You're not gonna get really amazing sets until the space between the crowd and DJ is worked out. This is one of few things I had a problem with at the DEMF. It's nothing to do with the DJs, the music, but the set-up. You need the right setup to create a vibe. That's why the after parties were so special, they were intimate andyou could feel it. I even liked St Andrews Hall, at least you can see and feel.
DJs like Kenny, Stacey and Laurent are very interactive (I only say these as I have seen they play really memorable sets). You couldn't even see Stacey's face because of some wack banner at the stage near the river (forgot its name - was it Motor?) and watching dude is such a treat. Unless they borrow some of DJ Rush's platform boots or something. Plus in the arena they need to use those screens. It was a set up for a rock star, not DJ culture. My favourite stage was the one that Eddie Fowkles and Alton Miller played on as it was close to the people and almost at their level. Or even the underground one. >>I'm still waiting for the truly great set that makes *everyone* go >>"wooo"! Some have come close, but nobody has claimed the prize yet. >>You all know what I mean ... There are great sets, and there are great >>sets where everybody in the house is *down*. >> >>phred >> >> >>--------------------------------------------------------------------- >>To unsubscribe, e-mail: [EMAIL PROTECTED] >>For additional commands, e-mail: [EMAIL PROTECTED] >> > >--------------------------------------------------------------------- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > --------------------------------------------------------------------- To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]