to light, and pushed them long before playing Scottish music
became fashionable among Early Music groups. He made a big contribution
and will be missed.
I know that two or three of you knew him personally, which is why I
have announced his death here.
Rob MacKillop
--
To get
Carnegie Hall? You must have practised, practised, practised...
Rob
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I have the
score in French tab, an mp3 performance, plus an mp3 of commentary as I
explore the piece, discussing how I approach my interpretation.
Doubtless, someone else would play it very differently, and you must
find your own way eventually, but hopefully this will help.
Rob
2009/5/19 Martin Shepherd [1]mar...@luteshop.co.uk
More, please!
Sure, but we also need to hear from the shy lurkers here as to what
they would like us to cover. And you yourself, Martin, could have
something more tailored to lute players on your site, if time and
energy
with me. So maybe I won't be making technique
videos, but I hope to help in other areas.
Rob MacKillop
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There may be one or two of you interested in the banjo c.1860-1900 (as
I am). There was a period of squabbles and unrest as players moved from
fretless instruments to fretted ones. Many of the old (fretless) guys
complained that the new frets forced you to play out of tune. Some
This link works better: [1]http://tinyurl.com/oaeu37
Rob
2009/5/22 Rob MacKillop [2]luteplay...@googlemail.com
There may be one or two of you interested in the banjo c.1860-1900
(as
I am). There was a period of squabbles and unrest as players moved
from
fretless
. Unison bass
strings, Aquila Venice. Vihuela resting on wooden table - seems to have
improved the bass slightly.
Rob MacKillop
--
References
1. http://www.vihuela.eu/study.htm
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Has anyone heard of a well-tempered lute player?
--
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I've had favourable and unfavourable reviews over the years, but this
one is in a category of its own:
There is a choking quality of nocturnal obscuration in this instrument
which suits you and this hopefully-painfully numbly depressive
declamation of exquisite emptiness.
The
. They came
in a variety of number of courses too.
See [1]http://www.vihuelademano.com/viola-da-mano/daiLibri.htm
Rob MacKillop
--
References
1. http://www.vihuelademano.com/viola-da-mano/daiLibri.htm
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I recall arranging a couple of Gesualdo's madrigals for two lutes, but
my fellow lute player thought they were full of mistakes and refused to
play them. They had no mistakes, of course, but anyone who has heard
Gesualdo's music will know what he meant. Wish I still had the
Regarding the 8c/7c question, there are many players who switch the
lower two courses around, so you have a 'normal' 7c with the 7th course
at D, plus an extra F on the 8th course. I haven't done this myself,
but wonder if it is a good idea?
Rob
--
To get on or off this
I haven't had the time (nor inclination) to look at it, but parallels,
missing accidentals...sounds highly ' period authentic' to me!
Rob
2009/6/22 David van Ooijen [1]davidvanooi...@gmail.com
On Mon, Jun 22, 2009 at 12:25 PM, Lex van
Sante[2]lvansa...@wanadoo.nl wrote:
it, and also Mimmo Perufo of
Aquila Strings, who has invited me to perform at the 2nd ukulele
festival in Vicenza that same evening. If anyone on this list will be
there or Venice and would like to meet up, let me know - I'd love to
meet you.
Rob MacKillop
--
To get on or off
There is an excellent book of translations with a useful introduction:
Songs of Holy mary of Alfonso X, The Wise, by Kathleen Kulp-Hill.
Published by Arizona Center for Medieval and Renaissance Studies,
Volume 173. I got mine from Amazon...
The best - and cheapest -
The ''Songs of Holy Mary'' book I mention is just a translation into
English of all the texts. It contains no music.
The Gaita books are made for performers - no page turns, clear notation
in the treble clef but with the original notation above.
Here is a performance by some
Fascinating, David. Here is our version in 5/4!
[1]http://www.youtube.com/watch?v=3mav6YOnmt0NR=1
Rob
2009/7/8 David Tayler [2]vidan...@sbcglobal.net
All of the Cantigas in facsimile are available online. You can have
great fun to try and interpret the ligatures.
the slightest interest in so-called 'classical music' before.
They are loving it, and three of them have bought baroque guitar CDs
now.
