On 15.09.20 19:33, Rainer wrote:
Dear lute netters,
the Tabualturbeilage 2018/4 contains a few pieces from Judenkunig's
Underweisung.
One of the pieces - the pvavana all Veniciana - looks very strange. Bars
15, 23, 31, 39 and 47 (attention: the barring in the Tabulaturbeilage is
a mess) con
t will do this automatically when you chose to
'reply' to an email.
You could yourself have made them clearer by putting marks like plus
signs or asterisks or whatever at beginning and end. I know that
separating text doesn't seem to work sometimes, and don't unde
On 04.09.20 15:19, ftribi...@gmail.com wrote:
First all many thanks to Wayne for his great work in these decades!
+1 Same from here!
I totally agree about Facebook. It has nothing to do with the lute list as
we know it.
+1000!
What about just a simple Google discussion group? It is very
;>
> >>[2]https://www.mail-archive.com/lute@cs.dartmouth.edu/msg24116.html
> >>
> >> --
> >>
> >> References
> >>
> >> 1. mailto:kalei...@gmail.com
> >> 2. https://www.mail-archive.com/lute@cs.dartmouth.edu
ch seem to me to be anatomically impossible. It looks as if
> > >his fingers are stopping the back of the neck. Even if he was tuning
> > >it it couldn't be like that. What do the rest of you think. Am I
> > >missing somthing crucial?
> > >
> > >A
ers, RalfD
> As ever
>
> Monica
> --
>
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
Ralf Mattes
Hochschule für Musik Freiburg
Projektleitung HISinOne
Schwarzwaldstr. 141, D-79102 Freiburg
http://www.mh-freiburg.de
on at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
Ralf Mattes
Hochschule für Musik Freiburg
Projektleitung HISinOne
Schwarzwaldstr. 141, D-79102 Freiburg
http://www.mh-freiburg.de
your 'circular reasoning', in particular I
> > > can't see I suggested that, as you put it, 'The music wasn't
> > >fashionable because it isn't contained in MS. from that time'.
> > >Rather I'm adopting the usual classic schol
er it was first composed. Some of
> Corbetta's music is found in sources copied 50 years after his death.
>
> The only way to date a manuscript with any sort of accuracy is from its
> bibliographical makeup and even that is not straight forward.
Indeed!
Cheers, RalfD
--
Ralf Ma
7. mailto:[23]yuval.dvo...@posteo.de
>>8. mailto:[24]hodgsonmar...@mail.cs.dartmouth.edu
>>9. mailto:[25]mjlh...@mail.cs.dartmouth.edu
>> 10. [26]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>> 11. [27]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>> 12. mailto:[28]i...@legalaidbuffalo.org
>> 13. [29]https://aka.ms/ghei36
>> 14. [30]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>>
>
>--
>
> References
>
>1. mailto:hodgsonmar...@mail.cs.dartmouth.edu
>2. mailto:rha...@legalaidbuffalo.org
>3. mailto:lute-...@new-old-mail.cs.dartmouth.edu
>4. mailto:lute-...@new-old-mail.cs.dartmouth.edu
>5. mailto:mjlh...@mail.cs.dartmouth.edu
>6. mailto:yuval.dvo...@posteo.de
>7. mailto:yuval.dvo...@posteo.de
>8. mailto:lute@cs.dartmouth.edu
>9. mailto:yuval.dvo...@posteo.de
> 10. mailto:hodgsonmar...@mail.cs.dartmouth.edu
> 11. mailto:mjlh...@mail.cs.dartmouth.edu
> 12. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> 13. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> 14. mailto:i...@legalaidbuffalo.org
> 15. https://aka.ms/ghei36
> 16. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> 17. mailto:lute-...@new-old-mail.cs.dartmouth.edu
> 18. mailto:lute-...@new-old-mail.cs.dartmouth.edu
> 19. mailto:mjlh...@mail.cs.dartmouth.edu
> 20. mailto:yuval.dvo...@posteo.de
> 21. mailto:yuval.dvo...@posteo.de
> 22. mailto:lute@cs.dartmouth.edu
> 23. mailto:yuval.dvo...@posteo.de
> 24. mailto:hodgsonmar...@mail.cs.dartmouth.edu
> 25. mailto:mjlh...@mail.cs.dartmouth.edu
