Your all missing the point, who gives a F@@k about the money and the
attitude we're (or so I thought) talking about music)  not about your last
interview with so and so, or how blah blah blah never shook your hand after
the show, or whether or not a whole show is improvised (christ even iggy pop
rehearses his shows now).

His attempt at making emotional music has worked, his music is being used in
commercials around the world, because it moves you.  You think its a pretty
blatent ripoff, well to the trained ear maybe, but then again I could go on
how about how Pepe Braddock ripped off Tribe who ripped off  the NY
Philharmonic, and that's way more obvious.

BTW In your three paragraphs of writing you spent all but two sentences
talking about music, your letting yourself get to wrapped up in the inner
workings of the people behind the music instead of enjoying it for what it
is (MUSIC).

Morrisey rocks!
todd
----- Original Message -----
From: "FRED MCMURRY" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Cc: <313@hyperreal.org>
Sent: Monday, September 18, 2000 2:07 PM
Subject: Re: [313] Let's Talk Techno


> I must agree with Cyclone on this one. Moby is the pop poster boy of
techno.
> He's insanely jealous of the Detroit artists (it was evident when I talked
> to him about it) and that whole punk rock record he made was a complete
> mistake. His agent told him to get back into dance music because it was
what
> people liked so he did it otherwise he might still be trying to be punk.
> He even said at one time, though he won't admit it (and I tried to get him
> to come clean about it), that he _left_ dance music because it was boring
> and all the "wrong people" were getting attention (at the time it was
Aphex
> Twin) and that "intelligent techno" was getting all the attention and he
> thought it didn't deserve it.
> His attempt at making emotional music is pretty blatent minor key
classical
> rip-offs. "Go" was interesting but not ground-breaking. The one track
with,
> what was it, 1000 bpms? Wow, really stretching it there (sarcasim). The
> music sounds nice at times but I really think he follows what will put him
> in the spotlight and then wrapping himslef in a cloak of mystery and "the
> little loser" act to get sympathy (like that other wanker Morrisey).
> Which he isn't, he's one rich mutherf*cker. To compare his work to St.
> Germain is an insult to St. Germain and music with guts. I've seen him
live
> several times and had the chance to see him rehearse his act before the
> actual live show. I saw and heard absolutely no improvisation or real
heart
> and soul displayed...very choreographed. Even his "jams" on the bongos
were
> worked out before hand.
> After talking with him and doing extensive background research on him I
> really do feel that he would be doing something else if dance music wasn't
> paying his bills.
>
> Fred
>
>
> >From: "Cyclone Wehner" <[EMAIL PROTECTED]>
> >To: 313 Detroit <313@hyperreal.org>
> >Subject: Re: [313] Let's Talk Techno
> >Date: Tue, 19 Sep 2000 06:24:38 +1000
> >
> >
> > >I also agree with Gwendal, Moby's last album Play is very enlightening,
> >not
> > >unlike Garnier's last one, it plays with a whole range of electronic
> >styles,
> > >and reminds me of some early St. Germain.
> >
> >I just don't get the Moby is a pioneer argument myself.
> >
> >You know the story of that album, don't you? Moby went out to his local
> >chain store bought two CDs of old blues/gospel samples and thought aha
and
> >viola.
> >
> >You could do it. Even Puffy is more original as at least he devised an
> >aesthetic (hip-hop soul) and didn't just sample.
> >
> >And as for Moby's live shows, well.....
> >
> >Now Garnier, there IS a genius.
> >
> >
> >
> >
> >
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