Does anyone happen to have a current e-mail address for Anthony Hind.
The one I had ([1]anthony.h...@noos.fr) through the kind offices of a
list member doesn't seem to be valid anymore. If you can forward it to
me, please do so privately. Thank you.
Sent from [2]Mail for Windows 10
I forgot how diacritical marks get garbled on this list. The sense was:
"passamezzo (or passemezzo), masculine noun, [an alteration of pass'e mezzo,
that is a step [passo] and a half [e mezzo]."
-Original Message-
From: Alain Veylit
Sent: Monday, July 15, 2019 7:41 PM
To: Lute List
Subj
From Trecani:
passam??o (o passem??o) s. m. [alterazione di pass???e mezzo, cio?? ??un passo
e mezzo passo??].
-Original Message-
From: Alain Veylit
Sent: Monday, July 15, 2019 7:41 PM
To: Lute List
Subject: [LUTE] Re: All music (was Siena Manuscript No. 17 - Ricercar)
Don'
I found a djvu file that I converted to a pdf. If anyone would like a copy,
just e-mail me privately, and I'll send it to you.
-Original Message-
From: Tristan von Neumann
Sent: Thursday, May 02, 2019 1:47 AM
To: lute@cs.dartmouth.edu
Subject: [LUTE] Re: Reymann
I have looked everywhe
I just consulted Lewis and Short, and even in classical Latin "silva" had
the tropological sense of "a crowded mass, abundance, or quantity." Plautus
speaks of a " silva rerum, sententiarumque" and Cicero of a "silva virtutum
et vitiorum." Strangely, however, the "Gloassarium mediae et infimae
://www.youtube.com/watch?v=P2lfhhr8GVs&feature=youtu
.be. If you would like to respond, please do so privately (no need to
bother the list with this). I welcome your comments.
Best regards,
Stephen Arndt
--
References
1. https://www.youtube.com/watch?v=P2lfhhr8GVs&feature=youtu
Recorder Music. One-Part Inventions:
https://www.youtube.com/watch?v=ZtY8YRxIFn4
Recorder Duets. Contrapuntal Contradances:
https://www.youtube.com/watch?v=d06AutPSBQg
Fifty Shades of Blue: Fingerstyle Acoustic Guitar Solos.:
https://www.youtube.com/watch?v=ht9umy9XDas
Bes
gards,
Stephen Arndt
--
References
1.
http://www.verseandsong.com/song/renaissance-lute/francesco-da-milano-fantasie-e-ricercari/
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
For what it's worth, some recorder makers are no longer making recorders
pitched at 440. They have bumped the pitch up to 442. At the Von Huene
Workshop, they told me that 442 is becoming the standard concert pitch in
Europe.
-Original Message-
From: Edward Martin
Sent: Saturday, Dec
"Two things"--ha! I started responding before I read to the end and then
didn't change it. I should have said "a few things." Sorry.
-Original Message-
From: stephen arndt
Sent: Wednesday, December 02, 2015 5:27 PM
To: David van Ooijen ; lutelist Net
Sub
As it stands, the text is a mess. Two things strike me on a first, quick
reading:
1. The first word in line 6 may be "ignota" ("unknown"). I don't believe
that "ignata" is a Latin word.
2. Line 7 should read "Inter multos praelecta" ("Chosen from among many").
If the reference is only to wom
Thank you, Gary! I certainly could not have hoped for a more precise
answer to my question. What a wonderful resource this page is. The
entire lute community is in your debt.
From: [1]Gary Boye
Sent: Saturday, October 10, 2015 1:07 PM
To: [2]stephen arndt
Cc: [3]Ron Andrico
Ron writes: ". . . the bulk of published lute music was vocal polyphony
reworked and arranged for the instrument."
I have recently been wondering and have been on the verge of asking what
percentage of the total lute repertoire intabulations of vocal works make up
. Does anyone happen to know
I'm not sure what you mean exactly by "early" harp. I play both Celtic harp
and and various instruments in the lute family, all without nails. You would
need nails for the harp only if it is wire strung, like the clairseach
(spelled various ways). If it is strung in synthetics or gut, there woul
Treccani lists three meanings for "incantarsi":
Come intr. pron., incantarsi, interrompere a un tratto ciò che si sta
facendo perché attratti dalla vista di qualcosa o perché sorpresi da qualche
pensiero, fantasticheria, e sim.: "tornando in nave ... si incantò davanti
alle isole abbandonate,
e a private e-mail. I would also like to thank the list members who
either sent me articles on intabulation or references to works dealing
with that topic and also to David van Ooijen the for excellent articles
on his website.
