Many pro horn players prefer the original parts to transposed (F) parts. They want to see what the composer wrote.
Ray Horton, Louisville Orchestra ----- Original Message ----- From: "Taris L Flashpaw" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Sent: Monday, February 23, 2004 9:13 AM Subject: Re: [Finale] Re: Horns and signatures > One other option would be that in newer editions of such music, key > signatures should be added to the music. I mean, we don't expect horn > players to be able to turn their horns into a horn in G or a horn in E flat > just because that's what Mozart asked for, so why shouldn't we add the > proper key signatures to his music to bring it into line with modern > notation standards? > > Taris > > At 09:06 AM 2/23/2004 -0500, David H. Bailey wrote: > > >Since we can't change the huge number of key-signature-less orchestral > >music, we can't completely eliminate such literature, but I agree that > >horn players should be able to read key signatures easily. > > _______________________________________________ > Finale mailing list > [EMAIL PROTECTED] > http://lists.shsu.edu/mailman/listinfo/finale _______________________________________________ Finale mailing list [EMAIL PROTECTED] http://lists.shsu.edu/mailman/listinfo/finale
