Violating my normal procedures, I popped for first run tickets tonight to
WAR OF THE WORLDS. My reaction? Well, it's pretty strange... depending on what
specific scene or sequence, I can completely agree with *everything* that has
been said on this list about this picture -- both the
i purchased REBECCA 1940 insert, so my Want List shrank, just a bit.
(it is beautiful great condition. ipaid 730 with
shipping. good deal? )
WANTED: american, originals, only--
MORTAL STORM (any size)TOMORROW IS
FOREVER (mint one sheet only)ESCAPE (1940--Shearer, Taylor) (insert/half
Title: AOL Email
please email me with price, condition and photos if you have one for
sale.
thanks
David
A. LiebermanCineMasterpieces.com480 607 9700
Visit the MoPo Mailing List Web Site at www.filmfan.com
I enjoyed the film. It was a rollercoaster ride. It
didn't compare with the first nor did I think it was
Spielberg's intention.
The end was better in the original because it seemed
to flow better.
But despite that last third, it still was fun. The
entrance of the aliens is not to be missed.
July 15th is
right around the corner andHeritage
Vintage Movie Posters has 778 lots of rare andvintage movie posterson-line now for
viewing and bidding inthis star-studded
auction. If you haven't looked yet, treat
yourself to a visual feast of itemsthat might not come your way again.
I have to second Kirby's comments on WOTW.
It's an OK sci-fi pic with exceptional special effects, and a terrific
performance by a child actor. My sentiments exactly.
OK, I'm not a Tom Cruise fan but that aside I just could not buy him as a
father. Not the father of a rebel teenage boy. He's
Happy 4th,
Can someone remind me how to tell if an Endless Summer os is from the
original release? It's distributed by Cinema 5, but has no other distinguishing
marks. Of course, I found it at the very bottom of a box of mediocre 70's and
80's posters. Also anything I need to look for on On Any
Earl,
You were probably OK. Most of the time the information would not have been
captured until you hit a button to send it. To catch it before that, they would
have to use some incredibly sophisticated keystroke capture technology. The
thing everyone needs to remember is this:
No
JR,
JR wrote -
"It's not Truffaut or Fellini or even George Cukor or Frank Capra, but what
is these days?"
Isn't that the point in a way? And isn't it a shame?
Not that every director can't have a miscue - but there doesn't seem to be
a standard of excellence anymore. Perhaps I'm too
Now at www.MoviePosterBid.Com
http://www.movieposterbid.com/search_seller.asp?nsearch=hollywoodfilmposters.com
POINT BLANK Lee Marvin Classic CRIME 1967 22X28 LINEN HSTHE JUNGLE PRINCESS 1936 Dorothy Lamour And Tiger Image LCTHE BLACK WINDMILL 1974 MICHAEL CAINE/DON SIEGEL 27x41 ONE
Just listed, the super rare PICNIC AT HANGING ROCK Australian lobby set.
Eight beautiful scene cards plus a title card, this country of origin
set is perhaps the toughest to find item on the Peter Weir classic.
PICNIC was a mega-hit in Australia which means that the material was
used, and this
I think it can really be boiled down to a few simple things in films
today.. with rare exception.
1) same old ideas rehashed for the 10,000th time
2) lack of any intellectual value
3) blasting action to push up your adrenalin
4) films made just for the sake of making films making money
and
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