Hello Everyone,
I just wanted to let you know I’m visiting London next month and plan to attend
the 11 May Lute Society meeting. I’ve been in touch with several of you for
many years, especially Monica, and if you’ll be there too I’ll finally get a
chance to meet you. I’m looking forward to the
I agree with Rob, Monica, thank you for your work. Here in North Carolina it
was a wonderful thing to see first thing in the morning. I enjoyed exploring a
bit of it before getting into the daily grind.
Regards,
Jocelyn
--
Jocelyn Nelson, DMA
Teaching Assistant Professor
Early Guitar, Music His
From: Nelson, Jocelyn
Sent: Thursday, July 27, 2017 7:49 AM
To: Ralf Mattes; Martyn Hodgson
Cc: Vihuelalist
Subject: Re: [VIHUELA] Re: Notation software recommendations
âHi Martyn,
This is a great question! Short answer: I say somewhat quicker through
software, and much qu
e Society of America Board Member
506 School of Music
East Carolina University
252-328-1255 Office
252-328-6258 Fax
nels...@ecu.edu
__
From: Martyn Hodgson
Sent: Wednesday, July 26, 2017 2:34 AM
To: Nelson,
celyn
From: Ralf Mattes
Sent: Tuesday, July 25, 2017 12:36 PM
To: Nelson, Jocelyn
Cc: Vihuelalist
Subject: Re: [VIHUELA] Re: Re=3A?=_=5BVIHUELA=5D?=_Re=3A?=
_Re=3D3A=3F=3D=5F=3D5BVIHUELA=3D5D=3F=3D?= Notation software
recommendations=3D3F=3F=3D?=
Am Diensta
bing to all,
Jocelyn
From: Ralf Mattes
Sent: Monday, July 24, 2017 12:58 PM
To: Ralf Mattes
Cc: Nelson, Jocelyn; Vihuelalist
Subject: Re: [VIHUELA] Re=3A?=_=5BVIHUELA=5D?=_Re=3A?=
_Re=3D3A=3F=3D=5F=3D5BVIHUELA=3D5D=3F=3D?= Notation software
recommendations=3D3F=3F=3D?=
Silly me, I f
e down for Fuenllana's tablature.
Thanks again,
Jocelyn
From: lute-...@cs.dartmouth.edu on behalf of Ralf
Mattes
Sent: Saturday, July 22, 2017 7:39 AM
To: Nelson, Jocelyn
Cc: Vihuelalist
Subject: [VIHUELA] Re=3A?=_=5BVIHUELA=5D?= Notation software
rec
017 3:38 PM
To: Nelson, Jocelyn
Cc: DANIEL SHOSKES; Vihuelalist
Subject: Re: [VIHUELA] Notation software recommendations?
If you are already a Finale user, you might try that program’s tab options.
All my tab scores are done on a Mac using Finale (see one of my Ning pages).
David van Ooijen also uses
Thanks, Danny!
From: lute-...@cs.dartmouth.edu on behalf of DANIEL
SHOSKES
Sent: Thursday, July 20, 2017 1:25 PM
To: Nelson, Jocelyn
Cc: Vihuelalist
Subject: [VIHUELA] Re: Notation software recommendations?
I run Fronimo and Django on a Mac using
thanks!
Jocelyn
__
From: Azalais
Sent: Thursday, July 20, 2017 1:09 PM
To: Nelson, Jocelyn
Subject: Re: [VIHUELA] Re: Notation software recommendations?
ps. I just checked the Fandango library and the Fuenllana pieces are
not there... yet. sorr
Does Fronimo work on mac? I used it some years ago on a PC, but I'm using a mac
now.
J
From: Rob MacKillop
Sent: Thursday, July 20, 2017 12:47 PM
To: Nelson, Jocelyn
Cc: Vihuelalist
Subject: Re: [VIHUELA] Notation software recommendations?
Hi Jo
Hi Everyone,
Does anyone on the list recommend any particular brand of notation
software for our early guitar purposes? I'm transcribing the Fuenllana
guitar songs for myself (on 4-course) and a singer to perform in
September. So far I'm looking at Guitar
Pro: [1]https://www.guit
Hi Stuart,
I enjoyed the music and also what you did with the painting. Can you tell
me anything about the painting?
