Hi Everyone -
I would like to thank you all for your good wishes!
Bye
Wayne
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Thanks for all the decades, Wayne!
I'll see the rest of you reprobates around the internet ( Ning,
Facebook, etc.).
Garry
On 9/30/2020 6:11 AM, Wayne Cripps wrote:
Hi Lute People -
The Dartmouth lute list is ending in less than three hours. I certainly
have learned a lot from all of
Wayne, many thanks and we hope you like retirement!
Ed Martin
Sent from my iPhone
> On Sep 30, 2020, at 5:14 AM, Wayne Cripps wrote:
>
> Hi Lute People -
>
> The Dartmouth lute list is ending in less than three hours. I certainly
> have learned a lot from all of you and I thank you all
Many thanks, see you on the other side!
Bob Purrenhage
On 9/30/2020 6:11 AM, Wayne Cripps wrote:
Hi Lute People -
The Dartmouth lute list is ending in less than three hours. I certainly
have learned a lot from all of you and I thank you all for taking part in it.
Wayne
To get
Thanks for your time, energy, attention to detail & patience over the years,
Wayne.
I hope you’re retiring to a pleasant & active new life.
All the best!
jeff
> On Sep 30, 2020, at 5:18 AM, Wayne Cripps wrote:
>
> Hi Lute People -
>
> The Dartmouth lute list is ending in less than
Thank you Wayne for everything, and happy retirement.!!
Bruno
Montreal
Le mer. 30 sept. 2020 Ã 08:15, Jussi-Pekka Lajunen
<[1]jlaju...@gmail.com> a écrit :
Thank you so much Wayne!
This list has been an invaluable source of information.
Jussi-Pekka
Thank you so much Wayne!
This list has been an invaluable source of information.
Jussi-Pekka
ke 30. syysk. 2020 klo 13.13 Wayne Cripps ([1]w...@cs.dartmouth.edu)
kirjoitti:
Hi Lute People -
The Dartmouth lute list is ending in less than three hours. I
certainly
Big thanks Wayne
Your list was great!!
Arto
On 30.9.2020 13.11, Wayne Cripps wrote:
> Hi Lute People -
>
> The Dartmouth lute list is ending in less than three hours. I certainly
> have learned a lot from all of you and I thank you all for taking part in it.
>
> Wayne
>
>
>
>
> To get on
Thank you so much Wayne â a reliable source of help, knowledge and
entertainment. Three cheers for Wayne!
On 30 Sep 2020, 12:14 +0200, Wayne Cripps ,
wrote:
Hi Lute People -
The Dartmouth lute list is ending in less than three hours. I
certainly have learned a lot
Hey Wayne,
Thanks for creating and maintaining this list for such a long time.
I am sure it will be sorely missed by all with an interest in the lute
and allied instruments.
Thanks again and stay healthy!
Lex.
Op 30 sep. 2020, om 12:11 heeft Wayne Cripps
Thanks so much Wayne! You've provided an invaluable service to the
international lute community. There's no doubt the lute would be in far
worse shape without the exchange of knowledge you facilitated. We all
owe you a deep debt of gratitude.
Best,
Chris
On Wednesday,
Hi Lute People -
The Dartmouth lute list is ending in less than three hours. I certainly have
learned a lot from all of you and I thank you all for taking part in it.
Wayne
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Greetings,
I have just finished and published a new version of Richard Civiolâs
edition of La Rhétorique des Dieux. I have done a note by note
comparison with the original facsimile and made corrections, provided
English translations for all of the text, and included images from
Recently there has seen some remarkable developments: some Ukrainian
musicians have discovered my Ukro-centric music, and started to adopt
it and adapt it to the Ukrainian diatonic zither/psaltery, AKA the
Bandura:
[1]https://www.youtube.com/watch?v=ywW8txYy8gE
Dear Lutenists
Benjamin Narvey this week is presenting a virtual solo recital of lute
music for the Early Music Voices series in Canada. The recital, "The
Calgary Connection", is the first concert of the year, and was recorded
at Benjamin's home in Paris due to the Covid crisis.
Good morning, Alain.
Thank you for this. I hope it was fun to put together!
Have a good afternoon,
Chris.
On Mon, Sep 28, 2020 at 1:06 AM Alain Veylit
<[1]al...@musickshandmade.com> wrote:
People who like lute duets might interested in a project I put
together,
People who like lute duets might interested in a project I put
together, see http://fandango.musickshandmade.com/projects/preview/26
I did not quite make it to 100 but there are still some pieces to be
added after this list goes silent.
