Hi Sarge
Most of the files are in the Google drive which address I had sent
to the new group. You can also access them via the new Fronimo mini
site, which is the official repository for the software too.
https://sites.google.com/view/fronimo/home
I transferred most of the f
Well, that's a truly flattering firing :-)
Francesco
> -Messaggio originale-
> Da: lute-...@new-old-mail.cs.dartmouth.edu mail.cs.dartmouth.edu> Per conto di Frank A. Gerbode, M.D.
> Inviato: lunedì 18 novembre 2019 16:17
> A: lute@cs.dartmouth.edu
> Oggetto: [LUTE] Re: historically accu
Exactly. In my opinion the right violation can be only on the brand mark, if
it has been registered and if Thomann lutes had it on them. There could not
be a copyright on a lute design, in my opinion, as they are from historical
designs which are public domain. Probably if the LDD rosette was a ver
That is a typo. As a couple of lines over, it should read "penano", that means
"to do with effort/sufference" or in this case "to take more or less time".
"Penare poco", in Tuscan dialect, means "to do it quickly"
Francesco
> -Messaggio originale-
> Da: lute-...@new-old-mail.cs.dartmout
Right, maybe Milan's tablature would be more correct
Francesco
> -Original Message-
> From: lute-...@cs.dartmouth.edu On Behalf Of
> Daniel Winheld
> Sent: Wednesday, January 2, 2019 9:47 PM
> To: tribioli ; Rainer online.de>; Lute net
> Subject: [LUTE] Re: Spanish tab in FRonimo
>
>
I wonder what is left of the original idea of playing instruments, built as
the original ones were built, with historically informed technique. Single
strung archlutes, foldable theorbos, short theorbos strung with wound
strings, instruments with different vibrating lengths always tuned to 440
even
Dear Rainer
Please try to use my personal address (ftribi...@gmail.com)
The one you are using is the work one. It should work but we are more strict
with rules trying to block spam...
Francesco
> -Messaggio originale-
> Da: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmou
Right
Francesco
> -Messaggio originale-
> Da: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Per
> conto di Rainer
> Inviato: lunedì 6 febbraio 2017 14:04
> A: Lute net
> Oggetto: [LUTE] Another question to Francesco
>
> German tab with more than 6 courses is impossible, r
Not exactly so. In regular installation, if one uses another font for the
tablature letters the signature characters are still taken from the Fronimo
symbols font (Ouverture.ttf).
Sometimes though it happens that the installer is not able to correctly install
the fonts. It must be run as Admini
http://www.fontspace.com/category/fraktur: a good source for free fraktur
fonts.
Francesco
> -Original Message-
> From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
> Behalf Of mathias.roe...@t-online.de
> Sent: Wednesday, April 23, 2014 5:38 PM
> To: Arne Keller
> Cc:
Konrad Ragosnig 6 lp set for Archiv and even more a double lp with Eugen
Dombois playing Weiss and Bach and Michael Schaeffer playing French baroque.
Absolutely beautiful. It was the l'Infidele sonata (the wonderful Musette)
and the Tombeau pour M. de Logis that convinced me that I wanted to pla
As far as I know Mimmo has completely stopped the production of loaded gut
strings and no one knows if he will ever start it again. My impression is
that the answer is no. I asked him many times to make the four basses needed
for my 11c and the answer has always been negative. At the end Martin
man
> I pronounce it the same way as I pronounce "quesadilla" or "que." In other
> words, like the English word "day." I don't insert a "w" sound in there,
but
> the Spanish I learned (last year) was Mexican Spanish (and I may not be
> pronouncing that correctly). So, I pronounce it "Fayn-yah-na."
I
Dear all,
as many of you already know the next 16th of April a big band of
lutes (~50) coming from all around Europe and Italy will play a concert
inside the amazing Teatro Olimpico of Vicenza, Italy, which is the first
stable theater in Europe, designed by Palladio in late XVII century.
