}
The trigger seems to be the new line in the markup expression. I attach
the file for the avoidance of email-paste problems.
Richard
\version 2.18.0
mymusic
on several lines, and indeed this sometimes
works without side effects.
If this curious side effect from using different types of white space is
difficult to avoid in the LilyPond compiler then I can easily live with
it.
Richard
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it is just that Windows can cope with forward slash for
backslash in file paths. (Windows command line used forward slash for
introducing options, but that doesn't seem to cause a problem).
Richard
, but I
can't test and I'd like to be sure.
Best
Urs
that the
typewriter should show in Roman and the Roman as sans etc.
This works, but if I uncomment the set-global-staff-size line it reverts
to the default.
What is going on here? How do I set the fonts and the overall staff
size?
Richard
On Fri, 2014-10-24 at 10:10 -0700, tisimst wrote:
Richard,
Internally, when you call set-global-staff-size, it resets the text
fonts. Thus, if you want to use a different staff size, that must go
PRIOR to where you define the fonts.
Thank you! that works fine.
Richard
Kinda weird, I
, but only
because it treated an isolated CR as starting a new line.
Richard
On Fri, 2014-10-24 at 21:02 +0200, Simon Albrecht wrote:
Am 24.10.2014 um 13:59 schrieb Richard Shann:
On Fri, 2014-10-24 at 11:15 +0200, Helge Kruse wrote:
Thank you for your response.
I think you should not added
On Mon, 2014-10-13 at 14:47 +0200, David Kastrup wrote:
Richard Shann rich...@rshann.plus.com writes:
On Sun, 2014-10-12 at 17:49 +0100, Richard Shann wrote:
Perfect!
hmm, I spoke a little too soon. It seems that \with-dimensions kills
point-and-click. Understandable with 0
)
a1
%-\tweak #'extra-offset #'(7 . -12)
^\markup {\fontsize #12 A }
}
}
Is there a way to stop LilyPond trying to prevent my TextScript
colliding - to say that it occupies, say, no space?
Richard
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Perfect! I've found that in the documentation as well...
Thank you very much,
Richard
On Sun, 2014-10-12 at 18:40 +0200, Simon Albrecht wrote:
Am 12.10.2014 um 18:21 schrieb Richard Shann:
In this code I put a large letter A above the music.
If I uncomment the tweak the letter A is moved
On Sun, 2014-10-12 at 17:49 +0100, Richard Shann wrote:
Perfect!
hmm, I spoke a little too soon. It seems that \with-dimensions kills
point-and-click. Understandable with 0 as the dimension, but actually
this doesn't seem to be the issue:
\version 2.18.0
\score {
{
a1
^\markup
to be placed in one file, but that would
take some serious development.
Richard
On Mon, 2014-10-06 at 16:09 -0700, MarcM wrote:
Find attached a define-note-names.scm file that contains the definition
for the new note names with ♯ and ♭. Who can help get it in lilypond source
code control
.
This does work, for example after the line
(cis . ,(ly:make-pitch -1 0 SHARP))
adding the line
(c♯ . ,(ly:make-pitch -1 0 SHARP))
makes c♯ available for indicating c sharp.
Richard
Am 06.10.2014 um 15:49 schrieb MarcM:
In an effort to make lilypond syntax easier for people to adopt
the command line adds more flexibility - I guess you would need the
if-not-defined construct to handle this (otherwise you would *have* to
define the variable on the command line).
Richard
instead of adding a new file.
Urs
HTH,
Marc
Solo indication or ... After all, a player of the period would have had
as much difficulty distinguishing that symbol from a 7 as we have after
studying the handwriting style.
HTH
Richard
The first example is the second part of the symphony and the second one is
the end of recitative 1 (alto
When you say beat numbering do you mean bar numbering?
Richard
On Sat, 2014-10-04 at 06:20 -0700, Son_V wrote:
Thanks Simon (for your patience, in the first place). Well, it's an
anacrusis, I forgot to say it. And MS can handle a correct numbering. What
I'm not able to do is to make LilyPond
- LilyPond generates the
conventional numbering by default.
Incidentally, I found this syntax by using Denemo which has a command to
set the bar number (if you need to) and it generates LilyPond syntax
directly. (And, of course, it is quicker for entering music in the first
place :) )
Richard
or unconventional bar numbering - the
anacrusis bar does not count as bar number 1 - why did you want to do
this?
Richard
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/losing-a-bar-number-when-the-first-beat-is-irregular-tp167125p167146.html
Sent from the User mailing list
. There are a lot of poor quality computer typesets out there
that get all sorts of things wrong, but we can't blame Musescore for
this I think.
Richard
(or there is some
setting you'd have to do.
If a piece starts with an incomplete measure this measure doesn't have a
number, and the one
a rest above another figure -
e.g. to indicate what are nowadays called power chords).
Is the score you have gotten these examples from on IMSLP? Or can you
upload it?