Thanks for posting,
Jocelyn
--
Jocelyn Nelson, DMA
Teaching Assistant Professor
Early Guitar, Music History
Lute Society of America, board member
310 Fletcher Music Center
School o
Thanks, Stuart.
From: lute-...@cs.dartmouth.edu on behalf of WALSH
STUART
Sent: Sunday, January 8, 2017 4:39 AM
To: Nelson, Jocelyn
Cc: Vihuelalist
Subject: [VIHUELA] Re: short piece by A. Sychra for seven-string guitar
On 1/7/2017 9:02 PM, Nelson
Another delightful video from youŠ a great break for me in a day filled
with work. Thank you for posting, Stuart!
Are you actually playing a 7-course guitar?
Best,
Jocelyn
On 1/6/17, 11:51 AM, "lute-...@cs.dartmouth.edu on behalf of WALSH STUART"
wrote:
>https://www.youtube.com/watch?v=
How sweet. Unless she really was a tourist board plant : D
Thanks for posting this music
From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] on behalf of WALSH
STUART [s.wa...@ntlworld.com]
Sent: Sunday, March 06, 2016 2:26 PM
To: Nelson, Jocelyn
This was so delightful I had to replay it again right away, Stuart : )
What is the story about the pictures?
Jocelyn
From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] on behalf of WALSH
STUART [s.wa...@ntlworld.com]
Sent: Friday, March 04, 2016
Thank you, Monica.
Happy New Year to you, too : )
Jocelyn
Jocelyn Nelson, DMA
Teaching Assistant Professor
Early Guitar, Music History
Lute Society of America Board Member, Clerk
506 School of Music
East Carolina University
252-328-1255 Office
252-328-6258 Fax
nels...@ecu.edu
_
Thank you, Stuart!
J
From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] on behalf of WALSH
STUART [s.wa...@ntlworld.com]
Sent: Tuesday, August 25, 2015 7:02 AM
To: Nelson, Jocelyn; Vihuelalist
Subject: [VIHUELA] Re: a little dance for machete
Lovely: very sweet, sparkling tone!
Who is Mrs. Christopher?
Best,
Jocelyn
From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] on behalf of WALSH
STUART [s.wa...@ntlworld.com]
Sent: Sunday, August 23, 2015 12:46 PM
To: Vihuelalist
Subject: [VIHUE
Bravo, Monica!!
Best,
Jocelyn
From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] on behalf of Monica
Hall [mjlh...@tiscali.co.uk]
Sent: Saturday, July 04, 2015 8:40 AM
To: Rob MacKillop
Cc: Vihuelalist
Subject: [VIHUELA] Re: My Web Site
Yes - I f
, May 15, 2015 8:57 AM
To: Nelson, Jocelyn; Vihuelalist
Subject: [VIHUELA] Re: little waltz from 1846 for machete and guitar
> I enjoyed this too, and the picture almost as much as the music; keep them
> coming, Stuart! Is Cabral the composer or the player of the accompaniment, or
> bot
I enjoyed this too, and the picture almost as much as the music; keep them
coming, Stuart! Is Cabral the composer or the player of the accompaniment, or
both?
BTW, I neglected to thank you for your detailed answer to my question some
weeks ago. It was my huge busy time, end of the semester, and
I enjoyed listening to this; very nice!
From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] on behalf of WALSH
STUART [s.wa...@ntlworld.com]
Sent: Friday, April 10, 2015 4:24 AM
To: Vihuelalist
Subject: [VIHUELA] Stefano Pesori ('realised' by Mart
Thanks, Stuart!
From: WALSH STUART [s.wa...@ntlworld.com]
Sent: Thursday, April 09, 2015 1:37 PM
To: Nelson, Jocelyn; Vihuelalist
Subject: Re: [VIHUELA] guitarists in 17th century Funchal (Madeira)
On 09/04/2015 16:29, Nelson, Jocelyn wrote:
> Thank
Thank you, Stuart. Where you there and took these yourself? If so, any
eye-witness thoughts on whether these are 5-course guitars? I counted 4 pegs on
a side of 2 of these pics, and 5 on one.
Best.