W
Opps
prime matter = raw material
sometimes language assonances tricks me hehe
Francesco
> -Original Message-
> From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
> Behalf Of Francesco Tribioli
> Sent: Thursday, November 17, 2011 4:23 PM
> To:
Mimmo confirmed me a few days ago, when I phoned him, that the problem with
Sofracob was indeed related with this EU law about gut. Then, as far as I
know, it is the same company that sells gut stripes to every string maker
(except Toro and Stoppani perhaps? I don't know and Toro doesnt make lute
Mimmo wrote on facebook that most if not all the string producers use now
beef gut, because sheep gut is available only in limited amounts and would
not be enough for a sustained production. Beside this he says that to use
sheep gut doubles the production time. The use of sheep gut would result
the
What about abc/abctab? It's a textual format, like Wayne's TAB format,
Django as far as I know supports it (partially, completely? Export only or
both ways?), and might be an alternative to XML. The problem I see with it
is that it's complex and quite not user friendly for editing with a textual
ed
"diritti" and "rovesci" might mean ascending and descending slurs. "Slissi"
might be the plural of "slisso" which is a Venetian dialectal for "liscio"
that is smooth in English (whatever that might mean in guitar playing) but
he seems to be from Turin and published in Bologna, so really I don't
kno
Here it is the only one I've found but the text is clean and with the
correct punctuation:
http://www.freehandmusic.com/sheet-music/o-felici-occhi-miei-from-354395. I
think it's correct also because, according to the Italian rules for counting
the syllables in a verse, it is formed of two stanzas e
e goes to glaze at the sea but it
seems meaningless to me... So I think the only solution is that there is a
space added or a dash forgotten, as the text was probably extrapolated from
the lyrics.
Francesco
> -Original Message-
> From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dar
"rei" here means guilty, harsh etc. "Reo" is someone who is recognized
responsible of a crime. "Rei" is the plural of "reo". King is "re" and the
plural is again "re". The English "regal" in Italian is "regale" so it's not
the case here.
The object of the lyric is a male. "gli" is male, female wou
outh.edu [mailto:lute-...@cs.dartmouth.edu] On
> Behalf Of Matteo Turri
> Sent: Wednesday, February 02, 2011 11:23 PM
> To: Francesco Tribioli
> Cc: Lute Net
> Subject: [LUTE] Re: Future facsimiles from the Lute Society
>
>... and what do you do with a microfilm today? - ot
It is also available on microfilm from the LSA.
Francesco
> -Original Message-
> From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
> Behalf Of Stewart McCoy
> Sent: Wednesday, February 02, 2011 7:08 PM
> To: Lute Net
> Subject: [LUTE] Future facsimiles from the Lute So
Thank you Leonard!
I've phoned to Maurizio Pratola, the lutenist in L'Aquila, many times but
his cell phone doesn't answer. Thanks God he's not in the list of the
victims but might well be that his house went down or is heavily damaged.
The town is for the most part inaccessible as most building d
Dear Tom,
indeed it is built into Fronimo. Just choose MIDI Files as the file
format into the standard Fronimo file open dialog box. In other words, there
is not a specific import command but the import is done by opening the MIDI
file.
Best wishes,
Francesco
> -Original Message-
> Even recordings that are "unprocessed" are processed (unbeknownst by
> the original engineer) by goofballs at the pressing plant who don't
> know how the machines work.
This is the big problem... people are used to listen to edited recording and
are not aware of this. So when they attend a conce
You can find the music that was in the internet lute society at this
address:
http://www.gerbode.net/
Have fun!
Francesco
> -Original Message-
> From: hera caius [mailto:[EMAIL PROTECTED]
> Sent: Tuesday, May 01, 2007 11:56 PM
> To: lute@cs.dartmouth.edu
> Subject: [LUTE] copy
>
> a
> Talking about Nylgut, does everybody calculate tensions as for gut or
> do
> they add a little more (i.e. 0.40 gut = 0.42 Nylgut)
> Sometimes the tensions with Nylgut can feel a little slack to me
>
> Nigel
Yes, it's better to add a little bit to the gauge. Nylgut stretches a lot
before stabiliz
Anthony and Rob,
Martin recently made a 6c for me with a walnut body and I can say
that it sounds very well (it's beautiful too). I can feel the bowl vibrating
against my stomach when I play, much more than other lutes I have and had,
so I wouldn't say it absorbs resonance, but perhaps it p
A microfilm of the Jane Pickering manuscript is available from the LSA.
