Big thanks Wayne
Your list was great!!
Arto
On 30.9.2020 13.11, Wayne Cripps wrote:
> Hi Lute People -
>
> The Dartmouth lute list is ending in less than three hours. I certainly
> have learned a lot from all of you and I thank you all for taking part in it.
>
> Wayne
>
>
>
>
> To get on o
And if you play continuo, it is not too complicated to play this piece
directly from the score.
Arto
On 27.9.2020 12.52, Mathias Rösel wrote:
>There's an edition of pieces by Purcell from Tree Edition for one
>archlute.
>Mathias
> _
Big thanks to you for your valuable work of decades!!
Arto
On 22.8.2020 22.04, Wayne wrote:
> Hi -
>
> I have been running this lute mail list since 1998, and it has been
> interesting and fun. Now I am retiring from my job at Dartmouth College, and
> when I retire the computers that I have
Wow!
Thanks Rainer! :-)
Arto
On 01/02/2020 18:09, Rainer wrote:
> https://mazarinum.bibliotheque-mazarine.fr/ark:/61562/mz3446
>
> Click under "Télécharger"
>
> Rainer
>
>
>
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
I thought every serious lutenist can sing the tabulature lines.
sincerely
Arto
On 11/12/18 21:25, r.turov...@gmail.com wrote:
What about those of us who compose in tabulature?
I also know a few people who can sing off the tab.
RT
http://turovsky.org
Feci quod potui. Faciant meliora pote
Hi
Google translates in (from Latin:) "paternal inheritance"
Arto
On 30/05/18 19:21, Bernd Haegemann wrote:
Dear all,
a beautiful pavan by Anthony Holborne. One variant is in the Varietie of
Lute Lessons.
Is there an explanation of the title?
Kind regards
Bernd
---
Diese E-Mail wurde von
is a good idea!
Arto
On 13/05/18 23:00, Ralf Mattes wrote:
Am Sonntag, 13. Mai 2018 21:44 CEST, Arto Wikla schrieb:
Tiny comment: f#-gb, d#-eb, c#-db, etc. are not octaves! ;-)
To that I can only answer with that famous quote from Thomas Binkley: "Details!"
;-)
Cheers, Ralf
Tiny comment: f#-gb, d#-eb, c#-db, etc. are not octaves! ;-)
Arto
On 13/05/18 22:30, Rainer wrote:
A clarification:
Suppose you want to place the frets on a lute so that:
1) All unisons are pure. That means the f on the second course has the
same frequency as the open 1. course, the g on the
Hi lutenists,
here is a microtonal piece by one of my composer friends. This piece
probably cannot be combined to to any Indian raga based performance? But
who knows? He who searches, will find...
https://soundcloud.com/juhani-nuorvala/kaiho
Anyhow, I like this piece! No lutes ther, just a p
Dear Tristan,
fanciful and kind of interesting speculations you have had! Many thanks
for the fun! I guess just that was your main intention, fooling the
credulous.
Please, go on with your fanciful stuff! :-)
Arto
On 04/04/18 00:53, Tristan von Neumann wrote:
Sorry, I needed space for the
Hi dear lutenist friends
I've played many unorthodox lute thingies to the YouTube, oftenmost very
badly. ;-) Here are links to some of them:
* Pietre Rotolanti: Dipingi nera quella porta:
https://www.youtube.com/watch?v=Tuyf4uha8fs
* Something very different: short teenage memory ... ;-)
h
Hi dear fellow lutenists
My experience in many international "master courses" is that those, who
talk most of this or that tuning, "4th" or "6th" or "equal", are just
those, who are not the best in the intonation...
Lute is a strange animal: you make compromises, you put tastini, you set
you
On 19/02/18 08:06, howard posner wrote:
On Feb 18, 2018, at 1:57 PM, Arto Wikla wrote:
Dear theoj89294(?)
Making an intabualation of that nice piece is not very complicated. If you
wish, I can quite easily make one for you in the near future. ... In case you
just start signing your message
Dear theoj89294(?)