Jocelyn
Jocelyn Nelson, DMA
Teaching Assistant Professor
Early Guitar, Music History
Lute Society
Thank you, Monica! Interesting enough for me to grab my copy of the Tyler &
Sparks and a pencil and include your information : )
Best,
Jocelyn
From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] on behalf of Monica
Hall [mjlh...@tiscali.co.uk]
S
I enjoyed this, too, Stuart! What a sweet tune, and the balance was on the
mark. Did you create the animation of the plucked string players?
Best,
Jocelyn
Jocelyn Nelson, DMA
Teaching Assistant Professor
Early Guitar, Music History
Lute Society of America Board Member, Clerk
506 School of Music
Thank you for posting, Stuart! I enjoyed both the music (sweet tone!) and the
lovely drawings.
Best wishes,
Jocelyn
Jocelyn Nelson, DMA
Teaching Assistant Professor
Early Guitar, Music History
Lute Society of America Board Member, Clerk
506 School of Music
East Carolina University
252-328-1255 O
Thanks for posting, Stuart. I love the sound of the strums.
Best,
Jocelyn
--
Jocelyn Nelson, DMA
Teaching Assistant Professor
Early Guitar, Music History
310 Fletcher Music Center
School of Music
East Carolina University
252.328.1255 office
252.328.6258 fax
nels...@ecu.edu
On 9/1/14, 1:41 PM
Hi Monica,
I'm not familiar with the Guitar Summit list. Perhaps I'm on it if I got your
message?
Best,
J
Jocelyn Nelson, DMA
Teaching Assistant Professor
506 School of Music
East Carolina University
252.328.1255 office
252.328.6258 fax
nels...@ecu.edu
Hi Monica,
I took a few master classes with Michael Lorimer in the late 1970s, and
at the end of at least one of them he brought out an ornate baroque
guitar and thrilled us all with a few dance pieces. I believe he played
Roncalli--at least that's the name that sticks in my mind a
Hi Edward,
I didn't know about this at all. It looks beautiful; thanks for posting
the link.
Best,
Jocelyn
--
Jocelyn Nelson, DMA
Teaching Assistant Professor
Early Guitar, Music History
336 Fletcher Music Center
School of Music
East Carolina University
2
Hi Stuart and Monica,
Thanks to both of you for this. I enjoyed listening--and watching--this
evening, before having to go back to work after a holiday weekend
(Labor Day over here).
Best,
Jocelyn
--
From: Monica Hall <[1]mjlh...@tiscali.co.uk>
Date: Sunday, September 2,
h century
On 8 May 2012 21:47, Nelson, Jocelyn <[3]nels...@ecu.edu> wrote:
Did you notice any rhythmic
or harmonic differences from the original in Coste's arrangements? It
seems
appropriate that you are not using inegale in a 19th century
arrangement,
To me, it
Hi David,
I finally got a chance to listen to your Coste arrangements of de
Visee. Very beautiful guitar, and beautifully played! Did you notice
any rhythmic or harmonic differences from the original in Coste's
arrangements? It seems appropriate that you are not using inegale in a
Your site is wonderful, Monica; thank you for all the valuable work
you've made available to everyone. I signed up to "follow" your site
(the first time this old-fashioned guitarist has ever done such a
thing).
Shall we make an announcement in the next LSA Quarterly? I'm not sure
Thank you for posting; I really enjoyed your performance of this,
Stuart!
(Don't mind Monica; it's great to hear the variety of yet another kind
of guitar, another time, another milieu, etc. : )
Best,
Jocelyn
From: Monica Hall <[1]mjlh...@tiscali.co.uk>
Date: Sun, 11 Mar
I really enjoyed these, Stuart. I'm listening to it for the 3rd time
now; can't help but smile with this music.
Thanks for posting.
Best,
Jocelyn
From: Stuart Walsh <[1]s.wa...@ntlworld.com>
Date: Sun, 8 Jan 2012 00:06:26 +
To: Vihuelalist <[2]vihuela@cs.dartmouth.edu>
The only one I was able to access was number four. It sounded
delicious.
Jocelyn
From: Azalais <[1]azal...@gmail.com>
Date: Sun, 11 Dec 2011 12:54:37 -0500
Cc: Vihuelalist <[2]vihuela@cs.dartmouth.edu>
Subject: [VIHUELA] Re: Agazzari guitar [was Re: Capona?]