Best regards to all,
Stephen Arndt
--
References
According to Lewis and Short, "famosus" meant "much talked of (well or ill)"
and thus had both the positive sense "famous, renowned" and the negative
sense "infamous, notorious." See here:
http://www.perseus.tufts.edu/hopper/morph?l=famosus&la=la#lexicon
-Original Message-
From: Brad
Well, yes. If they defeated the muses (in an imaginary contest), it was
because they played better.
-Original Message-
From: Gary Boye
Sent: Wednesday, April 08, 2015 12:08 PM
To: stephen arndt ; Monica Hall ; Alan Hoyle
Cc: Lutelist
Subject: [LUTE] Re: Latin translation
Could it
sative. If "vicere" is a verb, however, then the sentence makes a
statement, which it does not really do otherwise, and you have a reason both
for the two names to be in the nominative case as the subject of the
sentence and for "musas" to be in the accusative case as th
in the 1680s. etc...
Corbetta was employed at the Mantuan Court - so presumably they
appeared together there at some point...
Monica
- Original Message - From: "Monica Hall"
<[4]mjlh...@tiscali.co.uk>
To: "stephen arndt" <[5]stephenwar..
How about the following for a literal, if not very elegant, translation?
By his strings that illustrious Italian Corbetto (and) by her voice the so
famous Bolognese maiden Margharitha Salicola defeated the muses in the
Venetian theaters.
I'm not exactly sure "what defeated the muses" refers t
or a particular passage, please be so kind as to let me
know.
Best regards,
Stephen Arndt
--
References
1.
http://www.verseandsong.com/song/renaissance-lute/arrangements-of-church-hymns-5/
To get on or off this list see list information at
http://www.cs.dartmouth.edu/
The Umlauts in my message seem to have gotten garbled, so I'll write the
volume name like this: Ars Iocundissima: Festschrift fuer Kurt Dorfmueller
zum 60. Geburtstag., ed. Horst Leuchtmann and Robert Muenster.
-Original Message-
From: stephen arndt
Sent: Friday, February 27, 20
nstruction already exists.
Thank you.
Best regards,
Stephen Arndt
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Try this: http://cudl.lib.cam.ac.uk/collections/music . As far as I can
tell, though, for any given manuscript you have to download one page at a
time. After an intense 120 seconds of looking, I didn't find a way to
download an entire manuscript. Perhaps someone else can enlighten us.
-Ori
I am trying the D'Addario Two-Way Humidification System on my various
instruments this winter. Since this is my first time using them, it is too
early for me to say how well they work. I bought mine at the local Guitar
Center, which probably doesn't exist where you live. You can order them at
v
Very moving. Heartfelt thanks to you both, Roman and Danny.
-Original Message-
From: Daniel Shoskes
Sent: Sunday, January 04, 2015 3:10 PM
To: Lute List
Subject: [LUTE] Tombeau for Patrick O'Brien
Dear Lute friends: Roman Turovsky has written a beautiful Tombeau in honor
of Pat O'Brie
tories, but the substance will remain
the same. Please see here:
[4]http://www.verseandsong.com/verse/short-stories/
Please feel free to leave a comment on any item on my website. I would
appreciate your feedback.
Best regards and merry Christmas,
Stephen Arndt
My wife got me this hand warmer:
http://www.mybodycomfort.com/Pocket_Pack_Lavender-_2nd_Generation/ . I have
found it very helpful to hold it a couple of minutes before I have to play
in a cold church. It warms the fingers right up.
-Original Message-
From: Herbert Ward
Sent: Thursda
Two down. Now how many more to go?
-Original Message-
From: Roman Turovsky
Sent: Tuesday, February 11, 2014 10:29 AM
To: stephen arndt ; lute@cs.dartmouth.edu ; Le_luth
Subject: [LUTE] Re: Cantio Sarmatoruthenica 97
Here's another-
CSR51
http://youtu.be/JfBIgAu5__A
RT
On
Very nice. It leaves me wishing that you would record the complete works of
Roman Turovsky.
-Original Message-
From: Roman Turovsky
Sent: Tuesday, February 11, 2014 8:49 AM
To: lute@cs.dartmouth.edu ; Le_luth
Subject: [LUTE] Cantio Sarmatoruthenica 97
http://youtu.be/UcTeHQu-Ml0
Self-
David wrote:
"I will be writing a guide in installments for my website on how to
record the lute."
