Movable type was indeed a factor - though some printers also employed a
type face with the lines incorporated.
The point is that writing tablature ms on lines was a common general
practice earlier in the sixteenth century and then, of course, became
general after the opening
th.edu
Subject: Re: Re: Re: Re: Creating a short score from pdf full score
Martyn,
Be sure to let us know what happens with DTOe and MuseScore!
On 10/06/16, MJ Hodgson<mjhodg...@hotmail.co.uk> wrote:
Thanks to all for thheir kind help. It seems there is no easy answer
but tha
Thanks to all for thheir kind help. It seems there is no easy answer
but that MUSESCORE2 might be suitable - but only if the original was
created digitally in the first place - also other issues. Some of the
scores I'm looking at currently are the Biber mass settings in the old
(but
Amersfoort <jel...@gmail.com>
Sent: 04 October 2016 21:51
To: MJ Hodgson
Subject: Re: [LUTE] Creating a short score from pdf full score
Hello Martyn,
I do exactly what you describe, without partifi, by opening the
original file in acrobat reader, and using a âgrabâ
any thanks
Martyn
__
From: David van Ooijen <[3]davidvanooi...@gmail.com>
To: MJ Hodgson <[4]mjhodg...@hotmail.co.uk>
Cc: Lute NET <[5]lute@cs.dartmouth.edu>
Sent: Monday, 3 October 2016,
take a long time to achieve -
unless I've missed some easier facility within Partifi.
But many thanks
Martyn
__
From: David van Ooijen <[2]davidvanooi...@gmail.com>
To: MJ Hodgson <[3]mjhodg...@hotmail.co.uk
I'd be grateful for advice on the best (free) software for creating a
new short score from an existing pdf full score. What I mean is being
able to copy two or three principal lines and the bass onto a new
pdf page of, say, a 30 part mass which already exists as a pdf .
I presume
If you play the 5 course (baroque) guitar then you'll see that Purcell
asks for a couple of dances for this instrument so this will best fit
the composer's intentions - as well as having audience appeal. Select
a chaconne and another piece by, say, Corbetta and this will work
very
Some contemporary (ie late eighteenth century) vocal works with
intabulated accompaniment are contained in Kloster Weyarn MS 692. This
contains pieces by by Mozart, Dittersdorf, Sussmayer and others for
voice and mandor(a).
The three Mozart pieces in the collection are all from Der