Ciao
Francesco
> -Original Message-
> From: Manolo Laguillo [mailto:[EMAIL PROTECTED]
> Sent: Monday, December 11, 2006 10:17 AM
> To: LUTELIST
> Subject: [LUTE] jane pickering MS
>
> Good morning, lutelisters,
>
Have you had any good result with so thin strings? Whenever I've tried a
0.38 it didn't last more that a few playing hours (3-4 hours). I guess that
a 0.36 is even more prone to hairs and breakage. Perhaps a couple of hours
can be enough for a concert, but...
Francesco
> >> called standard a=415H
> Toyohiko was at the LSA seminar in Cleveland this past
> summer, and he is proof that this can be done... a great
> sound, very projective. He does this in part with lower
> tension of the strings... Maybe as low as 2.3 to
> 2.5 Kg per string. With a slacker string, it is not too
> bright.
Hello Stephen,
>
> I'm not certain what you meant by that last statement. If
> you mean that no curiosity will be generated because of the
> 'bad sound/music', or maybe you meant that less curiosity
> will be generated than if the sound/music was 'good': I will
> politely disagree.
What I w
> the modern world. Otherwise, what is the point of the
> 20th-century lute revival? Simply to amass information for
Passing over your easy irony and attacks to the HIP police 8^), in my
opinion, the point is to play music in a way that is the closest possible to
the way it might have sounded,
> I have if on good authority that the Labyrinth sales in
> Germany have already exceeded 30.
> RT
There is an incredible amount of advertising of this CD here in Italy too.
Every morning after the radio news there is an extract of Come again sang by
Sting with the advise of buying the CD "in
Dear Stephen,
there was in the past a problem with some browsers (I don't remember
which browser actually) that misrecognised the content of a Fronimo file and
tried to "adjust" it adding or removing carriage returns. I don't know if
this is the case though, lately no one complained anymore
> Sting/Karamazov have nothing to be embarassed about. Some of
> my favorite CD's are of actors singing, like Gizela May, Nis
> Bank-Mikkelsen, Fred Aackestroem, Martin Bagge, Marjana Sadovska etc.
> S/K sound perfectly in place.
> RT
Not embarrassed? They both should flee away for the shame!
> Dear Francesco and All:
> Isn't there an inventory of the Maler workshop on his death
> indicating several hundred lutes in various stages of
> construction? That would indicate a lute every few days.
> Perhaps his was not a typical operation and probably employed
> many masters and apprenti
> ... On the other hand it could just be another example of the
> old makers working very quickly and even sloppily, taking
Just a curiosity... Has anyone an idea of how big might have been the
production rate of a lute builder workshop? How much was the lute diffused
in that time population? I g
I would say that the direction of the plucking should be almost irrelevant.
The bridge represents a node of the wave while the antinodes (where the mass
of the string moves) is in the middle of the string (if you are not playing
harmonics otherwise there are more nodes and antinodes but always a no
> - Original Message -
> From: Caroline Usher <[EMAIL PROTECTED]>
> Date: Thursday, August 10, 2006 10:06 am
> Subject: [LUTE] Francesco da Milano
>
> > Francesco's birthday is coming up - Aug. 18. What will you
> be doing?
Sorry, my birthday is Jan. 23... I guess I'll drink a glass of P
> Now comes a question to those of us who have to play, on
> occasion, with modern instrument ensembles that do baroque
> music once in a while - does anyone think a louder continuo
> archlute might be useful?
Perhaps, IMHO, with a modern orchestra a modern instrument would be better.
Perhaps a
Hello again,
if you are interested check also this other book on eBay, sold by
Allan too:
a very nice copy of "The Lute and Its Music" A drop of coffee stain on the
front. All in French from CNRS
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=7410013786
Francesco
To get on or off
Dear all,
I'm sending this on behalf of my friend Allan Alexander which is
temporary out of the list. He is selling various publications on eBay
because almost ready to move in a new house.
Here it is the list:
19 Quarterly Lute Society of America editions, Quarterlies Volume XXIX, No 1
2
> Of course he must exist, there are even videos showing him
> speaking!!
Of course! And he's drinking Coke all the day... <8^( Nah... I prefer to
believe to the Befana.
For all you that don't live in Italy, she is a very old and proverbially
hugly woman riding a broom in the nightly winter skies
For me the gut basses are the *real* reason to play with gut strings.