This is very welcome news indeed! Many thanks for the first installment. I
can't wait to read the next following ones.
Stephen Arndt
To get on or off this list see list info
"L'Art de diminuer" by Philippe Matharel, sort of a compendium of
Renaissance treatises on the subject, is quite helpful also. You can
download it here: http://www.scribd.com/doc/35549954/l-Art-de-Diminuer-Opt ,
or I can send you a pdf if you like.
-Original Message-
From: William Sam
ssional quality either in playing or
recording quality. Nevertheless, I hope that if you listen, you will
find something to enjoy.
Best regards,
Stephen Arndt
--
References
1. http://www.verseandsong.com/song/renaissance-lute/1293-2/
To get on or off this list see
I just noticed that none of the French diacritical marks display correctly
nor do the en-dashes between numbers. I hope that you can still decipher the
message.
-Original Message-
From: stephen arndt
Sent: Thursday, September 19, 2013 11:14 AM
To: lute mailing list list
Subject
My sincere thanks to all who responded. I now have several options to
consider.
-Original Message-
From: stephen arndt
Sent: Monday, June 17, 2013 12:33 PM
To: lute mailing list list
Subject: [LUTE] Reusner and Reymann
I have Catherine Lidell's Sacred Music for the Lute. Amon
I have Catherine Lidell's Sacred Music for the Lute. Among the sources
for her anthology she lists Esaias Reusner's Musikalischer Lustgarten
and Mattheus Reymann's Cythara Sacra. I have not succeeded in locating
a copy of either work in any form. Does anyone know whether they are
ava
click
around and/or to leave a comment.
Best regards,
Stephen Arndt
P.S. I have recently received a new 8-course by Cezar Mateus and have
started working on pieces by Antoine Francisque. You can listen to what
I have done so far at
[2]http://www.verseandsong.com/song/renaissance
I just got around to listening to this today and rather enjoyed it, but it
ended abruptly in mid-sentence. Is there a second part?
-Original Message-
From: Bernd Haegemann
Sent: Tuesday, May 21, 2013 12:05 PM
Cc: Lute net
Subject: [LUTE] Brush up your French! Interview with Hopkinson S
Delightful!
-Original Message-
From: Rob MacKillop
Sent: Saturday, April 06, 2013 2:13 PM
To: Lute
Subject: [LUTE] Harp-Lute
Some of you might have a passing interest in the so-called harp-lute.
Somebody gave a loan of one yesterday, by Edward Light, and also a
tutor by him.
I have just passed the sad news on to the Acoustic Guitar Forum, which has
74,000 members, though I assume that not all of them are active. Perhaps
some of them would be willing to help also.
-Original Message-
From: Anton Birula
Sent: Wednesday, March 06, 2013 6:39 AM
To: Lutenet
Sub
This is an astonishingly good website for the Cantigas De Santa Maria
[1]http://www.cantigasdesantamaria.com/index.html
Aimed mainly at singers, but of interest to anyone performing these
interesting works.
Rob
Here is another site:
http://brassy.perso.neuf.fr/PartMed/Cantigas/CSMIDI.
I hope that in spite of the amateur nature of the offerings you will
find something that you enjoy.
Best regards for the new year,
Stephen Arndt
--
References
1. http://www.verseandsong.com/
To get on or off this list see list information at
http://www.cs.dartmouth.edu/
See here: http://www.classicitaliani.it/glossari/glossario_medioevo_01.htm.
Just scroll down to the relevant entry.
-Original Message-
From: Peter Nightingale
Sent: Tuesday, November 20, 2012 8:37 PM
To: lute list
Subject: [LUTE] Where's "day" in "di mille mort il di sarei contento?"
Well, isn't anyone other than Dan going to reply to this? I was
expecting a huge response!
Stuart
David Tayler locuto, causa est.
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
s not very feasible, and have him take measurements?
Any advice would be appreciated, whether coming from David or others.
Many thanks,
Stephen Arndt
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Ed wrote: "I would put them on all my instruments, if I could afford to do
so."
So, what do they cost? I took a quick look at the Peghead website, but
didn't see any price information. Perhaps it is there somewhere, and I just
didn't look long enough or hard enough. I am interested because I a
I greatly appreciate both the quality and the quantity of Anton's work. With
exquisite taste he selects period pieces and creates beautiful lute
arrangements of beautiful vocal and instrumental compositions, and his
rapidly expanding output greatly increases the repertoire of our instrument.
