doubling that,
or more.
Herb
- Original Message -
From: Bruce Dayton [EMAIL PROTECTED]
To: Mark Cassino pentax-discuss@pdml.net
Sent: Monday, February 28, 2005 1:46 AM
Subject: Re: colour shift under big lighting
Hello Mark,
maybe you just need a faster portable drive. I specifically
--- Frantisek [EMAIL PROTECTED] wrote:
somebody here is also shooting horses and similar
with D2H, which has
an ambient light WB sensor, which I heard is
designed to detect
flicker in fluorescents, do you exhibit same
problem?
I don't have a D2H or shoot horses, but I have had
lots of
wb I don't have a D2H or shoot horses, but I have had
wb lots of trouble with indoor lighting, including shots
wb having the colour shift visible over half of the
wb frame.
Now that's very strange! Especially as i't is mirrored in the two
photos! I assume the camera worked fine in other venues?
--- Frantisek [EMAIL PROTECTED] wrote:
wb I don't have a D2H or shoot horses, but I have
had
wb lots of trouble with indoor lighting, including
shots
wb having the colour shift visible over half of the
wb frame.
Now that's very strange! Especially as i't is
mirrored in the two
photos!
Those are interesting. Are they taken from aproximately the same point and time
of day? If they are it is a camera problem no a lighting problem becase the
color cast has shifted from one side to the other. Of course there could be
window to either side and one was shot in the early morning and
wendy beard mused:
I don't have a D2H or shoot horses, but I have had
lots of trouble with indoor lighting, including shots
having the colour shift visible over half of the
frame.
http://www.muddypawz.net/dfst3/images/127_2703.jpg
http://www.muddypawz.net/dfst3/images/127_2708.jpg
Hmm, reply didn't appear again. (see below)
--- Frantisek [EMAIL PROTECTED] wrote:
Now that's very strange! Especially as i't is
mirrored in the two
photos! I assume the camera worked fine in other
venues? Was it just
these two, or a whole bunch from that venue? It
might also be
MC Are you shooting digital or film? If digital - do you have Auto White
MC Balance on?
Thanks for the suggestion. I have had nothing but problems with AWB,
even on supposedly superb cameras like D2H's matrix colour meter. It
drove me nuts in postpro, because of tiny variations in otherwise
. it
chooses over a fairly finely spaced values on purpose.
Herb...
- Original Message -
From: Frantisek [EMAIL PROTECTED]
To: Mark Cassino pentax-discuss@pdml.net
Sent: Sunday, February 27, 2005 3:11 AM
Subject: Re: colour shift under big lighting
Thanks for the suggestion. I have had
- Original Message -
From: Frantisek
Subject: Re: colour shift under big lighting
though it was the autocontrast causing the problem with Bush, but
same
problem happened with Putin later in the evening, where I had
autocontrast turned off - perhaps the chameleons theory is right
Message -
From: Herb Chong [EMAIL PROTECTED]
To: pentax-discuss@pdml.net
Sent: Sunday, February 27, 2005 7:27 AM
Subject: Re: colour shift under big lighting
but the RAW converter has a white balance setting. i never take my camera
off of Auto WB. if i see one that is off during conversion
Mark, I also usually shoot JPG. When I'm shooting under mixed lighting, I
usually set a manual white balance.
Bill
- Original Message -
From: Mark Cassino [EMAIL PROTECTED]
To: pentax-discuss@pdml.net
Sent: Sunday, February 27, 2005 12:07 PM
Subject: Re: colour shift under big lighting
Hi,
For the record, our own Jean Chrétien is also an alien projection,
and I am pretty sure that Tony Blair is one as well.
Blair is Bush's back projection...