> 26. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> 27. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> 28. mailto:i...@legalaidbuffalo.org
> 29. https://aka.ms/ghei36
> 30. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>
--
Ralf Mattes
Hochschule für Musik Freiburg
Projektleitung HISinOne
Schwarzwaldstr. 141, D-79102 Freiburg
http://www.mh-freiburg.de
o:rha...@legalaidbuffalo.org
> 10. mailto:lute-...@new-old-mail.cs.dartmouth.edu
> 11. mailto:lute-...@new-old-mail.cs.dartmouth.edu
> 12. mailto:mjlh...@mail.cs.dartmouth.edu
> 13. mailto:yuval.dvo...@posteo.de
> 14. mailto:yuval.dvo...@posteo.de
> 15. mailto:lute@cs.dartmouth.edu
> 16. mailto:yuval.dvo...@posteo.de
> 17. mailto:hodgsonmar...@mail.cs.dartmouth.edu
> 18. mailto:mjlh...@mail.cs.dartmouth.edu
> 19. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> 20. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> 21. mailto:i...@legalaidbuffalo.org
> 22. https://aka.ms/ghei36
> 23. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> 24. mailto:lute-...@new-old-mail.cs.dartmouth.edu
> 25. mailto:lute-...@new-old-mail.cs.dartmouth.edu
> 26. mailto:mjlh...@mail.cs.dartmouth.edu
> 27. mailto:yuval.dvo...@posteo.de
> 28. mailto:yuval.dvo...@posteo.de
> 29. mailto:lute@cs.dartmouth.edu
> 30. mailto:yuval.dvo...@posteo.de
> 31. mailto:hodgsonmar...@mail.cs.dartmouth.edu
> 32. mailto:mjlh...@mail.cs.dartmouth.edu
> 33. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> 34. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> 35. mailto:i...@legalaidbuffalo.org
> 36. https://aka.ms/ghei36
> 37. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>
>Hidden links:
> 39. https://www.scribd.com/document/138088727/A-Wn-MusHs-17706
>
--
Ralf Mattes
Hochschule für Musik Freiburg
Projektleitung HISinOne
Schwarzwaldstr. 141, D-79102 Freiburg
http://www.mh-freiburg.de
or off this list see list information at
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--
Ralf Mattes
Hochschule für Musik Freiburg
Projektleitung HISinOne
Schwarzwaldstr. 141, D-79102 Freiburg
http://www.mh-freiburg.de
RalfD
>
> How did they manage to play?
>
> Or did the painters not bother painting them?
>
>
>
>
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
Ralf Mattes
Hochschule für Musik Freibu
Am Mittwoch, 29. April 2020 16:48 CEST, Guilherme Barroso
schrieb:
>Thanks a lot Martin.
>Incredible these left hand fingerings that he proposes.
Those wouldn't all to unusual to modern jazz guitar players. It's probably more
strange
that lute players often insist on using a left-h
ation at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
Ralf Mattes
Hochschule für Musik Freiburg
Projektleitung HISinOne
Schwarzwaldstr. 141, D-79102 Freiburg
http://www.mh-freiburg.de
> Am 15.01.2020 um 16:23 schrieb Mumin Lute :
>
> Dear collective wisdom,
> This could be ridiculously silly question because of my lack of some
> very basic knowledge, but it would be very much appreciated if anyone
> could direct me to the right answer...
> In Fuenllana's Orphenica
g rendition
>of that duet a while ago on the Net, played as printed 500 years ago
>(already!) -- I believe Karl-Ernst Schröder was on one of the 2 lutes
That would be from the lute duet CD of Crawford Young and Karl-Ernst Schröder.
Cheers, RalfD
--
Ralf Mattes
Hoch
Am Freitag, 20. September 2019 11:00 CEST, David van Ooijen
schrieb:
>I think the author of the video is too quick in accusing Thomann
>instead of the Chinese supplier.
I think the author of said video might be up for an unpleasant surprise - he's
accusing
Thomann of a crime. He b
e online information at
https://accordsnouveaux.ch/de/instrumente/mandora-galizona-colascione
There you'll find both a list of extant works for the instrument (family) as
well as a bibliography.
