Out of curiosity, how is a mandora to be played such that strumming
   would not work? (Not to be confused with a mandore, right?)
   cud
     __________________________________________________________________

   From: WALSH STUART <s.wa...@ntlworld.com>
   To: Martyn Hodgson <hodgsonmar...@yahoo.co.uk>
   Cc: Monica Hall <mjlh...@tiscali.co.uk>; Vihuelalist
   <vihuela@cs.dartmouth.edu>
   Sent: Tuesday, November 6, 2012 3:18 PM
   Subject: [VIHUELA] Re: Losy (Logi) sarabande?
     But how do you think the Tombeau, Sarabande and Minuet would  work on
   a
     mandora? There are a lot of strummed chords in the Sarabande. Very
     untypical for a mandora?
     And the stringing arrangement is probably a high fifth course and
     octave on fourth - quite different from low basses of a mandora.
     Isn't the Sarabande looking back to the 17th century, rather than to
     galant style?
     Stuart
     On 6 November 2012 15:18, Martyn Hodgson
   <[1][1]hodgsonmar...@yahoo.co.uk>
     wrote:
           Yes, I have the Supraphon edition - not at all bad considering
       the
           date.  Alas, some of the transcriptions are incorrect: see, for
           example, No 1 Allemande. This is also the first piece in MsKk
   77
       but
           you'll see that the flags in the first full bar are incorrectly
           transcribed in the Supraphon edition: instead of three quavers
       (down,
           up, down) the editors have them as a quaver (d) and two
       semi-quavers (u
           d). The rest of the piece is similarly incorrectly transcribed.
           This is the worst of all but there are a fair number of such
       scattered
           errors throughout the publication. The one I like the best is
   No
       33
           'Aria' which they transcribe as being in 5/4 time and over
   which
           I tried many different stresses to make it work effectively
       (shades of
           William Shield's predeliction for 5/4) but, alas, when I saw a
       copy of
           the original I saw the scribe marks it simply as a 3 time and,
       although
           some flags are missing and barring is often nonsensical, it
   plays
       as a
           triple time piece - what a shame - I rather liked the idea of a
       5/4
           guitar work in the early 18th century. The page before has a
       'Menuet'
           which is similarly poorly barred in the original but as a
   menuet
       can be
           easily rebarred (interestingly the Supraphon editors exclude it
           altogether, perhaps for such bamng reasons - so No 32 isn't in
       the
           publication...).  But hats off to Supraphon for publishing such
   a
       work
           at that date - so the  'communist' state at the time was not
   all
           bad......
           You'll see the editors also made a list of sources and include
       another
           one for mandora with works by Losy: Brno, Mopravian Museum A
   3329
           The Losy rondeau I mentioned as being probably for mandora is
   on
       page
           31 of the Supraphon edition. In Brno Ms D189 it has 'Rondeau  /
       C
           Loeschi'  which the editors thought, I think correctly, is
   Losy.
       This
           particular piece does, in fact, appear as a Dm lute piece
   (can't
       find
           it off-hand but I have it somewhere) as well as in  D189 for a
   6
       string
           instrument in a known mandora tuning.  We've discussed D189
       before -
           it contains instructions how to tune the gallichon/mandora ( f.
   3
           'Calledono accord') and the guitar (f.48 ' Fundementa
   Chytarra')
       and,
           interestingly, on f.48v has 'Accordo Chytarra et Mandora
       indicating
           either instrument is possible. And from f. 48v it has pieces
   for
       an
           instrument with six courses in a known mandora tuning with the
       sixth
           course just a tone below the fifth - presumably a guitarist
   would
           simply play the open third course. On 51v is our rondeau
   showing
       quite
           clearly 6 courses - and in this piece putting the sixth course
   up
       an
           octave would spoil the melodic effect (see last system bars 3
       through
           to 6). Odd that the editors make no mention of a sixth course
       being
           required. The piece also fits very easily on the mandora so
       perhaps, as
           suggested earlier, it was conceived for the mandora by Losy
       rather than
           guitar or Dm lute. And so, in an indirect way, perhaps Losy was
       able to
           play the guitar - but in mandora form.................