(Apologies
Ralf makes a great case that we can't assume "chitarrino" means
"guitar" (I must try that pasta sometime), but maybe there's a bit of
evidence here in what Lex says that shows the 4-course guitar was still
active in the 17^th century, even in printed music.
Jocelyn
Well, Oliver
Hi Monica,
You're not getting old, you're getting wise : )
Yes, I think some performers exploit the "popular" idea because it
sells so well. It's challenging for both performer and listener to be
more thoughtful about what the performance context really might have
been. It's su
Hi Roman,
I've been listening for a while now and just wanted to say how much I
enjoy your music. Thanks for the download opportunity.
Best,
Jocelyn
--
From: Roman Turovsky <[1]r.turov...@verizon.net>
Date: Fri, 9 Dec 2011 12:03:04 -0500
To: Vihuelalist <[2]vihuela@cs.da
Well, the waltz was nasty because people held each other closely while
dancing. There's even a funny quote from 1799 in Grove about people
waltzing in the "dark corner" of the room.
I think the sarabanda and ciacona garnered comments from some shocked
Europeans in the 17th century or
Hi Stuart,
I don't know what capona means, and I don't have the music handy, but I
enjoyed this. I like your tempo.
Best,
Jocelyn
From: Stuart Walsh <[1]s.wa...@ntlworld.com>
Date: Thu, 8 Dec 2011 20:14:31 +
To: Vihuelalist <[2]vihuela@cs.dartmouth.edu>
Subject: [
Hi Monica and Rocky,
My 5-course, made by James Bump in the 1970s and supposed to be "after"
a Voboam, has holes for the strings, not slots, in the bridge. There's
not much more I can tell you other than to pass along Dan Larson's
email address if you'd like. I've never been able t
I enjoyed these performances; thanks, Rocky!
Jocelyn
From: Rockford Mjos <[1]rm...@comcast.net>
Date: Sun, 6 Nov 2011 23:53:36 -0600
To: <[2]vihuela@cs.dartmouth.edu>
Subject: [VIHUELA] Murcia recording and videos
Magnatune now has the Figueroa and Ohlsen recording "Cifras se
Hi Stuart,
I'm interested to see this, but the link doesn't work.
Not seeing the music, I would think any strumming would be of chords
made up of the notes of the original chansons, if that's what these
are. The rules of 4-part harmony as we know them today weren't in
practice yet
Hi Monica,
I don't have this; I might like to find a copy of this myself. World
Cat says only Friborg and Riponne in Switzerland own it, if this is the
same book. No mention of whether pages are missing.
Are you in London? If so I hope you're safe. That goes for any other
Lond
I was able to get it; thanks for passing this along, Monica.
My French is poor, but this might help inspire me.
Jocelyn
On 7/3/2011 11:07 AM, "Monica Hall" wrote:
> Well - it took me several attempts to download as it is very big. It
> about mostly alfabeto - and is very technical. N
Thank you, Monica!
JN
On 4/20/2011 1:04 PM, "Monica Hall" wrote:
> Just as a matter of interest I have uploaded a couple of other pictures
> of guitars with other instruments.
>
>
>
> [1]www.earlyguitar.ning.com
>
>
>
> One is of the Spanish Gonzales Coques family showing guitar with
eer/i/guitar-player.jpg fro
m
[6]http://www.ibiblio.org/wm/paint/auth/vermeer/
I assume - being part of iBiblio - this image is in the public domain.
Waling
--- On Sun, 17/4/11, Nelson, Jocelyn <[7]nels...@ecu.edu> wrote:
From: Nelson, Jocelyn <[8]nels...@e
Dear List,
Does this look like a 5-course baroque guitar to you? I’m wondering whether to
use this as an illustration of an “early guitar” and perhaps be even more
specific (5-course?), but I wanted to see what list members think.
I need to use a public domain image.
Here’s the link:
http://w
Thanks for posting, Chris! I'm tending to prefer the re-entrant tuning,
but I like the bourdons--at least in some passages--more than I thought
I would. Most importantly, it's fun to listen and notice the
differences.
Best wishes,
Jocelyn
On 4/16/2011 11:56 AM, "Chris Despo
Hi Michael,
I'm looking forward to your Baroque guitar chamber music project; this
is very exciting.