I can bear high strings in nylon, even carbon chanterelle, the difference is
not so big, but I really don't bear overspun basses, especially for
Reinassance music but I would say for all music expect late Baroque. Their
overboos
> So, what's the moral? Sh$t happens, strings do break. Could I
> have avoided this? Of course, I was stubborn and used 0.40mm
> first strings. 0.38mm would have been better because of the
> lower tension. Secondly, I was a miser to use up my supply of
Not at all. As many times it was pointed o
> For that matter, how about taking the strings off. This
> would mean that when you put them on again they would take a
> while to come up to tension, but it means that a beginner
> would not be confused by all those extra strings, if the
> beginner was playing 6 course music.
>
> When I st
> -Original Message-
> From: jim abraham [mailto:[EMAIL PROTECTED]
> Sent: Monday, September 12, 2005 3:19 PM
> To: Lute Net
> Subject: [LUTE] Re: New Fronimo 3 mirror
>
> Once again, does not work. File not found.
>
Now it is everything ok...
Francesco
To get on or off this list see
Hm... Yes, you are right. I'll say to Andrew...
Francesco
> -Original Message-
> From: jim abraham [mailto:[EMAIL PROTECTED]
> Sent: Monday, September 12, 2005 3:19 PM
> To: Lute Net
> Subject: [LUTE] Re: New Fronimo 3 mirror
>
> Once again, does not work. File not found.
>
To get o
Dear all,
there is a new mirror repository for all the "New Continent" based
lutenists: http://www.theaterofmusic.com
Thanks to Andrew Hartig for setting this up.
Francesco
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Dear all,
Federico has moved the Fronimo 3 files to a faster server. The easy
way to reach them is from to the home page of Federico
(http://www.marincola.com), which is by the way worth a visit by itself,
following the link "Software".
Francesco
To get on or off this list see list info
Dear all,
sorry for sending a message that might be a little bit contrary to
the netiquette. I just hope that you might be interested and you will
forgive me.
As the members of the Fronimo Yahoo group already know, the new main
release of Fronimo is ready. Anyone interested can down
Dear Sandy,
I've used a scanner but it was not exactly straightforward.
Scanners work very well with color films but not as well with b/w
films. The reason seems to be that the color films are all transparent while
the b/w are an agglomerate of very small crystals, some transparent
2005 2:34 PM
> To: lute@cs.dartmouth.edu
> Subject: [LUTE] AW: Re: V. Galilei
>
> If I recall correctly you will find the complete "Il Fronimo"
> on the Fronimo site of Francesco Tribioli.
>
> Best wishes
> Thomas
>
> >
> >Ariel,
> >
> >My mess
> As Russians say "Words written with a pen cannot be deleted
> by an axe"
> RT
As the Romans (not many RTs... the inhabitants of ancient Rome 8^))) said
even before:
Verba volant, scripta manent.
Francesco
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~
> Dear Mathias,
>
> I think your initial question was correct. I only have a
> demo version of Fronimo, but I have not found a way of
> tranforming a tab staff into a notation staff. As Alain
> said, this can be done automatically in Django, and probably
> in the other notation based progra
> Thanks for the information. I was too busy to explore your
> site thoroughly. Do you mean I can download the tablatures
> in German tablature, should I wish to do so? (I don't. But
> I'd like Italian lute music in Italian tablature. Not French.)
Yes, it is possible to convert on the fly t
Dear Arthur,
>
> I had to join that group in order to see Doug Towne's work.
> But I cannot open the files. Do I have to buy Fronimo to do
> that? How much does it cost? Wouldn't it be more convenient
> to have them in *.PDF format, like wayne does?
of course if you want to purchase a Froni
This kind of messages with "Details" subject, "Here is the file." body and
an attached .pif or .scr or .exe file are known mail worms (Netsky or Bagle,
I don't remember exactly, but I've read their description just today). If
one opens the attachment the virus installs itself in his mailer program
Hello Dana,
> A few years ago I had brief conversation with Pat O'Brian on
> the subject of temperament for fixed fret instruments, as I
> recall he, and others he plays with, were exploring 1/6 comma
> meantone.
>
> I find some online information that should enable me to do
> the calculation
> BTW I re-typed this piece in Fronimo, but could not find a
> dot to go before a note. I could place a dot under (first
> finger RH), or dot after, (which may mean something entirely
> different). The only alternative was to print it out and
> write these dots in by hand.
The ornamentation
> I have yet to open any of your cheesy products,
> I'm not about to start now.