Making an intabualation of that nice piece is not very complicated. If
you wish, I can quite easily make one for you in the near future. ... In
case you just start signing your messages... ;-)
Arto
On 18/02/18 23:43, theoj89...@new-old-mail.cs.dartmouth.edu wrote:
Dea
ayer matches Fantasy XII, it sounds
like a
> Castello Sonata. I will try and prepare a mix with that, but
I have not
> yet found the right music source.
> Anyone interested may get an mp3 in private email.
>
>
> Am 07.02
Well, I listened carefully all those example combinations of Bull's
harpsichord pieces and the suggested similiar(?) raga performances, and
sincerely I could not find much in common between them, just two
different sound clips connected. Tristan von Neumann is of course free
to name me also "fo
Hi all
My friend, Finnish composer and specialist of Indian classical music and
culture, commented Tristan's example by pointing to this funny video,
which represents the type of joke that is not rare in Indian humour:
https://www.youtube.com/watch?v=5ueGc2MTGog
Arto
On 05/02/18 23:44, Tri
Big thanks for the great facsimile! To the on-line publisher, the finder
of it and also the nice version connector! :-)
And I suppose that if you can play these pieces, you also quite easily
find out, when there is an "e" and when there is a "c", don't you. ;-)
all the best,
Arto
On 12/01/18
Perhaps this page helps:
http://musicofyesterday.com/historical-music-theory/early-history-of-tablature/
Arto
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Äh, must be G-c-e-g-b-e
(I cannot count to six ;-) )
Arto
On 07/04/17 17:17, Arto Wikla wrote:
Hi
If it is the same as in his "Libro Tertzo", the six fingerboard courses
are (assuming the 6th is in G):
G-c-e-b-e ("b" in the English sense)
Arto
On 07/04/17 09:29
Hi
If it is the same as in his "Libro Tertzo", the six fingerboard courses
are (assuming the 6th is in G):
G-c-e-b-e ("b" in the English sense)
Arto
On 07/04/17 09:29, Alain Veylit wrote:
Anybody knows what the "Cordatura del signor Virgo" is like? (It is for
archlute used by Meli)
To g
Dear Susanne
Years ago I went to a pharmacy and asked them to measure the weight of
one KF string with their precision scale. I had by myself measured the
length and thickness very accurately. After calculatios I got the
density 1791 Kg/m³.
This has worked to me.
I hope this helps!
Arto
O
Hi lute gang and Bruno
Bruno and others had problems in getting Aquila loaded nylgut CD and
normal NNG strings work well in tune, when used as a pair
fundamental-octave. I have had no problem in this.
Here is the proof:
https://www.youtube.com/watch?v=ZVmmPulDLVc&feature=youtu.be
The strin
Neither I dare let Java applets run, but my most simple calculator runs
in JavaScript, see
https://www.cs.helsinki.fi/u/wikla/mus/Calcs/mc.html
I use that, but you'll certainly find more advanced calculators, too.
Arto
On 01/03/17 15:59, Leonard Williams wrote:
Can anyone recommend a good o
In the "dark times", actually medieval times, they used the Pythagorean
tuning, in which the major third is even larger than in the equal
temperament. That third really is very dissonant!
Arto
On 01/03/17 10:18, Lex van Sante wrote:
The major third is a dissonance in equal temperament because
Hi Bruno
No problems on my archlute's 6th and 7th. CDs and NNG octaves.
Arto
On 28/02/17 19:56, Bruno Cognyl-Fournier wrote:
Dear Collective wisdom,
I have been tuning my 5 and 6th course in octaves for years, with wound
strings and gut or nylgut.
recently I bought the CD loaded st
I sincerely cannot understand the idea of those hidden "machine heads"!
Violinists, viola players, cellists, ..., do not use those.
Why should I? The old friction pegs are so easy, fast and good - if they
are. I have had the luck of having good ones.
But everyone may choose his/her own way, I'm
Hi Bruno
Perhaps you can arrange (and select) some of the variations of my arr of
Purcell's Chaconne (from King Arthur) to archlute?
My tab is in
https://www.cs.helsinki.fi/u/wikla/mus/PurcellChaconne020916.pdf
And my video of playing it is in
https://www.youtube.com/watch?v=olsmDPzPDq4&feat
This group is fantastic! Thanks to everyone! :-)
Arto
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Dear fellow lutenists.
there is some chamber music to lute by Haydn. I just cannot find it!