I would like to chime in my vote to include the continuo figures. Even
if the figures have inconsistencies (which can mean quite a bit of work
for you as editor, I know) these
Hi Martyn and List,
Martyn said:
"I think it would have been usual to employ a small chamber organ if
any
realisation was thought necessary rather than the bowed bass trying
to
realise the harmonies."
Remember, though, that the early (17th and early 18th c?) cell
Hi Stuart,
I don't have anything enlightening to say about the publication, but I
wanted to thank you for posting this; I enjoyed the music!
Best,
Jocelyn
On 4/7/2011 3:36 PM, "Stuart Walsh" wrote:
>Granata's Novi Capricci Armonici Musicali in vari toni per la chitarra
>spagnola, violino a
olina University
252.328.1255 office
252.328.6258 fax
nels...@ecu.edu
On 3/7/2011 5:27 PM, "Stuart Walsh" <[1]s.wa...@ntlworld.com> wrote:
On 06/03/2011 23:21, Nelson, Jocelyn wrote:
Hi Stuart,
I enjoyed this (what I could; my internet's a little slow tonight);
Hi Stuart,
I enjoyed this (what I could; my internet's a little slow tonight); thanks
for posting.
Grove online has Rush as a "guitarist" and listed in the works section are
several works for "gui" which I take to mean as an abbreviation for
guitar. Also "Elegant Extracts for Guitar." Ronald R. K
t Professor
Early Guitar, Music History
336 Fletcher Music Center
School of Music
East Carolina University
252.328.1255 office
252.328.6258 fax
nels...@ecu.edu
On 3/3/2011 1:50 PM, "Stuart Walsh" <[1]s.wa...@ntlworld.com> wrote:
On 02/03/2011 19:06, Nelson
Thanks so much, Monica!
Best,
Jocelyn
On 3/3/2011 10:56 AM, "Monica Hall" wrote:
>Finally managed to listen. Very interesting and enjoyable. Hope there
>will be some more.
>
>Monica
>
>
>- Original Message -
>From: "Nelson, Jocelyn"
&g
Dear Early Guitar List,
If you click the link below, you¹re on your way to my 16 minute podcast,
which includes commentary and music from my recent CD, Ma Guiterre je te
chante. A transcript of my commentary is available on the site, as well.
This was produced by ECU¹s School of Music. If you hav
nform my approach to the instrument.
cud
__
From: Monica Hall <[5]mjlh...@tiscali.co.uk>
To: "Nelson, Jocelyn" <[6]nels...@ecu.edu>
Cc: Vihuelalist <[7]vihuela@cs.dartmouth.edu>
Sent: Fri, February 11, 2011 2
Dear List,
I listened to an entertaining talk yesterday afternoon on how research
worked in the renaissance (it seems research didn't work so well,
according to the speaker, who gave us some good laughs during his
talk). The poet and scholar Poliziano (1454-1494) made a strong case
Dear Roman, Stewart, Ralf, and List,
After slaving away at teaching music history students and working in
tandem with my theory/composition colleagues for around a decade, I'd
like to say that all the texts and articles I've used in English (I'm
currently using the Burkholder/Grout/
calligraphy. It's truly amazing stuff, and I can't pretend I understand
> it. But I like it!
> cud
> __________
>
> From: "Nelson, Jocelyn"
> To: Chris Despopoulos ; Stuart Walsh
>
gical.
Cheers cud
__________
From: "Nelson, Jocelyn" <[2]nels...@ecu.edu>
To: Chris Despopoulos <[3]despopoulos_chr...@yahoo.com>; Stuart
Walsh
<[4]s.wa...@ntlworld.com>
for posting and sending the link.
Best,
Jocelyn
From: Chris Despopoulos [despopoulos_chr...@yahoo.com]
Sent: Wednesday, January 12, 2011 12:39 PM
To: Stuart Walsh; Nelson, Jocelyn
Cc: Vihuelalist
Subject: Re: [VIHUELA] Re: some Ulm mandore pieces
Always
Certainly nothing wrong with dances and ballad tunes, as you demonstrate.
Is the tuning similar to the 4-course?
I'm not familiar with mandore literature, and now I'm looking forward to
learning more about it.
JN
On 1/11/2011 2:34 PM, "Stuart Walsh" wrote:
>On 1
I really enjoyed this, Stuart. Thanks for posting!
