lieder

Just posted: Lied #73 Klopstock/C.P.E.Bach ode: "An Lyda" (13-course lute accomp.) http://polyhymnion.org/lieder/lieder.html RT

FW: renaissance lute songs

-- From: "harald" <[EMAIL PROTECTED]> Newsgroups: rec.music.early hi everybody, I just want to let you know, that you can listen to MIDI files and get the song texts of the following books (complete !) Alfonso Ferrabosco: Ayres Thomas Campion: Two Bookes of Ayres John Coprario: Songs of Mo

Re: Lute song with low male voice (favorite CDs?)

I'm not sure if it has been mentioned, but Frank Wallace has some lovely recordings for lute and voice -- he's a baritone and plays lute, vihuela and guitar. For his own compositions, I'd check out "Voices in the Dark ..." -- a pdf sample here http://www.duoliveoak.com/MusicPages/voicesinthedarksam

Re: Lute resonance.

Look - I have no interest in a flame war. My problem is specifically this: Musical acoustics and the study of instruments is an established field with a history and a literature (to which I have given you some helpful pointers). Without having looked at any of this, you make some rather sweeping

Lute song with low male voice (favorite CDs?)

Jon, Stewart, David, Sean, Stephan et al... Thanks for such a fascinating discussion. I do think the lighter "ballad" voice will work for many songs--especially as I'm relatively young and can stretch it a bit. Also, as I mentioned in the other thread, the lute in question is nominally G but

Resonant frequency

Dear all, Yes, it's certainly acoustically complex, as the many factors mentioned contribute to more than the base resonance--together these factors make up the voice of the lute itself, which we all know to be richly variable. I don't hear anything jumping out too strongly on my lutes--the c

Re: venere quartet

That is sad news. This was a most enjoyable presentation. > Robert wrote: > > >For chicago area listeners, and internet radio, WFMT 98.7 will air = > >Venere quartet tonight at 8PM. Just thought I'd pass that along. bob > > Unfortunately for Internet radio listeners WFMT discontinued strea

Re: Lute resonance.

On Tue, 20 Jan 2004, BobClair or EkkoJennings wrote:> > ... May I gently suggest that, before issuing such grandiloquent > pronouncements, you Mr. Clair's sarcastic post lacks a simple and clear statement of where I'm wrong and why, except for his assertion about the feasiblity of a computer

Froberger for lute

Hi Luters! I'm not sure if I already have posted an anouncement of this interesting edition. So here it comes (again): Johann Jacob FROBERGER (1616-1667) SUITE Bb-Major for 11-course Lute anonymus arrangement after FbWV 605 and FbWV 612 (Berlin, Staatsbibliothek Preussischer Kulturbesitz, Mus

Re: Tant vous allez Guillemette

Thank you, Stephan. Those are the words from the Adr. but the concordances are helpful. I'll check the Vallet for variations. And there's a bransle Guillemette, too--great! By the way, the bass line is fairly active and might be an interesting experiment for those looking to try Stewart's idea

Re: Lute resonance.

I really don't want to start this again, but... > Here's a simple, but physically accurate, discussion of lute resonance. > Let me summarize your statement: "It depends on a lot of stuff". May I gently suggest that, before issuing such grandiloquent pronouncements, you look beyond the McGraw-H

Re: Vihuela CDROM

It's adequate for transcription purposes though. As Leonard says, you have to manipulate some of the images due to bleeding. (i.e. adjust brightness and focus). I suppose players would make their own version of any given piece anyway. Having the red ciphers for the songs and all 7-books-in-one for

Re: Tuneing via meter ...

Tim, The meter is reading the frequencies of the sound waves it receives. Your ear is responding to the frequencies of the sound waves it receives, as it perceives them. On the lute, as on the harp, the real thing you hear is the vibration of the strings themselves. They may be enhanced by the res

Re: Focus ...

Hofstadter's Godel Esher Bach, an Eternal Triangle, came out in the early '80s. Douglas Hofstadter was at the time the "puzzles" editor for Scientific American (or became that later, when was is Martin Gardner?). The book is an incredible tome that has to do with a great deal more than symbols, al

..Male Zeks stars use this and found fame!

bates stool bourgeoisie disperse barbital cuba extrusion bassett agee doyle angel apollonian figurate neal penal ndjamena atlantica eureka polygon duet impotent bottleneck fry diary acrylic jade abrupt snarl koinonia odysseus saxifrage prosecute rosetta fete ft monopoly statesmen cookie cohn c

Re: Tant vous allez Guillemette

Dear Sean, I found: Tant vous allés doux guillemette tant vous allés doux, Pour vn baiser doux guillemette m'escondirez vous. Et guillemette aués vous d'esjuné, Nennin dit elle car je n'ay point mangé, Prenez cinq soubz en ma jolie boursette, Tant vous allés ... Et guill

Re: Lute song with low male voice

Yes I toyed a bit with the idea suggesting this, too. Bass voices are often printed in the book. I cannot really suggest this because we are living in the age of CDs and a certain culture which rather copies a performance than thinking about a musical piece by themselfes. So it would need boldness