Any advice or help?
Arto
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The difference between 0.50 mm and 0.52 mm KF's is actually not very big!
If we take for example string length 600 mm and a = 220 Hz, we get the
following "tensions" (well just "Kilograms" on our dear Earth ;-) )
KF 50 = 0.50 mm => 2.598 Kg ~ 2.6 Kg
KF 52 = 0.52 mm => 2.702 Kg ~ 2.7 Kg
The di
Hi all,
as I already wrote earlier, the KFs can be calculated as "carbons", the
density 1791 Kg/m³ works well. Actually years ago I measured a KF string
with my micron and with pharmacy's precision scale. Then it was easy to
calculate the density ...
Arto
On 25/04/16 11:25, Martin Shepherd
I have calculated Savarez KFs as if they were "carbon" strings: 1791 Kg/m³
Works.
Arto
On 17/04/16 16:16, Mathias Rösel wrote:
--=_NextPart_001_0026_01D198BC.2C945FD0
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Dear Collected Wisd
Our Finnish word "tiede" (~science) also has this wider European
meaning, fortunately! :-)
Arto
On 24/03/16 20:07, Rainer wrote:
On 24.03.2016 18:39, Brad Walton wrote:
I believe that the word "science" has wider connotations in French
than in English.
As - unfortunately - in German.
Raine
And by the way, these pieces are to baroque lute in d-minor tuning (11
courses is enough), no to theorbo!
Arto
On 23/02/16 18:55, Wayne wrote:
That might be
http://www.cs.dartmouth.edu/~wbc/tab-serv/tablature.cgi?Baroque_lute/pachelbel.pdf
We will see if this gets to the list unmangled.
And by the way, all the 6 open strings of an a theorbo, A-d-g-h-e-a,
should be familiar to guitarists, too. Only the order is little
different... ;-)
Arto
On 15/01/16 18:58, David van Ooijen wrote:
Replacing the second string with a high octave is what some continuo
players do. I rem
To a 6 courser I would definitely suggest octave on the 4th, 5th and
6th. There really are some good reasons here and there in F. da Milano
(don't ask where... ;-) ), and the idea of vihuela having unisons is
unbiased, probably just invented by 20th century guitarists. Those poor
guys having ju
Perhaps somebody ordered this painting just to show, how some of his
social enemies try to look like civilized, just to mock them. Or perhaps
that couple did not pay properly to the painter for his work, and he
decided to revenge. And maybe the couple even did not get the insult?
Just a though
ion for my
children is simply to forge ahead with the figured bass, otherwise it
won't be possible!
Meanwhile, Arto Wikla sent me a PDF of the Robert Dowland score, for
which I am very grateful.
Peter
On Mon, Nov 2, 2015 at 10:48 AM, Geoff Gaherty <[1]ge...@gaherty.ca>
Hi Peter,
Dowland's son Robert published Amarilli with written out tabulature in
1610 in his "Musicall Banquet". It is to 7 course lute, but easily
adopted to 6 courser.
Arto
PS If you wish, I can take a photo of those 2 pages and send them to you.
On 02/11/15 18:56, Peter Kwasniewski wrot
Hi Bruno
It is true that Java is a security risk today - I by myself also have
closed Java in my browser. My calculator doesn't do any harm, but I am
afraid I forget to disallow Java, when I go to other pages.
I usually use my Javascript calculator, which is more restricted, but
very useful,
Herbert,
if baroque counts and if you play continuo, there are enormous amount of
possibilities.
See for ex. our Albinoni:
https://www.youtube.com/watch?v=INPaHCrft6U&feature=youtu.be
I play "renaissance" lute there.
Arto
On 13/10/15 05:46, Herbert Ward wrote:
I have a chance to play m
Thanks Wayne!
I am also one of the very early list members... ;-)
Arto
On 21/07/15 19:39, Ron Andrico wrote:
I feel the need to add a clarifying remark my statement that "when a
service is free then YOU are the product."