Rob MacKillop
--
References
1. http://www.fingerstyleuke.com/
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2009/7/16 Orphenica [1]wer...@orphenica.de
Thanks everybody,
encouraged by your answers and especially the amazing site of Rob
MacKillop (Rob, this is really georgeous!),
I went to my local guitar dealer. ( By the way, his initial selling
point was that, the babes like small
a viable option, from what I'm
reading
here.
Any suggestions as to size (mensur) and string tension?
Thanks and regards,
Leonard Williams
/[ ]
/ \
| * |
\_=_/
On 7/17/09 2:34 AM, Rob MacKillop [2]luteplay
.
Any suggestions as to size (mensur) and string tension?
Thanks and regards,
Leonard Williams
/[ ]
/ \
| * |
\_=_/
On 7/17/09 2:34 AM, Rob MacKillop
[2][5]luteplay...@googlemail.com
wrote
FOR SALE
Baroque Guitar by Alexander Batov. Flat back, 67cms string length.
Aquila gut strings, nylgut set in Kingham professional case. Used on
recordings and videos by Rob MacKillop. MP3 files on
[1]www.SongOfTheRose.co.uk and YouTube videos at
[2]http://www.youtube.com/user
improvise - she does it already in her speech...
Rob MacKillop
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It's no big deal. Some instruments attract different sexes. Flutes for
instance attract girls more than boys, well at least in the schools
I've had anything to do with over the years. Same with clarinet. I
don't know why.
Like the man said, we can only please some of the people
I have played at a funeral before. In fact, the lady discussed with me
the repertoire I would play at her funeral only a week before.
Rob MacKillop
2009/10/9 David Rastall [1]dlu...@verizon.net
Have any of you ever been hired to play at a viewing? As in where
I don't know, David. When was it decided that the artistic
performance should be real? Sounds like a New Puritanism to me, and
these movements rarely last long. I agree that it has been an
interesting period, and one that I imagine will continue for some time
yet.
Editing: I
I imagine the 'folk' culture of playing to a camera in your
kitchen/computer room, whatever, will continue, and yes, we will have
posh promo videos from 'signed' artists and would-bees, especially
young recently-qualified students looking to make their mark. The
casual viewer can
favourite pieces. Nice to see it arranged for lute.
Do you have a date for the Manchester ms? No-one has yet come up with a
date when asked. I imagine 1640s...
Cheers,
Rob MacKillop
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Well, about a week ago I bought my first turntable. Found Bream's The
Golden Age of English Lute Music record in a junk shop for 50p. Never
been happier.
Now, if only we had electricity...
Rob
2009/11/20 Eugene C. Braig IV [1]brai...@osu.edu
Ha! I even have to wind
Well done, Danny. Have you heard the classical guitarist, David
Russell, play St Luc - wonderfully musical performances? Some youtube
videos too. More guitarists play St Luc than lute players...hopefully
you will inspire other lute players.
Rob
--
To get on or off this list
Can I remind everyone of the [1]www.johndowland.co.uk website which has
paraphrasesof all Dowland's lyrics:
[2]http://www.johndowland.co.uk/songs.htm
Might be of interest to the present discussion.
Rob
--
References
1. http://www.johndowland.co.uk/
2.
for the pioneering
work he did as a lute player. Has anyone got this recording?
Rob MacKillop
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Jacob Lindberg also used a myriad of tunings for his Bach recording.
Rob
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Yes, I don't expect it to be up to much, but he did at least give it a
go when no-one else would. Deserves recognition, I think.
Rob
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And my wife (Susan Rennie) works as a freelance dictionary editor for
OUP and used to work on the OED. I'll put pressure on her to update the
entry...
Rob MacKillop
2009/12/10 Karen Hore [1]karen.h...@googlemail.com
Andrew wrote:
'The OED also has its own BBC TV
With respect, Monica, it is clear that you are not a performer. It's
fairly easy to sit back and say 'you shouldn't do that because it
wasn't done' and quite another to be a professional musician earning
your crust, supporting a family, etc, and being booked to play a date.
Monica,
We love you! Keep questioning everything!