Good night all,
Alain
To get on or off this list
Thanks Nancy-This was wonderful!
Sent from my iPhone
> On Aug 31, 2020, at 10:50 AM, Nancy Carlin wrote:
>
> --0511CBC1E59526415F9EA14C
> Content-Type: text/plain; charset="utf-8"; format=flowed
> Content-Transfer-Encoding: 8bit
>
> See the note below about an online Paul O'Dette
"By the way, I really like the film. Films like this one will probably
soon be forbidden by PC idiots..."
I know what you mean. I prefer Macs as well.
RA
__
From: lute-...@new-old-mail.cs.dartmouth.edu
on
Erm,
do you happen to play chess or just a proud Norwegian :)
I have become interested in chess lately after 42 years of abstinence.
Rainer
Am 27.09.2020 um 19:30 schrieb magnus andersson:
Also noteworthy are the arrangements of the (Daniel) Purcell pieces in the
Poznan 7033 ms.
Best,
Also noteworthy are the arrangements of the (Daniel) Purcell pieces in
the Poznan 7033 ms.
Best,
Magnus
[1]Skickat frÃÂ¥n Yahoo Mail för iPhone
Den söndag, september 27, 2020, 2:26 em, skrev Rainer
:
Very nice. The Rondeau is also from Abdelazer.
Which
So maybe like this?
--Sarge
On 9/26/2020 14:53, Jussi-Pekka Lajunen wrote:
> I was responding to this: "Vidal obviously forgot to write the
> beginning of the pavan, and adds the bars at the end of the piece."
>
> Like I said, it makes more sense to me, musically, to play that
> section only
Very nice. The Rondeau is also from Abdelazer.
Which reminds me of the film "Pride and Prhudice".
Of course, nobody would have played music by Purcell as dance music in 1813 (or
1797).
Anyway many people praised the film music by Marianelli - pseudo romantic piano
music which did not yet
Rainer, Nigel North did a set of intabulations of Henry Purcell pieces at the
beginning of his concert on 11-course d-minor lute.https://bit.ly/NorthConcert
Daniel
-- Original Message --
From: Rainer
To: Lute net , lutelist
Subject: [Lutelist] Purcell on the lute
Date: Sun,
Dear lutenists
Just before our list closes, I wonder whether in this difficult
context anyone has the experience of playing duo at distance and with a
third lutenist commentator in a third environment, perhaps all this via
Zoom or similar?
Please feel free to mail me with
And if you play continuo, it is not too complicated to play this piece
directly from the score.
Arto
On 27.9.2020 12.52, Mathias Rösel wrote:
>There's an edition of pieces by Purcell from Tree Edition for one
>archlute.
>Mathias
>
There's an edition of pieces by Purcell from Tree Edition for one
archlute.
Mathias
__
Gesendet mit der [1]Telekom Mail App
--- Original-Nachricht ---
Von: Rainer
Betreff: [Lutelist] Purcell on the lute
Here it goes:
petercro...@gmail.com
Guilherme Barroso
Lute and Basso Continuo Professor at [1]Escola Superior de Música de
Lisboa ESML
[2]www.guilherme-barroso.com | [3]@the_lute_channel
Tel: +41 767488925
Em 27/09/2020, 08:33 +0200, Rainer
escreveu:
Dear
Dear lute netters,
I wonder if anybody has intabulated this for two Renaissance lutes (or one).
https://youtu.be/UfwO_RRgRXE
Rainer
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Dear lute netters,
does anybody know Peter Croton's email address?
Rainer
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
I was responding to this: "Vidal obviously forgot to write the beginning
of the pavan, and adds the bars at the end of the piece."
Like I said, it makes more sense to me, musically, to play that section
only before the preceding bars are repeated, but I admit that the
wording of the Vidal's
Did you mean like this?
--Sarge
On 9/25/2020 09:13, Jussi-Pekka Lajunen wrote:
> Thank you! Interestingly that "beginning" does make more sense to me
> when played only when the piece is repeated. It makes me wonder if
> Vidal really meant that this last strain is played as a
Thanks Wayne
I learned a lot from this list over many years
Stuart
Sent from my Huawei phone
Original message
From: Wayne
Date: Sat, 26 Sep 2020, 14:58
To: lute net
Subject: [LUTE] Switch to the new list?
Hi Folks -
I expect this
See the message sent to this list by Nancy Carlin on 17th September.