HTH, RalfD
--
Ralf Mattes
Hochschule für Musik Freiburg
Projektleitung HISinOne
Schwarzwa
Am Freitag, 21. Juni 2019 18:02 CEST, Alain Veylit
schrieb:
> There is a very nice concerto for 2 Baroque lutes and basso at the
> Brussels Royal library by a mister (or mrs) Corigniani. Google turns up
> very little on that composer, except that it may be a pseudonym for a
> German compo
Am Sonntag, 19. Mai 2019 19:06 CEST, Tristan von Neumann
schrieb:
> It seems the Zoom can be powered by USB when recording at the computer?
> If not, I would tend to buy the Tascam with longer battery life.
I can't speak about the newer H4 devices, but USB bus power only worked when
the d
Am Freitag, 17. Mai 2019 20:26 CEST, David van Ooijen
schrieb:
>The best thing in both units is that you can override the auto gain
>(don't even know if the bigger unit has auto gain, the bane of dynamic
>playing).
Yeah, you would never want to use auto-gain ;-)
Cheers, RalfD
Yes, Tascam does make some pretty nice hardware. But keep in mind: the
"cheaper" (<200 Euro) models lack the possibility
to plug in external mics. That's fine for concert recordings but if you want to
do a semi-professional solo lute recording
(esp. in a sub-optimal recording space) you probably
I own a Zoom H4 (the old version) and am pretty happy with it. Did many concert
recordings with it.
The actual microphone capsules are pretty good (way better than one would
expect). If you need you can
plug in external mics - the device provides phantom power so you can use
high-quality conde
Hmm, could you elaborate a bit on why you think those pieces are 'weird'?
To me that's all pretty much what I'd expect ...
BTW - I think there's a typo in those transcriptions - IIRC the library signum
for Basel-Universotätsbibliothek
is 'CH-Bu' and not 'C-Bu' (yup, just cecked ...).
Cheers, Ra
Am Sonntag, 12. Mai 2019 14:00 CEST, "Ralf Mattes"
schrieb:
> There are to Gesualdo pieces in Kapsberger's third book for chitarrone.
"Two" - off course.
Cheers, RalfD
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Am Sonntag, 12. Mai 2019 02:45 CEST, guy_and_liz Smith
schrieb:
> No lute versions that I’m aware of, I’m afraid. I know them from the vocal
> versions. I’d love to see some intabulations as well, but I suspect that they
> would be quite difficult.
There are to Gesualdo pieces in Kapsberg
Am Freitag, 10. Mai 2019 16:38 CEST, Tristan von Neumann
schrieb:
>
> .. and no one ever plays Francesco with plectrum-thimbles!!!
>
That's not true. I experimented with finger picks during the 90th, using
'ditali' after dall'Oglio (who describes
their use for the salterio) and IIRC Crawf
Am Mittwoch, 08. Mai 2019 20:00 CEST, Monica Hall
schrieb:
>The relevant passage reads as follows. Feel free to correct the
>translation.
>
>Recently the world-famous guitarist, Corbetta, who taught all the
>Potentates of Europe, came here [to Turin] from England. But b
Am Mittwoch, 08. Mai 2019 10:04 CEST, magnus andersson
schrieb:
>Dear Monica, you ´re right-
>Francesco seems to have been the scheduled star musician of the
>evening. At
>the banquet, an ensemble consisting of lutes, theorboes, angeliques and
>guitars was
>heard, and
musician who performed at court in Turin was given 500 Thlr.
> and Madame Royale wished to show her generosity by not withholding anything
> [from Signor Corbetta].
Nowhere does Ebert mention whether those 500 Thaler was given to each indiviual
performer (highly unlikely) and not to
the e
Am Mittwoch, 16. Januar 2019 23:43 CET, schrieb:
> It's in RISM. You can search by shelfmark "Vok. mus. i hs. 87"
You can search for it online:
https://opac.rism.info/index.php?id=15&L=1
Cheers, RalfD
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" This sketchy fragment was bound as an already unused piece of paper ..."
Shouldn't this read "an already used piece of paper"?
Cheers, RalfD
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Am Mittwoch, 09. Januar 2019 23:42 CET, Mark Probert
schrieb:
Am Donnerstag, 10. Januar 2019 00:03 CET, howard posner
schrieb:
>
> > On Jan 9, 2019, at 2:42 PM, Mark Probert wrote:
> >
> > And I am, sad to say, ignorant of the actual meaning of "D la.sol.re".