Best,
Jocelyn
On 1/10/2011 7:04 AM, "Chris Despopoulos"
wrote:
> Thanks... My instrument is 30 cm, and actually 5-course, single
> strung. I presume it's made according to historical understanding...
> I believe Carlos Gonzales is a
Dear Early Guitar list,
I would like to announce our upcoming James Tyler Retrospective in the
next issue of
the Lute Society of America Quarterly. This is a call for contributions
from
all who would like to send reminiscences, pictures, and music.
Many of you, like myself, are deeply grateful
Dear Early Guitar List,
I would like to announce the following online
early guitar anthology compiled by Chuck Wolzien, who was my professor
when I studied at
CU Boulder:
Early Guitar Anthology I: The Renaissance c. 1540-1580
by Charles Wolzien and Frank Bliven
Early Guitar Anthology I: The R
Dear Early Guitar List,
I’m very sad to report that James Tyler has passed away. I don’t know any
details; I have recently corresponded with him, and yesterday morning I
received this heartbreaking email from Joyce Tyler, sent from his own email
address: “It is with deepest regret that I inform
Thanks very much, Stuart and Roman.
Jocelyn
From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] On Behalf Of Roman
Turovsky [r.turov...@verizon.net]
Sent: Saturday, November 20, 2010 6:25 PM
To: Nelson, Jocelyn; Stuart Walsh
Cc: Monica Hall
Hello early guitarists,
I just received a query: “Do you know the earliest publications for lute and/or
guitar in which harmonics were used?”
Any thoughts?
Thanks,
Jocelyn
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Oh my gosh! I didn't know this side of James. Monica, thank you for
sending the link, and thanks to Peter for further recollections.
Such a coincidence: this semester I happened to include Still's
"Afro-American Symphony" third movement (with banjo), Gottschalk's "The
Banjo" (for so
Dear List,
I’d like to follow up on this to say that this is a wonderful book; my students
and I are thrilled with it. Monica is one of the translators, so of course the
extensive commentary is a great asset.
Jocelyn
Jocelyn Nelson, DMA
Teaching Assistant Professor
506 School of Music
East C
Hi Bill,
Love it. Thanks for setting this nice poem, which I didn't know about
before.
Best,
Jocelyn
___
From: bill kilpatrick <[1]kilpatrickb...@yahoo.co.uk>
Date: Sat, 25 Sep 2010 19:48:34 -0400
To: <[2
From: Stuart Walsh <[1]s.wa...@ntlworld.com>
Date: Thu, 16 Sep 2010 17:03:57 -0400
To: "Nelson, Jocelyn" <[2]nels...@ecu.edu>
Cc: Vihuelalist <[3]vihu...@cs.dartmouth.edu>
Subject: [VIHUELA] Re: Domingo Prat's Diccionario de Guitarristas
On 16/09
Hi Everyone,
My music librarian is pondering whether to buy this, after receiving a
gift copy of the index. I haven't worked with this, but it looks like
it would be a good resource.
Do others on this list have an opinion?
Many thanks,
Jocelyn
--
Jocelyn Nelson, DMA
Te
Thank you for such kind compliments, Bill. I'm very glad you are
enjoying this music; the repertoire is indeed wonderful music and we
loved working on it. I will forward this to Amy Bartram.
Best,
Jocelyn
--
Jocelyn Nelson, DMA
Teaching Assistant Professor
Early Guitar,
Dear List,
Thank you for the kind words and encouragement for my CD and videos!
Yes, I agree improvised embellishment has to do with the genre and
function of the music, and only makes sense in historically
well-informed contexts.
For instance, I wouldn't feel comfortable embel
th.edu] On
> Behalf Of Monica Hall
> Sent: Tuesday, July 20, 2010 4:31 PM
> To: Nelson, Jocelyn
> Cc: Vihuelalist
> Subject: [VIHUELA] Re: 4-course guitar videos
>
> Hi Jocelyn
>
> All beautifully played.I'm looking forward to hearing a
st <[3]vihu...@cs.dartmouth.edu>, "Nelson, Jocelyn"
<[4]nels...@ecu.edu>
Subject: Re: [VIHUELA] Re: 4-course guitar videos
been a "favorite" for about two weeks now - brava! wish you hadn't
"disabled" the comments, however - all set to g
Dear list,
My university recently posted a series of videos on You Tube. If you
follow this link, you'll see that I have three up there with 4-course
renaissance guitar, including "La seraphine."
