OK, folks,
Debussy (in pieces like "Maid with the Flaxon Hair") uses a cadence that would be F/G (F major in the right hand, G in the bass) to the tonic in C Major. Is that plagal or authentic? Is the F/G chord a V11? How would Schenkerian scholars view it?
I love the falling fourth ("Hey, Jude" and Lasso's "Bonjour mon coeur"). Strong progressions but no leading tone. I suppose they are considered modal.
Hal -- Harold Owen 2830 Emerald St., Eugene, OR 97403 mailto:[EMAIL PROTECTED] Visit my web site at: http://uoregon.edu/~hjowen FAX: (509) 461-3608 _______________________________________________ Finale mailing list [EMAIL PROTECTED] http://lists.shsu.edu/mailman/listinfo/finale