           I also find Deisel works better on the mandora than guitar ( to
       do with
           having low basses and on the outside) as also discussed before.
           rgds
           Martyn
         --- On Tue, 6/11/12, Monica Hall <[2][2]mjlh...@tiscali.co.uk>
   wrote:
           From: Monica Hall <[3][3]mjlh...@tiscali.co.uk>
             Subject: Re: [VIHUELA] Re: Losy (Logi) sarabande?
             To: "Martyn Hodgson" <[4][4]hodgsonmar...@yahoo.co.uk>
             Cc: "Vihuelalist" <[5][5]vihuela@cs.dartmouth.edu>
             Date: Tuesday, 6 November, 2012, 13:19
         Well - I hadn't thought about the mandora or indeed what kind of
     lute
         the
         music might originally have been for.
         In fact there is a rather better edition of all of Losy's
   "guitar"
         music
         originally edited by Jan Racek, revised by Jaroslav Pohanka and
         published by
         Supraphon in 1979 in the series "Musica Antiqua Bohemica".
         It includes both the Tombeau and the Sarabande.  They seem to me
   to
     be
         very
         idiomatically conceived for the guitar.  The chord shapes are
     typical
         alfabeto.
         Monica
         ----- Original Message -----
         From: "Martyn Hodgson" <[1][6][6]hodgsonmar...@yahoo.co.uk>
         To: "Monica Hall" <[2][7][7]mjlh...@tiscali.co.uk>
         Cc: "Vihuelalist" <[3][8][8]vihuela@cs.dartmouth.edu>
         Sent: Tuesday, November 06, 2012 9:18 AM
         Subject: [VIHUELA] Re: Losy (Logi) sarabande?
         >
         >  When you say 'arrangements of lute music' do you include
   mandora
     as
         a
         >  lute or have you just the 11 course Dm instrument in mind (as
     most
         >  people still do)?  One of Losy's guitar pieces (rondeau in
   Brno
         >  D189) is extant in a mandora tablature (usually mistaken for
     guitar
         >  tablature!).  Maybe this tombeau was conceived for
         mandora..........
         >
         >  The Karl Scheidt publication was, I recall, aimed at
   beginners,
         >  and contains mostly facile Losy works - some from the first Ms
     in
         the
         >  Lobkowicz Ms volume (OLIM Prague II Ms Kk 77) in which Losy is
         >  identified as the composer (' Pieces Composee/ Par le
     Comte/Losy').
         It
         >  also contains slightly more challenging works - tho' not as
   much
     so
         as
         >  the second volume in the binding which looks to me to be in a
         different
         >  hand and different (later?) style and shouldn't be linked to
     Losy.
         >
         >  M.
         >
           >  --- On Tue, 6/11/12, Monica Hall
       <[4][9][9]mjlh...@tiscali.co.uk> wrote:
           >
           >    From: Monica Hall <[5][10][10]mjlh...@tiscali.co.uk>
         >    Subject: [VIHUELA] Re: Losy (Logi) sarabande?
           >    To: "WALSH STUART" <[6][11][11]s.wa...@ntlworld.com>
           >    Cc: "Vihuelalist" <[7][12][12]vihuela@cs.dartmouth.edu>
         >    Date: Tuesday, 6 November, 2012, 8:56
         >
         >  I found it now.  It is not actually attributed to Losi,  Losi
         seems
         >  to be
         >  a bit of a mystery.  These pieces are supposed to be
     arrangements
         of
         >  lute
         >  music but none of the pieces survive in versions for the lute.
         >  Anyway - it is really nice to have a chance to hear you play
   it
     -
         not
         >  easy.
         >  I shall have a go myself later.
         >  Monica
         >  ----- Original Message -----
         >  From: "WALSH STUART" <[1][8][13][13]s.wa...@ntlworld.com>
         >  To: "vl" <[2][9][14][14]vihuela@cs.dartmouth.edu>
         >  Sent: Monday, November 05, 2012 10:14 PM
         >  Subject: [VIHUELA] Losy (Logi) sarabande?
         >  >  I've also sent this to the Baroque lute list. It's an
     attempt
         at a
         >  very
         >  >  striking sarabande, possibly by J.A. Losy, but sounding
     nothing
         >  like
         >  >  the more familiar guitar pieces.
         >  >  I incautiously included the music - to show what it looks
     like,
         >  and, of
         >  >  course, showing errors to boot. A fine piece though.
           >  >
   [1][3][10][15][15]https://www.youtube.com/watch?v=ws44iAjdTco
           >  >  Stuart
           >  >  --
           >  >
           >  > References
           >  >
           >  >  1.
   [4][11][16][16]https://www.youtube.com/watch?v=ws44iAjdTco
         >  >
         >  >
         >  > To get on or off this list see list information at
           >  >