Tristan von Neumann kirjoitti 26.9.2020 klo 17.41:
I haven't been paying attention very much lately.
Where is the new list and what do I need to do?
On 26.09.20 14:38, Rainer wrote:
Does anybody remember (Wayne? :)) when
Here is the data for the new list.
Forwarded Message
Welcome to the lutel...@groundsanddivisions.info mailing list!
To post to this list, send your message to:
lutel...@groundsanddivisions.info
General information about the mailing list is at:
I haven't been paying attention very much lately.
Where is the new list and what do I need to do?
On 26.09.20 14:38, Rainer wrote:
Does anybody remember (Wayne? :)) when Wayne's server will be shut down?
Isn't it time to migrate to the new list?
Rainer
To get on or off this list see list
Hi Folks -
I expect this list will close sometime between tomorrow and very
early
Wednesday morning. Nancy Carlin announced a list sponsored by the
LSA recently.
Wayne
Begin forwarded message:
From: Rainer <[1]rads.bera_g...@t-online.de>
Subject: [LUTE]
Does anybody remember (Wayne? :)) when Wayne's server will be shut down?
Isn't it time to migrate to the new list?
Rainer
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
We have posted our Saturday morning quotes, beginning our eighth full
year of the (once weekly, now frequent) series. We preview a few new
tracks from Mignarda and our alter-ego, we honor Wayne Cripps for
hosting the lute list and discuss the way forward.
Thank you! Interestingly that "beginning" does make more sense to me
when played only when the piece is repeated. It makes me wonder if
Vidal really meant that this last strain is played as a beginning of
the piece on both times or only on the second time.
G. C. kirjoitti 25.9.2020
Can anyone give me a translation of the texts on folio 48r of the
Capirola MS (the third page of Padoana alla Francese No. 2) or explain
what they mean?
-- Jussi-Pekka Lajunen
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
I've got four Pyramid lute strings that are surplus to requirements - 2
x 0.425 and 2 x 0.500
If they're of any use to anyone, let me know and I'll put them in the
post to you.
julian
--
To get on or off this list see list information at
Since the lute is so very light weight, all you need is cotton tape (or
silk ribbon) some 1.1/2 ins (4cm) wide. You can even buy it in Germany!
MH
On Sunday, 20 September 2020, 08:41:52 BST, Rainer
wrote:
Auf Deutsch, weil ich das nicht im Ausland kaufen will:
Ich will doch
In der Tat - Wenn man nach Lautengurt sucht.
Wenn man nach Lautenband sucht, findet man das berühmte "Mit dem grünen
Lautenbande" von Schubert :)
Rainer
Am 20.09.2020 um 10:07 schrieb Joachim Lüdtke:
Dear Rainer,
there are lute straps as the sand on the sea, very much ...
As you are
Ach so, und NICHT von Ausland - tja, dann von Dieter Schossig.
Mathias
__
Gesendet mit der [1]Telekom Mail App
--- Original-Nachricht ---
Von: Mathias Rösel
Betreff: [LUTE] Re: Lautenband
Datum: 20.
Dear Rainer,
there are lute straps as the sand on the sea, very much ...
As you are searching for a provider in your country, have a look on the website
of lute builder Schossig.
Best
Joachim
-Original-Nachricht-
Betreff: [LUTE] Lautenband
Datum: 2020-09-20T09:42:13+0200
Von:
Arion straps von Tanja Skonk, die finde ich am besten.
Mathias
__
Gesendet mit der [1]Telekom Mail App
--- Original-Nachricht ---
Von: Rainer
Betreff: [LUTE] Lautenband
Datum: 20. September 2020, 9:40
An:
Auf Deutsch, weil ich das nicht im Ausland kaufen will:
Ich will doch noch mal versuchen mit einem Band zu spielen - Lauten kann man
bekanntlich nicht halten.
Spezielle Bänder für Lauten gibt es wohl nicht - wozu auch. Gitarrenbänder gibt
es wie Sand am Meer (der wird wohl langsam knapp).
Hi everyone, I wanted to clarify that the Opening Night Watch Party on
Friday September 25^th at 7 PM will premier Richard's concert. If you
can't attend this, it is available for streaming after that through
October 4^th.
John
Dear fellow Lute Enthusiasts,
I would
Friends, scroll down to the paragraph about a lute in [1]this article
that popped up on my feed today - anyone lose this item at some point
in the past few years?
Lynda Kraar
--
References
1.
