Hello all,
I have been trying to develop a better working
method when it comes to inputing orchestral scores. I have been using lots of
keyboard shortcuts and macros (thanks to Tobias' tools) and whatever can make
the job easier...
I am, however, still unsure about what is the best
layout for my score from which to extract parts. I am currently writing the
score with each instrument getting its own part, so that extracting the parts
will be no problem. But then my score has an unusual format since it has
four horn lines, 3 trumpet and trombone lines and, well, you get the picture. I
can then (with some noodling) combine these parts unto one staff to make a more
readable score, but I am not sure this is the most elegant
solution.
I hope I explained my dilemma succinctly
enough but with clarity.
I hope we can share working methods for inputing
orchestral scores.
Alain Mayrand, composer
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- Re: [Finale] orchestral efficiency Alain Mayrand
- Re: [Finale] orchestral efficiency David H. Bailey
- RE: [Finale] orchestral efficiency - more M. Perticone
- RE: [Finale] orchestral efficiency - mor... Christopher BJ Smith
- RE: [Finale] orchestral efficiency -... M. Perticone
- Re: [Finale] orchestral efficiency - mor... David H. Bailey
- RE: [Finale] orchestral efficiency -... M. Perticone
- RE: [Finale] orchestral efficie... Christopher BJ Smith
- Re: [Finale] orchestral efficiency Christopher BJ Smith
- Re: [Finale] orchestral efficiency Dennis Bathory-Kitsz
- Re: [Finale] orchestral efficiency Christopher BJ Smith