This discussion list, hosted by Wayne Cripps and his server
Dear lutenist friends,
today I spotted a very beautiful aria by Cavalli performed by Mariana
Flores and Cappella Mediterranea:
https://www.youtube.com/watch?v=BSLbevOzmls
Does any kind soul happen to have the "partitura" of this piece or even
all of the "La Statira"? I'd be very happy to h
.
best,
Arto
On 24/04/15 19:03, Arto Wikla wrote:
Yep, I've done that. I send it to you in private - the List doesn't
accept attachments.
Arto
On 24/04/15 18:14, Michael Grant wrote:
Does anyone know where I can find Kapsberger's Canario tab for a 10 c
ren lute in g?A
Yep, I've done that. I send it to you in private - the List doesn't
accept attachments.
Arto
On 24/04/15 18:14, Michael Grant wrote:
Does anyone know where I can find Kapsberger's Canario tab for a 10 c
ren lute in g?A I have a copy of the original written for, I believe,
the the
At least my Cleartune in Android shows also the frequencies...
Arto
On 05/03/15 15:01, doug asherman wrote:
Hi David:
Thanks very much for the info. The tuner is Cleartune for the
iPad/iPhone.
Great idea, making a list -- I'll see if I can find a tuner that
displays frequenc
Hi lute gang,
does any of you have happened to number, arrange or even tabulate the
"Erbarme dich" and "Mache dich" continuo by JS Bach of his St. M.
Passion to (arch-)lute in g or theorbo in a?
I could of course do that. But lots of work woud it be ... ;)
And has anyone happened to make the
On 27/01/15 23:53, Tobiah wrote:
On 01/27/2015 01:49 PM, Arto Wikla wrote:
Hi all
Just an innocent(?) question: If you need amplification, why to use
the lute? Electric guitars are made for that purpose, loud music.
;-)
Oh right, and we can just use a Rhodes electric piano instead of those
Hi all
Just an innocent(?) question: If you need amplification, why to use the
lute? Electric guitars are made for that purpose, loud music. ;-)
Arto
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Dear Herbert,
there were no "early music" performances in those days, and so there was
no Catholic or Protestant support to these in your 1520-1648. So it was
not possible to "support" any "historical performance" either.
Perhaps you could clear your question?
Arto
On 31/12/14 02:58, Daniel
Why not. Send me some example. :-)
Arto
On 01/11/14 17:32, Anton Höger wrote:
Hi,
is there anybody who plays Chitarrone?
I would like to test someone a Chitarrone intavolation?
Thx
Anton
To get on or off this list see list information at
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Dear lutenists,
I love the violin type direct pegs on lutes: no endless turning and
turning as the poor guitarists have to do, just a couple of times down
and up, and there it is.
I used to hate the guitar tuning "gears"; up, down, up down, tens of
times, and at the end it is anyhow out of t
Yep, I also have the SPES' facsimile. Ordered it years ago directly from
the publisher.
Arto
On 19/04/14 09:02, Bernd Haegemann wrote:
http://www.spes-editore.com/shop/index.php?page=shop.product_details&flypage=shop.flypage&product_id=442&category_id=22&manufacturer_id=0&option=com_virtue
Hi,
according to Peter's wonderful database, 3 have been found:
F-Pn ms. Vm7 6211, 31v
F-Pn Ms. Res. 474 Denis Gaultier, Livre de tablature, p. 8
Perrine, Pieces de Luth en Musique, 1680, p. 8
See:
[1]http://mss.slweiss.de/index.php?lang=eng&id=1&exFilter=1&type=mss&st
=0&ti
Very good! Thanks for the link, Roman!
Arto
On 04/04/14 18:38, Roman Turovsky wrote:
http://www.youtube.com/watch?v=WNmeGzjK6Ic
A truly fine performance, without histrionics.
RT
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Just a tiny comment to add to the well thought comments by Howard:
When listening to a baroque orchestra, it has happened quite often that
I hear the theorbo even when there is none in the orchestra! :-)
Arto
On 17/03/14 16:12, howard posner wrote:
You play continuo, don’t worry about it, an
Seconded! :-)
Arto
On 26/02/14 20:51, Jean-Marie Poirier wrote:
Plain text is fine, Wayne. Thank you !
Jean-Marie
--
Hi folks -
Due to an absolutely overwhelming lack of interest, I am not
going to change how the lute list handles formatted messages.