Rob
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The Scots/Irish clarsach (medieval wire-string harp) of yore had the
two central strings tuned to b, and were referred to as the 'two
sisters'. I have a couple of theories as to why this should be. 1) one
of them was b flat - necessary for medieval music theory and practice,
2) most
I don't have a date - I'm thinking back 20 years or so. I imagine I got
the information from Anne Hayman or Bill Taylor. Anne, if I remember
her correctly, had some madcap theory to do with folk-lore, pixies,
spiritual lay lines, and god-knows what else - although may be doing
her a
Saw this at Bernunzio's:
[1]http://bernunzio.com/products/0914440 Thought someone here might
appreciate it.
Rob
--
References
1. http://bernunzio.com/products/0914440
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Hi folks,
Rob MacKillop, returning to the list. I've been a member for a while
but have been unable to post until now. I have been interested in the
discussions about contemporary music for the lute, and other subjects.
I have a couple of things to mention:
1. My diverse
I have a couple of baroque lute students and I thought it would be a
good thing to get them together to play some duets. They are not
beginners, but not yet performer level. Can anyone direct me towards
some published or online material they could look at?
At the moment one of
Perfect, Roman!
Many thanks,
Rob
On 22 February 2011 20:42, Roman Turovsky [1]r.turov...@verizon.net
wrote:
[2]http://www.polyhymnion.org/swv/adue.html
RT
- Original Message - From: Rob MacKillop
[3]robmackil...@gmail.com
To: Lute [4]lute
Thanks to everyone.
Jean-Michel - even with the new link I could not open those zip files.
My zip program said they were empty, but I will try again on my wife's
computer,
Cheers,
Rob
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OK, I've just read the first two pieces - slowly - in Poulton's book.
Seems straight-forward enough, and fun to do. I dare say it will get
more complicated...
Now that I've mastered it (cough!) does this make me a real lute player
now? Can I look disdainfully at those who have
Exactly.
Well, it's fun to do, and it is always nice to work from facsimiles.
But yes, I could do it a hundred times faster in French tab. It has
always been a no-go area for me, or even no-reason-to-go, but I'm
taking an interest in early German lute music, and it seemed the
Very beautiful performance, professionally recorded. Wonderful.
Rob
On 30 March 2011 05:31, David Tayler [1]vidan...@sbcglobal.net wrote:
For your enjoyment, the Bach Double, Largo--maybe my favorite piece
from Bach
[2]http://youtu.be/GzTwO0zWrqU?hd=1
dt
To
You would need permission from the National Library of Scotland, George
IV Bridge, Edinburgh. But don't bother, they will say no.
Rob
On 11 April 2011 19:21, [1]theoj89...@aol.com wrote:
Does anyone know the status of the Wemyss manuscript.
Hmm...not sure why all those web links are there as the file sent to me
was a Word file, but just ignore them.
Rob
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of viols (Jonathan Dunford and
Sylvia Abramovicz, playing Marais and Sainte Colombe, beautiful music and
musicians !)
At the end of the concert I bought a CD of Scottish viol and baroque guitar,
Love is the Cause played by Jonathan Dunford and Rob MacKillop. Réf Alpha
530 (to be realesed in June
There sure are. Ron Andrico was a well-respected Old Time banjo player before
the lute took over his musical world, and he still plays it today. Ray Nurse
played the banjo. Tom Berghan is another outstanding banjo player. And I've
done a thing or two: www.ClassicBanjoRM.com
Nice to add
A new student of mine turned up with a Early Music Shop 8c lute. I was
impressed with the build quality of the back, neck, pegbox. The soundboard was
far too thick. However, the one thing that let it down was the strings were far
too close together, almost impossible to play in the bass without
are both
learned and accessible. This book is vastly underpriced, so you have no
excuse ;-) It should be in every library around the world, and on every
player's bookshelf.
Rob MacKillop
[2]www.robmackillop.net
--
References
1. http://www.accordsnouveaux.ch/en/BookLt
=2type=msms=GB-En9451lang=engshowmss=1
Peter seems to have missed the D-major tuning, though.
Arto
On Fri, 29 Jul 2011 22:12:05 +0100, Rob MacKillop robmackil...@gmail.com
wrote:
Here it is http://db.tt/xZQ2qC5
What info do we know about it?
Rob
To get on or off this list
/cittern/ - you will also
find there a pdf facsimile of the original publication. This is the
only recording of all these magnificent guittar compositions. Enjoy.
