Well. I really can't see that the technical difficulty of
fingering 20003 is really much greater than 20033; and the suggestion
that using the 3rd fret to act as a pivot (for example to play 00232),
whilst certainly true, is a bit desperate: we're really not looking at
any
With all due respect, I think when we start to assess fingerings (or
any other performance issue) purely on the basis of our own technical
abilities, we impose our own idiosyncrasies on the subject.
That is not what we are doing here.
fingering, I'm simply pointing out that, from a
20033; and the suggestion
that using the 3rd fret to act as a pivot (for example to play 00232),
whilst certainly true, is a bit desperate:
In your previous message you actually said...
This is also a very good and practical point!
Try playing the progression A B C A at speed
While you're bringing up Sanz, I think there's another point to
consider. We shouldn't forget that his book is titled an instruction
on the guitar. In fact, it's laid out very much that way, beginning
with some explanations and theory, then laying out the abecedario
(what I
On 13 September 2012 17:04, Martyn Hodgson hodgsonmar...@yahoo.co.uk wrote:
To reduce to absurdity: if we
eliminate, say, all thirds from a chord
'Absurdity' another word for 'power chords' or for the music in which
these chords commonly are used? ;-)
David - not waiting for an answer
Hello Friends-
On this issue I do have something to contribute- a very specific
example from the alfabeto repertoire (along with some shameless
self-promotion!)
In preparation for my recording of Grandi's 3rd volume of arias from
1626, my teacher suggested the alternate
R3. Not a red herring at all. You no doubt noted that I discussed
distribution of notes in the 20033/20003 chords generally. But then
went on to point out, that if the French/Corbetta tuning is
employed the distribution of thirds and fifths in the 20033
configuration is much more equal
Great project and very beautiful video! Thanks Bud!
Arto
On 13/09/12 18:29, bud roach wrote:
Hello Friends-
On this issue I do have something to contribute- a very specific
example from the alfabeto repertoire (along with some shameless
self-promotion!)
In preparation