age: Scores
>http://mysite.verizon.net/vzepq31c/arthurjnesslutescores/
>Other Matters:
>http://mysite.verizon.net/arthurjness/
>===
>
>- Original Message -
>From: "Jean-Marie Poirier" <[EMAIL PROTECTED]>
>To:
o: "Jean-Marie Poirier" <[EMAIL PROTECTED]>; "lute"
Sent: Wednesday, October 08, 2008 5:23 PM
Subject: [LUTE] Re: John Wilson Preludes
| Hello, Jean-Marie!
|
| No, it is the facsimile that is too small to read. The transcriptions
| need some tweaking, also.
|
verizon.net/vzepq31c/arthurjnesslutescores/
Other Matters:
http://mysite.verizon.net/arthurjness/
===
- Original Message -
From: "Jean-Marie Poirier" <[EMAIL PROTECTED]>
To: "lute"
Sent: Tuesday, October 07, 2008 2:05 AM
Sub
8:22 AM
Subject: [LUTE] Re: John Wilson Preludes
On Tue, Oct 7, 2008 at 8:05 AM, Jean-Marie Poirier
<[EMAIL PROTECTED]> wrote:
Thank you for these precisions about your transcriptions of Wilson's
preludes, but I think what Arthur meant was that M. Spring's >
transcription edited
On Tue, Oct 7, 2008 at 8:05 AM, Jean-Marie Poirier
<[EMAIL PROTECTED]> wrote:
> Thank you for these precisions about your transcriptions of Wilson's
> preludes, but I think what Arthur meant was that M. Spring's > transcription
> edited by Diapason Press was difficult to read, not the facsimile..
Dear Eric,
Thank you for these precisions about your transcriptions of Wilson's preludes,
but I think what Arthur meant was that M. Spring's transcription edited by
Diapason Press was difficult to read, not the facsimile...
Best,
Jean-Marie
=== 06-10-2008 22:51:11 ===
> My reason
ail Manuel Minguillon Nieto [[4]mailto:[EMAIL PROTECTED]
Verzonden: maandag 6 oktober 2008 14:41
Aan: [EMAIL PROTECTED]
Onderwerp: [LUTE] John Wilson Preludes
Dear Lute wisdom,
Which is the fastest and easiest way of getting John Wilson
Preludes from manuscript of the Bodleian Libra
PROTECTED]
Verzonden: maandag 6 oktober 2008 14:41
Aan: lute@cs.dartmouth.edu
Onderwerp: [LUTE] John Wilson Preludes
Dear Lute wisdom,
Which is the fastest and easiest way of getting John Wilson
Preludes from manuscript of the Bodleian Library, Mus. B. 1? Thanks a
lot in advance
tober 06, 2008 12:52 PM
Subject: [LUTE] Re: John Wilson Preludes
| Thank you for the tip, Howard, but I must say that is one of the most
impractical sites I have ever visited online :-( ! . I could not find out
how it worked and how you could order anything from them. Eventually I
wrote to the addre
AM, Gmail Manuel Minguillon Nieto wrote:
>>
>>>Which is the fastest and easiest way of getting John Wilson
>>>Preludes from manuscript of the Bodleian Library, Mus. B. 1?
>>
>>
>>
d pages of Wilson's songs.
On Oct 6, 2008, at 5:41 AM, Gmail Manuel Minguillon Nieto wrote:
Which is the fastest and easiest way of getting John Wilson
Preludes from manuscript of the Bodleian Library, Mus. B. 1?
--
To get on or off this list see list information at
http://www.cs.dar
It's in Volume 7 of the Garland Press "English Song 1600-1675, along
with a couple hundred pages of Wilson's songs.
On Oct 6, 2008, at 5:41 AM, Gmail Manuel Minguillon Nieto wrote:
>Which is the fastest and easiest way of getting John Wilson
>Preludes from manus
Dear Lute wisdom,
Which is the fastest and easiest way of getting John Wilson
Preludes from manuscript of the Bodleian Library, Mus. B. 1? Thanks a
lot in advance.
Manuel Minguillon
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute
Nancy Carlin wrote:
> The LSA has just gotten a review copy of the new
> Paul O'Dette & Ellen Hargis CD "The Power of Love" - see the ad for
> this in
> the last LSA Quarterly. This CD is a combination of songs and
> instrumentals, some by WIlson and other by his contemporaries. It
> contains
>
Howard,
I agree that W probably continued to play the lute but that, of course, would
not stop him from also playing a theorbo (whatever physical configuration -
perhaps one of those depicted with a short extension to the fingerboard on the
bass side - none have, alas, survived) with just the
Stewart McCoy wrote:
> I agree with Howard, that it is not an easy matter deciding whether
> Wilson tuned the first string of his instrument at pitch or down an
> octave. The first string is rarely used in his lute solos, but there
> is enough evidence to support a high octave, and enough to suppo
About those Wilson pieces. The LSA has just gotten a review copy of the new
Paul O'Dette & Ellen Hargis CD "The Power of Love" - see the ad for this in
the last LSA Quarterly. This CD is a combination of songs and
instrumentals, some by WIlson and other by his contemporaries. It contains
Wilson
Martyn Hodgson wrote:
> Could someone kindly tell me, in simple computerise, why the tablature
> I painstackingly typed in gets re-arranged?
It needs to be in a monospaced font at both ends. It's not coming
through that way. If you typed it in a monospaced font, your first try
(before you st
**
> best wishes,
> Alain
>
>
>
>
> LGS-Europe wrote:
>
>>>To those of you who have expressed an interest in The John Wilson
>>>Preludes that I have started posting on I am
>>>
>>>
>>
>>Why go through all this trouble when th
Dear Eric
> I am glad to hear you can read the facsimile tablature in the Matthew
> Spring edition, your eyesight must be better than mine!
