Thank you, Monica!
— Rocky
> On Aug 8, 2020, at 8:54 AM, Monica Hall wrote:
>
> Dear All
>
> I have at last revised and substantially enlarged my study of these enigmatic
> instruments. You will find the revised pdf at
>
> https://monicahall.co.uk
>
> in the section
>
> The Chittarra
I’ll add my voice to the thanks, too!
— Rocky Mjos
On Apr 3, 2018, at 8:20 AM, Nelson, Jocelyn wrote:
> I agree with Rob, Monica, thank you for your work. Here in North Carolina it
> was a wonderful thing to see first thing in the morning. I enjoyed exploring
> a bit of it
I would prefer to see what figures are in he original source -- even
if I were to change/correct some for my taste. In the case of Granata
I could add figures (and the occasional editorial figure) from Boye's
dissertation.
I might try a lute or liuto attiorbato to compete less with the sound
of
http://www.gordonferries.com/pdf/Soundboard_W09-10_(correction).pdf
-- R
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Larson rockype...@earthlink.net wrote:
From: Mjos Larson rockype...@earthlink.net
Subject: [VIHUELA] Ferries discusses Bartolotti
To: vihuela@cs.dartmouth.edu
Date: Monday, 24 January, 2011, 16:19
http://www.gordonferries.com/pdf/Soundboard_W09-10_(correction).pdf
-- R
To get on or off
Thanks for bringing this to our attention, Jocelyn.
-- R
On Dec 12, 2010, at 7:51 AM, Nelson, Jocelyn wrote:
Dear Early Guitar List,
I would like to announce the following online
early guitar anthology compiled by Chuck Wolzien, who was my professor
when I studied at
CU Boulder:
Early
Pisador online facsimile.
Ning EGV member Arthur J. Ness has sent news of a new publication
available online in the UR Research collection [Sibley Music Library
at Eastman]:
Publication Name: Libro de musica de vihuela / agora nueuamente
compuesto por Diego Pisador.
I am busy with planning and arranging some music for performance with
a Dm lute playing friend. I have started some arrangements of French
music, the Lawes duets (Stubbs recorded them on guitar with harp),
and even a Vivaldi Andante.
I asked a few people at the LSA seminar this summer for
I see that Mel Bay has a new book (Spanish only) that may be of
interest to some list members:
http://www.melbay.com/hotlist.asp
Apuntes de Interpretacion Para el Renacimiento y el Barroco
by Jorge Cardoso
Product Number: 8493626075
I am still waiting for their Bartolotti edition due out
(Also posted to the Lute List)
While browsing in the Duben database today I came across an entry for
a Suite by Benjamin Rogers that mentioned a mr Angelloe.
Although the Uppsala University website suggests this referred to a
patron of Rogers, I wondered if it might just as possibly refer to
Thomas Schmitt has uploaded a scan of a Baroque guitar manuscript to
his Ning page.
http://earlyguitar.ning.com/profile/ThomasSchmitt
The manuscript doesn't seem to be listed in Tyler's The Guitar and
its Music (though I may have missed it).
-- R
Here is Mr Schmitt's comments:
As a
Thanks for the tip, Monica. People might be able to give a listen at:
http://www.rhapsody.com/alfred-fernandez/sanz-guerau-ad-hunc-modum-
musica-de-manuscrits-catalans
-- R
On Mar 18, 2010, at 11:42 AM, Monica Hall wrote:
Alfred Fernandez
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Thank you, Monica!
I have downloaded the files and am slowly reading through them. Many
interesting details I had not read about before.
Wonderful!
-- R
On Mar 15, 2010, at 4:03 PM, Monica Hall wrote:
I have now added a big chunk of new stuff on my web page -
In re-reading the Scandinavian entry in James Tyler's The Guitar and
It's Music, I noticed three pieces mentioned which may be from the
time of Queen Christina.
The manuscript is from Sweden and is listed in Tyler's book as S-SK
MS 493b.
Rudén gives this entry on p. 43 of his Music in
The Romance is a very beautiful little piece. Thanks! -- R
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Thank you, Monica!
It's a great addition/edition.
Could you clarify your use of colored music notation in the edition?