>
> I believe it’s just a convention of combining varying names for one note: D
> might
A few remarks:
- saying that Paumann was "credited for having invented tablature" is
slightly missleading.
Virdung reports that he invented german lute tablature (which is utterly
unuseable for
playing keyboard). German lute tablature is indeed very convenient to
read/dictate to
Am Montag, 24. September 2018 20:55 CEST, Anthony Hind
schrieb:
>Dear lutenists
>
> I made a slip with the name of the tuner app, it is Airyware tuner
>and not Airywave tuner (perhaps I felt Airywave was a better name.
>
>Apologies for any time spent searching,
Thank's
Am Sonntag, 29. Juli 2018 16:43 CEST, Ed Durbrow schrieb:
> I’m giving a talk on the lute next week and I was searching for a statistic
> about how much of the Renaissance lute repertoire consist of intabulations.
> Also, I am looking for statistics (estimates really) of how many tabs there
Am Donnerstag, 26. Juli 2018 21:04 CEST, wayne lute
schrieb:
I use a programmers editor like vim or emacs that doesn’t make the switch.
Jay! Emacs rulez! ;-)
Cheers, RalfD
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Am Donnerstag, 26. Juli 2018 20:44 CEST, Tristan von Neumann
schrieb:
> Musicians and Music Theorists are rarely one and the same person :)
Sorry, but that's the biggest bulls**t I've ever heard!
Tinctoris (choir master, composer and most likely a singer)?
Gafurius (composer, maestro di ca
Am Sonntag, 13. Mai 2018 21:44 CEST, Arto Wikla
schrieb:
> Tiny comment: f#-gb, d#-eb, c#-db, etc. are not octaves! ;-)
To that I can only answer with that famous quote from Thomas Binkley: "Details!"
;-)
Cheers, RalfD
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Am Sonntag, 13. Mai 2018 20:43 CEST, Ron Andrico
schrieb:
>Ralf and Rainer, I believe you are in agreement. Octaves, fourths and
>fifths are pure and other intervals are an approximation.
No, that's not what I (or Rainer) said. And it's wrong: Octaves are alway pure
in all (wester
Am Sonntag, 13. Mai 2018 19:33 CEST, Rainer
schrieb:
> I am sorry, this is simply wrong.
> I have done the necessary calculations many years ago.
>
> If you assume that all unisons and all octaves are pure you have one chance
> only: Equal temperament.
> Believe me, Discussing mathematical
Am Sonntag, 13. Mai 2018 20:15 CEST, Ron Andrico
schrieb:
>Apart from acceptable use such as short quotes that attribute the
>author and the source, the conventional approach is to ask the author's
>permission. Most authors are pleased for the citations and to
>cooperate in
Am Sonntag, 13. Mai 2018 19:18 CEST, Martin Shepherd
schrieb:
> Given the tone of the debate so far, I didn't want to get mixed up in it
> (I still don't), but I have to say that in any conceivable temperament
> the unisons and octaves will be pure.
;-)
I was just about to write the sam
Am Sonntag, 22. April 2018 17:44 CEST, David van Ooijen
schrieb:
>What I understood from the discussion is that recto and verso can be
>ambiguous, as in scripts that read right to left the order is reversed
>and scrolls open up yet another can of worms. So some scholars opt for
>
Am Sonntag, 22. April 2018 12:13 CEST, Rainer
schrieb:
Thank's, but Andeas Schlegel was faster and posted this on thurseday.
Cheers, RalfD
> http://collections.carli.illinois.edu/cdm/compoundobject/collection/nby_music/id/4729
>
> Rainer
>
>
>
> To get on or off this list see list in
Am Mittwoch, 11. April 2018 22:36 CEST, Jurgen Frenz
schrieb:
>Hello there,
>
>another thread on this list motivated me to ask - the title of
>Valderrabano's publication "Silva de Sirenas" renders if latin was the
>source language "Arctic Forest" which I would find hard to b
Am Dienstag, 10. April 2018 12:09 CEST, "Ralf Mattes"
schrieb:
> Am Dienstag, 10. April 2018 11:50 CEST, Mathias Rösel
> schrieb:
>
> > Martyn,
> > Thank you for reminding us what's relevant (and what not). May I add that I
> > find rep
Am Montag, 09. April 2018 16:44 CEST, Rainer
schrieb:
> Dear lute netters,
>
> I have often wondered what the latest book in vieil ton published outside
> Italy is.