B
amateur playing. It is a pleasure to me
to have made friends in several different countries.
Best regards to all,
Stephen Arndt
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
I agree with David that string span and spacing are extremely important,
and, as one about to have a lute built, I am wondering whether it would help
to send the luthier a tracing of my right and left hands to help him
calculate span and spacing correctly. I also agree with Ned that instrument
Do we really want dry, hard fingertips when we play the lute? I always soak
mine in soapy water to soften them and put a little shea butter on them to
moisten them before I play in order to get a warmer sound.
-Original Message-
From: Gordon Gregory
Sent: Tuesday, January 03, 2012 11:
David, I'm thinking that you must suffer from chronic migraines.
-Original Message-
From: David Tayler
Sent: Tuesday, December 13, 2011 3:30 PM
To: lute
Cc: vidan...@sbcglobal.net
Subject: [LUTE] Re: Transposing lute tablature on sight
Quote
It's just A4. David, when you tune
My guess, and it is only a guess, is that it would be "ich begehre nicht(s)
mehr" in modern German, meaning "I desire no(thing) more," "I desire nothing
else," or "I have no further desires," or something of that sort. Matthias
would probably be the most qualified person on our list to translate
would be interested
in hearing others' opinions on whether this measure is correct as it
stands or whether it needs some emendation. Please feel free to reply
on- or off-list.
Many thanks,
Stephen Arndt
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
I found this in our local music library a few years ago and rather liked it:
Le gagliarde dal Libro d'intavolatura di liuto (Gal; 6): edizione critica
con intavolature per liuto e con trascrizione in notazione moderna
Responsibility
Vincenzo Galilei; a cura di Giulia Perni
Publication Info
Publ
ave some questions I would like
to ask about a particular piece that is confusing me. Also, if you are
a native Spanish-speaker, you might be able to help me with one of his
instructions that I am not too sure about.
Many thanks,
Stephen Arndt
--
To get on or off this list see
Something like: "The differences of Germanic and Jewish psychology, which
exist in fact and have long been known to insightful people, should not be
confused, which can only be conducive to science."
-Original Message-
From: G. Crona
Sent: Tuesday, July 12, 2011 7:07 PM
To: Lutelist
S
I think that much of Dick Hoban's "Masters of Polyphony" series can be
played on a 5-course lute, but check with him to be sure.
-Original Message-
From: David R
Sent: Wednesday, June 29, 2011 2:28 PM
To: lute@cs.dartmouth.edu
Subject: [LUTE] Medieval Lute
Hi luters,
I'm thinking of
Thank you both for responding so quickly. I changed the bit rate to 192 in
Audacity (I didn't see the exact option you mentioned), and it seems to have
made a significant improvement.
-Original Message-
From: alexander
Sent: Saturday, May 21, 2011 10:56 AM
To: Stephen Arndt
Cc:
ecommend a better program to
perform the conversion?
Many thanks,
Stephen Arndt
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
nd
not
her).
Not one of the best example of Italian poetry I would say 8^) Also it is a
quite strange and unusual situation, because normally it's the man that
languishes behind a lady in the poetry of that age. Might this be an
approximated transcription by the Spanish Ortiz of a text he didn't
question elicited sinful desires in the poet?).
Hope this helps.
Stephen Arndt
--
From: "Sean Smith"
Sent: Saturday, April 30, 2011 11:51 AM
To: "lute"
Subject: [LUTE] O felici occhi miei
>
> Would anyone
question elicited sinful desires in the poet?).
Hope this helps.
Stephen Arndt
--
From: "Sean Smith"
Sent: Saturday, April 30, 2011 11:51 AM
To: "lute"
Subject: [LUTE] O felici occhi miei
>
> Would a
It was used on my 13-course. I haven't notice any problems with it.
-Original Message-
>From: Bruno Correia
>Sent: Mar 23, 2011 4:32 PM
>To: List LUTELIST
>Subject: [LUTE] Wax
>
> Is this product (Ranaissance wax) advisable to use on the top of the
> lute? I think somebody mentioned
No, just play the next 62 years out of tune.
--
From: "howard posner"
Sent: Monday, February 21, 2011 5:47 PM
To: "Lute List"
Subject: [LUTE] Re: Ed's birthday today
On Feb 21, 2011, at 3:41 PM, Edward Martin wrote:
Yes, according to Baron!
I had the same experience. I didn't reply to him.