Rob MacKillop
--
References
1. http://robmackillop.net/guitar/cittern/
To get on or off this list see list information
The is a new blog devoted to Early Music Pioneers
http://www.semibrevity.com/the-early-music-pioneers-archive-tempar/
I have nothing to do with it, just passing on the link.
Rob
www.robmackillop.net
To get on or off this list see list information at
I agree with David. However, from the dimmest corner of my memory bank,
I think Mersenne (or someone else!) indicated the bass strings should
have a sustain of 20 or so heartbeats [forgive me if I am getting this
all wrong!]. How long that might be depends on whether you are playing
Dunford and MacKi - that's good enough for me!
Rob MacKi
www.robmackillop.net
On 28 Sep 2011, at 14:44, William Samson willsam...@yahoo.co.uk wrote:
Congratulations!!! Took me a while to realise that Macki was your good
self.
From: Rob MacKillop robmackil...@gmail.com
To: Lute lute
in the beautiful
Historical Musical Instrument Collection at St Cecilia's Hall, which
has some stunning instruments on display.
Wish us well!
Rob MacKillop
PS Sorry for the cross-posting to all the usual groups
--
References
1. http://scottishluteandearlyguitarsociety.wordpress.com
Clearing space on my bookshelves:
[1]http://robmackillop.net/for-sale/
Scroll down for the Early stuff...
Rob
--
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1. http://robmackillop.net/for-sale/
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Get the lot for free here:
[1]http://earlyguitar.ning.com/forum/topics/7-libros-de-vihuela?xg_sour
ce=activity
Rob
On 11 October 2011 20:10, Lex van Sante [2]lvansa...@gmail.com wrote:
Hi all,
For those interested in paper instead of computer screens
The
Well, I'm not responsible for those links, but I do believe some are to
the holding libraries. I have the CD Rom, and think it is wonderful. If
I were serious about the vihuela again I would buy the Vihuela Society
publications, which I've heard so many good things about.
Rob
On
On 19 October 2011 11:12, Martyn Hodgson [1]hodgsonmar...@yahoo.co.uk
wrote:
. Notice that by
drawing the lute stop (ie a row of jacks closer to the bridge) the
writer says the instruments sounds more lute like - perhaps even
more
evidence for us to play our
keyboard
pieces. But there again, the thinning out of the texture may have had
something to do with the muddy sound of his largely gut-string
keyboard.
Rob MacKillop
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-
visee
Gut trebles and octaves. Kurschner basses. Nylgut 1st course.
Rob MacKillop
--
References
1. http://www.youtube.com/watch?v=1BTu2pLsye0
2. http://lutegroup.ning.com/video/tombeau-de-dubut-by-robert-de-visee
To get on or off this list see list information at
http
AM, Rob MacKillop wrote:
Here's my first video with my new Malcolm Prior 13c, of a tombeau by
Robert de Visee - not quite 13c repertoire, but close enough.
YouTube: [1]http://www.youtube.com/watch?v=1BTu2pLsye0
Or the same on the Ning
site: [2]http://lutegroup.ning.com/video/tombeau
Well, we have the option that Weiss et al never had. Pluses and minuses on both
sides. In the classical guitar world, when Segovia changed from gut to nylon,
most people went with him, but not everyone, i.e. Pujol and his school. The
arguments will remain until people no longer make gut
Very nice, Chris. I don't know these pieces, so thanks for recording them. Your
hand didn't seem so close to the bridge to me, not that it means much when
synthetic strings are used anyway. Of far greater importance is your
interpretation, which is beautiful.
Rob MacKillop
with
the lighting for the 2nd and 3rd piece! Not intentional.
[3]http://lutegroup.ning.com/video/scottish-lute-music-from-the-wemyss-
ms (Ning)
or
[4]http://www.youtube.com/watch?v=ldnMANjks_M (YT)
Rob MacKillop, taking a trip down memory lane...
--
References
1. http
The original scores are in harp sharp or harp flat tunings,
what exactly are these tunings?
Are
With a 10c lute in Renaissance tuning...