Wayne
Begin forwarde
Hi lutenists,
Leonard Williams asked about security problems in using my "New String
Calculator" in his updated Mac. Because his domain seems to reject posts
from Helsinki University domain, here is my answer, which perhaps
interests also others:
I cannot name any specific reason for your pr
Jakob Lindberg had a funny speculation: In the old Venice dialect "ti
orba" meant "I'll blind you".
Just think the problems with the long extension neck...
Once I happened to hit the director of a choir, when he arrived to the
front of the choir and me with the theorbo; tiny river of blood in
Great! Thanks!
Arto
On 01/01/14 20:03, Andreas Schlegel wrote:
Happy new year - and have a look at:
http://digitalcollections.tcd.ie/home/index.php?DRIS_ID=MS408_001
Enjoy!
Andreas
Andreas Schlegel
Eckstr. 6
CH-5737 Menziken
+41 (0)62 771 47 07
lute.cor...@sunrise.ch
--
To get on or of
Happy luting to every lutenist in 2014!
Here is my modest try of an excellent piece by Lully:
http://www.youtube.com/watch?v=v3QtFKJcJ_k&feature=youtu.be
Arto
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
So, you may choose ;)
I played a tiny "suite" - only 3 parts - in the ms. "Virginia Renata
von Gehema", Berlin Mus. Ms. 40264) (D-B40264/145-147). These pieces
are on consecutive pages of the ms. Only the Sarabande is known to be
by F. Dufault, but it is possible that also the
;-)
Arto
On 20/11/13 20:33, Mark Seifert wrote:
Being a chronic pessimist, I worry that luters rallying to this exciting
opportunity might end up being allowed to play in public only during a cometary
visit, sort of like being typecast as comet accompanists.
-
Dear all,
I understand wholeheartedly the need for a good tool for tabulature
publishing, but how beautiful are many of the original tabulatures! And
they all - also those that are not so beautiful - are very personal! So
why not write also nowadays by your own hand? No limitations in the
ava
in a jarring effect that comes off as inaccurate
timing.
A worthwhile tongue in cheek endeavor. Do you
do any Zepplin?
Tobiah
On 11/01/2013 09:47 PM, Dan Winheld wrote:
Very cool, Arto!
Keep exploring, do more- it keeps us alive.
Dan
On 11/1/2013 4:05 PM, Arto Wikla wrote:
.. just in case
heek endeavor. Do you
do any Zepplin?
Tobiah
On 11/01/2013 09:47 PM, Dan Winheld wrote:
Very cool, Arto!
Keep exploring, do more- it keeps us alive.
Dan
On 11/1/2013 4:05 PM, Arto Wikla wrote:
.. just in case there is any interest, my just a tiny little modest
try in
http://www.youtub
Dear Helen,
what about the "Concerto delle donne" of Ferrara? See
http://en.wikipedia.org/wiki/Concerto_delle_donne
For example Luzzaschi wrote a book of madrigals for one, two, and three
sopranos with keyboard accompaniment, published in 1601. Transforming
the keyboard acc (freely) to lute
.. just in case there is any interest, my just a tiny little modest try in
http://www.youtube.com/watch?v=xFN2nc9B0lc&feature=youtu.be
best,
Arto
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Oh, how much I prefer the direct recordings (usually in not so optimal
home acoustics) compared to the troubles of editing, echoing, mastering,
cutting, pasting and all kinds of heavy producing of video and sound
files... ;-)
Arto
On 20/09/13 23:41, WALSH STUART wrote:
On 20/09/2013 20:36,
Dear lutenists,
I just picked my new 10-course lute by Lauri Niskanen, body model
Dieffopruchar 1612.
The lute is very, very new, it got the strings today, and I just drove
2 x 170km to get the instrument. First try is of course the famous
"Home againe, market is done" from the Bo
Dear lutenists
In case someone is interested, I just "tubed" a direct and unedited home
recording of an extremist French baroque lute description of a couple of
very strong ladies of their times:
http://www.youtube.com/watch?v=YB0P_IXqm5k&feature=youtu.be
http://vimeo.com/61645403
best
Still one opinion: I like and prefer the knot that David vE shows as the
2nd alternative in his page
http://www.vanedwards.co.uk/fretknot.htm
I learned that knot from my old lute teacher Leif Karlson, student of
Michael Shaeffer.