-- R
On Jan 24, 2010, at 9:27 AM, Monica Hall wrote:
I have just placed on my [1]www.earlyguitar.ning.com site what I
think
may be the first modern edition of the
Mille grazie!
You are now up to 24! Only 180 (?) more to go !!
Everybody should look on http://earlyguitar.ning.com/ then Monica's
page.
-- Rocky
On Jun 30, 2009, at 2:41 PM, Monica Hall wrote:
I've added 6 more pieces to my Foscarini edition on
[1]www.earlyguitar.com - 2 from
Thank you, Monica!
-- R
On May 29, 2009, at 6:08 AM, Monica Hall wrote:
Just for the record - I have added 4 more pieces to my Foscarini
edition on [1]www.earlyguitar.ning.com
2 from Book 3 and 2 from Book 5.
To get on or off this list see list information at
I'm not quite convinced.
There are only 7 measures at in the third section where the bass line
is significantly different between the second system (which you are
proposing as a continuo part for the guitar) and and the 3rd system,
the bass line part. (There are a couple of octave
Thank you David, Martyn, and Monica for your comments (and for
uploading the page from the original source, Monica!)
I have come across some different recordings of the piece:
Veronica Cangemi (From Italy to Brazil) with the Una Stella ensemble
has Philippe Spinosi on guitar. Also uses
else have this
problem?
Normally I have no such problems with your pdfs.
Rob
2009/5/10 Mjos Larson [1]rockype...@earthlink.net
I have uploaded an updated edition of Kremberg.
It includes some new pieces for guitar, another baroque lute
setting, a song, and some viol
I have been thinking to ask this group for ideas and suggestions on
approaching Händel's No se emendera jamas (Cantata Spagnuola a
voce sola e Chitarra) for some time.
The Chrysander edition is online at:
http://daten.digitale-sammlungen.de/~db/0001/bsb00016889/images/
I have uploaded an updated edition of Kremberg.
It includes some new pieces for guitar, another baroque lute setting,
a song, and some viol versions (which could serve as the starting
point for lute or archlute arrangements). There are also a few small
corrections to previously offered
Nice job, Stuart.
On Mar 16, 2009, at 9:06 AM, Monica Hall wrote:
http://www.pluckedturkeys.co.uk/Vald.mp3
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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
The Early Guitars and Vihuela Ning group can be accessed by the
public, unlike the Lute and Cittern Ning groups.
A person does need to be a member (free!) to upload files,
participate in forums, and get your own page.
The Score page lists scores uploaded by members on the site (usually
Thanks Monica for another terrific edition.
I love that you are bringing forth works from a little known
manuscript and an interesting focus, from it,
I found it interesting that the arranger didn't always place chords,
or thicker textures on what I would expect to be more accented parts
Thanks for your comments and sensitivity to the music.
As Monica has mentioned and I'm sure you also know, there are some
real thorns in some of these early sources. After going through the
Toccattas and putting up me edition, I still had many dances I had
begun work on that had problems I
Is it too late to get some Kremberg on your new Scottish CD?
On Feb 18, 2009, at 10:50 AM, Rob MacKillop wrote:
From David Johnson's 'Music and Society in Lowland
Scotland' [OUP 1972
- but there is an updated reprint from - I think - two years
ago]. I've
copied all the
Thanks for the link.
Scoth Anne: Although a few of us are still not entirely certain as to
the _exact_ spelling intended for the first word, we were in
agreement that the second word was actually intended as tune.
However the scrawl of the manuscript does look quite like Anne.
-- R
On Feb 15,
I have uploaded a collection of about 20 Kremberg pieces to my Ning
group page:
http://earlyguitar.ning.com/
This edition is mostly guitar settings of songs, but a few pieces
have voice and BC parts and one piece gives an impression of a
typical page layout.
As a rare German source for
I have uploaded scores of two duets by Nathanael Diesel to my Ning
member page:
http://earlyguitar.ning.com/profile/RockyMjos
-- R
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Thank you for your excellent work and keeping us informed of your
updates!
-- Rocky
On Nov 26, 2008, at 12:09 PM, Monica Hall wrote:
I have made some minor changes and corrections to my pages about
Bartolotti so if anyone is interested they might want to
download the
revised
Thanks for trying the music.