Harp Sharp - tune the first string down to E, the second string down to C
Harp Flat - first string Eb, second string C
Lots of music in these
Wonderful, Chris! Really authoritative performances. You seem to have caught
the spirit of the style perfectly. I love to see people allowing their own
personality come through in their playing, and yours does by the bucket load in
these pieces, from the hat to the Picasso-inspired right hand
Very nice sound and playing. Congratulations to you and the luthier.
Rob
www.robmackillop.net
On 28 Oct 2011, at 18:28, wikla wi...@cs.helsinki.fi wrote:
Dear lutenists,
Today I got a new 11-course baroque lute, model J.C. Hoffmann. The lute is
made by young new maker, Lauri Niskanen
messages of support! It will definitely
be a labour of love.
And, yes, if you want to, you can download the tracks to your mp3 players.
Rob MacKillop
www.ScottishLute.com
www.robmackillop.net
To get on or off this list see list information at
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messages of support! It will definitely
be a labour of love.
And, yes, if you want to, you can download the tracks to your mp3 players.
Rob MacKillop
www.ScottishLute.com
www.robmackillop.net
To get on or off this list see list information at
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Thanks to all who responded or visited the site. Now the hard work begins!
Rob
www.robmackillop.net
On 29 Oct 2011, at 03:44, Ed Durbrow edurb...@sea.plala.or.jp wrote:
Altruism lives! Best of luck with it. I know it will be a success.
On Oct 29, 2011, at 5:26 AM, Rob MacKillop wrote
I was going to ask the same thing!
But never mind Greek. What does 'diatessaron above the diapente' mean
in English?
Rob
On 30 October 2011 15:26, Jerzy Zak [1]jurek...@gmail.com wrote:
Dear friends,
In the Supplement to LUTE NEWS 99 there is a second part of Bach
So he put it in D because he thinks it sounds better.
Rob
www.robmackillop.net
On 4 Nov 2011, at 19:14, Monica Hall mjlh...@tiscali.co.uk wrote:
Subject: RE: [LUTE] Re: diatessaron/diapente
To those of you who were discussing this - I had the following reply from
Wilfred which I
I like your photos, Arto. And while we are at it, here are some of
mine:
[1]https://picasaweb.google.com/117536826456517121171/Landscapes1
Made the mistake of looking in a photography shop yesterday. One could
easily spend the price of a theorbo on a camera. And the lenses are
I loved your playing there too, Wolfie :-) Very soulful, the way I like it.
Rob
www.robmackillop.net
On 8 Nov 2011, at 17:52, Sean Smith lutesm...@mac.com wrote:
Wolfgang,
This is a very satisfying couple of pieces played together. Your recording is
well-played, too!
I opened a
De Visee's publication, ''Pieces de Theorbe et de Luth'' is also a
source for his lute music, but in a kind of treble-bass score. Perrine
would have approved. Theorbo or lute, it is all original de Visee.
Rob MacKillop
On 14 November 2011 11:42, Daniel Shoskes [1]dshos...@mac.com
(to name the more obvious) will
take an interest. After all, many of these settings are arrangements of
the early repertoires of these instruments.
The website: [1]http://ScottishLute.com
Well, onwards and onwards...
Rob MacKillop
--
References
1. http://ScottishLute.com/
To get
Take a look at the following from Markus Lutz. It's an example of what I would
like to see - the lute community contributing to the site with info about
various tunes I upload. Plus, Arto made a big contribution with the Lully
connection. Keep it coming.
Rob
www.robmackillop.net
Dear Rob,
Thanks to the resourceful David Smith, all the mp3 files now carry the
metadata required by iTunes and other players. Should make filing,
playlists, etc easier.
Many thanks to David.
Site link: [1]http://scottishlute.com/balcarres/
Rob MacKillop
--
References
1. http
I know these strings well, Anthony. A banjo company repackaged some as a set of
banjo strings for the 19th-century repertoire, and even called them the Rob
MacKillop set, which surprised me as we had not discussed it. This caused Mimmo
to cross me off his Christmas card list
Temporary link for Panmure 4
http://db.tt/xZQ2qC5
Rob
www.robmackillop.net
On 1 Dec 2011, at 22:02, Lex van Sante lvansa...@gmail.com wrote:
Hi all,
@ Andreas and Bernd
Thanx for the link
@ Martin
I will ;-)
Cheers, Lex
Op 30 nov 2011, om 12:28 heeft Martin Shepherd het volgende
Just get a regular 12-string guitar. You will have a modern orpharion,
complete with octave basses. Sounds beautiful playing lute music on
it...