Very strong and reliable knot! Perhaps that will work?
Arto
Hi lutenists,
are there any recent news of the loaded (new) nylgut srtings? Mimmo? :)
Arto
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Dear Bernhard (and dear List),
great introduction, great analysis, great listing of pieces, great played
examples and great collection of the pieces by Berhandtzky!
Many, many thanks Bernhard! :-)
Arto
On 21/02/13 14:14, Bernhard Fischer wrote:
Dear Lute Friends,
Over the last few days I
Arto
On 01/02/13 20:59, Arto Wikla wrote:
http://www.youtube.com/watch?v=pakfWwq8wok&feature=youtu.be
http://vimeo.com/58727395
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Thank you Mathias,
interesting and important comments!
What makes me prefer my choice is that many, many years ago I happened
to sang "Elslein" in a small group, and the "not repeating" way
resembles so much better to the sound of the that "Lied" than the other
alternative.
Arto
On 01/02/13
Dear lutenists,
if memory serves, we have been talking about one interesting question of
interpreting German tabulature: when (especially) Hans Newsidler
repeated a short note after longer one, did he really mean repeating the
pluck, or did he thus just in this way express a note with a dot? D
On 26/01/13 22:38, William Samson wrote:
I'll also ask the collective wisdom if they know of any solo Italian
repertoire for this instrument before I go and make one.
Well, I already made mine in the 1990's and web-published those in 2008.
There is one Cazzati and a couple of Zannetis,
Dear lutenists,
I just "tubed" Capirola's short Recercar decimo:
http://www.youtube.com/watch?v=KH3D5L8bUyo&feature=youtu.be
http://vimeo.com/58203825
Nice little piece, but perhaps not so trivial, as it looks like; there
are some so called "false relations" (for ex. f against f#) and some
Btw, a Prelude and Courante in A minor to theorbo in the Saizenay ms.:
http://www.youtube.com/watch?v=Wezj1r3CdCQ
http://www.youtube.com/watch?v=Xco973frlJY
Perhaps these are the ones?
There are also Allemande, Sarabande, Chaconne and Gavotte there...
In 2009 my recording equipment was sou
The two "Saizenay" facsimiles are public. And in very beautiful way, see
http://culture.besancon.fr/ark:/48565/a011284026247S0XA9H/1/1
Arto
On 16/12/12 02:45, be...@interlog.com wrote:
Hi, folks! Hope all is well. I'm sending out a request for a couple of
De Visee tabs that I can't seem to
Well, you know the holy Dowland - as the holy Bach ... ;-)
Arto
On 15/11/12 23:12, WALSH STUART wrote:
Well, isn't anyone other than Dan going to reply to this? I was
expecting a huge response!
Stuart
On 13 November 2012 20:33, David Tayler <[1]vidan...@sbcglobal.net>
wrot
;-)
Arto
On 03/11/12 10:15, David van Ooijen wrote:
To add to the confusion, this is what I have:
Gut 1360 kg/m3
Nylon 1140 kg/m3
Carbon ca 1800 kg/m3
On 3 November 2012 08:38, Arto Wikla wrote:
Nylon 1000 Kg / m3
Carbon 1791 Kg / m3
Arto
On 03/11/12 09:01, Herbert Ward wrote:
Does a
Nylon 1000 Kg / m3
Carbon 1791 Kg / m3
Arto
On 03/11/12 09:01, Herbert Ward wrote:
Does anyone have numbers for the density of nylon
and the density of carbon?
Or, equivalently, a chart showing "diameter x in
nylon = diameter y in carbon"?
I used Google for several minutes, but did not find
Dear lutenists,
I happened to meet one melody in the Balcarres' ms., which I know I know
from the times of my early student years - it was actually a recorded
example in the appendix record of one VERY early book about computer
music (!). The piece was called with a name that was somehow conne
Strange, crazy, weird, odd, freak, ..., but interesting!
Thanks for the link, Bernd! :-)
Arto
On 24/09/12 19:51, Bernd Haegemann wrote:
So, it seems that the theorbo is the Brahms of the instruments?
http://sites.radiofrance.fr/francemusique/em/matin-musiciens_lundi/emission.php?e_id=65
Thanks Stuart, beautiful!