Richard
http://www.imgup.cz/image/gK6
http://www.imgup.cz/image/gK7
the number of staff
lines).
Is there a known method of getting lyrics with chord symbols?
Richard
\version 2.18.0
% The music follows
MvmntIVoiceI = {
f'4 f' aes' ees'' f' bes' ees'' g''2
g' fis'' e'''
}
MvmntIVoiceII = {
c'4 d' e' e'
f
ah, yes, thank you, I had forgotten about lyricmode as I don't generate
that syntax from Denemo. That is the clean way to handle this.
Richard
On Wed, 2014-10-01 at 13:53 +0200, Simon Albrecht wrote:
Hello Richard,
you need to enter the lyrics in \lyricmode with explicit durations
On Wed, 2014-09-24 at 21:05 -0700, Paul Morris wrote:
Richard Shann-2 wrote
The chordRootNamer procedure (which is itself a ChordNames context
property) is not passed the context as a parameter, so my question is
how do I reference the context? Is there some variable or procedure
On Thu, 2014-09-25 at 06:47 -0700, Paul Morris wrote:
Richard Shann-2 wrote
Thinking about this after receiving your email, I realize that
ultimately what I am trying to do is access the font-size that is being
used for the markup being generated. Perhaps this is a simpler question
- can
for
accessing the ChordNames context (or perhaps it should be the context
that the call has been made in, if that makes sense)?
Richard Shann
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On Thu, 2014-09-11 at 19:04 -0700, Paul Morris wrote:
Richard Shann-2 wrote
This works perfectly on my minimal example but throws up a strangeness
on a real-world example. With 10 systems I get two pages with a strange
gap beneath the titles.
My guess is to try adjusting:
markup
with a large gap below the titles.
Perhaps someone will recognize the symptom of this large gap below the
titles and before the music?
Thanks for the help
Richard
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Reducing-the-spacing-between-ChordNames-systems
it must be that VerticalAxisGroup is a between-system
thing, what will do the system-to-system thing when there are no
ordinary staffs?
Richard
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On Fri, 2014-08-29 at 13:27 -0500, David Nalesnik wrote:
Richard,
On Fri, Aug 29, 2014 at 9:36 AM, Richard Shann
rich...@rshann.plus.com wrote:
On Fri, 2014-08-29 at 16:00 +0200, Jacques Menu wrote:
Hello Richard,
\set Score.bars-per-line
to appear
anywhere in the documentation.
Can anyone point me to the source for these?
Richard
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On Fri, 2014-08-29 at 12:20 +0100, Richard Shann wrote:
The remaining outstanding difficulty is controlling the measure width
-
ideally all the bar lines would align vertically down the screen (the
chord symbols would be made smaller if they didn't fit).
I have set
\set
On Thu, 2014-09-04 at 12:48 +0100, James wrote:
On 04/09/14 12:38, Richard Shann wrote:
The snippet http://lsr.di.unimi.it/LSR/Item?id=750
for changing the markup used for chord names makes use of Scheme
procedures like define-line-markup, define-small-markup ...
I don't see
On Thu, 2014-09-04 at 13:04 +0100, Mark Knoop wrote:
At 12:48 on 04 Sep 2014, James wrote:
On 04/09/14 12:38, Richard Shann wrote:
The snippet http://lsr.di.unimi.it/LSR/Item?id=750
for changing the markup used for chord names makes use of Scheme
procedures like define-line-markup, define
On Thu, 2014-09-04 at 14:17 +0100, Mark Knoop wrote:
At 13:41 on 04 Sep 2014, Neil Puttock wrote:
On 4 September 2014 13:18, Richard Shann rich...@rshann.plus.com
wrote:
this illustrates the meaning, but doesn't hint at how to create a
variant of the procedure (in my case, make-small
On Fri, 2014-08-29 at 19:17 +0200, Johan Vromans wrote:
Richard Shann rich...@rshann.plus.com writes:
I have been developing LilyPond code to enable the generation of Chord
Charts such as the one attached here.
You may wish to take a look at the playtab program.
http
On Sat, 2014-08-30 at 15:09 +0200, Johan Vromans wrote:
Richard Shann rich...@rshann.plus.com writes:
You may wish to take a look at the playtab program.
What LilyPond ( Denemo) can bring to the party is transposition,
playback, adding (non-printing) drum tracks, using the same music
could tweak?
Richard
%% LilyPond file generated by Denemo version 1.1.9
%%http://www.gnu.org/software/denemo/
\version 2.18.0
DenemoGlobalTranspose = #(define-music-function (parser location arg)(ly:music?) #{\transpose c c #arg #})
AutoBarline = {}
AutoEndMovementBarline = \bar
On Fri, 2014-08-29 at 16:00 +0200, Jacques Menu wrote:
Hello Richard,
\set Score.bars-per-line-engraver '(4))
Thanks -
I can't get that to compile, and indeed I can't track down
bars-per-line-engraver in the 2.18 docs, but I see it in snippets (see
below).