Rob
On 15 December 2011 13:51, Bruno Fournier [1]br...@estavel.org wrote:
Frankly I don't see the point of the exercise.A Simply
Here's my kind of research. Wish I'd thought of doing it first:
http://www.acs.psu.edu/drussell/Asterix-Music.html
Rob
www.robmackillop.net
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A bit off topic, maybe...
My Cd from way back is now out of print, and the record company
defunct. So, I've placed all the tracks on my Soundcloud page:
[1]http://soundcloud.com/you/sets
Free to listen to. You can also download the tracks, read more
background info, and
-divertimentis-for/
Hope that helps!
Bill
From: Rob MacKillop [3]robmackil...@gmail.com
To: Lute [4]lute@cs.dartmouth.edu
Sent: Sunday, 8 April 2012, 9:15
Subject: [LUTE] James Oswald's ''Twelve Divertimentis for the Guittar''
A bit off topic, maybe...
My Cd from way back
Thanks, Craig.
Rob
www.robmackillop.net
On 8 Apr 2012, at 14:31, co...@medievalist.org wrote:
What lovely music, and you have such a delicate touch on the
instrument. Thank you for sharing these pieces.
Regards,
Craig
To get on or off this list see list information at
Bill, do you remember Wee Phil's on the drums?
www.robmackillop.net
On 9 Apr 2012, at 16:08, William Samson willsam...@yahoo.co.uk wrote:
When I were a lad (Oh no - Here we go again!) we used the contraction
that was pronounced and spelt 'mike' for a microphone. When did this
'mic'
That is terrible, Albert. You have my sympathy. They used you.
I look forward to reading Francois' introduction to the Tree edition!
Rob MacKillop
www.robmackillop.net
On 25 Apr 2012, at 21:48, Albert Reyerman albertreyer...@kabelmail.de wrote:
The Singakademie 4060 manuscript has been set
Well, my Arcam Alpha 9 plays everything - and I mean everything - at
415 and in 6th-comma meantone. Not so good for French baroque...
Rob
On 15 June 2012 17:43, BENJAMIN NARVEY [1]luthi...@gmail.com wrote:
Dear Luters,
I am in the process of looking for a new stereo
13c lute by Malcolm Prior, 2011.
Magnificent, top-quality instrument.
31 rosewood ribs, with ebony spacers.
Bass and treble riders.
Beautifully contoured neck (ebony veneered) and cambered fingerboard.
Mint condition.
Photos and videos at [1]http://robmackillop.net/lute
Break out the champagne! Well done, Stephen. I'm VERY impressed you stayed the
course, and your recordings are now the 'go to' database for anyone interested
in this very attractive, yet curiously neglected, repertoire.
Only one question remains - What next?
Rob
www.robmackillop.net
On 9
Well, if he believes in God, he must be a good person...
Rob
On 12 July 2012 18:15, David van Ooijen [1]davidvanooi...@gmail.com
wrote:
Look what the cat brought in. It was cc-ed to a lot of e-mail
addresses.
Only yesterday I recieved an e-mail from a man offering me
Wayne, the term Paki is regarded as being deeply offensive in the UK...not
sure about the US or elsewhere.
Rob
www.robmackillop.net
On 2 Oct 2012, at 21:54, wayne cripps wst...@cs.dartmouth.edu wrote:
Mel Wong has reviewed a certain Paki lute .. and he made some inexpensive
lutes
Links not working for me...
Rob
On 13 October 2012 13:47, Andreas Schlegel [1]lute.cor...@sunrise.ch
wrote:
[2]https://www.karlundfaber.de/de/kataloge/online-katalog/index.php?
id 872
[3]https://www.karlundfaber.de/de/kataloge/online-katalog/index.php?
id 875
Off Topic, I'm afraid, but played with gut and silk strings, no nails,
etc...
I'm delighted to announce my new album:
Fernando Sor: The Art Of The 19th-Century Guitar, Volume 1
This recording is devoted to 32 of my favourite studies by this
towering genius of the early
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