Let me know if you find a tuning that makes more sense to you!
Hopefully my notes will make clear what I have altered from the
original.
-- Rocky
You have looked at this stuff more than I have, but in my brief
experience of the MS I think that sometimes
I have updated the Storm Ms PDf on my Early Guitar Ning member page:
http://earlyguitar.ning.com/profile/RockyMjos
-- R
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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Stuart,
I have now uploaded a revised PDF, incorporating revised titles
deciphered by Arthur Ness and including one piece from the original
(which shows how the 6th and 7th courses are notated).
The manuscript says the cittern in in B Acordt -- which I interpret
as B-flat tuning. This
Stuart,
I didn't interpret Rob's term fun as meaning joke.
I did like your term humour, though. But in the sense of mood.
He does seem to be strumming the foundation chords and letting loose
a delicate filagree of notes before starting the metrical strumming
and written part. Sort of an
: Checked Out - Due on 12-04-08
|
|
==
==
|
|
=AJN (Boston, Mass.)=
- Original Message -
From: Mjos Larson [EMAIL PROTECTED]
To: vihuela@cs.dartmouth.edu
Sent: Thursday, August 07, 2008 12:55 AM
I also think of scordatura less as playing in another key (although
that may well be in a composer's mind given the idea of keys and
emotions: see http://www.library.yale.edu/~mkoth/keychar.htm for
example), but that it creates interesting and different sonorities,
interval possibilities, and
Thank you, Monica.
I have attempted to email you offlist with a longer reply and
samples, but am continually getting Mail Delivery Failure messages.
Let me know if all my attempts have actually gone through!
-- Rocky
To get on or off this list see list information at
Before I pull out my Italian dictionary, can anyone direct me to an
existing English translation of Kapsberger's performance practice
introduction from Libro Quarto di Chitarrone (1640)?
Might there also be a translation of Valdambrini's introduction to
his guitar books? I am only aware of
I hadn't, but I will contact them.
-- R
On Jul 29, 2008, at 2:54 PM, Stuart Walsh wrote:
Have you thought of contributing a reference to 'Les Folies
d'Espagne' to this site:
http://members.chello.nl/folia/
Stuart
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I apologize for not providing a link.
http://earlyguitar.ning.com/profile/RockyMjos
-- R
On Jul 28, 2008, at 1:55 AM, Martyn Hodgson wrote:
What group is this please?
--- On Sun, 27/7/08, Mjos Larson [EMAIL PROTECTED] wrote:
From: Mjos Larson [EMAIL PROTECTED]
Subject: [VIHUELA
I have added my edition of the 7 guitar pieces from the Hedevig
M=F6rner Ms. to my member page on the Early Guitars and Vihuela Ning
group. (Sweden: Skara: Stifts- och Landsbiblioteket, Katedralskolans
musiksamling 468).
--
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Martyn,
Do you think a 4-3 cadence is always required in this repertoire?
Or do you think a plain major chord might, possibly, be an element of
the style? O would a plain chord only have been played by low-level
amateurs?
I actually am happy enough to play from Italian or Spanish sources
this song by Fasolo
with the
numbers as well as letters to the
http://earlyguitar.ning.com
page.
Monica
- Original Message - From: Monica Hall
[EMAIL PROTECTED]
To: Mjos Larson [EMAIL PROTECTED]
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Sent: Sunday, July 20, 2008 4:53 PM
Subject
I have added a small collection of pieces by Piccinini to my Early
Guitar Ning group member page. Included is Foscarini's arrangement of
the Chiaconna Mariona by Piccinini.
http://earlyguitar.ning.com/
-- Rocky
--
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Lex Eisenhardt's Canta Venetia! recording arrived today with very
nice performances and very attractive songs.
In trying to track down music for some of the pieces I discovereds
facsimile of the Obizzi collection posted on the Digital Library of
Wroclaw University site. Free DjVu software
Monica,
Are you using the term fully fledged trill as meaning the inclusion
of upper and lower auxiliaries?
Here's my take on Bartolotti's slightly puzzling trill and
appoggiatura examples.