   [5][12][17][17]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
           >
           >  --
           >
           > References
           >
           >  1.

   [13][18][18]http://us.mc817.mail.yahoo.com/mc/compose?to=s.walsh@ntlwor
   l
       d.com
           >  2.

   [14][19][19]http://us.mc817.mail.yahoo.com/mc/compose?to=vihu...@cs.dar
   t
       mouth.e
           du
           >  3. [15][20][20]https://www.youtube.com/watch?v=ws44iAjdTco
           >  4. [16][21][21]https://www.youtube.com/watch?v=ws44iAjdTco
           >  5.
       [17][22][22]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
           >
           --
       References
           1.

   [23][23]http://us.mc817.mail.yahoo.com/mc/compose?to=hodgsonmartyn@yaho
   o
       .co.uk
           2.

   [24][24]http://us.mc817.mail.yahoo.com/mc/compose?to=mjlh...@tiscali.co
   .
       uk
           3.

   [25][25]http://us.mc817.mail.yahoo.com/mc/compose?to=vihuela@cs.dartmou
   t
       h.edu
           4.

   [26][26]http://us.mc817.mail.yahoo.com/mc/compose?to=mjlh...@tiscali.co
   .
       uk
           5.

   [27][27]http://us.mc817.mail.yahoo.com/mc/compose?to=mjlh...@tiscali.co
   .
       uk
           6.

   [28][28]http://us.mc817.mail.yahoo.com/mc/compose?to=s.walsh@ntlworld.c
   o
       m
           7.

   [29][29]http://us.mc817.mail.yahoo.com/mc/compose?to=vihuela@cs.dartmou
   t
       h.edu
           8.

   [30][30]http://us.mc817.mail.yahoo.com/mc/compose?to=s.walsh@ntlworld.c
   o
       m
           9.

   [31][31]http://us.mc817.mail.yahoo.com/mc/compose?to=vihuela@cs.dartmou
   t
       h.edu
         10. [32][32]https://www.youtube.com/watch?v=ws44iAjdTco
         11. [33][33]https://www.youtube.com/watch?v=ws44iAjdTco
         12.
   [34][34]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
         13.

   [35][35]http://us.mc817.mail.yahoo.com/mc/compose?to=s.walsh@ntlworld.c
   o
       m
         14.