> Michael Thames
> www.ThamesClassicalGuitars.com
Just because I like logic: how do you know they are cheesy if you have never
opened one of them? 8^)
Francesco
To get on or off this list see list inform
> The majority of music was simply out of tune most
> of the time, and badly played too.
Which, by the way, is still true 8^))
Francesco
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> Fronimo is great for Windows platform, though it doesn't have
> the feature I love in Sibelius, which is its midi playback capability.
Fronimo had MIDI playback capability from the very beginning, even directly
from tablature. 8^)
Francesco
To get on or off this list see list information at
> Fronimo's spacing is easy to achieve, if you know the
> parameters you are entereing (1.5 for most durations).
This is how it will be in version 3.0 because the space between notes
changes in a continuos way. In the 2.1 the space can change only in fixed
steps and you have to set the number of s
Dear Wayne,
there is a PDF copy from Perrine at
http://www.polyhymnion.org/tombeau/tombeaux/perrine.pdf
Francesco
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Dear Caroline,
without knowing the length of the string it's impossible to say if
it's tuned too high. In any case an early break might depend on many
parameters. One of them is humidity. It weaks a lot gut strings and they
broke a lot early. Or it might be a defective string. Eventually ev
Dear Martin,
>
> I agree completely that the sources suggest even "feel"
> across the strings, and 13N or whatever is implausibly
> low. I don't know how to resolve the apparently
> impossible combination of clear, stiff, non-roped,
> non-loaded strings thin enough to go through bridge
> holes,
Dear Ed,
ah, ok, but then you should tune at a lower pitch because they
hadn't string thinner than 0.40mm. In any case I'm wondering if there were
instrument built and used for playing in consorts and instruments built for
solo and if they actually used different tuning (meaning the chantar
Dear Martin and Ed,
>
> historical fact. I have found the same results with roping,
> that it gives a rather dull sound. The lower tension
> solution seems to be logical.
Do you really think that one could play with basses with a 1N or more less
tended than the other strings? It contrasts with
Dear Stephan and all,
>
> At least with my hands it's in no way easier to play thumb-out
> on low bass courses. If I want to keep the little finger on
> the soundboard and away from the first course, the thumb
> virtually is _in_ when lying on e.g. the 11th course.
> Interestingly it only seem
Dear Elias,
> Gaultier-Portrait shows the little finger even behind the
> bridge. 3 different positions, 3 different moments, 3
> different painters, etc. How should a painter of our days
> do a piano player's hands showing "typically Russian"
> technique? Would someone be able 500 years la
Right, but actually the possibilities are *not* endless. They are portrayed,
more or less, all in the same position. 8^)
Then what about the portraits of Mouton and Gaultier? They are not exactly
unknown lutenists and if I was a famous master I would have liked to be
portrayed more or less in a co
Dear Stephan,
>
> it has been argumented that playing close to the bridge
> produces better (brighter) basses. However, it occurs to me
> that the extreme thumb-out positions we see on old paintings
> result in darker basses and brighten the sound of the upper
> register. If the aim had been t
Hi all,
I think the trick of lowering tension cannot work.
If you lower tension you would need thinner strings or otherwise the
pitch would be as low as a third or even more below the "standard" 415Hz A.
Many historical baroque lutes are already too much longer to
accommodat
> in some way. Not quite lute, but Carcassi stated that all
> all chords should be
> rolled in his early 19th-c. guitar method.
The same holds for ornaments. Piccinini says:
"In tutti li luoghi dove si deve fermare assai, o poco, quivi si deve fare
il Tremolo, & hora si fà un sorte di Tremolo,
Hi all,
> > I'm interested in the Mary Burwell lute tutor, reprinted in facsmile
> > years ago by the Severinus Press (am I right?).
> >
> > Where can I find it (I mean the facsimile, of course...)?
>
> In march 2004 I asked them, and they said:
>
> **
> OK. The mass is for a nobleman named Ercole. Two questions:
The original Messe by Josquin is for Ercole I, Duke of Ferrara. Not just a
nobleman but a sort of absolute sovereign in his small duchy. He employed
for a short time Josquin at his court in 1471.
> 1. Why does the title, in the origi
> The most current Mac version for OS9.2 has no files listed in
> the XML doc. RT
> > IE6.0 likes it.