>
> As a starting point I offer:
>
>
> Louys de Moy, LE Petit Boucquet, …, 1631
Way too early!
There's a manuscript tran
Rosenkranz Sonatas in stnadard tuning and then
pointing out the "remarkably contemporary" sonorities
Cheers, Ralf Mattes
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Am Donnerstag, 08. Februar 2018 12:11 CET, "Ralf Mattes"
schrieb:
>
> > song is that young. Of course, if Böhme's apparatus is correct his version
> > is from the 18th century.
>
Argh, typo. Werlin is of course first half of 17th century.
Cheer
Am Donnerstag, 08. Februar 2018 12:11 CET, "Ralf Mattes"
schrieb:
> song is that young. Of course, if Böhme's apparatus is correct his version
> is from the 18th century.
Argh, typo. Werlin is of course first half of 17th century.
Cheers, RalfD
To ge
Am Donnerstag, 08. Februar 2018 11:39 CET, Rainer
schrieb:
> Crabaten should be Kroaten (Croatians)
More specific, kroatian mercenaries. But that would be an awfully early
apearance. They fought
for the emperor during the 30 year war (from ~1620).
There _might_ have been kroatian soldiers
Am Donnerstag, 08. Februar 2018 10:29 CET, Joachim Lüdtke
schrieb:
> Dear Robert, dear Rainer,
>
> original sources can (sometimes) be found by looking into Norbert Böker-Heil
> et al. (eds.); "Das Tenorlied". 3 Vols Kassel etc. 1979 - 1986.
That would be the first place to look, haven't
h of salt ...
Cheers, Ralf Mattes
[1] I'm always impressed by the amount of work researchers from that time where
able to do
(Böhme, the Grimm brothers, Tobler-Lomatzsch, Arnoldt etc.)
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Google's
data grabing.
There's no need to "sign in" to access the book via Google's store, there is a
(well hidden)
download link when you click on the 'cagwheel'-Menu on the right side of the
page.
HTH Ralf Mattes
To get on or off this list s
their purpose is.
BTW, looks like Munich just finished digitizing all their tablature manuscripts.
Cheers, Ralf Mattes
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beginning 18th century.
Cheers, Ralf Mattes
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Am Donnerstag, 11. Januar 2018 21:41 CET, Nancy Carlin
schrieb:
> About that download button - can you tell those of us who don't read
> Russian, how to do this?
I've put up a download link of a combined version here:
https://glarean.mh-freiburg.de/seafile/d/2025ae20089942bd90aa/
Note:
Am Samstag, 16. Dezember 2017 23:49 CET, "G. C." schrieb:
>And lets not forget
>
> [1]FantasÃa que contrahaze la harpa en la manera de Ludovico
That's not a chromatic piece at all - where do you see a chromatic step?
Cheers, Ralf Mattes
>
>
made one for Lynda
> Sayce, there must be others - I wonder if they have any insights?
But didn't these instruments have bass strings of increasing length (like the
so-called
flemish lutes). So the 7th chourse would not have the full extention length.
Cheers, Ralf Mattes
To get o
Am Freitag, 08. Dezember 2017 13:26 CET, Markus Lutz
schrieb:
> The last professional mandora player (also the last lute player)
> probably had been Johann Christian Gottlieb Scheidler, who was born on
> the 26.11.1747 (260 years ago) in Aken (Elbe) and died on the 15th
> August 1829 in M
is instrument 'Wandervogellauten'. Even so
_some_
mebers of the Wandervogel movement did play such instruments the instrument
existed long before that movement started and was widely used in Germany and
Austria.
Cheers, Ralf Mattes
>MH
>>> Betreff: [LUTE] Stringing Que
Forward because of wrong sender ...
Am Freitag, 24. November 2017 15:53 CET, Ron Andrico
schrieb:
>David Smith may be a wizard with technology but I believe he has to
>laboriously download each page and compile a pdf for general use. This
>is a very time-consuming process, par
one explain what the little cross means?