   [36][36]http://us.mc817.mail.yahoo.com/mc/compose?to=vihuela@cs.dartmou
   t
       h.edu
         15. [37][37]https://www.youtube.com/watch?v=ws44iAjdTco
         16. [38][38]https://www.youtube.com/watch?v=ws44iAjdTco
         17.
   [39][39]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
     --
   References
     1. mailto:[40]hodgsonmar...@yahoo.co.uk
     2. mailto:[41]mjlh...@tiscali.co.uk
     3. mailto:[42]mjlh...@tiscali.co.uk
     4. mailto:[43]hodgsonmar...@yahoo.co.uk
     5. mailto:[44]vihuela@cs.dartmouth.edu
     6. mailto:[45]hodgsonmar...@yahoo.co.uk
     7. mailto:[46]mjlh...@tiscali.co.uk
     8. mailto:[47]vihuela@cs.dartmouth.edu
     9. mailto:[48]mjlh...@tiscali.co.uk
     10. mailto:[49]mjlh...@tiscali.co.uk
     11. mailto:[50]s.wa...@ntlworld.com
     12. mailto:[51]vihuela@cs.dartmouth.edu
     13. mailto:[52]s.wa...@ntlworld.com
     14. mailto:[53]vihuela@cs.dartmouth.edu
     15. [54]https://www.youtube.com/watch?v=ws44iAjdTco
     16. [55]https://www.youtube.com/watch?v=ws44iAjdTco
     17. [56]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
     18.
   [57]http://us.mc817.mail.yahoo.com/mc/compose?to=s.wa...@ntlworld.com
     19.
   [58]http://us.mc817.mail.yahoo.com/mc/compose?to=vihuela@cs.dartmouth.e
     20. [59]https://www.youtube.com/watch?v=ws44iAjdTco
     21. [60]https://www.youtube.com/watch?v=ws44iAjdTco
     22. [61]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
     23.
   [62]http://us.mc817.mail.yahoo.com/mc/compose?to=hodgsonmar...@yahoo.co
   .uk
     24.
   [63]http://us.mc817.mail.yahoo.com/mc/compose?to=mjlh...@tiscali.co.uk
     25.
   [64]http://us.mc817.mail.yahoo.com/mc/compose?to=vihuela@cs.dartmouth.e
   du
     26.
   [65]http://us.mc817.mail.yahoo.com/mc/compose?to=mjlh...@tiscali.co.uk
     27.
   [66]http://us.mc817.mail.yahoo.com/mc/compose?to=mjlh...@tiscali.co.uk
     28.
   [67]http://us.mc817.mail.yahoo.com/mc/compose?to=s.wa...@ntlworld.com
     29.
   [68]http://us.mc817.mail.yahoo.com/mc/compose?to=vihuela@cs.dartmouth.e
   du
     30.
   [69]http://us.mc817.mail.yahoo.com/mc/compose?to=s.wa...@ntlworld.com
     31.
   [70]http://us.mc817.mail.yahoo.com/mc/compose?to=vihuela@cs.dartmouth.e
   du
     32. [71]https://www.youtube.com/watch?v=ws44iAjdTco
     33. [72]https://www.youtube.com/watch?v=ws44iAjdTco
     34. [73]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
     35.
   [74]http://us.mc817.mail.yahoo.com/mc/compose?to=s.wa...@ntlworld.com
     36.
   [75]http://us.mc817.mail.yahoo.com/mc/compose?to=vihuela@cs.dartmouth.e
   du
     37. [76]https://www.youtube.com/watch?v=ws44iAjdTco
     38. [77]https://www.youtube.com/watch?v=ws44iAjdTco
     39. [78]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:hodgsonmar...@yahoo.co.uk
   2. mailto:mjlh...@tiscali.co.uk
   3. mailto:mjlh...@tiscali.co.uk
   4. mailto:hodgsonmar...@yahoo.co.uk
   5. mailto:vihuela@cs.dartmouth.edu
   6. mailto:hodgsonmar...@yahoo.co.uk
   7. mailto:mjlh...@tiscali.co.uk
   8. mailto:vihuela@cs.dartmouth.edu
   9. mailto:mjlh...@tiscali.co.uk
  10. mailto:mjlh...@tiscali.co.uk
  11. mailto:s.wa...@ntlworld.com
  12. mailto:vihuela@cs.dartmouth.edu
  13. mailto:s.wa...@ntlworld.com
  14. mailto:vihuela@cs.dartmouth.edu
  15. https://www.youtube.com/watch?v=ws44iAjdTco