--
From: "Ken Brodkey"
Sent: Friday, February 18, 2011 12:14 PM
To: "howard posner"
Cc: "lute mailing list list"
Subject: [LUTE] Re: Henry Williams, Manchester
I'm not in the UK, but I received a
thing" and "I'll never be any good at this"? Maybe we
should form a support group. Please let me hear from you.
Stephen Arndt
--
From: "David Tayler"
Sent: Sunday, November 07, 2010 2:55 PM
To: "lute-cs.dartmout
ld the viola/vihuela actually is. By
how much does it predate the Renaissance?
Appreciative of any information,
Stephen Arndt
--
From: "David Tayler"
Sent: Thursday, August 19, 2010 7:52 PM
To: "lute-cs.dartmouth.edu"
Subject
t_from=PL&index=0&playnext=1,
and there are quite a few of them.
Good luck,
Stephen Arndt
-Original Message-
>From: Anthony Hind
>Sent: Jun 29, 2010 4:09 AM
>To: lute@cs.dartmouth.edu
>Subject: [LUTE] incompatibility gardening/lute playing?
>
>
> Dear lutenis
If any kind soul out there is fairly well-versed in the use of Django
and would be willing to try to answer a couple of questions for me,
please contact me off-list. Thank you.
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.htm
Interesting. On my 7-course lute, the octave on the fifth course was way too
bright and prominent. Trying a number of different diameters did not solve
the problem. So, I finally opted for a plain gut unison to go with the
gimped string that I already had. They turn out to balance very nicely wi
I agree 100% that it is the performer, not the performance, that is "informed"
in the sense of "educated." My point was that there is another, older sense of
"informed" as "having been given form" that can legitimately be applied to a
performance, though, as I tried to indicate earlier, I suspec
David,
I am relying solely on memory here, but I believe that "forma" was the Latin
term used for both "eidos" and "morphe" when Aristotle was translated into
Latin in the late twelfth century (though I could be wrong). The scholastic
Latin usage of "informare" means "to put form into," and ha
Once again, without in any way wishing to be contentious, "informed" in HIP
is a verbal form (a past participle) used adjectivally. It therefore retains
its verbal force. Just as "a written message" means "a message that has been
written," implying "a message that someone wrote," so (as I have a
"matter" ( = the
physical act of playing an instrument) of a given performance.
My two cents (which, with an annual inflation rate of about 2.5% is now
worth only about 1.75 cents).
Stephen Arndt
- Original Message -
From: "howard posner"
To: "lute-cs.dar
Daniel,
I noticed the improvement in sound quality as well in your most recent
video. Can you tell us what was the "superior mic" you used?
Stephen
P.S. You're one of my "lute heros."
- Original Message -
From: "Daniel Shoskes"
To: "wikla"
Cc:
Sent: Tuesday, March 16, 2010 4:44
suspect that I am playing practically all of them
too slowly on account of my technical limitations.
Any suggestions for improving speed or advice on determining the proper
tempo for a piece would be much appreciated.
Best regards to all,
Stephen Arndt
- Original Message -
From:
AT LEAST YOU SEEM A MAN OF TASTE; INTELLIGENCE AND HEART, DAVID - I LOVE
YOUR STYLE
I'll second that.
Stephen Arndt
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
would indicate:
beginner, amateur, professional in their performances and in their comments.
Better still would be link from here to somewhere dedicated to constructive
criticism if that is what you actually wanted."
Great idea!
Stephen Arndt
To get on or off this list see list informati
Insofar as it "is seen as denial of the saving power of Christ," it seems to me
that the reference is more properly to despair. You might want to read what
Thomas Aquinas wrote on the matter in ST I-II,q. 20, which you can find in a
mediocre translation here:
http://www.newadvent.org/summa/302
I soak my hands in soapy water for a few minutes and then rub some shea butter
on my finger tips before playing. It makes a huge difference both in avoiding
the squeakiness and in improving the overall tone. If the fingertips are too
dry, the resulting tone is harsh and unpleasant.
-Origina
You can find it for free here:
http://lutegroup.ning.com/forum/topics/the-barbe-manuscript
- Original Message -
From: "Daniel Winheld"
To:
Sent: Sunday, October 18, 2009 11:00 PM
Subject: [LUTE] Re: So, what you consider a "must have" publication?
Damian, Stephen-
Now you've got
I'll second that on the Barbe Manuscript for the baroque lute, and for
the Renaissance lute I am having a wonderful time working my way
through the Hortus Musicalis Novus of Elias Mertel.
