jh901 wrote: 
> I don't have the time nor likely the ability to get into CD mastering
> quality.  I do collect "vintage" CDs mastered by the likes of Barry
> Diament, Steve Hoffman, and others.  Additionally, there many examples
> of early CD masterings issued to the Japan market pre-1990 well worth
> hearing on a mega-buck system.  And finally, there are many SACDs
> mastered by Hoffman, Kevin Gray and others plus DCC Gold (Hoffman), a
> few MFSL, many Audio Fidelity, etc.  Digital gets a bad rap and, as
> stated earlier, I'm not able to type up a convincing argument.
> 
> I do not believe it is necessary spend $15,000 plus on a CD player ( or
> stand alone DAC) in order to experience a dramatic improvement in sound
> quality.  My own personal experience with the very highly praised Cary
> 306 SACD Pro, at $8,000 MSRP, is all that it took for me to realize that
> it's pretty clear that hi-end gear manufacturers are serious about
> DACs.
> 
> Note that Simaudio is the real deal and I'd love to hear Ralph's system,
> especially with a Moon 750D.  Do you believe that Simaudio would produce
> great gear and then drop the ball on the DAC?  Hm.....
> 
> And finally, I love the Transporter.  It changed the way I hear my
> music.  But there is always a time to move on.  Once I had my Focal
> speakers and other top Cary electronics, it was time to try a Hi-end
> SACD player with a redbook DAC section.  I was far from disappointed. 
> Way far.

Good post. One minor comment: why the focus on SACD players. Streaming
24bit/88.2 or 96 kHz high resolution files via either the Touch or
Transporter into a DAC of your choice should result in the same quality
as SACD playback plus you can stream these files to any room. For
example I have a Transporter (main stereo) plus three Touches in my
house and I can now enjoy high resolution playback in four different
rooms without SACD players and discs.


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