>
> It could mean the printer ran out of #’s in his font.
Serioius? The printer used moveable type in the late 18. century?
Cheers, Ralf Mattes
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ist admin would have to configure the list
to only send out the
list mail address in the reply-to header. Not only would this prevent double
mails, it would also
hide the original sender's mail address which, in times of spam harvesters,
some might find good
to do.
Cheers, Ralf Mattes
ll of it and search for important information?
If not,
why did the sender leave it in?
Just my 0.2$
Ralf Mattes
A: Because it messes up the order in which people normally read text.
Q: Why is top-posting such a bad thing?
A: Top-posting.
Q: What is the most annoying thing in e-mail?
To get
Am Donnerstag, 31. August 2017 18:51 CEST, Martyn Hodgson
schrieb:
>Thanks Mathias, See my reply to Ralf which covers some of these points.
??? Did I miss something. Your reply never made it to me.
>But to amplify about the the name: I think the point is where
>did Janowka's na
by Janowka.
Also, 1660 sounds rather early for overwound strings.
Cheers, Ralf Mattes
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Am Donnerstag, 31. August 2017 09:26 CEST, Tristan von Neumann
schrieb:
> Huh? This is strange. It's clear as day French tabs for me.
Probably a guitar player who never saw "real" lute tablature ;-)
Sarge also provides midi file for the impatient ...
Cheers, Ralf Mattes
;>
> >
> >
> >Hmm, what link?
> >
> >> >
> >> >8 of his articles (from 2010 to 2014) can be read on Academia here :
> >> >https://independent.academia.edu/IlLiutoRivistadellaSociet%C3%A0delLiuto
> >
> >This one only links to a collection of table-of-contents ...
> >
> >Cheers, Ralf Mattes
> >
> >
> >
> >
> >
> >
> >To get on or off this list see list information at
> >http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
to 2014) can be read on Academia here :
> >https://independent.academia.edu/IlLiutoRivistadellaSociet%C3%A0delLiuto
This one only links to a collection of table-of-contents ...
Cheers, Ralf Mattes
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Am Samstag, 29. Juli 2017 16:48 CEST, Wayne schrieb:
> So one of the issues, with Subject or Body, is that when an encoded message
> is unpacked for reading,
> and then recoded for a reply or forwarding, the several different mail
> reader/editors involved in the
> process tend to mess things
Am Samstag, 29. Juli 2017 14:41 CEST, Wayne schrieb:
>
>��
Thanks a lot! Word encoding seems to work now. And even so my humble emacs
can't display emojis I
appreciate your reference to the original context :-)
Cheers, RalfD
>
> Wayne
>
>
> >
> > Dear Rainer,
> >
> > Just to
Only a test
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
e "usual" encoding schemes
(UTF-8, UTF-16 etc.)
The only wway to encode non 7-bit character data in mail/mime headers is
so-called word encoding
using either quoted-printable or base64 format (and has the advantage of
explicitly specifying the
encoding used).
Cheers, Ralf Mattes
&
Am Mittwoch, 26. Juli 2017 11:26 CEST, "mjlh...@tiscali.co.uk"
schrieb:
<...>
> surely it is not necessary.
That's pretty much an anglocentric, snobbish statement.
Those little speckles aren't just arabesque ornamental decoration, they carry a
meaning.
It really makes a difference if you
ours.fr/3-programmes/basechanson/index.htm
In your case that would lead to
http://ricercar.cesr.univ-tours.fr/3-programmes/basechanson/03231-3.asp?numfiche=2080
Which links to an edition (in XML format) of the chanson. That xml is in CMME
format, so it
does need some pre-p
from all Ican tell this mailing list does not use one of freely
available list management software
(mailman, sympa, majordomo ...) but rather a seemingly self-written solutions
that a certain spots might be
missing some sophistication (see for example the explosion of links in reply
mails ...).
Am Dienstag, 06. Juni 2017 12:31 CEST, Isaku Ogawa
schrieb:
>Dose anyone knows where we can see or get Hainhofer lute book
http://diglib.hab.de/mss/18-7-aug-2f/start.htm
http://diglib.hab.de/mss/18-8-aug-2f/start.htm
HTH, Ralf Mattes
To get on or off this list see l
general that statement is simply absurd.