  16. https://www.youtube.com/watch?v=ws44iAjdTco
  17. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  18. http://us.mc817.mail.yahoo.com/mc/compose?to=s.walsh@ntlworl
  19. http://us.mc817.mail.yahoo.com/mc/compose?to=vihu...@cs.dart
  20. https://www.youtube.com/watch?v=ws44iAjdTco
  21. https://www.youtube.com/watch?v=ws44iAjdTco
  22. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  23. http://us.mc817.mail.yahoo.com/mc/compose?to=hodgsonmartyn@yahoo
  24. http://us.mc817.mail.yahoo.com/mc/compose?to=mjlh...@tiscali.co
  25. http://us.mc817.mail.yahoo.com/mc/compose?to=vihuela@cs.dartmout
  26. http://us.mc817.mail.yahoo.com/mc/compose?to=mjlh...@tiscali.co
  27. http://us.mc817.mail.yahoo.com/mc/compose?to=mjlh...@tiscali.co
  28. http://us.mc817.mail.yahoo.com/mc/compose?to=s.wa...@ntlworld.co
  29. http://us.mc817.mail.yahoo.com/mc/compose?to=vihuela@cs.dartmout
  30. http://us.mc817.mail.yahoo.com/mc/compose?to=s.wa...@ntlworld.co
  31. http://us.mc817.mail.yahoo.com/mc/compose?to=vihuela@cs.dartmout
  32. https://www.youtube.com/watch?v=ws44iAjdTco
  33. https://www.youtube.com/watch?v=ws44iAjdTco
  34. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
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  36. http://us.mc817.mail.yahoo.com/mc/compose?to=vihuela@cs.dartmout
  37. https://www.youtube.com/watch?v=ws44iAjdTco
  38. https://www.youtube.com/watch?v=ws44iAjdTco
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  49. mailto:mjlh...@tiscali.co.uk
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  52. mailto:s.wa...@ntlworld.com
  53. mailto:vihuela@cs.dartmouth.edu
  54. https://www.youtube.com/watch?v=ws44iAjdTco
  55. https://www.youtube.com/watch?v=ws44iAjdTco
  56. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  57. http://us.mc817.mail.yahoo.com/mc/compose?to=s.wa...@ntlworld.com
  58. http://us.mc817.mail.yahoo.com/mc/compose?to=vihuela@cs.dartmouth.e
  59. https://www.youtube.com/watch?v=ws44iAjdTco
  60. https://www.youtube.com/watch?v=ws44iAjdTco
  61. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  62. http://us.mc817.mail.yahoo.com/mc/compose?to=hodgsonmar...@yahoo.co.uk
  63. http://us.mc817.mail.yahoo.com/mc/compose?to=mjlh...@tiscali.co.uk
  64. http://us.mc817.mail.yahoo.com/mc/compose?to=vihuela@cs.dartmouth.edu
  65. http://us.mc817.mail.yahoo.com/mc/compose?to=mjlh...@tiscali.co.uk
  66. http://us.mc817.mail.yahoo.com/mc/compose?to=mjlh...@tiscali.co.uk
  67. http://us.mc817.mail.yahoo.com/mc/compose?to=s.wa...@ntlworld.com
  68. http://us.mc817.mail.yahoo.com/mc/compose?to=vihuela@cs.dartmouth.edu
  69. http://us.mc817.mail.yahoo.com/mc/compose?to=s.wa...@ntlworld.com
  70. http://us.mc817.mail.yahoo.com/mc/compose?to=vihuela@cs.dartmouth.edu
  71. https://www.youtube.com/watch?v=ws44iAjdTco
  72. https://www.youtube.com/watch?v=ws44iAjdTco
  73. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  74. http://us.mc817.mail.yahoo.com/mc/compose?to=s.wa...@ntlworld.com
  75. http://us.mc817.mail.yahoo.com/mc/compose?to=vihuela@cs.dartmouth.edu
  76. https://www.youtube.com/watch?v=ws44iAjdTco
  77. https://www.youtube.com/watch?v=ws44iAjdTco
  78. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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