I use an earthworks calibration microphone, but any good quality six mm Omni 
microphone will be okay. Noise is not important, but flat frequency response 
is. You could use a tetramic and take the W signal after processing, but it 
might be overcomplicating things. Coaxial speakers sound ideal, but many of 
them have problems. A small five inch full range, or 5 inch plus tweeter 
mounted close together, is best. I use an Adam 5 after first sealing off the 
bass port. Choice of microphone is more important than the speaker.

umashankar

Sent from Mail<https://go.microsoft.com/fwlink/?LinkId=550986> for Windows 10

From: Bo-Erik Sandholm<mailto:bosses...@gmail.com>
Sent: Thursday, January 5, 2017 3:31 PM
To: sursound<mailto:sursound@music.vt.edu>
Subject: Re: [Sursound] [allowed] brahma

To get a good calibration, I expect I will need at least one
known/reference source or sensor?

The reference for me will probably be my coresound Tetramic.

I will probably use Kef eggs as speakers as they are coaxial transducers.
Only at low frequency will The port be offerter.

Have I understood The basics?
I will probably measure outside a calibration Day orborrow a anechoic room
at swedish radio.

Bo-Erik

Den 5 jan. 2017 11:53 fm skrev "umashankar manthravadi" <
umasha...@hotmail.com>:

> Dear fernando
>
>
>
> I forwarded your link to marc Lavallée when you first posted them. My
> intent is that we should have multiple compatible systems for calibrating A
> format mics
>
>
>
> Sent from my Windows 10 phone
>
>
>
> From: Fernando Lopez-Lezcano<mailto:na...@ccrma.stanford.edu>
> Sent: 05 January 2017 00:28
> To: Surround Sound discussion group<mailto:sursound@music.vt.edu>;
> glard...@iol.ie<mailto:glard...@iol.ie>
> Subject: Re: [Sursound] [allowed] brahma
>
>
>
> On 01/02/2017 09:59 PM, Bo-Erik Sandholm wrote:
> > Good luck in your continued effekt.
> >
> > By the way, i have accuired one of your Tetra mic 3d shapeway for 14 mm
> > capsules.
> > I have not yet assembler it.
> > I Wonder is there any software package and description on How to create
> > calibration files for The mic?
> > I will probably have The possibility to get temporary access to a
> anechoic
> > room.
>
> Hi Bo-Erik,
> You could take a look at my project here (I posted about this a while
> back):
>
> https://cm-gitlab.stanford.edu/ambisonics/SpHEAR/
> (there is mailing list with 0 posts so far, ha ha..)
>
> See paper here (been working on this for over a year):
> https://ccrma.stanford.edu/~nando/publications/sphear.pdf
>
> The project includes free software (open source, GPL) that runs in
> Matlab and derives a calibration matrix (4x4 matrix of FIR filters) that
> can be used directly with TetraProc (by Fons Adriansen) - or any other
> software that can run the filters.
>
> Just a few days ago I _finally_ managed to get the software into
> somewhat usable shape in that I think (and I'm pretty much wrong every
> time I say this, so...) it is working correctly. The calibration relies
> on having 16 measurements (could be 8) in the horizontal plane around
> the Ambisonics microphone plus one more of a calibration microphone in
> the same exact location. Aliki is used to capture the IRs and edit (trim
> and window) them. DRC (Digital Room Correction) is used to equalize the
> excitation speaker. Then the software I wrote processes those IRs and
> outputs a 4x4 matrix of filters. Many parameters can be tuned. I'll post
> a couple of pictures later...
>
> Documentation (surprise!) is mostly lacking. I hope to remedy that
> somewhat soon (at least a list of the sequence of octave function calls
> you need to get the job done).
>
> My latest prototype with 10mm capsules was hastily measured before I
> left for "vacation" and the plotted results of the calibration are
> looking good. A re-calibration with the latest software of my first
> prototype which captured a full concert also sounds fairly decent.
>
> Anyway,
> Good luck!
> -- Fernando
>
>
>
> > In worst case i Will use the generic calibration from sennheiser :-)
> >
> > The mechanical size of The tetraeder is about right.
> > Bo-Erik
> >
> >
> >
> > Den 2 jan. 2017 9:01 em skrev "Gerard Lardner" <glard...@iol.ie>:
> >
> >> Sorry to hear of the falling-out. I have had some issues with the
> >> build-quality of my Brahma, which was made by Embrace Video, but
> >> nevertheless it remains my 'go-to' mic for choral recording.
> >>
> >> With best wishes for 2017, and for your ongoing Ambisonic microphone
> >> projects,
> >>
> >> Gerard
> >>
> >>
> >> On 02/01/2017 06:57, umashankar manthravadi wrote:
> >>
> >>> This is just an announcement that Nakul Sood and Embrace video will no
> >>> longer be manufacturing or selling Brahma ambisonic microphones. Our
> very
> >>> informal arrangement has come to an end as Nakul Sood demanded 1)I hand
> >>> over complete technology and manufacturing protocols, 2) sign a
> >>> non-disclosure agreement and 3) sign a non-compete agreement. (there
> were
> >>> other demands) I have always worked on Brahma as a shared project, with
> >>> help from many people and I have no desire to sign a non-disclosure
> >>> agreement.
> >>>
> >>> I had made atleast 20 Brahma microphones before this project began,
> and I
> >>> will continue to make one off brahmas as demanded (I am currently
> making
> >>> five second order microphones for Angelo Farina) and I am setting up
> fairly
> >>> high tech processes in Bangalore where I now live (laser cut microphone
> >>> bodies!)
> >>>
> >>> Umashankar
> >>>
> >>>
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