BTW (and probably off topic) - I often heaed that statement about copperplate
engraving beeing so expensive. What actual evidence do we have? Lower possible
volume might be one factor (but where lute prints ever high-volu
ther need a very thin string or a rather
short attiorbato to start with
4. first from g-instrument
5. second from g-instrument
6. third from g-instrument
HTH Ralf Mattes
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
he content view there's a pdf icon that links to
a pdf of the complete manuscipt.
Why that icon is missing on the otherwise identical single page info box must
have some deep religious
meaning.
HTH Ralf Mattes
>
>
>
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
but after a while it
all starts to make sense.
Cheers, Ralf Mattes
> Dick
>
>
> > On Feb 26, 2017, at 3:52 AM, John Yentes wrote:
> >
> > Hello all,
> > I am sure this is a topic that has been beaten to death at some time or
> > another, but I figure
ave during a e-commerce transaction
;-)
HTH Ralf Mattes
>
> Sent from my iPhone
>
> > On Jan 24, 2017, at 8:04 AM, Jean-Marie Poirier
> > wrote:
> >
> > There you go David :
> > https://www.books2ebooks.eu/odm/orderformular.do;jsessionid=7CC03FEF4
y
rather convincing when you look at the music. And it give us valuable
information on techniques used on
diatonic harps to cope with the increasing needs of raised tones in cadences.
Cheers, Ralf Mattes
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Just some more info : the archive webpages will only go back to 2008 but the
search will return results
from earlier messages, Just type something into the basic search field (i,e.
"2005"). On the result page
you'll find a link to "advanced search" - there you can restrict your search to
a ti
compressed files for lute and
> vihuela seem to end in 2008.
??? The vihuela mailing list is archived here:
https://www.mail-archive.com/vihuela@cs.dartmouth.edu/maillist.html
And there are definitely mails from before 2008.
HTH Ralf Mattes
To get on or off this l
Am Montag, 17. Oktober 2016 19:01 CEST, Rainer
schrieb:
> PS
>
> .gz is gnu zipped.
And, once unpacked, the file is in mbox format, all mails (including the mail
headers) in one big
text file. Any decent mail program should be able to import this.
HTH Ralf Mattes
>
ence between "old" and "old fashioned".
Cheers, Ralf Mattes
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
quality of that import
depends on the program that generated the pdf.
Unfortunately, the only convincing path to solve your problem is to use the
same program as the original typesetter (if you can get the original digital
version,
NO the pdf). Otherwise, a good pair of scissors IS an astonishingly
Am Montag, 03. Oktober 2016 17:00 CEST, Martin Shepherd
schrieb:
> Hi All,
>
> A couple of featured pieces to ponder:
>
> http://luteshop.co.uk/corants-by-john-sturt-and-jacques-gaultier/
Hi Martin,
I think you mixed up the labeling of your links to the pdfs ...
Chee
separately in discussions with anyone and everyone about
> everything.
It used to be good practice to state this in your signature line ...
> It is also a breach of someones' privacy.
You've lost me here.
Cheers, Ralf Mattes
> As ever..
> Monica
>
>
>
@andreas: bringing back our exchange to the list, hope you on't mind.
Am Freitag, 01. Januar 2016 15:01 CET, "M Hall"
schrieb:
> I think he is not really concerned with tying frets. What he is
> illustrating is Rules of perspective when drawing frets on the fingerboard.
> He starts off
s construction used to place frets? (if so this woul of course generate
a goo approximation of a nequal
tempered scale ...)
Nice find, thank's for the post an a happy new year to all members
Ralf Mattes
P.S.: for the principal construction see
https://en.wikipedia.org/wiki/Perspective_(g
ervlet/detail/FOLGERCM1~6~6~26728~101966:-Musice-actiue-micrologus--English-#
>
>
> I think I should learn more of renaissance solmization..
I think that's one of the most important skills to have if you're doing
renaissance/baroque music.
Cheers, RalfD
> Tomoko
>
> ---
positions on large lutes (Baroque lutes/Theorbos) and end up in a
playing position that _can_ lead to severe injuries. Just be careful.
HTH Ralf Mattes
> All the Best,
> Gary
>
> - Original Message -
> From: "Stephan Olbertz" <[EMAIL PROTECTED]>
> T
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