The LSA in recognition of the wonderful service Wayne Cripps did with
hosting the lute email lists, has decided to host a follow up email
list.
The LSA list is for everyone, members or non-members. It is also
appropriate for discussions on all lute-family instruments and their
The lute community thanks Wayne Cripps for all the years he provided
this service - a lot of lutes were sold!
He is retiring from this project and his list is closing down very soon.
The Lute Society of America has added a Lutes For Sale list to a
temporary website
Dear fellow Lute Enthusiasts,
I would like to let you know about an upcoming Baroque Lute Concert
recorded live and streaming from Sep 25 - Oct 4 online. I think you
all might enjoy it.
As part of Tempesta di Mare's Artist Recital Series, Richard Stone will
play German and
Does anyone know how to contact David J. Buch who wrote his
dissertation on La Rhétorique des Dieux?
I would like ask his permission to use his translation in something.
Regards
David
--
To get on or off this list see list information at
On 15.09.20 19:33, Rainer wrote:
Dear lute netters,
the Tabualturbeilage 2018/4 contains a few pieces from Judenkunig's
Underweisung.
One of the pieces - the pvavana all Veniciana - looks very strange. Bars
15, 23, 31, 39 and 47 (attention: the barring in the Tabulaturbeilage is
a mess)
Dear lute netters,
the Tabualturbeilage 2018/4 contains a few pieces from Judenkunig's
Underweisung.
One of the pieces - the pvavana all Veniciana - looks very strange. Bars 15,
23, 31, 39 and 47 (attention: the barring in the Tabulaturbeilage is a mess)
contain a minim(?) rest which does
And the pessimistic lyrics are perhaps even as relevant today as they
were 500 years ago.
G
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
As I only started playing when Sarge's Archive was already well-filled,
I decided to start with Neusidler's book. It's really the best book for
beginners.
Other tutors are not as thoughtful.
Poulton was the worst: hey, let's play Packington's Pound, and then a
Fantasia by de Rippe...
While
Thanks, Tristan, for the reference.
I have to admit Neusidler hasn't received the attention he (they)
deserve from me. Back when I was an enthusiastic young lutenist he
was largely unavailable due to the "language" barrier. I did make a
desultory attempt or two at learning
If you want to play it, the Hans Neusidler version is nice and easy.
Of course, his son also made a difficult version...
On 14.09.20 13:52, Christopher Stetson wrote:
Hi, Tristan and all,
I was not familiar with the song (and now I feel inadequate), but yes,
it is a beautiful and
Incredibly beautiful! Thanks to you, Tristan--for locating
this--(superb performers!)
On Sun, Sep 13, 2020 at 6:44 PM Tristan von Neumann
<[1]tristanvonneum...@gmx.de> wrote:
I just found this version of a song that is probably familiar to all
lutists.
Hi, Tristan and all,
I was not familiar with the song (and now I feel inadequate), but yes,
it is a beautiful and accomplished performance, Thanks!
Stay safe and keep playing,
Chris.
On Sun, Sep 13, 2020 at 9:46 PM Tristan von Neumann
<[1]tristanvonneum...@gmx.de> wrote:
Ensemble music for voice, viol and lute: the mass for three voices and
some 5- and 6-part choral works performed by the two and/or three of
us. My own intabulations and/or simply read from the score.
David
***
David van Ooijen
Hello David,
You mentioned that you gave a concert of Dowland and Byrd on 10-course
lute. Which pieces from Byrd did you perform? I wasn't aware that there
is much available in tablature from Byrd.
Thanks in advance,
Moshe Davis
Jerusalem
I have a nasty callus on my
I just found this version of a song that is probably familiar to all
lutists.
https://www.youtube.com/watch?v=RqMKE6HLOrc
I don't know about you, but I think that's extremely beautiful.
To get on or off this list see list information at
I’m sure lutelister David Tayler can explain their choics although it’s not
listed as an instrument in the performance.
> On Sep 13, 2020, at 10:42 AM, Tristan von Neumann
> wrote:
>
> I just noticed the glockenspiel in this performance:
>
> https://www.youtube.com/watch?v=4JWYIY3icUg
>
>
I just noticed the glockenspiel in this performance:
https://www.youtube.com/watch?v=4JWYIY3icUg
I wonder why it is there. It seems to have come from this iconic recording:
https://www.youtube.com/watch?v=kmHR6GWQOWU
Does anyone know how they justified it?
Not that this instrument wasn't
I just realized that Frank sent this to the lutelist rather than directly back
to me.