This anyway appears
, if it sounds feasible...
Richard
On Fri, 2014-08-29 at 15:36 +0100, Richard Shann wrote:
On Fri, 2014-08-29 at 16:00 +0200, Jacques Menu wrote:
Hello Richard,
\set Score.bars-per-line-engraver '(4))
Thanks -
I can't get that to compile, and indeed I can't track down
bars-per
transposition interval to bring the notes into the range of the clef in
use?
Richard
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but got a strange result
\transposedCueDuringWithClef #flute Mvmnt 1#1 bass a { r2 }
where \transpose c a is the intended transposition (to undo a \transpose
c ees which is applied to the whole score).
Richard
On Wed, 2014-08-27 at 09:29 +0100, Mark Knoop wrote:
At 09:21 on 27 Aug 2014, Richard
Thank you, that works perfectly
Richard
On Wed, 2014-08-27 at 11:48 +0100, Mark Knoop wrote:
At 10:22 on 27 Aug 2014, Richard Shann wrote:
Thanks - I don't quite understand this though:
what dir clef main-music
doesn't seem to have an argument for the transposition and
'quoted
'~ | c'~ | c' }
where it would be nice to place numbers automatically over the repeated
bars.
Richard
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On Wed, 2014-08-27 at 18:47 +0100, James wrote:
On 27/08/14 18:46, James wrote:
On 27/08/14 17:07, Richard Shann wrote:
In the 2.18 docs there is a syntax for placing a counter above repeated
measures:
\relative c'' {
\set countPercentRepeats = ##t
\repeat percent 4 { c1
would need to ask the following question - how can
one place markup centered on a measure?
I guess I will need to be digging elsewhere in the docs for an answer to
that question.
Richard
On Wed, 2014-08-27 at 18:48 +0100, James wrote:
On 27/08/14 18:47, James wrote:
On 27/08/14 18:46, James
Thanks! That's perfect.
Richard
On Wed, 2014-08-27 at 13:01 -0500, David Nalesnik wrote:
On Wed, Aug 27, 2014 at 12:50 PM, Richard Shann
rich...@rshann.plus.com wrote:
Something like
{ \startMeasureCounter c'1~ | c'~ | c'~ | c
neo-modern-voice-cautionary
}}
before the first \score { } block sets neo-modern-voice-cautionary on
all the succeeding score blocks.
Have I stumbled on some dodgy feature, or is this actually documented?
Richard Shann
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On Wed, 2014-08-20 at 17:26 +0200, Alexander Kobel wrote:
On 08/20/2014 05:14 PM, Richard Shann wrote:
The documentation
http://lilypond.org/doc/v2.18/Documentation/notation/displaying-pitches#automatic-accidentals
shows how to set the accidental style for a Score context, but when
of the same type, but
doesn't (AFAICS) reference this way of applying the setting to all Score
contexts.
Richard
http://lilypond.org/doc/v2.18/Documentation/notation/the-layout-block
can you see this in the documentation? I could see the example
for Staff
music) the recognition is not good enough to save effort.
Richard
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the markup?
I ask because the very nice function
(sequential-music-to-chord-exceptions ...)
that farms a set of markups for chord symbol definitions does not pick
up the thickness tweak if done like that.
Richard
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On Sun, 2014-08-10 at 20:11 +0200, Janek Warchoł wrote:
2014-08-10 10:25 GMT+02:00 Richard Shann rich...@rshann.plus.com:
I hadn't realized that I had stumbled into an area of live development -
thanks for making me aware of what is going on. Reflecting on things, I
thought I should anyway
On Thu, 2014-08-07 at 20:44 +0200, Janek Warchoł wrote:
Hi,
2014-08-07 9:26 GMT+02:00 Phil Holmes m...@philholmes.net:
- Original Message - From: Richard Shann rich...@rshann.plus.com
To: lilypond-user@gnu.org
Sent: Thursday, August 07, 2014 7:58 AM
Subject: Accidentals centred
here is: is this something that will be changed in
future versions of LilyPond (in which case any -\tweak #'X-offset #'0.2
added will later prove a liability)?
Richard
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On Thu, 2014-08-07 at 08:26 +0100, Phil Holmes wrote:
- Original Message -
From: Richard Shann rich...@rshann.plus.com
To: lilypond-user@gnu.org
Sent: Thursday, August 07, 2014 7:58 AM
Subject: Accidentals centred above notes
The example given in the docs for placing a sharp
On Thu, 2014-08-07 at 09:45 +0100, Richard Shann wrote:
On Thu, 2014-08-07 at 08:26 +0100, Phil Holmes wrote:
- Original Message -
From: Richard Shann rich...@rshann.plus.com
To: lilypond-user@gnu.org
Sent: Thursday, August 07, 2014 7:58 AM
Subject: Accidentals centred above
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