- Original Message -
From: "damian dlugolecki" <[1]dam...@damianstrings.com>
To: <
I can't think of a better way to dignify the occasion.
- Original Message -
From: "David Rastall"
To: "Lutelist list"
Sent: Friday, October 09, 2009 2:29 PM
Subject: [LUTE] A Viewing
Have any of you ever been hired to play at a "viewing"? As in where
the deceased is lying in an op
m not alone in this
regard either.So, keep up the good work, and know that the interest, even if
unexpressed, is there.
Respectfully,
Stephen Arndt
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Wayne has an emergency back up page here:
http://www.cs.dartmouth.edu/~wbc/
By clicking on tab-serv you can still get to the tablatures.
- Original Message -
From: "Edward Martin"
To: "Matteo Turri" ;
Sent: Saturday, August 29, 2009 10:02 PM
Subject: [LUTE] Re: Information on the Wa
Er stimmte seine Laute länger, als er darauf spielte--tell me about it!
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
David,
If you ever wanted to make an instructional video demonstrating all five
techniques, it would be a great one.
Stephen
- Original Message -
From: "David Tayler"
To: "lute-cs.dartmouth.edu"
Sent: Friday, July 31, 2009 4:06 PM
Subject: [LUTE] Re: Thumb-under . . always?
I t
James,
You can find it here:
[1]http://www.musico.it/lute_software/bsfc/index.html
Stephen
--
References
1. http://www.musico.it/lute_software/bsfc/index.html
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
r any information anyone can give me.
Best regards,
Stephen Arndt
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
e an invaluable resource.
Thank you for your kindness and generosity in taking the time to make a
start on this initiative.
A not-so-sly lurker,
Stephen Arndt
- Original Message -
From: "Rob MacKillop"
To: "lute-cs.dartmouth.edu"
Sent: Tuesday, May 19, 2009 2:40 PM
I did not find Mertel at Minkoff. Can you tell me where it is, please?
- Original Message -
From: "jean-michel Catherinot"
To: "Daniel F Heiman" ; "Stephen Arndt"
Cc:
Sent: Monday, April 27, 2009 1:54 AM
Subject: [LUTE] Re: Elias Mertel
&qu
urday, April 25, 2009 8:06 PM
Subject: Re: [LUTE] Elias Mertel
OMI still lists the facsimile at $162. It is generally quite legible,
requiring no transcription.
http://omifacsimiles.com/cats/lute.pdf (page 17 of this catalog)
Daniel
On Sat, 25 Apr 2009 11:21:18 -0500 "Stephen Arndt&qu
Thank you, Roman. I'll give that a try on Monday.
- Original Message -
From: "Roman Turovsky"
To: ; "Bernd Haegemann" ; "Stephen
Arndt"
Sent: Saturday, April 25, 2009 12:42 PM
Subject: [LUTE] Re: Elias Mertel
Administrative Conta
Yes, I'm sorry. I did try i...@musiqueancienne.com twice, and it bounced
back both times.
- Original Message -
From: "Bernd Haegemann"
To: ; "Stephen Arndt"
Sent: Saturday, April 25, 2009 12:25 PM
Subject: [LUTE] Re: Elias Mertel
Dear Stephen,
I have
anyone know of another edition (German tablature would be fine,
since I wont be playing from it but only adding an 8 to Goerans
transcription to indicate the lower basses)?
I would appreciate any information anyone could give me.
Many thanks,
Stephen Arndt
--
To get on or
Yes, a good read indeed, though I was surprised by this:
"Paul O'Dette is an American born in Pittsburgh in 1054." (page 6)
Wasn't that the year of the Great Schism?
- Original Message -
From: "Edward Martin" <[EMAIL PROTECTED]>
To: "Greet Schamp" <[EMAIL PROTECTED]>;
Sent: Sunday,
There is obviously a typographical mistake in the italics on the upper
right-hand corner of page 42. Certainly there should be no comma after the
first word, and it should read: "Top lutenist Daniel Shoskes."
- Original Message -
From: "Daniel Shoskes" <[EMAIL PROTECTED]>
To: "lute Li
I am very embarrassed to learn that I just wrote to Arto in what should have
been a reply to Taco. I guess the senile amnesia is progressing more rapidly
than I thought.
Stephen Arndt
- Original Message -
From: "Taco Walstra" <[EMAIL PROTECTED]>
To: "Stephen Arn
phy professor (I
hope that my early onset of senile amnesia hasn't caused me to misremember
anything).
Stephen Arndt
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