Many of his examples begin with an example of what a player would see
notated in the tablature
Today I started typesetting Ch'amor sia nudor, one of Francesca
Caccini's songs for chitarra spagnola from 1618.
The canzonetta has a melody staff (with alphabeto letters above it)
and a figured bass staff. The piece can be found at:
http://ace.acadiau.ca/score/facsim5/caccini/271.htm
The
is an instruction for the vocalist
(i.e.
trill here), rather than anything intended for the accompanist.
Daniel
On Sun, 15 Jun 2008 23:02:21 -0500 Mjos Larson
[EMAIL PROTECTED] writes:
Today I started typesetting Ch'amor sia nudor, one of Francesca
Caccini's songs for chitarra spagnola from 1618
This topic brings to mind that Antonio de Santa Cruz (c.1699,
according to Tyler) called his 5-course instrument the Biguela
hordinaria -- the common vihuela.
What's in a name? That which we call a vihuela
By any other name would sound as sweet.
-- Rocky
On Jun 7, 2008, at 10:17 AM,
Contacting the Ning tech support, I found out that Ning doesn't
support Mac uploads from Safari, but does (seem to) work with Firefox
(although the pop-up window looks a bit buggy).
I tested it with an arrangement I made from the harpsichord music of
J. H. Roman.
Thank you, Monica!
And how timely -- I ordered the facsimile a week or so ago and am
expecting it any day now.
I have recently been wrestling with his notation and appreciate you
added perspective.
Thank you, again.
-- Rocky
On May 23, 2008, at 1:45 PM, Monica Hall wrote:
Well - I
I decided to pull out my blurry microfilm of Kremberg and look at
some of his guitar settings again.
Not finding a contents list (easily) on the web, I wonder if anyone
on the list may be familiar enough with the source to comment on the
contents list I made tonight.
The film is frequently
The Jarana page is now working for me.
Terrific report! Thank you.
-- Rocky
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I see that the recording by Eduardo Figueroa and Oscar Ohlsen of
music from Santiago de Murcia's 1722 Cifras Selectas de Guitarra is
now available.
http://eduardo.liuto.com/cds.php?lang=2
Has anyone on the list heard it yet?
-- Rocky
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Thanks for pointing this out!
-- Rocky
On Feb 29, 2008, at 12:31 PM, G. Crona wrote:
If you speak Spanish, you're in for a treat, as Julián Navarro
González has
presented his full dissertation PEDAGOGY OF THE SOLO BAROQUE
GUITAR: DESIGN
OF A TOOL FOR REPERTOIRE ANALYSIS here:
With a quick play through, I don't hear a strong reason to move the
6 to the second course. That does set up a sort of musical tension
that pushes that phrase forward, but it sounds a little off to me. I
don't mind the 6 on the 3rd course. But there is a similar melodic
phrase at the
Your reply sent me to read about articulation metatools--something I
have never used. This will be interesting to try for upstroke dots,
but I'm guessing this could be handy for any frequently used symbol.
Last night I visited your website and viewing your scores clarified
your earlier
Bill,
I am always happy to learn about little known or new recordings and
publications. So it was interesting to listen to some clips online of
Ensamble Continuo.
The disc was mentioned in passing in Early Music and together with
Ensemble Banza's Iberian and African-Brazilian Music of
Good question, Ed.
Tyler suggested the following guages for gut strings in his 1984
Brief Tutor with these tensions at 415 (if I have read my old
Pyramid calculator correctly)
(65 cm)
1 = 0.52mm gut (4.5Kp)
2 = 0.62 mm (3.7 Kp each)
3 = 0.72 mm (3.2 Kp each)
4 bourdon = 1.04 mm (3.7 Kp)
4
Timo,
I have used Finale for years (for music notation and tabs) and it
offers control over almost every detail. With Finale it is possible
to create in-staff rhythm signs or Alfabeto chords. But it's not fast
and it does take some effort to make professional quality tabs. (I
use a Mac,
Yes, it's the same series where you played baroque lute and mandora.
-- R
On Jan 25, 2008, at 10:15 PM, Edward Martin wrote:
Is your gig going to be for the series I was on?
ed
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