Dear all,
Just a couple of things to point out:
As far as I recall, Hoppy plays the Toccata Arpeggiata on the lute
rather than the theorbo, which might account for his choice of arpeggio
pattern.
In Ms. Barb. Lat. 4145 you can find exactly the same arpeggio sign as
used by Kaps
I'm not recommending this box till I test it, but for a budget
solution it sure has a lot.
http://www.zoom.co.jp/english/products/q3hd/index.php
Unlike other cheap combos, it has real HD video.
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index
If you look at a few hundred written out arpeggios for lute, they
have a number of interesting features, of which continuous bottom to
top is really pretty rare. The best ones bring out lines. and use
dissonance as pivot points.
The instructions may (or may not) be for people who weren't that
e
Hi Morgan,
Glad you found it helpful! It's sometimes a good idea to kind of
"flatten" the thumb, i.e. turn it downwards towards the lute. Classical
guitarists tend to have a habit of sort of plucking up from the string,
and this won't sound good. If what you're doing feels a bit unna
Dear Howard,
I think you are right to say that it is the overall sound which counts
with an ensemble. When choosing voices for a choir, a conductor may
choose not to invite a soloist with a strong, distinct voice, because it
will stick out like a sore thumb. So it is with instruments. There has
to
as David points out Kapsberger is clear about how the sign %
(Arpeggio) should be played
a chord
0
3
3
2
should be played Bass G then the G on the second string and the B on the
first and finally the highest tone D on the third string (assuming a
theorbo in A).
I think variations are up to
Ah, amplification...
I remember that David T and others made some recommendations a couple
of years ago about contact mikes suitable for lutes. Any fresh
updates?
I fear my lute and saxophone combo won't ever get started without a
little electronic help.
Peter
On 19 Octobe
Is it an HIP position to play with amplification ? Not sure it is coherent
with what was said about gut strings...
If you want to search for the lost sound... gut strings, no amps. Same
conditions as yesteryears...
No ?
V ;-)
-Message d'origine-
De : lute-...@cs.dartmouth.edu [mailto:lute-
Nope, it's not HIP. Neither is playing with saxophone, actually ;-)
But I want to play Muse. I want to play Telephone. And I want to do
it on lute, not on electric guitar.
And occasionally, even in more conventional settings, a little
amplification would be nice, as all these ane
- Original Message -
From: "howard posner"
To: "Lute List"
Sent: Monday, October 18, 2010 9:14 PM
Subject: [LUTE] Re: Lute volume
".. But worrying about the theorbo player's desire to be heard isn't in
their job description."
We're professionals. We don't pay any attention t
Someone on the list had tested the previous non HD version, Ned
perhaps?, and found it useful as a teaching tool. On other music lists,
it was also praised, but its low image quality regretted, and many were
holding back for an HD version that was surely to arrive.
It is here, it see
"When the bagpipe plays, you won't be able to hear the lute, but the lute is
pleasant to look at. So, when the bagpipe plays, enjoy the lute." Peter
Schickele
- Original Message -
From: "Stewart McCoy"
To: "Lute Net"
Sent: Tuesday, October 19, 2010 1:44 AM
Subject: [LUTE] Lute vol
Perhaps lute types also function differently. I recently compared my
11c Warwick with an 11c muliti-ribbed yew backed Tieffenbruchar by the
same maker. I did not have enough time with it to be able to make any
final pronouncements, but projection and sound type were very
different.
Dear All,
I have been told on more than one occasion that a big benefit of accompanying
a group of singers with theorbo or lute is that THEY can hear you, and it helps
keep them in tune and in time. So even if the audience can hardly hear you, you
provide a clear benefit to the quality of the e
I don't know if it was the same concert, but I remember him playing an
all DeVise concert at a Lute Seminar Dominican College. Someone told me
later he had injured a finger and played the whole concert with three
fingers. I think nobody noticed any flaws. I think Paul Odette started
Howard,
--- On Tue, 10/19/10, howard posner wrote:
>
> > Howard,
>
> Huh? Wait, that's me!
>
Yes, it is a custom to say the name of the person I'm addressing.
> > Alright, so next time I'll should ask
> people if they did not hear me as a discrete component, but
> rather as a subconscious
Dear Sam,
I didn't watch the theorbo vids, but the baroque guitar is thumb-in,
isn't it? Sure looks that way. It also looks like your thumb and
index occupy some of the same space on occasion, or at least they would
if they were playing on the same course. I suppose in that case
Dear Ones,
Has anyone on the list ever transcribed the old Lennon / Beatles
tune, "In My Life" for renaissance tuning? If so, is anyone willing
to provide it?
Thanks in advance,
ed
Edward Martin
2817 East 2nd Street
Duluth, Minnesota 55812
e-mail: e...@gamutstrings.com
voice: (218) 72
Ooo Me too! me too!
Joseph Mayes
On 10/19/10 12:54 PM, "Edward Martin" wrote:
> Dear Ones,
>
> Has anyone on the list ever transcribed the old Lennon / Beatles
> tune, "In My Life" for renaissance tuning? If so, is anyone willing
> to provide it?
>
> Thanks in advance,
>
> ed
>
>
>
> Has anyone on the list ever transcribed the old Lennon / Beatles tune,
> "In My Life" for renaissance tuning? If so, is anyone willing to
> provide it?
For solo lute or for lute and voice?
