5, 5, 5, 1 - geodesic but conformed to the likely rectangular room, first set of 5 on ground, first and third set lined up, divide height into fourths & perimeter into fifths, place accordingly...? idk, this is what i'd do
On Tue, Feb 9, 2016 at 6:16 PM, Augustine Leudar <augustineleu...@gmail.com> wrote: > Thats fair enough - I think they'd be quite useful if you were making a > film soundtrack though ! > > On 9 February 2016 at 23:07, Martin Dupras <martindup...@gmail.com> wrote: > > > Ah, but my objection is that those are proprietary systems, and I > > would much rather not use any. Part of the appeal of Ambisonics for me > > is that it's freely usable by all and no licensing is necessary. > > > > That's actually really very important to me, I'm afraid. I have no > > issue in principle using commercial software that decodes something > > that is an open format; I do have issue being locked into a format or > > protocol that is not in the hands of the public. > > > > - martin > > > > > > On 9 February 2016 at 23:04, Augustine Leudar <augustineleu...@gmail.com > > > > wrote: > > > I understand - most of my stuff is site specific so thus my views. If > > > scalability and portability are important to you - you might also want > to > > > check out Dolby and DTS's competing new object based 3D audio > software - > > > no idea how easy it is to get your hands on Dolbys - but DTS should be > > > approachable. DTS say their system lets you put in the speaker array > map > > > and then the file adjusts to the array - so one file is compatable > with > > > multiple arrays., not sure about Dolbys. > > > > > > On 9 February 2016 at 22:59, Martin Dupras <martindup...@gmail.com> > > wrote: > > > > > >> I have found amplitude planning effective in some circumstances, but I > > >> find that it's not portable, e.g. I can't deploy the same to a > > >> different speaker arrangement, and I can't scale it down to a smaller > > >> array while composing, among other issues. > > >> > > >> I did funnily enough do some basic experiments with Distance-Based > > >> Amplitude Panning with reasonably good results, I just haven't gone > > >> much further. I've used it in some site-specific installation work to > > >> good effect, but again it didn't strike me as being particularly > > >> scalable or portable, hence why Ambisonics is still my first choice. > > >> > > >> - martin > > >> > > >> > > >> On 9 February 2016 at 22:47, Augustine Leudar < > > augustineleu...@gmail.com> > > >> wrote: > > >> > I have found amplitude panning to be more effective for some > > >> applications. > > >> > > > >> > On 9 February 2016 at 22:42, Martin Dupras <martindup...@gmail.com> > > >> wrote: > > >> > > > >> >> > Out of curiosity - can I ask why you want to use ambisonics as > > >> opposed to > > >> >> > other spatial audio techniques ? > > >> >> > > >> >> I'm not sure how to answer. What other techniques did you have in > > >> >> mind? The reasons are several: I understand at least to some extent > > >> >> Ambisonics, and I have some (but limited) experience doing it in a > > >> >> planer array; Ambisonics are flexible and scalable; compatible with > > >> >> some B-format that my colleagues and I have realised already and > will > > >> >> create in the near future; and can be implemented in the software > > that > > >> >> I use (largely PureData and SuperCollider.) > > >> >> > > >> >> I don't really see which techniques seriously compete with > > Ambisonics, > > >> >> but I'll very happily check them out if you point me to them. > > >> >> > > >> >> - martin > > >> >> _______________________________________________ > > >> >> Sursound mailing list > > >> >> Sursound@music.vt.edu > > >> >> https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe > > here, > > >> >> edit account or options, view archives and so on. > > >> >> > > >> > > > >> > > > >> > > > >> > -- > > >> > www.augustineleudar.com > > >> > -------------- next part -------------- > > >> > An HTML attachment was scrubbed... > > >> > URL: < > > >> > > > https://mail.music.vt.edu/mailman/private/sursound/attachments/20160209/1b5482ff/attachment.html > > >> > > > >> > _______________________________________________ > > >> > Sursound mailing list > > >> > Sursound@music.vt.edu > > >> > https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe > > here, > > >> edit account or options, view archives and so on. > > >> _______________________________________________ > > >> Sursound mailing list > > >> Sursound@music.vt.edu > > >> https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe > here, > > >> edit account or options, view archives and so on. > > >> > > > > > > > > > > > > -- > > > www.augustineleudar.com > > > -------------- next part -------------- > > > An HTML attachment was scrubbed... > > > URL: < > > > https://mail.music.vt.edu/mailman/private/sursound/attachments/20160209/71d2682f/attachment.html > > > > > > _______________________________________________ > > > Sursound mailing list > > > Sursound@music.vt.edu > > > https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe > here, > > edit account or options, view archives and so on. > > _______________________________________________ > > Sursound mailing list > > Sursound@music.vt.edu > > https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, > > edit account or options, view archives and so on. > > > > > > -- > www.augustineleudar.com > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: < > https://mail.music.vt.edu/mailman/private/sursound/attachments/20160209/ea77d053/attachment.html > > > _______________________________________________ > Sursound mailing list > Sursound@music.vt.edu > https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, > edit account or options, view archives and so on. > -------------- next part -------------- An HTML attachment was scrubbed... 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