Small print , indeed. But many years of reading whatever they put on my
music stand in whatever light is provided in the concert venues does help.
;-) But I
son <[EMAIL PROTECTED]>
Subject: [LUTE] Fwd: Re: John Wilson Preludes
Oh Dear - still not right - try this...
MH
Martyn Hodgson wrote:
Date: Tue, 16 Aug 2005 09:20:40 +0100 (BST)
To: Howard Posner , Lute Net
From: Martyn Hodgson
Subject: [LUTE] Re: John Wilson Preludes
Thank
Oh Dear - still not right - try this...
MH
Martyn Hodgson <[EMAIL PROTECTED]> wrote:
Date: Tue, 16 Aug 2005 09:20:40 +0100 (BST)
To: Howard Posner <[EMAIL PROTECTED]>, Lute Net
From: Martyn Hodgson <[EMAIL PROTECTED]>
Subject: [LUTE] Re: John Wilson Prelude
I'm sending this again since the 'etc...' buggered up the tab
spacing
MH
Martyn Hodgson <[EMAIL PROTECTED]> wrote:
Date: Tue, 16 Aug 2005 09:20:40 +0100 (BST)
From: Martyn Hodgson <[EMAIL PROTECTED]>
Subject: Re: [LUTE] Re: John Wilson Prelude
Thanks for this Howard,
Yes, but I'm not saying he never uses the first course but generally steers
clear of it: all those frets f, h etc on the second course and whole pieces
with nothing or just the odd note on the first course eg bar 3 of the same
piece - this is typical small theorbo (ie w
Martyn Hodgson wrote:
> I'm interested that you refer to the instrument as a lute (as does
> Spring) whereas I had always supposed it was written for the theorbo
> with only the first course an octave down from normal. This from
> internal evidence of the tablatures (including the song
> accom
electronic documents need to break new ground, but it is
slightly unfair to claim that this is easy to do.
best wishes,
Alain
LGS-Europe wrote:
>>To those of you who have expressed an interest in The John Wilson
>>Preludes that I have started posting on I am
>>
>>
>
On 15 Aug 2005, at 08:01, LGS-Europe wrote:
>
>
>> To those of you who have expressed an interest in The John Wilson
>> Preludes that I have started posting on I am
>>
>
> Why go through all this trouble when there's a beautiful edition
> available?
>
his from internal evidence of the
tablatures (including the song accompaniements) which show a marked aversion to
using the first course.
rgds
MH
LGS-Europe <[EMAIL PROTECTED]> wrote:
> To those of you who have expressed an interest in The John Wilson
> Preludes that I have sta
how a marked aversion to
using the first course.
rgds
MH
LGS-Europe <[EMAIL PROTECTED]> wrote:
> To those of you who have expressed an interest in The John Wilson
> Preludes that I have started posting on I am
Why go through all this trouble when there's a beautiful edition ava
> To those of you who have expressed an interest in The John Wilson
> Preludes that I have started posting on I am
Why go through all this trouble when there's a beautiful edition available?
Diapason press (DP49, Utrecht) has an edition which includes the small but
readable facsimile
To those of you who have expressed an interest in The John Wilson
Preludes that I have started posting on I am
embarassed to say that the lute tablature version I initially posted
of Prelude 3 had a lot of errors in it. I have now posted a corrected
version that reproduces the MS as
[EMAIL PROTECTED] at [EMAIL PROTECTED] wrote:
> I assumed that I'd have to do experiment with some
> re-stringing to play these pieces on a (A-pitched)
> Italian theorbo. I was also wondering if anyone knows
> whether this is technically practical on a
> continuo-sized instrument.
I suppose if
Howard, et al,
I assumed that I'd have to do experiment with some
re-stringing to play these pieces on a (A-pitched)
Italian theorbo. I was also wondering if anyone knows
whether this is technically practical on a
continuo-sized instrument.
Chris
--- Howard Posner <[EMAIL PROTECTED]>
entatively as a possibility.
By the way, it was you who told me about Damiani's article, in the
second of your two messages to this List dated 17th January 2000.
Many thanks for that.
Best wishes,
Stewart McCoy.
- Original Message -
From: "Howard Posner" &l
Stewart McCoy at [EMAIL PROTECTED] wrote:
> Wilson seems to avoid using the first course, which
> seems to suggest there was some kind of problem with it, e.g. it
> might have been tuned down an octave.
Of course (no pun intended, but what the hell), Wilson does not "avoid" the
first course in th
of Dr John Wilson, both songs and lute
solos.
I'm afraid I can't remember who told me, but I understand that, in
granting permission for the facsimile edition to go ahead, the
Bodleian Library insisted that Garland reproduce the manuscript in
its entirety. The aim of the Garland facsimi
[EMAIL PROTECTED] at [EMAIL PROTECTED] wrote:
> Does anyone know if the theorbo music of John
> Wilson is available anywhere? I'm particularly
> interested in the series of pieces in each key. Also,
> can this music be played on a big Italian theorbo
> (chittarone)? Thanks
There is a recent edition:
John Wilson, Thirty Preludes in All (24) Keys for Lute: Facsimile and
Transcription of the Manuscript Oxford, Bodleian Library, Mus. B. 1.
Edited by Matthew Spring (DP 49) (Houten, The Netherlands: The Diapason
Press, 1997).
See: http://diapason.xentonic.org/dp/dp049
Dear Listenists,
Does anyone know if the theorbo music of John
Wilson is available anywhere? I'm particularly
interested in the series of pieces in each key. Also,
can this music be played on a big Italian theorbo
(chittarone)? Thanks in advance,
Chris
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