--
Cheers,
Bob
So I have uploaded the samples of colour shifts. There are two pairs:
all are in manual white balance, manual (same in the pair) exposure,
no flash used, all taken at the same second after each other (at 3
fps motodrive speed). Oh, forgot to add, shutter speed
was around 1/500 for the first two,
: Sunday, February 27, 2005 12:07 PM
Subject: Re: colour shift under big lighting
You are right re RAW files. I should of mentioned that I shoot JPG at the
swim meets, mostly because I need the speed and to be able to hold lots
of images on my CF cards. So, the process I described about locking
www.markcassino.com
- - - - - - - - - - - - - - - - - - - -
- Original Message -
From: Herb Chong [EMAIL PROTECTED]
To: pentax-discuss@pdml.net
Sent: Sunday, February 27, 2005 8:56 PM
Subject: Re: colour shift under big lighting
well, i have 10G total space on my set of CF cards
, February 27, 2005 8:56 PM
MC Subject: Re: colour shift under big lighting
well, i have 10G total space on my set of CF cards and single Microdrive,
12G if i press into service some of my older CF cards. that's close to 900
frames in RAW. since i plan to get one of the 6G Microdrives, that would
Hi,
what would be the safe shutter speed to avoid the colour and
contrast shift under high intensity lighting? Always when I am
shooting some event lit by something like that, I get incosistent
colours in a burst of frames. I hope it's not the camera
(elsewhere it worked fine, and
- Original Message -
From: Frantisek
Subject: colour shift under big lighting
I have assumed that it's due to lighting flicker, and that
a slower shutter speed might solve the problem? Like with
photographing TV? If yes, what would be the good shutter speed?
I hope it's
It seems to me that now days, a high fps rate is more important than
learning how to use your equipment properly.
Bill
Something I have noticed over the past while is a change in the way
photojournalists shoot at these types of events. I remember not too many
years ago, watching a famous head
- Original Message -
From: Bill Owens
Subject: Re: colour shift under big lighting
It seems to me that now days, a high fps rate is more important
than learning how to use your equipment properly.
Perhaps this is the correct way to use them, in that situation.
However...
Watching
WR Now, they seem to be shooting nearly continuous high speed captures.
WR I was watching the Prince and Miss Camilla on the news the other day,
WR and I couldn't see any way in hell that the photo boys weren't
WR getting multiple flash bursts happening on the same frame.
Har, in a few years we
On Sat, 26 Feb 2005 15:59:29 -0600, William Robb [EMAIL PROTECTED] wrote:
Now, they seem to be shooting nearly continuous high speed captures.
I was watching the Prince and Miss Camilla on the news the other day,
and I couldn't see any way in hell that the photo boys weren't
getting multiple
Hi,
Perhaps this is the correct way to use them, in that situation.
However...
Watching it on TV is annoying enough. It's a bit of a surprise that
celebrities and public figures don't snap more often.
not a good idea to bite the hand that feeds them.
--
Cheers,
Bob
- Original Message -
From: Bob W
Subject: Re: colour shift under big lighting
not a good idea to bite the hand that feeds them.
I think of it more of a symbiotic relationship.
Something like mutual parasitism.
William Robb
- - - - - - - - - - - - - - - - - - - -
Mark Cassino Photography
Kalamazoo, MI
www.markcassino.com
- - - - - - - - - - - - - - - - - - - -
- Original Message -
From: Frantisek [EMAIL PROTECTED]
To: PDML pentax-discuss@pdml.net
Sent: Saturday, February 26, 2005 10:56 AM
Subject: colour shift under big lighting
Hi,
what would
William Robb wrote:
I was watching the Prince and Miss Camilla on the news the other day,
and I couldn't see any way in hell that the photo boys weren't getting
multiple flash bursts happening on the same frame.
Is this not where TTL scores - it will cut your flash and use the
opposition's?
- Original Message -
From: mike wilson
Subject: Re: colour shift under big lighting
Is this not where TTL scores - it will cut your flash and use the
opposition's? You may still get incorrect exposure but it will not
be so bad as if you got the whole double burst. Also, although
William Robb wrote:
- Original Message - From: mike wilson
Subject: Re: colour shift under big lighting
Is this not where TTL scores - it will cut your flash and use the
opposition's? You may still get incorrect exposure but it will not be
so bad as if you got the whole double burst
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