[1]http://www.youtube.com/user/ECU#g/c/69CB3D225AB4DC20
I'm glad to finally post so
: ) That is a scary looking picture, but I enjoyed the little bit of
samples that I heard.
Jocelyn
___
From: Stuart Walsh <[1]s.wa...@ntlworld.com>
Date: Sun, 30 May 2010 12:15:44 -0400
To: Monica Hall <[2]mjlh
Hi Arto,
I don't know offhand, but I think Rebours has done a concordance of de
Visee's works, and perhaps Dunn has written something as well.
These are beautiful pieces. Thanks for posting!
Best,
Jocelyn
___
c Center
School of Music
East Carolina University
252.328.1255 office
252.328.6258 fax
[1]nels...@ecu.edu
___
From: Monica Hall <[2]mjlh...@tiscali.co.uk>
Date: Mon, 15 Mar 2010 18:27:09 -0400
To: "
Dear Friends,
I'd like to announce my new CD of renaissance guitar music, featuring
soprano Amy Bartram. It's now available through me as well as at CD
Baby: [1]http://www.cdbaby.com/cd/nelsonbartram, and will be available
soon at Amazon, iTunes, and the Lute Society of America. See
I've got mine and I'm enjoying it, too!
Jocelyn
___
From: Stuart Walsh <[1]s.wa...@ntlworld.com>
Date: Wed, 12 May 2010 08:19:54 -0400
To: Lex Eisenhardt <[2]eisenha...@planet.nl>
Cc: Vihuelalist <[3]vihu...@cs.
Hi David,
I recommend "Study of an oral romance tradition, the Conde claros de
montalvan" by Judith Leland Seeger (1982 thesis & 1990 Garland). I
enjoyed dipping into this book about the conde claros story and its
variations among different cultures around the Mediterranean and even
Ha! : )
Jocelyn
I'll certainly be reading it all. When you say "baroque guitar made
simple", do you mean 'the tangled world of Baroque guitar issues' made
simple rather than playing the thing?
Stuart
To get on or off this list see list information
Monica,
This is so very valuable, thank you for all your great work. I've
already forwarded it to my little Baroque guitar class and the three of
us will explore it tomorrow morning together.
Best,
Jocelyn
--
Jocelyn Nelson, DMA
Teaching Assistant Professor
Early Guita
Hi Bill,
I loved this music, and what a beautiful instrument. Thanks for
posting.
Best,
Jocelyn
--
Jocelyn Nelson, DMA
Teaching Assistant Professor
Early Guitar, Music History
336 Fletcher Music Center
School of Music
East Carolina University
252.328.1255 offi
Monica,
You have the seed here of a good paper! (unless it's already been
done?)
Best,
Jocelyn
___
From: Monica Hall <[1]mjlh...@tiscali.co.uk>
Date: Tue, 5 Jan 2010 07:39:05 -0500
To: Stuart Walsh <[2]s.w
Thanks, Ed.
I find Richard Hudson to be another important source on these grounds.
Jocelyn
___
From: Edward Martin <[1...@gamutstrings.com>
Date: Sun, 3 Jan 2010 19:03:38 -0500
To: "Nelson, Jocely
Hi Stuart,
Thanks for posting this performance; your effort with this challenging
music sounds good.
I remember a conversation with Pat O'Brien on the passacalle where he
suggested that the term is more analogous to our (at least in US
English) "around the block" as in a circuit,
This was good music to wake up to; thanks for posting, Stuart. I think
strumming is perfect for music like this.
Does anyone know what the folk song is about?
Best,
Jocelyn
___
From: Stuart Walsh <[1]s.wa...@ntl
I really enjoyed this. Thanks, Stuart for playing posting this, and
thanks to Monica, too, for working with this beautiful music.
Best,
Jocelyn
___
From: Stuart Walsh <[1]s.wa...@ntlworld.com>
Date: Fri, 4 Dec 2
use of the difference in size and the
difference in the music.
Best,
Jocelyn
___
From: Monica Hall <[1]mjlh...@tiscali.co.uk>
Date: Mon, 12 Oct 2009 09:42:57 -0400
To: "Nelson, Jocelyn" <[2]nels...@ec
1 - 100 of 131 matches
Mail list logo