Tom
> Edward Martin
> 2817 East 2nd Street
> Duluth, Minnesota 55812
> e-mail: e...@gamutstrings.com
>
For me - solo lute (If you'd ever heard me sing, you wouldn't have to ask)
Joseph Mayes
On 10/19/10 1:34 PM, "t...@heartistrymusic.com"
wrote:
>> Has anyone on the list ever transcribed the old Lennon / Beatles tune,
>> "In My Life" for renaissance tuning? If so, is anyone willing to
>> provi
Me three- but lute 'n voice also works for me because of the live-in
soprano who always seems to be in my life. One of her favorite songs
by these composers as well...
>For me - solo lute (If you'd ever heard me sing, you wouldn't have to ask)
>
>Joseph Mayes
--
To get on or off this list
Someone on this list kindly suggested Sony Vegas. There is a 30-day
trial period. I gave it a try with a little something for my guitar
kids:
http://www.youtube.com/watch?v=uLEJXWEjH3s
Choreography inspired by Hank Marvin c.s. ;-)
David
PS: Latest three LuteLessons were also put together with S
For solo lute.
ed
At 12:34 PM 10/19/2010, t...@heartistrymusic.com wrote:
> > Has anyone on the list ever transcribed the old Lennon / Beatles tune,
> > "In My Life" for renaissance tuning? If so, is anyone willing to
> > provide it?
>For solo lute or for lute and voice?
> Tom
> > Edward Marti
On 19/10/2010 19:38, David van Ooijen wrote:
Someone on this list kindly suggested Sony Vegas. There is a 30-day
trial period. I gave it a try with a little something for my guitar
kids:
http://www.youtube.com/watch?v=uLEJXWEjH3s
Choreography inspired by Hank Marvin c.s. ;-)
David
PS: Latest
On 19 October 2010 21:36, Stuart Walsh wrote:
>> http://www.youtube.com/watch?v=uLEJXWEjH3s
> How do you record the sound for this - and how did you synch three parts
> together?
Two Røde NT55 microphones with cardio caps in xy-configuration, about
20/30 cm away from the 'sweet' spot on the soun
Nicely done, David!
Ned
On Oct 19, 2010, at 2:38 PM, David van Ooijen wrote:
> Someone on this list kindly suggested Sony Vegas. There is a 30-day
> trial period. I gave it a try with a little something for my guitar
> kids:
>
> http://www.youtube.com/watch?v=uLEJXWEjH3s
>
> Choreography inspir
On 19/10/2010 20:58, David van Ooijen wrote:
On 19 October 2010 21:36, Stuart Walsh wrote:
http://www.youtube.com/watch?v=uLEJXWEjH3s
How do you record the sound for this - and how did you synch three parts
together?
Two Røde NT55 microphones with cardio caps in xy-configuration, about
20/30
cool :-)
Am 19.10.2010 20:38, schrieb David van Ooijen:
Someone on this list kindly suggested Sony Vegas. There is a 30-day
trial period. I gave it a try with a little something for my guitar
kids:
http://www.youtube.com/watch?v=uLEJXWEjH3s
Choreography inspired by Hank Marvin c.s. ;-
Dear lute-netters,
I have no idea if this has been posted already:
http://daten.digitale-sammlungen.de/bsb00050861/image_1
I can't read it but It looks like guitar tablature :)
Rainer adS
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.ht
Dear lute-netters,
in "Woltz, Johann: NOVA MVSICES ORGANICAE TABVLATVRA§ there is a piece
"5. Ah flebilem vitam Fabric.Dentici"
Does anybody know if this is "our" Fabricio Dentice?
Rainer adS
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/ind
Cher Valéry,
No, it's not HIP to play with amplification, but if you want people to
hear what you are playing, there are times when amplification has its
uses. Better to be amplified than not heard at all.
Amitiés,
Stewart.
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute
Hello Stewart & All:
Since I initiated this discussion, I thought I might step into it,
figuratively, on this point. I have managed to remain silent while the
thread somehow became a tangled mess over the issue of comparing the
experience of performing on lute to performing on class
Gift to the Lute List:
Attached is a Fronimo 3 file and a PDF for solo lute of "In My Life" by John
Lennon.
I couldn't resist trying a quick transcription of it tonight. Hope you like it.
I'm very new at Fronimo, but it was a good way to start using it.
The ending measures can be used for int
On Oct 19, 2010, at 7:46 PM, t...@heartistrymusic.com wrote:
> Attached is a Fronimo 3 file and a PDF for solo lute of "In My Life"
Alas, you can't send attachments to the list.
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
C'est la vie!
OK, I'll send it to all the individuals who expressed inrerest,
and everybody please feel free to forward it to anybody.
Tom
> On Oct 19, 2010, at 7:46 PM, t...@heartistrymusic.com wrote:
>
> > Attached is a Fronimo 3 file and a PDF for solo lute of "In My Life"
>
> Alas, you can'
Some of the posters are seem unaware that Kapsberger's Third Book was found a
few years ago. Diego Cantalupi not only recorded it, but included a pdf
facsimile of the book on the CD. Any theorbo player who doesn't have it
already should start dropping hints with loved ones for the next gift-gi
Thanks, Tom!
Chris.
>>> 10/19/2010 11:01 PM >>>
C'est la vie!
OK, I'll send it to all the individuals who expressed inrerest,
and everybody please feel free to forward it to anybody.
Tom
> On Oct 19, 2010, at 7:46 PM, t...@heartistrymusic.com wrote:
>
> > Attached
On 19 October 2010 22:42, adS wrote:
> http://daten.digitale-sammlungen.de/bsb00050861/image_1
>
> I can't read it but It looks like guitar tablature :)
Spot on, as it says:
"Originaltitel: Tabulaturbuch für Guitarre" ;-)
Thanks for the link, Rainer!
This ms. is only accessible page by page, bu
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