opaqueice;184279 Wrote: 
> If we assume that differences are more audible in isolation than with
> other sounds are present, this technique is sufficient (but not
> necessary) to demonstrate that some particular difference is inaudible.
> That ssumption might be flawed in special circumstances - see section
> 1.1 of the article you linked to - but it's  certainly correct for most
> signals.  
> 
> So this could be a quite useful technique, as it's easier than ABX and
> if it gives a positive result one could follow it up with a proper ABX.
Fair point. Doing this (simpler) test and getting a negative result
saves the bother of a proper ABX. But my gut feeling is that a
genuinely silent result is likely to be the exception rather than the
norm (not that I have any evidence to back this up).

I am concerned that a "minimally positive" result might be seized upon
by the ABX-unbelievers as evidence that ABX is flawed. You know how
they will clutch at any straw.


-- 
cliveb

Performers -> dozens of mixers and effects -> clipped/hypercompressed
mastering -> you think a few extra ps of jitter matters?
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