> > ft
Mac?? What is Mac? 8^))
ft
IE6.0 likes it.
ft
> > http://www.cbsr.ucr.edu/wlkfiles/Publications/Unicorn/Unicorn.xml
> >
> > Note: this is an xml document, and some browsers may not like it...
> > Alain
> IE doesn't, Mozilla does.
> RT
>
>
> Oddly enough Francesco and Michelangelo were both awarded the
> title Il Divino, do you think they were called that? I am
> not sure how you know what FDM was called in his time. If
> Michelangelo was known as Michelangelo why was it not
> possible for FDM to be known as Francesco understan
> are going to be unhappy. I would wager most in the Lute
> community would instantly understand that Francesco is most
> surely Francesco Canova Da Milano Da Parigi.
The point is that Francesco da Milano was never called just "Francesco" at
his times as it was for, say, Michelangelo. Perhaps it
and call people with their right
name.
Thanks a lot in advance!
Francesco Tribioli
Dear Stewart,
Fronimo 3 will have both this irregular meters, like 5/8 and 7/8,
and the way to change the default association between |\ and the mensural
notation value (it may be wrong but often I prefer the old equivalence for
transcriptions 8^)). It will have the possibility to have a di
imo editor
discussion group, on Yahoo.
Francesco
> -Original Message-
> From: Roman Turovsky [mailto:[EMAIL PROTECTED]
> Sent: Wednesday, August 11, 2004 12:24 AM
> To: LUTE-LIST
> Subject: TOMBEAUX for Lute > The E-Library
>
>
> FYP&D,
> Francesco Tribi
> Of course, Francesco Tribioli, an astronomer(?) himself, would name his
Yes, indeed. I would say a former astronomer as in the last 15 years or so
I've worked fulltime with computers, here at the Florence Astrophysical
Observatory.
> tablature program after Vincenzo Galilei's
>Dear Ed;
>
> And so was Galileo himself a lutenist. Or so I've heard.
>
> Gary
It has been reported that Galileo Galilei was an accomplished lutenist, more
skilled than his father Vincenzo. Even in his latest years he was co
> Was it this Tycho that has the large crater on the moon named
> after him?
Sure, it is.
Tycho designed many instruments and was the first to do very accurate
astronomical observations. His observations of the motion of the planets
were used by Kepler to formulate his famous three laws. The most
> Wasn't Per Brahe a famous astronomer? His lute book at the
That was Tycho Brahe...
Francesco
> > My teacher says that if you want longevity, use carbon.
> > But if you want a good sound my hear says: definetively use
> > gut. 8^)
> > Francesco
> And a modicum of masochism...
> RT
Not at all! I'm very happy with gut. My 3 lutes and my baroque guitar
mounted gut strings from the be
> My teacher says that if you want longevity, use carbon.
>
But if you want a good sound my hear says: definetively use gut. 8^)
Francesco
> It resulted in the multiple "Lute" prefix that obliterated
> the subject after 2 responses.
> RT
Which of course is a highly desirable side effect, considered the quality of
the recent threads...
Francesco
> Dear Robert,
>I don't know much about beer bottles, but I do know about guitars.
> Anyone can perform a simple experiment, By covering the
> sound hole
> on your guitar, with a piece of cardboard , One will then notice no
> change in the volume or treble, however, it is very striking t
Timothy Motz wrote:
> I have noticed that there is an ebb and flow to the flame wars that
> coincides with the full moon. We are just reaching a full moon right
> now
Should we consider RT, MO, MT and all the fighting gang on this list
belonging to the family of lycanthropes?!? WOW!!! Till n
> Francesco,
>
> your account is broken - in the hope that you have another one :)
No Rainer, I was just away these last three days for work (yes, I admit that
sometimes I actually have to work! 8^))
About the PDF in Fronimo thread I cannot say more than the collective wisdom
has already said. Ju
>From release 2.1 the right mouse button is used to bring up the pop-up menu.
To select measures hold the Ctrl key and left click on the measures.
Francesco
> Has anyone been able to select/copy single bars in Fronimo
> using the right
> mouse button as described in the help. I can't seem to get
Hi,
it's a change in the Yahoo policy. Unfortunately, from the past
month, it's no more possible to set the file permissions inside the File
area of any of the Yahoo groups to be readable by people which is not
registered to Yahoo, but fortunately the registration is still free. Also
the me
99 matches
Mail list logo