To clear up any confusion if present, the ning lutegroup cannot function as an
email chat group, it’s forum based.
That was the case with the old Ning 2.0 platform and the current Ning 3.0
platform, despite
I really appreciate your efforts, David, but as I mentioned, one of the
things I have liked about the old group is that for me it is easier to
use. I simply get messages put in my "lute list" folder automatically,
and thus I can store them readily on my local machine. It is also
Yes, I understood that the Battaglia is truly in two parts. I was
looking to see if there was a second *duet* part, to fill in what I now
understand to be gaps in the MS, as explained well by Jussi-Pekka
Lajunen . Looking at the vocal score I can see the
gaps would be filled in by a second
The battle of Jannequin traditionally has had a first and second part,
sequentially.
On Thu, Sep 10, 2020, 1:00 PM guy_and_liz Smith
<[1]guy_and_...@msn.com> wrote:
I've played a lot of Renaissance polyphony in facsimile (on
sackbut), and in that context, secunda pars means
I've played a lot of Renaissance polyphony in facsimile (on sackbut), and in
that context, secunda pars means exactly what Ron describes. With large numbers
of voices, you will sometimes see XYZ Vox to indicate a part/voice by number,
such as Quinta Vox, but I've never seen "pars" used to
Sarge, I think you'll find that the term _secunda pars_ universally
applies to the second section of a composition that was conceived in
more than one section, typically setting the continuation of a long
poem or another sectional text.
For instance, in Phalese _Luculentum Theatrum
Oh! I didn't find that score. Thanks so much! One approach would be to
intabulate the missing parts from the score, as a second lute part
(maybe using red notes) or just to fill them in so a single lute could
play the complete piece.
Since the first part does not have gaps or red notes, it,
No, I haven't seen, but the numbers correspond to the duration of rests
in the first choir's part (and the nine semibreve long section not
included in the tablature). If you look at the score[1], you can see
there are rests that last for two semibreves on page 25, for five
semibreves on page
Well, as we have discussed, the red notes are apparently played from
the same score on a second lute, and elsewhere in Eysert, there are
apparently both parts of some duets, some reversed to play off the same
MS (haven't run across them yet). That suggests that there may not be a
Thank you all who helped me (JM, Ron, GS, David S in particular) and so
fast! I feel ashamed to answer you so late (had a day of guitar
teaching - bread and butter, you know the story).
One more reason to keep this list afloat - in whatever form - we get
by with a little help from
The Secunda pars" is "Seconda Parte" of Battaglia by Orazio Vecchi. See
page 25:
http://ks.petruccimusiclibrary.org/files/imglnks/usimg/4/41/IMSLP145459-WIMA.26bd-battu.pdf
Also see:
https://i.imgur.com/fhZWglm.png
I guess the second choir's part is not in the same lute book. It would
not
Hmmm. I don't see another version of the Battaglia. There is a Part 1
(same file), which has 72 bars, where part 2 has 55. If we add a total
of 30 interpolated bars to part 2, we get 85 bars, so the bar numbers
still wouldn't fit between the two parts, and I have not tried to see
Acadamia.edu has a copy for free if you want. I sent a copy to David.
David
-Original Message-
From: lute-...@new-old-mail.cs.dartmouth.edu
On Behalf Of David van Ooijen
Sent: Tuesday, September 8, 2020 10:25 PM
To: Lutelist
Subject: [LUTE] Rethorique des Dieux, English translation of
Proquest has it for $41 as a PDF. Pub ID 8315922.
David
-Original Message-
From: lute-...@new-old-mail.cs.dartmouth.edu
On Behalf Of Ron Andrico
Sent: Wednesday, September 9, 2020 6:29 AM
To: David van Ooijen ; Lutelist
Subject: [LUTE] Re: Rethorique des Dieux, English translation of
Dear David:
Have you seen David J. Buch's dissertation, "Rhétorique des Dieux: A
Critical Study of Text, Illustration, and Musical Style," Northwestern
University, 1983? I have it somewhere if you are unable to locate a
copy.
RA
Dear David
Not a direct answer, but a link to the tricky story of the Rhétorique:
https://accordsnouveaux.ch/en/la-rhetorique-des-dieux/bremen-lecture-2013
There’s a big gap between the goals of Anne-Achille de Chambré, explained in
the foreword, and the real book.
Enjoy!
Andreas
> Am
Dear collected mind.
Could someone direct me to such, if available?