Your arrangements seem to work very well!
Arto
On 22/09/12 23:43, WALSH STUART wrote:
[1]http://www.youtube.com/watch?v=ga1n7ZASsu8
Stuart
--
References
1. http://www.youtube.com/watch?v=ga1n7ZASsu8
To get on or off this list see list information a
... the piece is beautiful. Could of course be
played more cleanly. Just in case somebody is interested:
http://www.youtube.com/watch?v=fVnkBa1hdQc&feature=youtu.be
http://vimeo.com/48826023
Best,
Arto
On 02/09/12 21:55, Arto Wikla wrote:
Dear lutenists,
my "weekend project&
.. well, more Balcarres ... the piece is beautiful. Could of course be
played more cleanly. Just in case somebody is interested:
http://www.youtube.com/watch?v=fVnkBa1hdQc&feature=youtu.be
http://vimeo.com/48826023
Best,
Arto
On 02/09/12 21:55, Arto Wikla wrote:
Dear lutenists,
Dear lutenists,
my "weekend project" was to play some Scottish, Celtic sounding small
pieces by "Mr. Beck" of the Balcarres manuscript. In a way mostly the
music is not technically very difficult, but on the other hand,
musically it certainly is not easy!
In case someone is interested, the t
Beautiful, thanks David!
Arto
On 30/08/12 13:52, David van Ooijen wrote:
For a cd recording I made earlier this year, I needed an instrumental
version of the beautiful air de cour Cessez mortels de souspirer by
Pierre Guédron. I am sure I am not the only one who makes such
arrangements, but st
Very beautiful "Lady Layton's Almain". Thank you Magdalena!
Arto
On 18/08/12 19:44, MAGDALENA TOMSINSKA wrote:
Dear all,
this Summer with Collegium Vocale Bydgoszcz I recorded a CD dedicated
to John Dowland's music.
If you are interested - please look here:
[1]http://www.
Hi Ken and all,
I have no experience on those, but I certainly do not miss the times of
my modern "classical" guitar: you had to turn and turn those "machines".
With the original type lute pegs you just slightly turn the pegs up and
down - not too much movement - until you hit the correct pitc
.. well, somebody urged me ...
Staircase to heaven:
https://picasaweb.google.com/114782807109183620580/StaircaseToHeavenAug72012
Saturday afternoon fever:
https://picasaweb.google.com/114782807109183620580/SaturdayAfternoonFeverAug42012
more or less "abstract" stuff as is our music ... ;)
Thanks for that Bernd!
I had to play one tiny little Aria by the famous Anon.:
http://www.youtube.com/watch?v=5TuocWhQnME&feature=youtu.be
http://vimeo.com/47030859 (vimeo version will be there in 10 minutes)
There is lots of good and interesting music in this ms!
All the best,
Arto
On
264
Not too polished, though - as seems to be the norm in my case ... ;-)
Best,
Arto
Original Message
Subject: [BAROQUE-LUTE] My 3rd Dubut ... ;-)
Date: Mon, 09 Jul 2012 23:12:27 +0300
From: Arto Wikla [3]
To: [4]baroque-l...@cs.dartmouth.e
.. and a charming(?) Chaconne:
http://www.youtube.com/watch?v=2CGi0bSx8lM&feature=youtu.be
http://vimeo.com/45459264
Possible merits to Dubut, obvious faults to me ... :)
Arto
On 05/07/12 22:33, Arto Wikla wrote:
.. another Dubut, a Sarabande:;-)
http://www.youtube.com/wat
Ron, I love your comment on this subject! :-)
Arto
On 25/06/12 16:13, Ron Andrico wrote:
I have to say, I'm always amused by these discussions that broadly
outline the imprint of theoretical measurements on the phenomenon of
sound. If we look at all the factors, including thickne
Dear lutenists,
in the ms. Capirola inxed there is a not-so-clear text that the SPES
facsimile editor O. Cristoforetti interpretes as "Recercar ottavo,
lalcier, et un spiciar, lave". What could that explanation "lalcier, et
un spiciar, lave" mean? It doesn't look like modern Italian, nor Latin
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