The example I gave: may have been slightly extreme - Bb minor (concert pitch). Both horn players had 12 bars rest, first entrance was a fortissimo written C, Db, both missed the Db.
All the other times I've used horn key signatures I had no problems. I suppose I overreacted when I swore off of them for good. RH ----- Original Message ----- From: "Aaron Sherber" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Sent: Monday, February 23, 2004 9:41 AM Subject: Re: [Finale] Re: Horns and signatures > At 09:06 AM 2/23/2004, David H. Bailey wrote: > >Since we can't change the huge number of key-signature-less orchestral > >music, we can't completely eliminate such literature, but I agree that > >horn players should be able to read key signatures easily. > > I'm sure you'll hear from the still-active horn players on this list as > well (I stopped playing several years ago), but horn players *are* able to > read key signatures easily. No horn player receives a special education > that somehow leaves out key signatures, and no horn player was ever thrown > for a loop by a bunch of sharps or flats at the begnning of each system. > > Aaron. > > _______________________________________________ > Finale mailing list > [EMAIL PROTECTED] > http://lists.shsu.edu/mailman/listinfo/finale _______________________________________________ Finale mailing list [EMAIL PROTECTED] http://lists.shsu.edu/mailman/listinfo/finale