David
--
***
David van Ooijen
[1]davidvanooi...@gmail.com
[2]https://davidvanooijen.wordpress.com
***
--
They seem to indicate the duration of rests. In this case there are no
red notes. I wonder if there is a intabulation of the second choir's
part elsewhere in the manuscript.
See:
https://imslp.org/wiki/Special:ImagefromIndex/145459/sv06
Frank A. Gerbode, M.D. kirjoitti 8.9.2020 klo 18.47:
Am 08.09.2020 um 17:55 schrieb howard posner:
On Sep 8, 2020, at 3:18 AM, Rainer wrote:
According to a source I cannot remember the Sonata lasted 55 minutes when
played by Liszt.
He wrote presque une heure - even slower.
Playing everything as asked for by Beethoven makes 32 minutes.
As
everything is fine.
My provider treated the order confirmation as spam :(
Rainer
Am 08.09.2020 um 16:00 schrieb Rainer:
Dear lute netters,
has anybody ordered something form Le Luth Doré ?
I have placed an order and already paid via PayPal but not received an order
confirmation.
Rainer
> On Sep 8, 2020, at 3:18 AM, Rainer wrote:
>
> According to a source I cannot remember the Sonata lasted 55 minutes when
> played by Liszt.
Liszt said something of the sort in a letter written 40 years after the
performance Berlioz reviewed.
For all we know, he hadn’t played it in years
After bars 2, 5, 13, 17, 22, 26, and 31 in this piece, there are
numbers, like #°6, #°13, etc. Can anyone help me figure out what this
might mean?
--Sarge
--
Frank A. Gerbode, M.D. (sa...@gerbode.net)
11132 Dell Ave
Forestville, CA 95436-9491
Home phone: 707-820-1759
Yes, ordered a couple of editions from them earlier in the year.
Received both a PayPal receipt and an automated receipt from their
webshop. The order took a few months (mostly due to COVID/La Poste I
think), but Miguel was responsive and nice over email when I had
queries about
Dear lute netters,
has anybody ordered something form Le Luth Doré ?
I have placed an order and already paid via PayPal but not received an order
confirmation.
Rainer
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
The applause was probably included :)
:)
T*
On 08.09.20 12:18, Rainer wrote:
According to a source I cannot remember the Sonata lasted 55 minutes
when played by Liszt.
This is much slower than some modern performances.
Rainer
Am 08.09.2020 um 01:09 schrieb howard posner:
On Sep 7,
According to a source I cannot remember the Sonata lasted 55 minutes when
played by Liszt.
This is much slower than some modern performances.
Rainer
Am 08.09.2020 um 01:09 schrieb howard posner:
On Sep 7, 2020, at 1:19 PM, Rainer wrote:
Even List could not play the Hammerklavier Sonate
> On Sep 7, 2020, at 1:19 PM, Rainer wrote:
>
> As an illustration see the incredible https://youtu.be/NmI_ALcEGUw
And so I learn that there really is a pianist named Vincenzo Maltempo.
To get on or off this list see list information at
> On Sep 7, 2020, at 1:19 PM, Rainer wrote:
>
> Even List could not play the Hammerklavier Sonate at Beethoven's metronome
> markings - if they are meant as they are today.
Hector Berlioz seems to indicate otherwise in an 1836 review of a Liszt concert
in the La Revue et Gazette musicale de
Dear lute netters,
as most of you probably know there was and is some discussion about the
metronome markings in the first half of the 19th century.
Even List could not play the Hammerklavier Sonate at Beethoven's metronome
markings - if they are meant as they are today.
I wonder what
If you are a member of [1]lutegroup.ning.com please ignore because you
just received a more detailed email about this. For the rest of you, I
wanted to let you know that I will be migrating the group to their new
upgraded platform with some nicer features. If you would like to see
Thanks to those who pointed out the errors in my manner of inserting
interpolations - in fact, I did try to do something like this by
putting in spaces and inserting a dash before my comments, but much was
lost by the system not copying how I separated text (eg see the extract
I should point out - if someone hasn't already - that the Francisque is one of
Luth d'ore's editions. Really clearly printed and well thought-out edition. I
recommend it highly.
Joseph mayes
From: lute-...@new-old-mail.cs.dartmouth.edu
on behalf of
This is where I have some disagreement. Having a purely personal effort is
great but fragile. If there was an international Lute body then it would be
great. There isn't.
So, who wants to take on the personal responsibility that Wayne has for all
these years.
My experience from running a
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